Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Green cotton drill long sleeved army work dress shirt featuring epaulettes and two button down breast pockets. a light green manufacturer's label is sewn onto the inside of the shirt's neck. Shirt is closed with six buttons.Printed on manufacturer's label: 'illegible, SIZE 40/89, illegible, SERVICE NO., NAME'.army chaplain, uniform, major thomas b. williams

Commonly called "Greens", issued to Wayne Forbes 3176337 1 Field Sqd RAE. Refer Cat No 754 for service history also 2586. Set of green work clothes. .1) Long sleeved green shirt with button down epaulettes & 2 breast pockets. .2) Green trousers, adjustable waist, 2 back pockets, 2 side pockets, 2 thigh pocketswork dress, greens

Small, oval head and shoulder portrait of a man wearing a jacket, shirt and double breasted, spotted waistcoat. The oval is raised. Photographer's name and address on the front. On the pink back are some awards won at exhibitions in 1872- and 1873-4. No. 26005.Bardwell, Ballaratphotograph, portrait, male, portrait of a man, bardwell

PHOTOGRAPH OF 2008 Melbourne all junior silver swimming, medal Labels on Front: 2006 2007 2008 Melbourne All Junior Silver Medals 3 years in a row 2009 Vic Country 11yrs 50m Breast Bronze Medallistrecreations, sports, swimming

Sunshine High School existed in its own right from 1955 to 1991. During the early years the wearing of 'correct' uniforms was strictly enforced. Girls had to wear hats and boys had to wear caps as part of the uniform when outside the school grounds, or else they risked detention if caught without head wear by a Prefect. The boys therefore always had a rolled up cap in the back pocket to quickly slip on whenever there was danger of being nabbed by a Prefect. The girls had a winter uniform, which included thick beige stockings and a maroon blazer, and a summer frock in which they could be relatively cool during hot days. The boys had to wear their double breasted grey suits all year, with a jumper under the jacket in cold weather. The boys were supposedly being groomed as gentlemen, and so even during hot conditions were not allowed to remove their suit jackets in the class room. On about two very hot afternoons a year, the headmaster removed his jacket and so allowed the boys to do likewise. With single breasted suits becoming fashionable, it became difficult to find double breasted grey suits in the wide range of sizes required by students. In about late 1960 or early 1961 the uniform rules for boys were changed to enable them to wear single breasted grey suits. They still however were not allowed to remove their jackets in class on hot days. Over the years the rules for the wearing of uniforms were relaxed and in the late 1970's students were wearing either uniforms, or parts of uniforms, or their normal clothing. The wearing of uniforms at Sunshine High School eventually died out well before the School vacated the buildings on Ballarat Road, and amalgamated with other local secondary schools to form the Sunshine College.The three items of clothing, although not a complete uniform set, serve as a reminder of the summer and winter uniforms, as well as the colours, that were worn by the girls at Sunshine High School during the early years. The jumper is identical in appearance to that worn by the boys and so it is not difficult to imagine how a male Sunshine High School student would look like with a grey suit and that type of jumper.THREE ITEMS of girls uniform from the no longer existing SUNSHINE HIGH SCHOOL are individually displayed here. The items being: (1) Beige with maroon print cotton summer frock. (2) Maroon polyester/wool winter tunic. (3) Maroon V-necked wool/nylon jumper with light blue and gold coloured stripes around the cuffs and the neck.Ecole brand winter tunic. Buxwear brand summer frock of Style S289. M.G.Magree brand jumper.sunshine high school, uniform, frock, tunic, jumper, girls school uniform, maroon uniform

This jacket is part of an official uniform by Sister Danson (VFX151507) during the British presence in Japan following the end of the Second World War. About 16,000 Australians served in the British Commonwealth Occupation Forces, including 130 from the Australian General Hospital with whom Sister Danson presumably served. Sister Danson was born in Numurkah and served as Leiutentant with the Heidelberg Military Hospital before embarking for Japan in 1947.One grey linen single 3 button breasted coat. 2 button pocket. 2 buttons on each sleeve. 2 shoulder flash buttons with 2 pips on each. 2 Australia 1 occupation forces lapel. Shoulder pads 10 moth holesmilitary, british commonwealth occupational forces, sidter danson, vfx151507, ww2, wwii, world war two, world war ii, world war 2, second world war, australian general hospital, heidelberg military hospital

This dress was possibly manufactured by a local seamstress in the period circa early 1900.The quality of the dress suggests that the lady who wore it was from middle to upper range of the socio-economic structure within the Kiewa ValleyHistorically this item dating in the early 1900s was made by a very competent seamstress (lack of manufacturer's label). It demonstrates that the conditions of relative isolation within the Kiewa Valley was not extreme and that local manufacture of clothing items were available and at a very high level of quality. This item demonstrates that the hand made era was alive and an essential part of community/social adhesion within the valley.Beige knitted dress, sleeveless ladies pin weaved running from waist to bottom. Fine pin weave from bust to waist. Two mother of pearl buttons fastening opening front neck 11cm from neck to upper breastno manufacturer's label suggesting manufacturer was a very talented local seamstress costume, woollen, knitted, dress, female clothing

Navy cotton, white pinstripe. Straight cut, short set-in sleeves, patch pocket on left breast. Front closure to midriff with two black four-hole buttons. Soft shirt-style collar. Shirt tail longer than front.Nonecostume, sunbury asylum, george evans collection

On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. This Suit Jacket was tailored from fabric designed by Nino while he was working at the Foster Valley Mill. Nino developed a Mastercard such as w8043, which was sent to a mill in order to produce bolts of the desired fabrics w8044. These fabrics were then given to tailors where the final product was produced, such as this Suit Jacket.Single breasted suit jack with two buttons and notched lapel. Jacket is predominantly grey with black buttons and a silver silk interior lining. Four darker grey vertical and horizontal lines make up the design of the fabric on the exterior of the suit jacket. suit jacket, weaved, tailored

1974 Commonwealth Games jacket - New Zealand. Bright red single breasted wool blazer. Front opening fastened with three 1.7 cm red plastic buttons. Four external front pockets with fold over rectangular flaps. Two breast pockets 11 cm X14cm. LHS breast pocket has white embroidered square emblem with letters N2 in each corner. Two below waist pockets 22 cm X 16 cm. Body of blazer lined with red satin. Two internal pockets in the lining with slit openings. Blazer has centre back 32 cm vent from hem and half belt (fabric) 31 cm X 5.5 cm across centre back above the vent.Long straight sleeves are lined with white satin and have 7.5 cm vents at wrist with two decorative 1.5 cm red plastic buttons. Hanging tape at inside back of neck.Labels inside RHS front ''SABRE'', another Granui product. Made in N2'' ''42'' ''Pure Virgin Wool'' ''XTH British Commonwealth Games 1974''. ''Monaghan'' written on lining of RH sleeve (Pen).costume, male, bright red jacket

Standard dress uniform jacket for soldiers.Khaki coloured single breasted jacket fastened with four centre plastic buttons and a belt. Belt attached to jacket on back via two leather loops buttoned around a fabric loop. Jacket carries two breast pockets on exterior with flap, each fastened with single plastic button and two metal press studs. Two hip pockets with flaps, unfastened. Interior is lined with synthetic fabric; one interior chest pocket on the left hand side underneath which is a manufacturers label (transcribed below). Small square paper tag sewn into left jacket interior (transcribed below).Interior label reads "E.W. P/LTD./SOUTH AUSTRALIA/1968/[broad arrow symbol]/SIZE 36 SHORT/CLASS 8406/66-019-8479/ARMY No./NAME/DRY CLEAN ONLY./REPRESS USING IRON AND DAMP CLOTH OR MEDIUM TO HOT STEAM IRON./CREASE UPPER HALF OF LAPELS ONLY." Written on the label is handwritten text "J.V." And "12/0L/0/67." Stamped in purple ink "BATCH No./385." Paper tag reads "62000/LOT 12 36S/GLOBE6/67."military, uniform, vietnam war, 1960s, dress uniform, beechworth, returned services league

Refers to the service of "WO2 Tommy Pattison". Refer Cat No 5342.41. & 2. Jungle green Australian Army shirts. They have two breast pockets that shut with one button. They are long sleeved. On each sleeve is the crown, cloth badge of Rank for a Warrant Officer Class Two. The fronts both have six buttons.1. The Manufacturer marks are = “AGCF. Victoria 1981” 2. The Manufacturer marks are = “Fairmark. Vic 1982”australian army, uniforms', wo2 tommy pattison.

