One of a set of drawings of the National Wool Museum by David WilliamsPen and ink drawing of part of Gallery 1 display at the National Wool Museum, by David Williams.David Williamsnational wool museum

Verna Stoneman, potter, and seven of her students have opened Laburnum Gallery to sell their craftware.laburnum gallery, laburnum, stoneman, verna, crafts

Zanoni ship paintings Echo news article 1988Zanoni ship paintings"The old man and his sea gallery" - Echo news - 2 Feb 1988 newspaper clippingReverse - " "historical references, zanoni ship paintings, newspaper article

The expansion of Bendigo's NAIDOC Week art attractions has strengthened calls for a permant space in the city's arts precinct dedicated to the display of indigenous works.Bendigo Advertiser article: ' Arts Pitch' Push for an Aboriginal and Torres Strait Islander Art Gallery.bendigo, naidoc, indigenous arts

Two Bendigo Advertiser newspaper articles with Amy Huxtable Women's Editor and a part of her series titled, 'At the Art Gallery.' The first article is titled 'The Story Teller with a touch of magic.' Peter Leonard is a story teller and a puppeteer and is performing at the Bendigo Art Gallery. It includes a photo of Mr. Leonard and also a photo of his puppets. The second article is titled, 'Gift paintings and furniture for art gallery - Newson collection now on display.' The late Mr. A. L. Newson and his wife Mrs. Jean Newson donated a collection of paintings and rare prints and antique furniture to the gallery and these are now on display at the Bendigo Art Gallery. There is a photo of 'Gums' by W. B. McInnes from the Newson collection and also a photo of an elegant antique cabinet also donated. 1/06/1977.bendigo, buildings, bendigo art gallery, lydia chancellor collection, collection, bendigo, bendigo art gallery, art, art work, puppetry, donations, paintings, antiques, gifts, newson collection, at the art gallery, amy huxtable

Brown wooden frame with glass front. Coloured map of Dardanelles featuring the Sea of Marmara & The Bosporus. Mounted on green background with fawn cardboard backing. Map in scale of miles & kilometers. Map shows landings, ships sunk & events during 1915.Back of frame: “Bethany Gallery 116 Bridge Street Bendigo”map, framed, dardenelles, gallipoli, 1915

LT COL BENJAMIN THOMAS ROY CHADD No's 10594, VX20311, 1st & 2nd AIF. Refer 2039 for Service History also 2034P. Photograph, framed 'The Beer Sign' Western Desert 1941 re LT COL BENJAMIN THOMAS ROY CHADD VX20311. Tan wooden frame, glass front, cardboard backing, dark green border around photo. Description of photo typed below it.Stamped on rear: Bethany Gallery, 116 Bridge St, Bgophotography - photographs, frame accessories, military history - army

Hardcover w/ Dust JacketAustralian National Gallery Bookmark about publications and services insidewalsh st library

An illustration from the Picturesque Atlas of Australasia, hand-tinted photo-engraving by W.C. Fitler shows Clunes in late 1880's. It shows little evidence of the town's mining heritageTINTED RELIEF WOOD ENGRAVING PRINT OF THE TOWNSHIP OF CLUNES. HAND COLOURED, MOUNTED AND FRAMED WITH CREAM COLOURED MATT, DARK GREEN FRAME AND GOLD INSIDE TRIM.GENUINE ANTIQUARIAN PRINT LABEL ON BACK FROM LECKIE GALLERYwood engraving, relief, 1890, w.c.fitler

Colour photograph of the former Ballarat Post Officer, later used as the Federation University Post Office Gallery.camp street, arts academy, post office gallery, former ballarat post office, ballarat post office

Bendigo Advertiser "The way we were" from 1999. Art of the past: the Bendigo Art Gallery in 1899newspaper, bendigo advertiser, the way we were

Slide. Bendigo & District P.O.I. The Old Art Gallery (original façade including front fence and gate).slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i.

Slide. CHS, Bendigo Pottery, Epsom, Bendigo. The Stables Gallery. Building dated 1880. Date 4.78slide, bendigo, bendigo pottery, epsom, bendigo. the stables gallery. building dated 1880

This exhibition includes 'Mrs Penleigh Boyd' by E. Phillips Fox on loan from Mr and Mrs Robin Boyd.A catalogue for a Loan Collection of Portraits August 8th-26th 1967, Georges Gallery Melbourne, with 85 portraits.art. portraiture, prominent australians, walsh st library

Bendigo - The 1853 Petition. On display at Bendigo Art gallery 1-8 September 2004. Programme of eventsbendigo, history, red ribbon rebellion

Colour photograph of Alfred Deakin Place looking towards the Art Gallery of Ballarat from the Arts Academy, alfred deakin place, arts academy, art gallery of ballarat, ballarat

DVD. Railway Photographs Disc 1 1887 Railways Map Disc 2 Bendigo Art Gallery.

Bronze colour circular medal attached to a blue ribbon, depicting a rider on a horseRecto: Gallery of Champions / AJRA / Australian Jumping Racing Association Inc. Verso: Australian Jumping Racing Association / Adam Lindsay Gordon / Gallery of Champions / Prestige ©australian jumping racing association, gallery of champions, adam lindsay gordon, ajra, 2014

The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan

A Bendigo Advertiser supplement titled 'Our Art: well housed in Bendigo.' The Education Officer of the Bendigo Art Gallery, Geoff Paynter, gives an insight into some of the acquisitions purchased by, or donated to, the gallery. There is also an article imbedded within this article on 'Woman of the franchise era.' 14/5/1969.bendigo, buildings, bendigo art gallery, lydia chancellor collection, collection, bendigo, bendigo art gallery, gallery, art, art work, recreation, landscapes, australian landscape, history, r.h.s. abbott prize , john rowell, 'mountain road, ' 'gums, ' sir hans heyton, alfred sisley, 'canal scene, ' dr. and mrs. j. a. neptune scott, impressionism, 'the derelict, ' sali herman, bendigo art prize, emmeline pankhurst, victorian women's franchise league, print, photograph, porcelain, porcelain study design no. 599, w. j. strauchair, 'bondi 1961, ' william dobell, william beebe, arthur boyd, 'pinchin's farm, ' 'the clearing, ' louis buvelot, george bell, 'farm buildings, ' franz kempf, 'burnt orange fern at the wind's return, ' 'old bendigo art gallery, ' kenneth jack, 'the digger and his log, ' sir arthur streeton

Black and white photograph of newspaper article on Portrait by Max Meldrum at Athenaeum Gallery Melbourne, Meldrum with group of visitorspainters, max meldrum, athenaeum gallery

Exhibition catalogue for Zwemmer Gallery, London 3 October - 30 October, 1963. 63 works by Arthur Boyd.art, ceramic art, arthur boyd, walsh st library

This exhibition featured 17 paintings by Arthur Boyd, all in the bride series. Robin and Patricia Boyd were in London at the time of the opening, as indicated by the inscription and Clippings. Boyd also indicates the nine paintings which were sold and the two under offer.Exhibition catalogue for Zwemmer Gallery, London 19 July-20 August 1960. 63 works by Arthur Boyd.Pencil writing of Robin Boyd, and inclusion of five London newspaper Clippings with reviews in July 1960. Robin Boyd writes on list of paintings" We saw this only 4 days after the opening'. arthur boyd, australian painting, walsh st library

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph