Showing 1712 items
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Friends of Ballarat Botanical Gardens History Group
Work on paper - Robert Fortune (1812-1880), Carolyn Blackman, "Empire of Flowers" in Australian Garden history, Vol.12 No.5 March/April 2001, C. March/April 2001
Robert Fortune introduced 190 species of Chinese plants to Britain and the West.This article gives a brief background to some of the plants originally from China, that can be seen in the Ballarat Botanical Gardens.2 pages of print in columns. The first page has three pictures of plants on the lefthand side with a floral background. The second page has a floral backround on the righthand side.Nonejohn garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, robert fortune, china, wisteria sinensis, azaleas, reeves collection, john reeves., john garner collection, gardens, ballarat -
Ringwood and District Historical Society
Photograph, Ringwood Horticultural Society-Ringwood Flower Show - 19 March 1959
Black and white photographWritten on back of photograph, "Mrs. Holloway and Mrs. Kinson admiring their non competitive display of floral art." -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Akubra Hat, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8135.1 - Straw Akubra style hat with Australian native floral printed band. The left hand side has a small hat pin that features the Australian flag with the Olympic rings underneath. 8135.2 - Straw Akubra style hat with Australian native floral printed band. Around the printed band on the right side of the hat is a tag with the hats details.8135.1 - on the inside - Akubra Olympian Made in Australia 8135.2 - on the inside - Akubra Olympian Made in Australia1992 barcelona olympics, sport, athletes, fashion, design, uniform -
Orbost & District Historical Society
cup and saucer
This was used at Dr Kerr's tennis court. Dr James Kerr visited Orbost on Govt vaccinating job and settled in Orbost the next year. He served in Orbost for 40 years travelling everywhere on horseback.Dr James Kerr was Orbost's first doctor.Cup and saucer set. White cup with delicate floral pattern. Large saucer with extra section for biscuit in same floral pattern has cut-out section on saucer/plate.Bottom - Victoria, Australiakerr-james crockery china cup saucer -
Bright & District Historical Society operating the Bright Museum
Saucer
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food dish, glazed with floral decoration. Handpainted on inside surface. Celadon background with floral design in colours, pink, green, white and brown with gold frosting on leaves.Chinese writing or maker’s stamp on base in orange ink / dye.chinese, gold, floral, goldfields, gios, tableware, glaze, porcelain, dish, buckland, celadon, handpainted -
Uniting Church Archives - Synod of Victoria
Book, Miller, J. R., D.D, The blessing of cheerfulness, n.d
“We are set in this world to be happy. We should not falter in our great task of happiness, nor move ever among our fellows with shadows on our face when we ought to have sunlight. “We have a mission to others — to add to their cheer. This we cannot do unless we have first learned the lesson of cheerfulness ourselves. We cannot teach what we do not know. We cannot give what we do not have. “In this little book a lesson is set for you, my reader. It may seem a hard lesson to learn; nevertheless, it is one you want to learn, and one you can learn, if you will surrender your life wholly to the great Teacher. – From the Preface by James Russell MillerPale green cover with gold embossed text and floral borders. Black floral decoration on the front cover. 62 pages. The book has a dedication inside and is signed by the members of the band.non-fiction“We are set in this world to be happy. We should not falter in our great task of happiness, nor move ever among our fellows with shadows on our face when we ought to have sunlight. “We have a mission to others — to add to their cheer. This we cannot do unless we have first learned the lesson of cheerfulness ourselves. We cannot teach what we do not know. We cannot give what we do not have. “In this little book a lesson is set for you, my reader. It may seem a hard lesson to learn; nevertheless, it is one you want to learn, and one you can learn, if you will surrender your life wholly to the great Teacher. – From the Preface by James Russell Millere. sprott, sydney road brunswick methodist church -
Mont De Lancey
Toiletries
From Mr. Clive HanlySet of Cashmere Bouquet toiletries - containing Face powder in round floral decorated container, Beauty soap - bath size (wrapped in paper), and two Talcum powders (in floral tins).toiletries, body soap, talcum powder, face powders -
Greensborough Historical Society
Accessory - Gloves, Child's gloves, 1960s
Child's white gloves. Owned by Dawn Petts of Greenhills who wore these to Sunday School at St Katherine's St Helena in the 1960s.White gloves with floral embroidery and small beads along wrist."Made in Japan. 100% nylon"purses, handbags, st katherine's church st helena -
Greensborough Historical Society
Domestic object - Cheese cover, 1950s
This china cover was part of a set used to store cheese. The base is missing,China cheese cover (base is missing), cream with floral decoration.crockery, cheese cover -
Glenelg Shire Council Cultural Collection
Leisure object - CUP - From Childs Tea Set, n.d
White china cup, gold lustre trim and floral designBack: 'MADE IN JAPAN' -
Glenelg Shire Council Cultural Collection
Domestic object - Drinking Glass, n.d
Displayed in History House (Cabinet, South wall)Blue glass with gold and white hand-painted floral pattern.domestic, drinking, food and drink -
Glenelg Shire Council Cultural Collection
Functional object - Plate, n.d
White china plate, gold lustre trip and floral design.Back: 'MADE IN JAPAN' -black -
Glenelg Shire Council Cultural Collection
Leisure object - Jug - child's tea set, n.d
White china jug, gold lustre trim and floral designBack: 'MADE IN JAPAN'leisure, childhood, tea set -
Flagstaff Hill Maritime Museum and Village
Ceramic - Dish, Johnson Bros, Circa 1883 (very early Mark)