Greatcoat - Khaki colour, woollen fabric with attached half belt. Inside pockets and lining to sleeves - beige colour cotton fabric. Buttons - Bakelite and plastic, dark brown, light brown, single breasted. Maker's label inside back below collar On Maker's label, black pvout on cotton fabric " REGIMEntal No...../ NAME/ V91/ MADE IN AUSTRALIA/SIZE/1943/D.S."uniform, ww11, australian army

The Uebergang family came from Silesia to Australia in 1848 and were early settlers in the Allansford area. The sons and other descendants also purchased farms in the area. The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992 after which the property was sold. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. The collection of items from their property was put into store for a number of years before being given into the care of the Cheese World Museum. The family often re-used, recycled and repaired items and examples can be seen in the museum. This photograph is part of the collection of items given into the care of the Cheese World Museum. Studio portrait of Ray and Joyce Uebergang standing in front of the draped curtain. Joyce is wearing a floral dress and long coat with matching hat. She has a handbag over her left arm and is carrying gloves. Ray is wearing a double-breasted suit.Ray and Joyce Uebergang (on reverse)allansford, uebergang, tooram park, ray uebergang, joyce uebergang

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Black woollen long sleeved unlined shirt-waist dress with a side zip, three fabric covered button and two breast pockets. The dress has a collar and has two box pleats at the front and back. It has a white cotton lining at the neck.presbyterian deaconess, deaconess hilda elizabeth foster

Army Jacket, Khaki Drill O.A, 1949 pattern, Two plastic buttons, Three Seargant Cheverons, Red Air force wings flash, Two large breast pockets, Two large lower pockets, Waiste belt with brass buckle attatched,

HEWSTON, RAYMOND ERNEST, VX64672 Date of Enlistment, 19 October 1941, Age 31 Years, Date of Discharge 27 March 1946, Rank of PRIVATE, 8 AUSTRALIAN INFANTRY BATTALLION. Refer Cat No 2891.4Great Coat - Khaki colour woolen fabric with attached half belt. Inside pockets and lining to sleeves - beige colour cotton fabric. Buttons - Bakelite, brown, single breasted. Australia shoulder epaulette badges. Makers label inside back below collarOn Maker's label, black pvoutow cotton fabric. " REGIMENTAL No...../ NAME/V458/MADE IN/ AUSTRALIA/ 1942/ SIZE."uniform, ww11

Navy blue wool blazer with gold braid at wrists and on the three pockets. Breast pocket has the embroidered emblem of the Methodist Girls Comradeship and there is an enamel MGC badge pinned to the left pale. The sleeves are lined with striped cotton fabric. The blazer is secured with three buttons.Labels inside: "ALL WOOK FABRIC BY Onkaparinga", "David Lack Pty Ltd MELBOURNE", "Blazer & Uniform specialists David Jack PTY LTD MELBOURNE SYDNEY NAME ... No ...", "WOOD"methodist girls' comradeship, uniform, methodist church of australasia

A steel manual breast drill with an attached curved flat plate at the top to apply pressure with the chest.. This plate is attached to the drill by a screw. A wooden handle turns the drill mechanism to operate it and a second wooden handle is to steady the operation. It was used for making cylindrical holes by rotation.drills, push drills, hand drills, tools, handtools, breast drills, woodworking tools

1. Battle Dress Jacket. Wool Khaki. It has Sgts Stripes, on each shoulder are cloth badges. 3 Div and Northern Victorian Rgt. The jacket has two breast pockets and a purpose made cloth belt. 2. Trousers Battle dress. Wool, khaki. Fly held shut with five buttons. Brown buttons hold belt loops. 3. Shirt, polyester. light Khaki. Long sleeve. Two breast pockets held shut with brown buttons. 4. Tie, light brown. 5. Hat, Khaki fur felt. It has a silver hat badge of 38 Battn - Motto HONOREM CUSTODITE.Inside shirt collar has letters. R.W. written in ink. Written in texta, inside leather band is: - Atkinson 2794820.38 bn, post ww2, cmf, passchendaele barracks trust

Stafford Ellinson suit: Brown striped single breasted men's suit jacket. Fine white striped fabric with tan satin lining. Two buttons on front opening. Breast pocket on LHS. Hip pockets on both sides.(Slit at centre back long sleeves with three decorative buttons at waist). RHS has double pocket. LHS has two inside pockets. Matching trousers 11400.258 & belt 11400.259. This suit was purchased by James Lerk in late 1981. He wore it frequently when he travelled around the world in 1986. He used it to advertise his home town of Bendigo.Label inside RHS, ''Stafford Ellinson''International Size 102Rcostume, male, men's suit jacket

