Ballarat Vintage Tramway sales poster for use in trams, roof ad., laminated fawn coloured sheet, single sided, advertising sales items and display cases - backed onto heavy cardboard which was part of a former or older sales poster, in particular post cards, button badges, and car sticker. Old poster was orange colour - has been cut on one side. Post card of tram 26, and 27/38, most ripped off. Half car sticker and overlays of price changes. Has holes where button badges were placed. Images added 20-12-2016.trams, tramways, btps, posters, roof ads, sales

Ballarat Vintage tramway sales poster for use in tram roof ads - laminated fawn coloured sheets, advertising sales items and display cases - backed onto heavy cardboard, orange coloured - underside would have been a poster for other older sales items. Image added 20-12-2016.trams, tramways, btps, posters, sales, roof ads

Ballarat Vintage Tramway 'Welcome Aboard' poster for use in trams roof ad racks. Laminated fawn colour sheets, welcoming passengers aboard. Backed onto a former sales poster (button badge sheet - wire on rear and holes for badges) orange coloured. Second copy added 10/06/06 - glued and stapled onto cardboard back with an extension at the bottom to fit into roof racks. Image added 20-12-2016.trams, tramways, btps, posters, roof ads, welcome aboard

A5 sized sheet of paper, printed to act as the BTPS "Museum Journal", recording sales revenue, donations and cash summary sheet collected from the sales and any donations (cash) at the depot. Printed in green ink, has summaries for sales, donations, cash and details of tickets (used to record donations). On rear is one half of a old BTPS trip way bill, right half only, with tickets denominations 10c and 5c, lettered in bottom right hand corner Form T1-5M. Printed in Black ink.trams, tramways, btps, forms, museum journal, trip waybills

The article provides historical and then current information about the Ballarat system, including operations and car details. The author notes the assistance of Inspection James. Features a photo of an electric tram towing a well loaded horse tram trailer in Sturt St.Gives a short history of Ballarat's tramways.Photocopy of an article written by Wal Jack for the November 25, 1939 issue of Transportation on page 28, titled "Ballarat Electric Tramways, Past and Present". trams, tramways, ballarat, wal jack, articles, transportation

Set of ten colour photos with title photo of Begonias, in a strip suitable for posting in an envelope of views of the Ballarat Botanic Gardens and Lake Wendouree. Made by Colorscans of 123 Dover St. Richmond. Folded so that they form a group that could be posted in a standard envelope. Has a note on the area on a small folding strip at the top. On the inside of the strip: 1. Statue Pomona and Begonia House in the Botanic Gardens 2. The Sarah George Ferry on Lake Wendouree 3. Lake Lodge at dusk 4. Adam Lindsay Gordon's Cottage, Botanic Gardens 5. The Prime Ministers Avenue, Botanic Gardens On the rear 1. Title photo set with Begonias in the Botanic Gardens 2. Vintage tram on the Botanic Gardens Tourist Tramway (No. 27 - in SEC colour scheme with Tram Rides sign). 3. Benzonis 'Flight from Pompeii' 4. Wishing Well in the Botanic Gardens 5. Black swans on the Lake 6. The Mosaic crown at the Shell House (By C.A. Pickford) Photographs by George Hurdes. See Tram 27 repainted by Museum to a different colour scheme in 1983/84. trams, tramways, lake wendouree, wendouree parade, botanical gardens

Photocopy of 'State Electricity Commission of Victoria / Ballarat Electricity Supply and Tramways / Rules Governing Depot Employees' consisting four pages. 2440 - Copy of original document on heat sensitive photocopy foolscap size paper - Photostatted. 2440 - copy - copy from above on toner printed photocopy and reduced to A4 size - made June 2003 by Alan Bradley. Document details General rules such as hours of duty, fire, accidents behaviour; Depot Operation - Safety Rules detailing many procedural rules about work safety on trams. The 5th page details rules governing track repair employees, such as safety, breaking of rail circuits and use of bitumen boilers. See Also Reg Item 3705 for an earlier version. 2nd copy added 12/5/2021 - original copy. Scanned and added.trams, tramways, sec, safety, depot, rules, instructions

Has a strong association with the activities of the Ballarat Tramway Preservation Society and its sales activities during the early 1980's. Features tram 38.Glass - drinking - with gold rim and gold decoration, approx. 115mm high. Features tram 38 on one side with the words "Ballarat Tourist Tramway" under and on the other side a brief story of Ballarat Tramways. Made by C.R. Hose Cheltenham for the Ballarat Tramway Preservation Society. Two copies held.trams, tramways, btps, crockery, glassware

Scallop boats in Port Phillip.Re-floated scallop boat PORTARLINGTON4 x B&W photos of re-floated scallop boat PORTARLINGTON's at Queenscliffe Creek.Reverse " see each photo for details. "history, scallop boats, re-floated sunken boats

Has the final SECV (1990's) "sun rays" logo and the statement "You've got a friend at the SEC". The reference gives information on the revival of the SECV as a State Government entity in 2023.Demonstrates SECV stationary and gifts.Plastic biro or pen consisting of outside holder with button to engage with the metal ink container and spring and screwed base that contains the moveable part. Coloured externally black and white. Has the logo of the State Electricity Commission (1980's, 1990s"). Brass ink container marked with a swan, Orthello Germany. Would have been made with a pocket clip, this has broken off.secv, power supply, pens, souvenirs, btm

A4 size paper used by BTPS Ltd as letterhead for period 1980 to 1995. Has drawing of No. 31 in top left hand corner, organisation name and address in top, and "Ballarat Vintage Tramway" on base printed in green ink Watermark "Plus Fabric". trams, tramways, btps, ballarat vintage tramway, letterhead, letters

The Sunbury Leisure Centre in Elizabeth Drive was built as a community learning and activity centre for many local groups in Sunbury. It was completed in 1980 and officially opened on 25th February 1981 by the Premier of Victoria Hon. R.J.Hamer The Sunbury Leisure Centre is an important meeting place for many community groups in Sunbury.A black and white photograph of a large brick building, surrounded by a garden bed with low growing shrubs. An extensive car parking area is in front of it with four cars parked outside the building. sunbury leisure centre, elizabeth drive

Town Hall Milk Bar - Plastic Lunch Bagstawell

"Browse In” Shop Signstawell

Copy negative by Ken Hall from a c1933 City of Camberwell brochure. The original appears to have had a crease mark across it as this is evident on both copies.Black and white photo of the First World War memorial erected on the high point in Beckett Park, Balwyn. Taken with the memorial in the foreground and looking to the south-west. The Australian flag is flying on top of the monument and in the background are rows of trees dividing largely clear land.On the rear: Copy 1: "1153 Repeat of No 164" in top left hand corner in lead pencil in Jocelyn Hall's hand. Copy 2: "1153 Repeat of No 164" in top left hand corner in lead pencil in Jocelyn Hall's hand and "Soldiers War Memorial / Beckett Park / Erected 1918" in blue biro centre right.first world war, war memorial, beckett park

Originating in New Zealand, the Drysdale, represented by Bilby Bill, was developed in the 1930s at Massey University (Canterbury) by crossing a coarse haired Romney and the hardy Cheviot breed. First imported to Australia in 1975, the Drysdale, due to a genetic abnormality, produces coarse, long staple fleece. This same gene also gives them their horns, something that generally does not occur in the parent breeds. Their fleece grows very fast, up to 25cm every six months; as such shearing is carried out twice a year. The coarse and hard wearing wool is mostly used for the manufacture of carpets. The Drysdale is a medium to large stocky sheep, weighing approximately 55kg and produces about 6 to 8kg of fleece per animal annually, which is 35 to 45 microns in diameter. The yarn used on the National Wool Museum’s Axminster Gripper Loom to make the Manor House Rug is spun from the wool of Drysdale sheep.Taxidermied male Drysdale sheep. Medium sized animal with white body coloration. Large horns protruding from the top of the skull. drysdale, sheep, new zealand

The success of any flock is through the strength of its females and Blossom, a Border Leicester/Merino Cross ewe is an excellent example. Border Leicester rams are mated with Merino ewes to produce fat lamb mothers. These first cross ewes are mated with meat sheep, such as Dorsets to produce hybrids that pass on quality wool characteristics to their offspring. The Border Leicester/Merino crosses produce good quantities of wool which, despite being of stronger micron than most Merino fleece wool (34 to 38 microns), is still in demand in the marketplace. The Border Leicester sheep takes its name from the border country between England and Scotland, the area in which the breed was first developed in the late 18th century.Border Leicester/Merino Cross ewe. Long body with white fleece. The nose is black and she has large ears, upright and alert. The head and legs are free of wool.drysdale, sheep, new zealand

The ‘Wanganella’ merino sheep stud was established by the Peppin brothers in the Riverina in 1861. The introduction of a single French ‘Rambouillet’ Merino ram, called Emperor, is now widely acknowledged as one of the most important events in the development of the Peppin stud. As many as 70% of today’s Australian Merinos are said to be directly descended from the Peppin-developed sheep. Its heavy fleece falls in the mid-range of Merino wool qualities (20 to 23 microns) and is protected from the excesses of the environment by a comparatively high content of natural wool grease, which can be seen in the creamy colour of Booka’s wool. Fred Peppin said [of the sheep breed] "We were satisfied with the type of wool that the country would grow, instead of endeavouring to produce what the climate and soil continually fight against. Thus we developed all its good natural tendencies and after that the flock had a character of its own.”Peppin merino stud. Has a large body and long legs. Two horns protruding from its skull.sheep, wanganella

The Polwarth is the first new breed of sheep developed in Australia for Australian conditions. 75% Merino and 25% Lincoln, the fleece is white, soft and high yielding, and is resistant to fleece rot. A dual purpose breed, the Polwarth produces fine wool as well as a quality carcass that is particularly lean and well suited to lamb and mutton. A large breed of sheep, mature ewes generally reach 50 to 60kg, while the mature rams, like Mr Polwarth, typically weigh in at 66 to 80kg. This breed has approximately 7kg of fleece per animal which is 23 to 25 microns. The Polwarth was bred to the west of Geelong at Tarndwarncoort Station, just outside of Colac, in the state electorate of Polwarth. Settled by the Dennis family in 1840, the station is still owned by the same family and they still breed Polwarth sheep.Polwarth ram sheep. Has a medium size body and short legs with white fleece covering his eyes. sheep, polwarth

The South Australian Merino has been developed to perform well in the more arid, pastoral environments found in areas of South Australia, Western Australia, Queensland and New South Wales. Goliath has greasier wool which protects the fibre in adverse weather conditions. His wool is generally the strongest of the Australian Merinos, from 22 microns and upwards. Record Merino prices peaked in the 1980s when a Merino ram secured $450 000 at the 1989 Royal Adelaide Show ram sales. The ram was from the Collinsville Merino Stud which had also set sales records in the preceding two years; records that have never been beaten.  South Australian Merino ram. Large size body and short legs with white fleece. sheep, south australia

The Corriedale was developed both in Australia and New Zealand in the late 1800s and, after the Merino, is Australia’s second most prolific breed. 50% Merino and 50% Lincoln, the breed produces thick, stapled wool which is ideal for hand spun items. Its crimped fleece is long, medium fine and high yielding. Preferring colder, high rainfall climates, the Corriedale’s black feet provide some protection against footrot in damp conditions. Australasia’s largest breed, mature ewes generally weigh between 59 to 82 kg, while a mature ram like Stanbury Jacko may typically weigh between 79 to 125 kg. This breed has approximately 7.7kg of fleece per animal, averaging 24 to 32 microns.Corriedale ram. Medium size body and short legs with white fleece. sheep, south australia, corriedale

The Saxon Merino, as can be seen with Sir Lindsay, is physically the smallest of the Merino strains, cutting the lowest weight of wool (3-6kg); however, the Saxon Merino is without peer in the quality of fine wool produced (14 to 18 microns). This wool is prized by the textile industry, producing the highest quality cloth resulting in strong financial returns. The Saxon Merino was first imported into Australia by Eliza Forlonge. She and her family didn’t even live in Australia when she travelled to Germany to select prime Saxon sheep in preparation for her move to Tasmania in 1830. In doing so she played a fundamental role in developing Australia’s fine-wool industry.A Saxon Merino stud. Small size body and short legs with white fleece. Two horns protruding from skull. sheep, south australia, corriedale

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby.Stoneware bowl with flange. Glazed in white matt crackle with a faint copper red tint. Dry black glazed rim. Gift of the artist.Robin Welch stamped on baseceramics, robin welch, gippsland, gppsland campus, jan feder memorial ceramics collection

Alan PEASCOD (1943-2007). Born England. Arrived Australia 1952. Alan Peascod was one of Australia’s most highly acclaimed ceramic artists. For over 35 years his work has been at the forefront of the Australian ceramics movement, developing radical techniques previously unexplored with his developments in unusual glazes and firing methods. His creative repertoire includes dry glazed vessels, alkaline glazes, majolica, saturated metals, and many post firing finishes. Alan's work with the very difficult reduced lustre technique is highly regarded. He was taught the method by Professor Said El Sadr in Cairo, Egypt in 1972 and this led to lifelong research of the technique throughout the Middle East and Europe. His work in the field led to the completion of his doctoral studies at the University of Wollongong in 1994. This study also led to satirical figurative sculpture themes dealing with the human condition. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Blue and green dry glaze bottle. alan peascod, ceramics, gippsland, jan feder memorial ceramics collection, gippsland campus, visiting artist

Wheel thrown reduction-fired stoneware with feldspar hoc crackle and tenmoku glaze. This collection of work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there. The reduction fired stoneware includes feldspathic crackle and Tenmoui glazes. ceramics, jan feder, jan feder memorial ceramics collection, churchill, gippsland campus, stoneware

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Small framed paintingart, artwork, neville bunning, abstract