Index, bibliography, notes, ill, maps, p.528.non-fictionhis sequel to D-DAY opens at 00:01 hours, June 7, 1944 on the Normandy Beaches and ends at 02:45 hours, May 7, 1945. In between comes the battles in the hedgerows of Normandy, the breakout of Saint-Lo, the Falaise gap, Patton tearing through France, the liberation of Paris, the attempt to leap the Rhine in operation Market-Garden, the near-miraculous German recovery, the battles around Metz and in the Huertgen Forest, the Battle of the Bulge, the capture of the bridge at Remagen and, finally, the overunning of Germany. From the enlisted men and junior officers, Ambrose draws on hundreds of interviews and oral histories from those on both sides of the war. The experience of these citizen soldiers reveals the ordinary sufferings and hardships of war. They overcame their fear and inexperience, the mistakes of their high command and their enemy to win the war. operation overlord, world war 1939-1945 - campaigns - europe

Ill, p.339.non-fictionThis book uses first hand accounts, published memoirs and contemporary diaries and letters to to create a vivid picture of the chaos and fear, and bears witness to the courage, spirit and good humour of those who survived the Blitz london - bombardment - 1939-1945, world war 1939-1945 -personal narratives - britain

Ill, p.244.non-fictionDon Charlwood was born in Melbourne in 1915. Accepted as a RAF navigator in 1940, he was posted to 103 Squadron at Elsham Wolds in the winter of 1942. There he crewed up with a pilot from Western Australia and a British crew to fly a Lancaster bomber. In No Moon Tonight he gives a profound insight into the inner lives of the men of Bomber Command and their hopes and fears in the face of mounting losses. He depicts the appalling human cost of the air war in an account which has been favorably compared to other enduring memoirs of the 1st World War, namely Sassoon's Memoirs of an Infantry Officer and Remarque's All Quiet on the Western Front. A memorable first hand account of the air war over Germany.world war 1939-1945 - aerial operations - britain, world war 1939-1945 - personal narratives - australia

p.275.non-fictionLawson Glassop a survivor of Tobruk, reveals the personal anguish, the fear and bravery - the humaneness - of the Australian soldiers who took part in the siege, as they strove to maintain dignity amid chaos. Above all, he captures their spirit of grim determination as they fought against great odds and in bloody battles.world war 1939 – 1945 – campaigns – north africa, siege of tobruk

Index, ill (b/w plates), maps, p.276.non-fictionThe author has travelled in Nepal and met many Gurkhas to investigate the background to their traditional service to Britain and the threat that this is now under. He recounts famous battles when they collected VC's and earned admiration.great britain - army - history, ghurkha soldiers

Index, bibliography, notes, ill (b/w), p.348.From the 1930s through WWII to Afghanistan today, from total war to counterinsurgency, this history unravels and defines the intangible qualities that differentiate the "Sky Men" from other soldiers Seventy years ago the Parachute Regiment was formed - the army's elite air assault force was tough, well-trained, and designed to fight hazardous operations behind enemy lines with little or no backup. Dropping into the middle of enemy territory, these "Sky Men"- British, American, German, and Russian soldiers - engage in gruelling combat in the most dangerous conflict zones around the world. Ex-Parachute Regiment officer Robert Kershaw reveals the history of these airborne forces and their role during the most dramatic battles of the 20th century. He finds out what drives a "Sky Man" to take these extraordinary risks, and what marks these sky warriors out from ordinary soldiers. How do military paratroopers conquer the fear of jumping from aircraft at low level, by night, and frequently under fire? Has the helicopter replaced the need for parachutists in the 21st Century? Has the increasing lethality of anti-aircraft weapons made the airborne option redundant? These issues are examined alongside the personal experiences of the Soviet "Locust Warriors," German Fallschirmjäger, British Red Devils, American "devils in baggy-pants," and Les Paras. Based on letters, diaries, and exclusive interviews with soldiers from around the world, this book is full of vivid personalities and nail-biting action.great britain - history - military, great britain - parachute regiment

p.101fictionThe discovery of a barracks thief ruins the relationship between three soldiers. Suspicion supplants sympathy, fear of betrayal fosters alienationvietnamese war 1961-1975 - fiction, vitnamese conflict 1961-1975