Navy polo shirt with yellow triangular trim on each side of raglan sleeve seams - front and back.Seven cm yellow strips on each side seams from underarms. Yellow embroidery over right breast. ''100,000 ounces 2011''. Yellow embroidery over left breast, ''FOSTERVILLE GOLD MINE''. Front opening fastened with three X 1 cm navy plastic buttons.New condition. Swing tags still attached. 1.Biz Collection: Style/Modele P7700 Colour/Couleur: NAVY/GOLD, Size/Taille: 2x6/27G Biz Collection. 2. Biz Cool - Description of fabricTwo labels inside neck at back !. ''Biz Collection'' 2. ''Mens 2XL/2TG. Made in China, Fabrique en Chinecostume, male, navy polo shirt

Issued as a uniform item post WWII until the late 1980s. It was also used parade dress until its replacement of a newly designed uniform made of polyester. This particular sample belonged to CPL K. Howe 3144504 whist in the Army Reserves 1982 to 2005The khaki battledress was standard uniform issued post world war two and used until the introduction of the polyester uniform in the late 1980s. This uniform belonged to CPL K. Howe, the donor providing good provenance. In conjunction with other items of militaria donated by the Howe family. Item can be to tell a story of multi generations of military service of the Howe familySingle breasted hip-height jacket in khaki fabric, fastened with five buttons down the centre of the chest. Two pleated breast pockets with triangular flaps fastened with two buttons. All buttons plastic and khaki green in colour. Jacket is fastened around the hips with a belt, attached on left hand side and buckled in a rectangular metal buckle on right hand side. Both left and right sleeves bear two patches, a double chevron and red rectangular patch rounded to follow the seam of the shoulder, with embroidered text. Navy lanyard looped around right shoulder, held in place by epaulet and tucked into right side pocket. Red patch reads "ROYAL AUSTRALIAN ENGINEERS" Internal left chest label reads "A.G.C.F./VIC. 1981/[broad arrow symbol]/6405.66.025.6408/SIZE OF CHEST/SIZE 99-102R/MACQUARIE 80/BATCH J/DRY CLEAN ONLY/CREASE UPPER/HALF OF/LAPELS ONLY/No. 3144504 [handwritten]/NAME/CPL K. HOWE [handwritten]"jacket, battledress jacket, battledress jacket khaki, royal engineers

Blazer, Australian Swimming Championships. Navy blue single breasted wool blazer fastened with three 2 cm metal buttons. Three external front pockets. Breast pocket on LHS (14 cm X 15.5 cm) embroidered. (See Markings/Inscriptions). Two below waist side pockets 17.7 cms X 19 cms. Two inside pockets in the lining with 15cm zip fasteners and one with slit opening. Centre back slit (21cm) . Long straight sleeves with 1.5 cm metal buttons at wrist. Body of blazer lined with navy satin, sleeves lined with cream self-stripe satin. Padded shoulders. Metal tie pin in lapel - rectangular shaped pin 2 cm X 1 cm with Olympic Rings and gold coloured kangaroo on top. Full size 6cm X 2 cm.Front LHS breast pocket - Embroidery A.S.C Tokyo 1964: Mexico 1968: Munich 1972. Also embroidered Kangaroo, Boomerang with "Australia''on it Olympic Rings.Label 1. Inside back collar; '' The Home of Better Suits'' ''Ashmans'' Hargreaves St Bendigo. Label 2. On inside pocket on RHS, ''Ashmans Hargreaves St Bendigo. This garment is the work of skilled hand- craftsmen''. Label 3. Inside the inside pocket, '' Ashmans Hargreaves St Bendigo the home of better suits'', A.Monaghan 6041 4/6/68. Two documents found in pocket, a. Hong Kong Itinery from Dragon Tours Co Ltd 21 Aug - 23 Aug. B. Hong Kong Hilton receipt Paid 23 August 1980, 133 Monaghan A, visible in carbon print.costume, male, navy blazer

Robert Charles Roberts No 3200 RAAF. Enlisted 17.1.1938, Rose to the rank of T/Sgt LAC 1.11.1939, transfer to Aircrew 26.11.1940, commissioned 29.7.1941, embarked for Canada 15.9.1941 then UK, posted to 455 Sqd (UK) 24.2.1942. Reported missing 10.4.1942 then presumed dead 11.4.1942.Coloured photo, cream background., head & shoulders portrait of Robert Charles ROBERTS in RAAF uniform. Peaked cap, white shirt & tie, Air Force wings badge on L breast. Brown wooden frame with gold trim, glass front, fawn cardboard backing.In black texta on back: Lyn Harrisonphotographs, raaf, framed