Johnson Brothers were a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware. It was among the most successful of the Staffordshire potteries which produced tableware, much of it exported from the 1890s through the 1960s. They were also important manufacturers of large bathroom ceramics. The company was founded in 1883, but from 1968 to 2015 it operated as a part of the Wedgwood Group. However, after the Wedgwood Group was acquired by Fiskars in 2015, the production of Johnson Brothers was discontinued. The company's name derives from the names of the company's founders. The four original "Johnson Brothers" were Alfred, Frederick, Henry, and Robert. Their father married the daughter of a master potter, Alfred Meakin. In 1883, Alfred and Frederick Johnson began production at defunct pottery, known as the Charles Street Works, that they had purchased at a bankruptcy sale in Hanley, Stoke-on-Trent. At first, they specialised in the manufacture of durable earthenware, which they called "White Granite". The success of this venture led to rapid expansion. In 1888, the Rev. Henry Johnson joined them, followed ten years later by a fourth brother, Robert Johnson. Having established a solid reputation producing basic "whiteware", the company developed a product known as "semi-porcelain", a range of pottery that had the characteristics of fine china, but the durability of ironstone ware. This kind of tableware soon became very popular in the United States due to its durability and low cost. In 1889, the Hanley pottery was opened, later the Alexander pottery, and in 1891 the Imperial Works Pottery. In 1896, the Trent Sanitary Works was opened for the production of non-tableware products, and Alfred Johnson left the business to establish his pottery. By 1898, Robert Johnson had relocated to New York City to manage Johnson Brothers' rapid expansion into the North American market. An item that gives a snapshot into the emerging market for tableware that was reasonably priced and serviceable. The company produced "whiteware" but the innervation of the pottery line called semi-porcelain changed the industry. This allowed potteries to produce fashionable pottery items that were affordable to all social classes of the time. Bowl white ceramic decorative with floral decoration around lip. On base, "Royal Ironside China, Johnson Bros England" & crest of lion and unicorn flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, bowl, china bowl, lion and unicorn crest, table ware, kitchen ware, white ware, johnson brothers -
Flagstaff Hill Maritime Museum and Village
Accessory - Ribbon, c. 1910
This cream coloured silk ribbon once belonged to Mrs W N Barnard of Portland, c. 1910.. Ribbon such as this could have been used as a hair ribbon.This lady's hair ribbon is representative of ladies’ fashion of the early 1900sLength of cream silk with woven floral pattern. Circa 1910.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, lady’s fashion c. 1910, hair accessory c. 1910, white silk hair ribbon c. 1910, ribbon, silk ribbon, hair accessory -
Murtoa & District Historical Society and Museum
report card, Headmaster Pastor Peters, concordia college report card 1897, mid year 1897
Murtoa Concordia College 1897 I half year report certificate for student Bernhard Schultz. Results necessary to enter University of Melbourne. Murtoa Concordia was an elite school along with Scotch College (1851) Geelong Grammar (1857) Melbourne Grammar (1858) Geelong College (1851) Wesley College (18650 Xavier College 91875) Methodist Ladies College (1882) Presbyterian Ladies College (1875) Melbourne Girls Grammar (1893)possibly the only report card from Murtoa Concordia College still in existence. Shows scope of subjects taught in 1897 curriculumphotocopy of white paper bordered in black with floral and fauna in cornersmurtoa concordia college certificate for bernhard schultz I half year 1897 commercial & matriculation classcollege, murtoa, matriculation, murtoa concordia college, report card, 1897 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Objects, 2x buckles white metal, c1900
c1900 Decorative silver, pewter or brass buckles were attached by ribbons or straps to plain shoes for evening and special occasions . These buckles were worn by the a lady in the family of Ailsa Hunt in Moorabbin ShireThese decorative shoe buckles were a common accessory for early settler women in Moorabbin Shire c19002 x rectangular white metal buckles with floral filigreefootwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear, -
Bendigo Historical Society Inc.
Domestic Object - CHINA MILK JUG
White china milk jug with swirled sides and floral decoration.domestic equipment, food consumption, jugs -
Bendigo Historical Society Inc.
Domestic Object - CHINA TEAPOT
Small china teapot white & pink with gilding and floral decoration.domestic equipment, table setting, teapot -
Bendigo Historical Society Inc.
Domestic Object - EGG SEPARATOR
Aluminium egg separator with embossed floral pattern around sides.Rgd No 534385domestic equipment, food preparation, kitchen -
Clunes Museum
Domestic object - TRIVETT
A WHITE CERAMIC TRIVETT WITH FLORAL TRANSFER PATTERN WITH WAVY EDGEtrivett, ceramic trivett -
Tatura Irrigation & Wartime Camps Museum
Round ceramic plate, German plate, C.1800 (estimated)
White plate with mauve decorative edge and floral decoration in the middle. -
Stawell Historical Society Inc
Memorabilia - Realia, c1950's
Domestic Cream China Bowl with silver edge and floral designstawell -
Stawell Historical Society Inc
Memorabilia - Realia, 1900's
Oval Meat Plate, Cream with pale blue floral designstawell -
Stawell Historical Society Inc
Photograph, Individual Portrait, 1980
asked to remove glasses for PhotoColour Photograph: female wearing red and white floral blouse1980 -
Bendigo Historical Society Inc.
Domestic Object - SMALL GLASS DISH
Small cut glass dish, round with floral design on base.domestic equipment, table setting, dish -
Stawell Historical Society Inc
Memorabilia - Realia
Large Glass Serving Platter with floral pattern and wooden handles.stawell -
Montsalvat
Rubber Relief, Untitled
Round rubber relief containing a rectangular design of a floral pattern.Nonematcham skipper, relief, rubber, decorative design, flowers -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title is enclosed within a diamond like rectangular floral borderbookplate, printmaking, australian bookplate design awards -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title in red ink is surrounded by a black and white floral borderbookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust