Showing 1701 items
matching george st
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Robin Boyd Foundation
Decorative object - Bottle
... origins and purchased from either Georges (Collins St, Melbourne... Mexican origins and purchased from either Georges (Collins St ...This was bought by Robin and Patricia Boyd. There was once another green squat one. The Boyd family think it may have Mexican origins and purchased from either Georges (Collins St, Melbourne) or Gillam Quigley (Toorak Rd, South Yarra).Yellow glass bottle. Hand blown with bubbles. Narrow neck, bulbous centre, narrows into base. Slanted opening. walsh st furnishings, robin boyd, ohm2022, ohm2022_12 -
Glen Eira Historical Society
Document - St. Georges Road, 12, Elsternwick
... of 12 St. Georges Road, Les Naftiaux, on 01/12/2012; includes... VIC 3162 melbourne St. Georges Road, 12, Elsternwick Document ...This file contains two items about this property. A newspaper ad hand dated 17/11/2012 regarding the forthcoming sale of 12 St. Georges Road, Les Naftiaux, on 01/12/2012; includes a coloured photograph. Handwritten information from Sands and McDougall researched by Claire Barton dated 26/02/2013 on 12 St. Georges Road, Elsternwick.elsternwick, st. georges road, les naftiaux, house names, architectural styles, attics, copeland osric, mansions, weigall r.e., dacre, jones f.j. mr., seamount, le page wm. p., eyval thos. b., rahilly thos., weigall albt., sandham street, lyons miss, davidson miss, hospitals, rankin duncan, eyval j. i. miss, langley ernest d., coonil private hospital, queen anne style, brick houses, linton house flats, white chas j., ward victor r., londa private hospital, davidson mary h. -
Port Melbourne Historical & Preservation Society
Print - Portrait of Lord Baden-Powell, David Jagger, 1929
... . Short, GSM, Awarded Silver Acorn, St. George's Day.... Short, GSM, Awarded Silver Acorn, St. George's Day Local ...Presented to 1st Port Melbourne Group by "Skipper" F.A. Short, GSM, Awarded Silver Acorn, St. George's DayPrint of portrait: The founder Lord Baden-Powell of Gilwell, Chief Scout of the Worldlocal government - city of port melbourne, lord baden-powell, f a w 'skip' short -
Victoria Police Museum
Carte de Visite (Ned Kelly), Carte de visite Edward
... "Burman Photo 209 Bourke Street. East & St Georges Hall... shape. "Burman Photo 209 Bourke Street. East & St Georges Hall ...Carte-de-visite is a small black and white photograph stuck to a card. It was invented by French photographer Andre Disderi in 1854 as a method for producing multiple images on a single glass plate, a format for mounting the resulting images on cards. The card on which the photograph was mounted displayed the name of the photographer on the front and back. The back was often a showy piece of lithographic printing with the photographer's name decorated with culicues.Sepia toned photograph of Edward "Ned" Kelly on cardboard in an oval shape."Burman Photo 209 Bourke Street. East & St Georges Hall" (front of carte de visite)stringybark creek, edward kelly, ned kelly, kelly gang, police murders, bushrangers, glenrowan, carte de visite, michael kennedy, police murders -
Flagstaff Hill Maritime Museum and Village
Book, Poetry of America
... Poetry of America Author: W.J.Linton Publisher: George Bell... Author: W.J.Linton Publisher: George Bell & Sons, York St Covent ...This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860s the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much - loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Poetry of America Author: W.J.Linton Publisher: George Bell & Sons, York St Covent Garden, London Date: 1878 The label on the spine cover with typed text PAT 811.08 LIN Paste down front end paper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service. Front loose endpaper has a stamp from Corangamite Regional Library Service.book, poetry of america, w.j.linton, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road -
Stawell Historical Society Inc
Photograph, Housing Commission House in Dawson Street -- Photo & Newspaper Clipping
... to the right has a street post with "George Mitchell St" written...Stawell Historical Society Inc 46 Longfield St Stawell ...The first Housing Commission homes of brick and tiled roof built after WW2 in Stawell Dawson Street c 1950's. Also in the file a Newspaper clipping from News, Saturday, October 11. 1947. "George Mitchell Square" the first Housing Commission homes built in Stawell. George Mitchell was a member of Borough Council for 40 years and Mayor for 4 years. The housing estate was named in his honor. The architects "Buchannan Laird & Buchanan Geelong.Black and white photograph of a street scene. The photograph shows a line of brick houses along the street with timber fences. Four electric power lines are along the street with 2 in the distance. The street also has curb and guttering. The street to the right has a street post with "George Mitchell St" written on the street sign.stawell -
Christ Church Anglican Parish of Warrnambool
Memorial tablet: John Salter
... sectile mosaic within a copper frame, depicting St George slaying... frame, depicting St George slaying the dragon. The inscription ...Memorial tablet, south wall, main nave. Decorative opus sectile mosaic within a copper frame, depicting St George slaying the dragon. The inscription is positioned on a stylised ribbon as part of the design.To the glory of God / In Loving Memory of / John Salter / for 45 years / Worshipper and Office Bearer / in this Church / Died Feby. 7th, 1933 -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1966
... at a church doorway believed to be St Georges Glenferrie Road Malvern... Entrance taken at a church doorway believed to be St Georges ...Colour photograph showing Alf Sandburg of Bellevue Guest House with Charles Hancock Senior both of Lakes Entrance taken at a church doorway believed to be St Georges Glenferrie Road Malvern Victoriagenealogy -
Stawell Historical Society Inc
Photograph, Skyrme & Williamson -- Grocers and Produce Merchants in Main Street Stawell
... Street Stawell along from St George Street corner but before... and Produce Merchants Main Street Stawell along from St George Street ...Skyrme & Williamson Grocers and Produce Merchants Main Street Stawell along from St George Street corner but before the Town Hall Hotel.stawell businesses -
Stawell Historical Society Inc
Photograph, Main Street Stawell looking East from St Georges Street with McClure's Garage, Post Office & the State Savings Bank on right 1930
... Savings Bank on Right. 1930 looking East from St Georges Street... St Georges Street Stawell Businesses Streetscape ...Main Street Stawell McClure's garage Post Office State Savings Bank on Right. 1930 looking East from St Georges Streetstawell businesses streetscape -
Ringwood and District Historical Society
Photograph, Pratt's Junction Estate, Ringwood - 1923. Oliver St., Georges Rd., Junction St. 24/11/1923. 3 pounds deposit and 1 pound per month. F.V. Parker agent. 86 lots. Free rail tickets and motor transport
... . Oliver St., Georges Rd., Junction St. 24/11/1923. 3 pounds... Estate, Ringwood - 1923. Oliver St., Georges Rd., Junction St. 24 ...Catalogue card reads, "Pratt's Junction Estate 1923. Oliver St., Georges Rd., Junction St. 24/11/1923. 3 pounds deposit and 1 pound per month. F.V. Parker agent. 86 lots. Free rail tickets and motor transport." -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Preston Depot", c1938
... - unnumbered - Plan of depot, St Georges Road, Yan Yean Pipe track... properties, St Georges Road and entry into Preston Workshops - 6-4 ...Set of three photocopied plans or drawings on A3 sheets of the "Preston Depot" - c1938, later to become Thornbury Depot .1 - P8387 - Plan of Preston depot including adjacent properties, St Georges Road and entry into Preston Workshops - 6-4-1938. .2 - unnumbered - Plan of depot, St Georges Road, Yan Yean Pipe track, Millers St - dated 12-10-1939. .3 - P8388 - detail plan of depot, offices and open car shelter - c1938.trams, tramways, drawings, depots, property, preston depot, thornbury depot -
Stawell Historical Society Inc
Map, Parish of Stawell, North Ward & Big Hill etc
... Shows Newington Co, Moonlight Co, St George Co, Victoria Co...Shows Newington Co, Moonlight Co, St George Co, Victoria Co ...Shows Newington Co, Moonlight Co, St George Co, Victoria Co, Galatea Co Shows Tramline over Big Hill, Leviathan Co, Parish of Stawell, North Ward & Big Hill etcstawell -
Bendigo Historical Society Inc.
Photograph - W. G. DAHL PHOTO SERIES
... . Photograph exposed by Kimbel & Co 222 George St Sydney depicts... by Kimbel & Co 222 George St Sydney depicts a horse drawn wagon load ...One of nine photographs donated to BHS by Essendon OP Shop. Photograph exposed by Kimbel & Co 222 George St Sydney depicts a horse drawn wagon load of club and team members [probably Victorian] with sign reading, 'Today [Redfern Oval] Grand Interstate Cricket Match, Melbourne Versus Sydney, Collection Fund SS Hospital. W G Dahl from Golden Square was elected in 1914 to Bendigo Miners Association, played cricket with Bendigo Miners Association, and probably is among group. Three team members holding bats dressed in baggy white trousers, white shoes, dark coloured jackets stand beside wagon. Hand written 'Uncle Son' indicates a Bendigo connection based upon photograph collection captions and probably refers to W G Dahl.bendigo, sporting clubs, interstate cricket match. -
Melbourne Tram Museum
Negative, Wal Jack, 1954
... 1954. Photographed in St Georges Road. The tram crew...Trams tramways Royal Visit St Georges Road Crews tram 980 ...Black and white negative, by Wal Jack, of PCC 980 decorated as the Royal Tram at the time of the Royal Visit to Victoria during 1954. Photographed in St Georges Road. The tram crew are standing in front of the tram.trams, tramways, royal visit, st georges road, crews, tram 980, pcc class, mmtb -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society, Health & Welfare (Kew), 1958
... - Kew, St George’s Hospital, a Flying the Flag exhibition, Vimy... Breastfeeding Week, Life Resolutions - Kew, St George’s Hospital ...Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing newspaper articles/clippings relating to Headspace, World Breastfeeding Week, Life Resolutions - Kew, St George’s Hospital, a Flying the Flag exhibition, Vimy Private, and a Mothers’ Day Classic walk.kew historical society - archives, comunity health - kewkew historical society - archives, comunity health - kew -
Melbourne Tram Museum
Newspaper, The Age, "Snowy on the Trams", 21/12/1974 12:00:00 AM
... on the Trams", a poem by Leon Slade, about route 9 trams, St Georges... Trams tramways Poem People And Places Route 9 St Georges Road ...News paper clipping from The Age, 21/12/1974, titled "Snowy on the Trams", a poem by Leon Slade, about route 9 trams, St Georges Road, San Francisco cable cars and people.trams, tramways, poem, people and places, route 9, st georges road, san francisco -
Bendigo Historical Society Inc.
Document - BENDIGO MUSIC LOVER'S CLUB, 1945-1950
... printing -The St George supplementary Department Pastel Book... , stapled cover with blue printing -The St George supplementary ...Document -grey coloured paper , stapled cover with blue printing -The St George supplementary Department Pastel Book - approved by the education department -containing , Bendigo Music Lover's Club, Newspaper Cuttings 1945- 1950document, newspaper, bendigo theme -
Kiewa Valley Historical Society
Book - English, English Assignments, 1955
... & Co. / Pty. Ltd. / 543 George St Sydney / In the Myer... in black diamond / Pellegrini & Co. / Pty. Ltd. / 543 George St ...English Education in the 1950s. Roy Davies who grew up and lived on a dairy farm in the Kiewa Valley.Historical: Comparison of education in Victoria. Provenance: The Davies family and their education living in an isolated valley, attending local country schools.Grey book with 2 lines around the perimeter, the outside one thicker than the inside one. Black writing. Cover is of thin cardboard. In black: English / Assignments / for Senior Classes / By / L. G. Mahony / small coloured in black diamond / Pellegrini & Co. / Pty. Ltd. / 543 George St Sydney / In the Myer Emporium, Melbourne / 370 Queen St., Brisbane / 68 Gawler Place, Adelaide / 820 Hay St., Perth Roy Davies 4 B in smudged blue ink on inside cover page. And stamped below 'The Assembley Book Shop / 44 Margaret Street / Sydneyeducation. english. davies family. -
Melbourne Tram Museum
Document - Report, Road Construction Authority - RCA, "Report to the Minister by the Steering Committee on Options for St Georges Road, Northcote", Nov. 1984
... Georges Road, Merri Parade to Miller St, November 1984. First... Trams tramways St Georges Rd Thornbury Northcote Tramways Road ...Set of two comb bound, brown covers with a plan of the location on the cover, with a report for the reconstruction of St Georges Road, Merri Parade to Miller St, November 1984. First volume is titled "Report to the Minister by the Steering Committee on Options for St Georges Road, Northcote", looks at four different options with sub options. Has drawings for the various options. Second volume - "Steering Committee Recommendations" Prepared by the Road Construction Authority - RCA - Metropolitan Division. See Reg item 621 for the actual drawings.trams, tramways, st georges rd, thornbury, northcote, tramways, road works, construction -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Lee A Ratten, c1948
... of St Georges Road converted to the night tram service format... Trams tramways Brunswick Rd Lygon St R Class St Georges Rd ...Black and white photograph of R class 174 in Brunswick Rd at the corner of Lygon St - building in background is still there (so is the tram track at that point!), c1948? Tram has the destination of St Georges Road converted to the night tram service format. See page 65 of Destination City 5th Edition for another photo of this tram in St Georges Road. Has in the background Beatall Lingerie and Woottons stores. On the rear is the photograph stamp of Lee A Ratten of 51 Cotham Road Kew. Two copies held.trams, tramways, brunswick rd, lygon st, r class, st georges rd, holden st, tram 174 -
Bendigo Military Museum
Equipment - CRICKET BAT, Possibly R.M. Crockett Cricket Willow, C. WW2
... symbols which appear to be St George and The Dragon... on. The bat near handle has two symbols which appear to be St George ...Cricket bat, timber, handle has a black tape wound around. The face has extensive inscription on. The bat near handle has two symbols which appear to be St George and The Dragon with “Trademark” stamped under.On bat face “ Army Special” “war Product” “ A.A. Amenities Service” “ Please return —NDL- -O Amenities officer”equipment, cricket, amenities -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Ray Jackson, c1969
... , c1969. Tram has the destination of Northcote Via St Georges..., c1969. Tram has the destination of Northcote Via St Georges ...Black and White photograph of W6 tram 991 at the start of the single track overbridge at Preston Workshops, Miller St Northcote, c1969. Tram has the destination of Northcote Via St Georges Rd, and showing Route 9Atrams, tramways, miller st, northcote, route 9a, bridges, tram 991 -
Stawell Historical Society Inc
Map, Department of Lands and Survey, Borough of Stawell. Parishes of Stawell and Illawarra 1903, 1903
... Victoria Co., St Georges Co., Wimerra Co., Leviathon Co... Melbourne by T.F. McGauran 13.6.03 Victoria Co., St Georges Co ...Victoria Co., St Georges Co., Wimerra Co., Leviathon Co. Tramway, Quarry reserve, Newington Co., Galatea Co., Moonlight Co., Federal Co., Borough reservior., A0 Map of Stawell on linen backing. Plus one Printed on PaperPhoto Lithograped at the Department of Lands and survey Melbourne by T.F. McGauran 13.6.03surevy -
Uniting Church Archives - Synod of Victoria
Printing block, 1958
... "St George's Presbyterian Church CHAPEL STREET EAST ST... printing block. "St George's Presbyterian Church CHAPEL STREET EAST ...Wood and metal printing block."St George's Presbyterian Church CHAPEL STREET EAST ST. KILDA 80TH ANNIVERSARY APPEAL Name (if desired). SEPTEMBER 1958st george's presbyterian church east st kilda -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Man
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place... were: 23 King William St, Adelaide; 324 George St, Sydney; 95 ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man -
Federation University Historical Collection
Photograph - Little Gem tintype, Possibly American Studio, Portrait of a child
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place... were: 23 King William St, Adelaide; 324 George St, Sydney; 95 ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat -
Federation University Historical Collection
Photo - Little Gem tintype, Possibly American Studio, Portrait of a child
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place... were: 23 King William St, Adelaide; 324 George St, Sydney; 95 ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, American Studio, Portrait of a Woman
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman -
Federation University Historical Collection
Photograph - Little Gem tintype, Possibly American Studio, Portrait of a Boy
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem