Navy blue cloth cover with embossed golden lettering on the spine, and mustard dust jacket illustrated by original painting by Commander DGM Gardner. xvi, 176 p. : 16 plates, illus., maps, ports. ; 22 cm. Includes index.non-fictionFrom dust jacket: This is the unique story of the sailing ships owned by Sir William Garthwaite between 1915 and 1929, which formed in fact the last sailing merchant fleet to trade under the British flag. Captain A.G. Course, a Cape Horner himself, tells the story of this fleet whose vessels sailed so often past the awesome tip of South America, with a wealth of detail, happily marrying factual information and anecdote to produce a valuable historical record. Here are some of the last great characters of the age of sail, both men and ships, brought to life. The author's own close contact with the vessels and their crews allows him to capture the atmosphere most realistically. The Garthwaite ships, for all the effort put into their operation, were fighting a last-ditch stand against the inevitable supremacy of steam. It is with a certain nostalgia that the author records the passing of a fine fleet and documents an important chapter in maritime history. windjammers, captains, martin frampton, catherine aviss (nee frampton), herbert aviss, elisabeth frampton, inverneill, garthneil, wray castle, garthwray, alfred george course, invercauld, invermay, carnmoney, garthforce, garthsnaid, garthgarry, garthpool, juteopolis, captain roberts, crew, cape horn, cape leeuwin, captain thomas atkinson, spanish flu, wwi

This is a programme for a concert put on by the Warrnambool High School students in 1927. The concert included choral items, folk dancing, a gymnasium display and two one-act plays. Warrnambool High School was established in 1907 and merged with Warrnambool North Technical School in the 1990s to form Warrnambool College. One of the performers in this concert was the Head Teacher of Warrnambool High School, Colonel George Langley. This programme is of interest as an example of the entertainment offered in Warrnambool in the 1920s by a local group. This is a one-page pink sheet of paper with black printing. The page has a black decorative border and the pink colouring has faded. The inscriptions are handwritten in blue ink. ‘1927’ ‘N. J. Absalom’ warrnambool high school, history of warrnambool

"Desmond", on the Cockatoo Creek, on land which now forms part of Alma Treloar Reserve, was the home of the O'Hara family ca. 1910. The poet John Bernard O'Hara, used to visit his mother there, and remembered many wonderful holidays with the "city folk" who travelled to Cockatoo on "Puffing Billy" and camped along the creek. The family in the foreground is most likely the O'Hara family.The photograph is significant because it shows a Cockatoo home of around 1910.Black and white photograph of "Desmond", home of the O'Hara family, with a family group in foreground. Situated on Cockatoo Creek, on land now known as Alma Treloar Reserve. Circa 1910.cockatoo homes, "desmond", o'hara family, cockatoo creek, john bernard o'hara.

This book, written by Matthew Richardson, gives details of the song ‘Waltzing Matilda’. This song is the most famous and best-loved song in Australia and its origins start in Warrnambool. In 1894 Christina McPherson heard an old folk song played by the local Garrison Artillery Band at the Warrnambool races and later in Queensland she played the tune to Andrew Barton (Banjo) Paterson who wrote the words to the music. This book is retained as it gives details of the song ‘Waltzing Matilda’. Warrnambool has the claim to fame of being the place where this well-known Australian song began. This is a hard cover book of 23 pages. The cover is red with white printing on the spine. The dust cover has a pale green background with a sepia-coloured image of a swagman and black and red printing. The book contains a CD in a plastic covering inserted into the front dust cover. The book has a preface, 14 chapters of text, some illustrations, appendices, a bibliography, acknowledgements and an index.music, songs, warrnambool, waltzing matilda, australiana, christina mcpherson, andrew barton (banjo) paterson, history of warrnambool

The Society again arranged a float for the festival parade. Members dressed appropriately to the theme "Pioneers of Eltham". The parade commenced at 12 noon, participants assembling at 11.30am in Cecil Street. As in past parades, several members of the Victorian Folk Music Club accompanied the Society. The Society also arranged a display at the Eltham Community Centre in association with the activities there over the Festival weekend. The theme of this year's display was the waterways of the local area.35mm colour positive transparency Mount - Kodak Kodachrome Cardeltham, eltham festival, parade, parade floats, central park, doug orford, eltham shire office, garnet burges, joh ebeli, opal smith, panther place, peter bassett smith, peter bassett-smith, russell yeoman, victorian folk music society

These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll your own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine, but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(2) for insert pouchThe markings are crocodile in shape.loose tobacco, pipe smoking, rural smoking, red neck workers.

