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Ballarat Heritage Services
Photograph - Photograph - Black and White, B.E. Minns, Horses Taking a Break by B.E. Minns
B. E. MINNS (17 Nov 1864-21 Feb 1937) Born Newcastle, New South Wales Died: 21 Feb 1937, Sydney, New South Wales Benjamin Edwin Minns was the Foundation President of the Australian Watercolour Institute. Framed etching of two horses.signed lower right "B.E. Minns"b.e. minns, etching horses, horse -
Gippsland Art Gallery
Print, Power, Vanessa (Ness), At Peace with Transience, 2015
Donated by the artist, 2015Copper-plate etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Rees, Lloyd, Northwood Point, Lane Cove River, 1978
Donated from the estate of Patricia Marie White, 2013Soft-ground etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Rees, Lloyd, Tasmanian Mountain, 1977
Purchased with the assistance of John Leslie OBE, 2015Soft-ground etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Ryan, Karin, An Ancient Embrace, 2006
Purchased, 2019Copper-plate etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Salvatore, Maxine, Breathless, 2015
Donated by the artist, 2015Photo-polymer etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Schmeisser, Jorg, Hydra, 1974
Donated from the estate of Patricia Marie White, 2013Two-plate etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Irving, Tony, Wet Afternoon, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Four-colour etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Kline, Gillian, The Night has a Thousand Eyes, 2015
Donated by the artist, 2015Copper plate etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Dunlop, Brian, Untitled (Girl Resting in a Wicker Sofa), 1984
Donated from the estate of Patricia Marie White, 2013Intaglio etching and aquatint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Fabijanska, Kasia, Two Trees, 2016
Purchased, 2017Etching, aquatint and pigment on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Fullard, Alison (Ali), 4am Out the Window, 2013
Donated by Freestone Press, 2016Photo-etching and drypoint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Macpherson, Adelaide, Land & Water - Lakes, 2018
Purchased, 2019White ground etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Macpherson, Adelaide, Of Birds & Boats, Shaving Point, 2018
Purchased, 2018White ground etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Untitled, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Roulette on copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Untitled, c.1981-84
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Softground copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1982
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Softground copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1980
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Softground copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Oblong Form, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Roulette on copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, The Source, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching and engraving on copper on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Wolseley, John, Remembering the Gold Embroidered Wings II, 2006
Purchased with the assistance of Arts Victoria, 2006Hand-coloured etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Wright, John, Bush, 2017
Purchased, 2017Drypoint etching and watercolour on papergippsland, artwork, permanent collection -
Federation University Art Collection
Print, Gary Shinfield, 'Drop Tank' by Gary Shinfield, 2006
Gary SHINFIELD (29 July 1950- ) Born Sydney, New South Wales Printmaker Gary Shinfield is a teacher at The Northern Sydney Institute - TAFE, New South Wales. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition etching. Edition 4/40 Signed lower right side 'Gary Shinfield'art, artwork, gary shinfield, printmaking -
Federation University Art Collection
Artwork - bookplate, Wim Zwiers, Ex Libris Edwin Jewell
framed bookplate etching on paperbookplate, wim zweirs, edwin jewell -
Federation University Art Collection
Artwork - bookplate, Wim Zwiers, 'Ex Libris John Gartner' by Wim Zweirs
framed bookplate etching on paperbookplate, john gartner, etching, nude, wim zweirs, available framed bookplate, framed bookplate, keith wingrove memorial trust -
Federation University Art Collection
Artwork - bookplate, Ex Libris Keith Wingrove
framed bookplate, etching on paperbookplate, keith wingrove, nude -
Federation University Art Collection
Collograph, Untitled 1998, 1999
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition etching.art, artwork, nadine sherer -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, Etching by Graeme Drendel, 2011
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying a calf. graeme drendel, printmaking, calf, cow -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, 'The Ballad of Dr Scabie' by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching of a male doctor or surgeon. graeme drendel, printmaking, doctor, surgeon -
Federation University Art Collection
Work on paper, [Footware] by Joyce Nowrungal, 2008
Etching of a high healed shoejoyce nowrungal, gippsland art collection