Index, bibliography, notes, ill, maps, p.628.non-fictionThe Australian experience of war in all its complexity - from the homefront as well as the battlefront - as the men and women who experienced it chose to understand and remember it. The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac legend. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible. This book brings together all the dimensions of World War I. Combining deep scholarship with powerful storytelling, this book brings the war years to life: from the well-known battles at Gallipoli, Pozieres, Fromelles and Villers-Bretonneux, to the lesser known battles in Europe and the Middle East; from the ferocious debates over conscription to the disillusioning Paris peace conference and the devastating Spanish flu the soldiers brought home. We witness the fear and courage of tens of thousands of soldiers, grapple with the strategic nightmares confronting the commanders, and come to understand the impact on Australians at home and at the front of death on an unprecedented scale. A century after the Great War, this book brings lucid insight into the dramatic events, mass grief and political turmoil that makes the memory of this terrible war central to Australia's history.world war 1914-1918- australia - history, world war 1914-1918 - social conditions

Index, bibliography, notes, ill, p.361.non-fictionAfter 1933, as the brutal terror regime took hold, most of the two-thirds of Germans who had never voted for the Nazis - some 20 million people - tried to keep their heads down and protect their families. They moved to the country, or pretended to support the regime to avoid being denounced by neighbours, and tried to work out what was really happening in the Reich, surrounded as they were by Nazi propaganda and fake news. They lived in fear. Might they lose their jobs? Their homes? Their freedom? What would we have done in their place? Many ordinary Germans found the courage to resist, in the full knowledge that they could be sentenced to indefinite incarceration, torture or outright execution. Catrine Clay argues that it was a much greater number than was ever formally recorded: teachers, lawyers, factory and dock workers, housewives, shopkeepers, church members, trade unionists, army officers, aristocrats, Social Democrats, Socialists and Communists. germany - politics and government - 1933-1945, germany - anti nazi movements

Ill, maps, p.345.non-fictionKay Danes is no stranger to danger, having survived a terrifying 11-month hostage ordeal in communist Laos. In 2008, she faced her fears and embarked on a humanitarian aid mission to people devastated in war-torn Afghanistan. This powerful story will have you enthralled as you travel with Kay through Taliban strongholds and the remote wastelands of Al Qaeda terrorists. Her story provides a rare glimpse of places we may never visit and the courageous Afghan people determined to persevere against overwhelming odds.afghanistan - social conditions, afghanistan - personal recollections - kay danes

p.399.non-fictionNearly a million copies of Chickenhawk have been sold since it was first published in 1983. Now with a new afterword and photos from the author, this straight-from-the-shoulder account tells the truth about the helicopter war in Vietnam, and a personal story of men under fire. Robert Mason, a veteran of more than one thousand combat missions, gives descriptions that cut to the heart of the combat experience: the fear and belligerence, the quiet insights and raging madness, the lasting friendships and sudden death -- the extreme emotions of a "chickenhawk" in constant danger.vietnam war - aerial operations, vietnam war - helicopter pilots - biography

Index, ill, maps, p.378.non-fictionBased on the notebooks in which Vasily Grossman gathered the raw material for his newspaper articles, A Writer at War depicts the crushing conditions on the Eastern Front during World War II and the lives and deaths of infantrymen, tank drivers, pilots, snipers, and civilians. Deemed unfit for service when the Germans invaded the Soviet Union in 1941, Grossman became a special correspondent for The Red Star, the Red Army newspaper. A portly novelist in his mid-thirties with no military experience, he was given a uniform and hastily taught how to use a pistol. Remarkably, he spent three of the next four years at the front, observing with a writer's eye the most pitiless fighting ever recorded.". "Grossman witnessed almost all the major events on the Eastern Front: the appalling defeats and desperate retreats of 1941, the defense of Moscow, and the fighting in the Ukraine. In August 1942 he was posted to Stalingrad, where he remained during four months of brutal street fighting. Grossman was present at the battle of Kursk (the largest tank engagement in history), and, as the Red Army advanced, he reached Berdichev, where his worst fears for his mother and other relatives were confirmed. A Jew himself, he undertook the faithful recording of Holocaust atrocities as their extent dawned. His report "The Hell of Treblinka" was used in evidence at the Nuremberg tribunalworld war 1939-1945 - campaigns - eastern europe, soviet union - german occupation - 1941-1944

Viet Nam was Australia's longest war. What was it really like for the 50,000 Australians who served between 1962 and 1972? Bullets, Beans and Bandages is a unique collection of impressions, reactions, feelings and fears - the often spellbinding personal experiences of Australians who saw active service in the Viet Nam War.vietnam war, 1961-1975 - participation, australian, vietnam veterans

The infamous horror stories of the U.S. military prison at Long Binh made it so feared that American soldiers preferred to face the Viet Cong rather than be sent there.vietnamese conflict , 1961-1975 - prisoners and prisons, prisons - vietnam - long binh (dong nai), 1961-1975 - personal narratives, american

Vietnam Fragments is a rare collection of impressions, reactions, feelings and fears - the often spell-bounding personal experiences of Australians who saw active service in the second Indo-China War. This was Australia's longest war.vietnam war, 1961-1975- personal narratives, australian, australian army, indochina

An account of the anti-Vietnam demonstration held in Washington in October 1967 that is 'also about the nature of politics and power, about why the Americans should and should not be in Vietnam, it's about anxiety, middle age and marriage...about the art of writing...' it's about action, totalilarianism, voilence, fear, boredom and all the facets of contemporary American schizophrenia. 1961 - 1975 - united states, 1961 - 1975, personal narratives, american, vietnam war, 1961-1975 - demonstrations-united states

Two days after Saigon fell to the communists, Hao Minh Truong walked along the path leading to the Tan Xuyen village council filled with fear. He had been there many times during his army service, but it was different now. This was no long a friendly place.vietnam war, 1961-1975 - biography, soldiers - vietnam - biography

For soldiers, the battlefield is a harsh and savage place. for the wounded and dying, it is an environment of extreme fear, however much their sense of themselves as soldiers demands they must not show it.nurses and nursing - australia - history - 20th century, military nursing - australia - history

There are stories of humour, of fear, of sadness: all told in their own individual way. 1961-1975 - aneaudio, cdotes, 1961-1975 - aerial operations, vietnam war, 1961-1975 - personal narratives

Chomsky and Herman have done a fine service for those seeking the truth about American imperialism. To progressive people in Australia, these volumes conform our worst fears of American foreign policy. These scholarly works contain serious implications for all Australians who are concerned with the direction of our own foreign policy.press - united states, indochina - history -1945, united states - foreign relations

Dispatches is about the nature of courage and its many perversions, about fear, about the codes of taste and honour.vietnam war, 1961-1975 - personal narratives

Dispatches is about the nature of courage and its many perversions, about fear, about the codes of taste and honour.vietnam war, 1961-1975 - personal narratives

Shrouded in mystery and feared throughout the world, very little is known about the Special Air Services - the soldier's soldier. special forces (military science) commando troops, vietnam

The WWII US civilian gas mask for children was issued in a cardboard box. It came with a canvas carrying bag which had a shoulder strap sewn to the sides. This US Civilian home front item was issued during World War two. Gas masks were distributed among the general population because of the fear of Japan, and even Germany, being able to reach the main landCardboard box containing child size rubber and metal gas mask with green canvass bagModel MIA2-1-1non-combatant child's gas mask, ww2

The first article describes the opinion of the British conductor Sir Malcolm Sargent to his visit to the Sydney Opera House. The second article, by Tony Pratt, discusses a possible boycott of Australian architects in competitions to be decided at the annual meeting of the International Union of Architects' International Contents Committee. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.sydney opera house, utzon, sydney opera house project, walsh st library

This book contains a collection of literary works written by William Shakespeare. Shakespeare was an English playwright, poet, and actor, widely esteemed as the foremost writer in the English language and the world's premier dramatist. Often hailed as England's national poet, his surviving works comprise around 39 plays, 154 sonnets, three lengthy narrative poems, and a handful of other verses, some of which are of uncertain authorship. His plays have been translated into every major living language and are staged more frequently than those of any other playwright. Shakespeare remains arguably the most influential figure in English literature, with his works persistently reinterpreted and reimagined. Ruyton Girls' School has a long tradition of awarding prizes to students at annual "Speech Night" events. Speech Night at Ruyton is an extraordinary occasion. It is a time when we gather to celebrate both the year just lived and the contribution of our Year 12 girls to the life of our School. It is a night of stirring student speeches, acknowledgement of student endeavour and excellence and awe-inspiring performances by School choirs and ensembles. The record has strong historic significance as it was awarded to a former notable student, Helen Gordon (maiden name Cole). Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. This historic significance is further enhanced by Ruyton's bygone "Shakespeare Night" tradition. A celebration of ‘culture’, and a chance to enjoy some ‘fun and games, cakes and ale’, were the motivation behind Ruyton’s annual Shakespeare Night party, led by longstanding Principal Miss Hilda Daniell. In her book, "The History of Ruyton 1878-1956", she describes how the yearly tradition began in 1915, just two years after she took over the role of Principal. That first Shakespeare Night, the senior girls and other guests gathered in the School’s chrysanthemum-filled dining room for music, games and supper. Such fun was had that the festivities became an annual event and was one of the coveted privileges of being one of Ruyton’s older girls. The Night was always held as close and possible to April 23rd, which is the date of William Shakespeare’s death, and the approximate date of his birth. Senior girls and some staff and parents would be invited to a party in the School. There, Shakespearean songs were sung, his poetry recited, and scenes from his plays were acted. Sometimes a competition was held to see who could recognise the largest number of quotations. In other years all the attendees would dress as Shakespearean characters. In a nod to a minor character from ‘A Midsummer Night’s Dream’, Senior teacher Miss Dorothy Derham famously came disguised as a lion one time, and no one knew who it was until she dramatically removed her mask at the end of the evening. Whatever the programme, the Night always drew to a close with a delicious supper that included a spectacular birthday cake especially in honour of the Bard. (Accompanying it may have been the ‘ale’ of Miss Daniell’s description, though of course it was presumably of the ginger rather than the alcoholic variety.) The evening was complete when ‘God Save the King’ and ‘Auld Lang Syne’ were sung. Shakespeare Night was held almost without interruption from 1915 to at least the mid 1950s. Only in 1919, with the threat of Spanish Flu, did the Night get cancelled. Later, fear of Japanese invasion in the Second World War years, and the consequent black-out restrictions, turned the ‘Night’ into an afternoon event. Thankfully, Miss Daniell notes, "from 1944 the programmes could be given as usual", though as we now know, it was a School tradition that eventually faded away. The record's significance is also supported by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Navy leather hardcover bound book with gold detailing on front cover and spine. 1,164 pages.Front Cover: R / RECTE ET FIDE LITER / RUYTON / Spine: SHAKESPEARE'S / COMPLETE / WORKS / OXFORD / Inside Cover: R / RECTE ET FIDE LITER / RUYTON / PRIZE / AWARDED TO / Helen Cole / FOR / Latin / VB / H. Daniell. / 9th Dec. 1949 / Katie Alsop Memorial Prize /ruyton girls' school, school, students, prize, speech night, poetry, lord tennyson, queen victoria, senior school, high school, ruyton, old ruytonians' association

Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground

Item acquired from Lakes Entrance boat builder/owner who sold it to the PFHLS in 2008. Oil bags were part of the lifeboat equipment. Only one other example known is at the Port Albert Maritime Museum The oil bag was used to put oil on the sea's surface, to inhibit spray, wave burst and fear for survivors transferring from the shipwreck to the lifeboat. This was essential, as the lifeboat would never come close to the wreck, to avoid the risk of being damaged itself. The item is rare, and a vital part of the lifeboat's rescue equipment. The technique probably generated the phrase "pour oil on troubled waters" textile (flax) bag, shaped like a tennis racquet cover, with a brass tube attached to bag. The tube has a series of very small circular holes (in lines) arranged along the length of the tube. These were to allow the light oil contained within the bag to be sucked from the bag by a venturi action. The bag has a light line attached to it to secure to the lifeboat when in use (by casting the bag into the sea).. no markingsno markingsoil bag