These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male was evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll you own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine , but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(01) for main pouchCrocodile markings (not hand made)loose tobacco, pipe smoking, rural smoking, rural red neck workers., tobacco

The paddle steamer "Gem was first launched in 1876 as a passenger and cargo mode of transport on the Murray River. In the '30's and '40's it operated as a tourist passenger boat. In 1948 it sunk in 15 feet of water but was repaired and refloated. It was retired in 1950. In 1962 it was sold to the Swan Hill pioneer Settlement. The Swan Hill Folk Museum was Australia's first open air museum and opened to the public in 1966, It was renamed the Pioneer Settlement.Bendigo Advertiser ''The way we were'' from 2003. Memories: the paddle steamer Gem arrives at Swan Hill in 1963. the pioneer Settlement Museum is seeking contact with people who have worked at the museum in the past 40 years. The clip is in a folder.newspaper, bendigo advertiser, the way we were

This large deep pan (with a long handle) was used by pioneer families, mainly rural folk, that needed a pan which could cope with an open fire heat source, in or mainly outside the homestead. This pan was used in the early to late 1900's for the "stews" and other meals required by hard working stock men and farmers that had irregular "lunch and dinner" breaks under sometimes hard and gruelling conditions. Hot plates were normally not in use.This "open fire" saucepan belonged, and was used by a Kiewa Valley, pioneer family, the Roper Family. This saucepan was moved from their Kiewa Valley property to their hut built on the Bogong High Plains. This saucepan was one of an array of "open fire" cooking utensils used in the "camp draft" grazing in the Bogong High Plains and this could take up to six weeks. This kettle belonged and was used by a Kiewa Valley, pioneer family, the Roper Family. This kettle was moved from their Kiewa Valley property to their hut built on the Bogong High Plains. A scientific study started in 1947 to study the impact of grazing cattle on the natural Alpine and sub Alpine vegetation found grazing cattle had an adverse affect on the natural Alpine and sub alpine vegetation, and grazing on the plains was stopped by the Victorian Government in 2005.This large (black, soot infused) cast iron saucepan has a "ten pint" holding capacity and was used on the "open fire", possible on the fire direct. It has a long all metal handle coming from the top half of the pot and angled at approximately sixty degrees upwards. This angle insures that both distance from flame intensity and least bending of knees when lifting is at a minimum.On bottom of pan (underside) "N0. 8 JSJ SIDDONS" on the other side "WEST BROMWICH 5 QUARTS"camp fire cooking utensils, hot plate, cast iron cooking appliance, drovers kitchen

Newspaper cutting with 3 photos (2 copies) from "The Sun News-Pictorial", October 15, 1930. (1) Student ploughing with a cart horse, with the caption: "Guiding the plough at Burnley Horticultural Gardens, a girl student prepares a plot for potatoes. Truly, the modern woman has entered the field of industry!" "Happy students at Burnley Horticultural Gardens thoroughly enjoy the hard work associated with the assimilation of farming and gardening lore. Ploughing, planting, pruning, and all the multitude of tasks in horticulture, come within the practical range of their studies." (2) 5 students walking in formation, with the caption: " A bevy of girls returning to lunch after their morning's work yesterday." and Two students in the orchard with flowering fruit trees, with the caption: "Examining the apple blossom for the implacable foe of the orchardist - thrip. The gardens are kept singularly free of pests."the sun news-pictorial, burnley horticultural college, students, female students, ploughing, horses, students working outside, orchard, apple blossom, thrip, draught horses, potatoes

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian doll and clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen.Hand made Authentic Bavarian doll. He wears a bottle green woolen hat with light green band and white feather. Bottle green jacket with red trim on front opening and pockets. Red jumper with white pointed collar. Leather lederhosen with flower embroidery on waist and braces. Arms and legs made from hessian? Leather boots with laces. White knitted socks with green band. Hand sewn and painted face.else oertel, friedel dehnel, bavarian, doll, dressmaker, else-lore hukins

Peter CLARKE (1969- ) Gunditjamara (Lake Condah) Born Heywood, Victoria At two months old Peter Clarke was removed from his parents and placed in a Catholic boy's orphanage in Ballarat. The orphanage was closed and Peter was moved to a public orphanage where he discovered 'manners were not a necessity and you often had to take before you were ever given in this orphanage. ... This new orphanage was not a home for me but a prison of sadness and despair.' Disconnected from his country and lore Peter Clarke chose "my own path to land, county and water". Although his childhood memories are dark and bleak, he uses vibrant colours. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mallee Wood didgeridoo with vibrant colours. A natural wood imperfections have been used to emphasise what is recognisable as a frog. This work was purchased from the "My Art, My Life, My Colours' exhibition at the Federation University Post Office Gallery, May 2008.art, artwork, aboriginal, peter clarke, didgeridoo, stolen generation, st joseph's orphanage, sebastopol, my art, my life, my colours' exhibition, federation university post office gallery

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, cecil street

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, cecil street

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, cecil street, flo spicer

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, russell yeoman, matthew smith

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, opal smith, eileen gibbons, flo spicer

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, bruce ness

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, opal smith

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, sue law, garnet burges

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, sue law, garnet burges

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, russell yeoman, matthew smith

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, jock read

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, jock read, central park

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, jock read, central park

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, central park, eileen gibbons, flo spicer, joh ebeli, matthew smith, opal smith, sue law, doug orford, russell yeoman, garnet burges

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, central park, eileen gibbons, flo spicer, joh ebeli, opal smith, sue law, doug orford, russell yeoman, garnet burges

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float