Showing 19941 items
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Ballarat Clarendon College
Hand painted pottery
Clarendon PLC celebrated its 125th anniversary on 11-12 September 1993. Events included a dinner on Saturday evening at the Balanada Room, Main Road, Ballarat, a Sunday morning service in the College Chapel, Sturt Street campus and an informal luncheon in Watson Hall, Mair Street campus. These bowls were hand made by Susan Gillett (Hoskins) CPLC 1966 as gifts provided to old collegians attending the event. Three hand painted fire-kilned pottery bowls with blue and yellow decoration to border and base of bowlPainted inside bowl: C.P.L.C. 125 YEARS Inscribed on base: SUSANclarendon-presbyterian-ladies-college, 1993, 125th anniversary -
Ringwood and District Historical Society
Work on paper, Two poems hand written by Thelma Wieland when she lived in Queensland with her daughter c.1970
thelma Wieland went to live in Queensland with her daughter ,Pat , and son-in-law Don Talbot. They started a pig farm but there was some friction between the families and Thelma left and returned to live in Ballarat. Her son Ray lived with her in Queensland.3 lined pages of hand written poetry, by Thelma Wieland. -
Tatura Irrigation & Wartime Camps Museum
Box - wooden, Wooden hand crafted cigarette case and box
Small hand crafted wooden box with lid and smaller wooden case with opening. Wooden box for cigarettes with material lining and hand crafted wooden cigarette case. 1 of 2 (L0565)tatura, colliver, containers, domestic -
Tatura Irrigation & Wartime Camps Museum
Box - wooden, Wooden hand crafted cigarette case and box
Small hand crafted wooden box with lid and smaller wooden case with opening. Wooden box for cigarettes with material lining and hand crafted wooden cigarette case. 1 of 2 (L0564)tatura, colliver, containers, domestic -
National Wool Museum
Book, Knitting, Hand Knits by Villawool, 2nd ed
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens and mens knitted garments. Interestingly, TV and theatre personalities have been used as well as high fashion models.Hand Knits / by / Villawool / 2nd EDITION / 3'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Hand Knits by Villawool, 5th ed
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.Hand Knits / BY / Villawool / 4'- / FIFTH / EDITIONknitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
Whitehorse Historical Society Inc.
Book, Betty Lends a Hand
Hard cover book ' Betty Lends a Hand' By Margaret Baines Read.Oxford University Pressbooks, children's -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Building Equipment, original hand made nails Box Cottage c 1850, c1850
The original small, pioneer cottage was built in the late 1840s to early1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Henry Dendy’s Special Survey granted in 1841. The doors and window sashes, (made of red deal joinery timber), as well as the brass locks and fittings, are from the original cottage, and were imported from England.The fire-place bricks are from the original cottage, and are sun-dried, (not kiln fired), and are hand-made. Convict marks can be seen on two bricks.There is a small display of external cladding shingles from the original pioneer cottage. These shingles were hand-split, and most likely made from locally collected timber The nails included in this display were used to fasten the shingles on the original cottage, and are also hand-made. The enamel nameplate, “Colonial”, on the wall of the cottage, was the name chosen for the original pioneer cottage when a later owner, Mr August Rietman and wife Frieda leased the property in around 1917. August purchased the property 1935 for 1200 Pounds approximately and resided there until 1953. In 1974 Mr Lewis, a timber specialist, found the dilapidated building on property he had recently purchased in Jasper Rd and suggested it be reconstructed and relocated. Moorabbin Council agreed and the Cottage was rebuilt just about 250 metres from its original site. The cost of the rebuild was met by 'Victoria's 150th Committee', plus a small grant from the City of Moorabbin, and Mr Laurie Lewis donated much of the timber for the reconstruction. Theses 4 iron nails were hand made by an early settler c1850, using iron, forge and anvil, for the construction of the original Box Cottage 4 hand made iron nails c1850 used in building the original pioneer cottage now known as Box Cottage Museumbox william, box elizabeth, brighton, henry dendy special survey 1841, early settlers, pioneers, moorabbin, box cottage museum, nails, building equuipment, forges, anvils, blacksmiths -
Wodonga & District Historical Society Inc
Functional object - Kerosene container used to fill slush lamps, hand lamps and train engine lights
The kerosene container is documeted as having been used to fill slush lamps, hand lamps and train engine lights, and is part of the Wodonga Historical Society's railways collection.The kerosene container has local significance as it was donated by a Wodonga resident and is part of Wodonga Historical Society's railways collection. It is documented as having been used to fill slush lamps, hand lamps and train engine lights. Grey metal kerosene container with a looped handle attached to the sides, as well as a handle on the back of the container with a metal chain attached to it to secure the cap for the container. Used to fill slush lamps, hand lamps and train engine lights.kerosene container, kerosene bottle, fuel for railway lamps -
Churchill Island Heritage Farm
Clothing - Blouse, 1970s
This bed jacket was, as the enclosed note stated, “probably hand made in Asia” and has been identified as Chinese 20th century by the Lace Group Embroiderers Guild. The insertions at the wrist are very fine handmade Irish crochet with the treble fans and Clones knots visible. The embroidery on the reminder of the jacket has also been executed by hand. Being white work is quite unusual for Chinese embroidery as it is traditionally colourful or monochromatic such as red work or blue as in the willow pattern. Perhaps this was made with the Western market in mind.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess womenChinese 20th C Hand crocheted insertions. Hand embroidery. White blouse/bed jacket.Packaged with note "Light bed jacket. Probably hand made in Asia c 1970 judging by size tag '14'"amess lace collection, lace, churchill island, frances, janet, jane, amess, embroidery, cotton, chinese, hand, crotcheted -
Kew Historical Society Inc
Decorative object - Hand Towel, 1950s
One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen hand towel and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Cream linen hand towel, bordered at each end with bands of mustrad yellow linen. The towel is embroidered with a picture of a woman in period dress collecting flowers from a garden.lisa sylvan, household linen, supper cloths, fancy work -
National Vietnam Veterans Museum (NVVM)
Equipment - Compass, hand bearing, 1971
Hand bearing compass. Type HB-65 enclosed in a wooden box, metal clasp on lid. Red metal sign on front of box. Lid secured with khaki webbing handle. Khaki webbing carry handle attached to side. Black numbering on webing handle 3465-66-033-8016 ULCP 1971Hand bearing compass Type HB-65 Tokeo Japan, Saura Keiki Seisakusho Co. Ltd.compass -
Wodonga & District Historical Society Inc
Textile - Haeusler Collection Hand Stitched White Lace Doily c.1920s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.White hand stitched lace doily c.1920stextiles, sewing, handiwork, women's history, domestic, craft, family -
Montsalvat
Agate/Silver Plaque, Untitled (Hand)
White agate plaque with brown rim containing a silver half medallion depicting a hand. Nonematcham skipper, plaque, agate, silver, hands -
Federation University Art Collection
Ceramic, Valerie Marshall, Shingle Style Hand Built Pot by Valerie Marshall, 1985, 1974
Valarie Marshall was a Diploma student at the Gippsland Institute of Advanced Education from 1972 to 1974.Shingle style hand built pot with clay pellets lightly coloured with copper oxide. gippsland campus, jan feder memorial ceramics collection, ceramics, valerie marshall, gippsland institute of advanced education, alumini -
Hymettus Cottage & Garden Ballarat
Functional object - Fan, Ladies hand fan
Handmade fan for social evenings made by and for Theresa (Tess) Taafe c. 1930s.Small fan made of bakelite, lacework with sequins all hand sewn to netting backing.Nilfan, lady's fan, evening wear, tess lazarus, patrick taafe, redesdale. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tool - Brace and Bit hand drill, 20thC
Before drills and braces, T-shaped augers were used to poke holes into wood, while smaller gimlets were used to start them. Auger handles were usually made of a piece of hardwood that was sanded, rounded, or even contoured to give the user a firm grip. Bits on spoon augers essentially carved a hole in the piece of wood, and had to be periodically removed to clear the chips. Spiral-bit augers were precursors to modern drills, whose bits cleared the hole of chips as the user drilled. A significant advance on the auger was the brace, which was originally designed with a single, permanently fixed bit at its end. Eventually, though, braces were designed with sophisticated chucks to accommodate replacement bits, as well as bits of different sizes and for various purposes. Chucks were patented as vigorously as the braces themselves The braces themselves also evolved for particular trades, from furniture makers to surgeons. The operator holds the ‘head’ in one hand, positions the drill in the wood , applies pressure and rotates the ‘centre piece’ to cause the drill to pierce the wood. A steel revolving hand tool for boring and screw-driving with wood handles * pioneers, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton, tools, craftsman, carpenters, , blacksmiths, builders, farmers, metalwork, woodwork, screws -
Federation University Historical Collection
nails, Hand-made nails
Hand forged nails salvaged from the former Ballarat School of Mines Model Mine Building -
NMIT (Northern Melbourne Institute of TAFE)
Portrait: Hon. W.D.Beazley, MLA 1889-1912, Framed Hand painted portrait Hon. W.D.Beazley, MLA 1889-1912 Founder of Beazley Scholarships
Framed Hand painted portrait Hon. W.D.Beazley, MLA 1889-1912 Founder of Beazley Scholarshipscollingwood technical school, w.d.beazley, beazley scholarships, portraits, mla, nmit -
Clunes Museum
Tool - PICK - HAND MADE MINERS PICK
Hand made Miners pick, hand hewn wooden handle. Nilminer's tools, pick -
Kew Historical Society Inc
Equipment - Hand drum carder, Ertoel Wheels, 1980s
Ertoel Wheels made a wide range of looms, chairs, drum and hand carders, and spinning and weaving accessories. Small drum carder, designed to be used on a table and operated by hand to card wool and or other fibres in preparing them for spinning or felting. This wooden carder has two cylindrical drums covered with coarse or fine metal “tines” designed to rake through and comb the natural fibre. The manufacturer's name 'Ertoel Wheels' is glued at one end"Ertoel Wheels"wool carding, drum carders, carding equipment -
Hamilton Pastoral Museum
Symbolic Decoration Bookmark, 1934
Black Bookmark x2 Pulpit and Lectern Cotton -Satin White TastlePX $ -
Hamilton Pastoral Museum
Demijon, Bendigo Pottery et al
1 Gallon demijon D Laidlaw & Co Wine 7 Spirit Merchant -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tool - Tools, blacksmith's tongs, c1900
Whilst each town's blacksmiths played an essential part in the colony of Victoria, the early settlers frequently had their own small forge and a few blacksmith's tools to attend to smaller day to day repairs. A long-handled pair of blacksmith tongs were essential for handling red-hot metal that was being repaired.As only a handful of settlers were present in the Moorabbin district from the 1840s. These early colonists were required to use their ingenuity and skill to undertake the "running repairs", including some basic blacksmithing, required around their property or leasehold.Circa 19th century. Large pair of forge-made blacksmith's tongs. Nilblacksmiths, forges, metalwork, craftwork, fireplaces, early settlers, pioneers, moorabbin, bentleigh, cheltenham, market gardeners colonists, 1840s -
Heytesbury District Historical Society Inc.
Clothing - Ladies Skirt, Hand made
This skirt was probably worn of a daytime by a farmer's wife in the Timboon area early in the 20th Century.This long rust brown taffeta circular skirt is faded, worn and torn. It has 13 rows of machine stitching around bottom, 24cms from edge. It has an elastic waist and short zip at back of waist.clothing, women, needlecraft, skirt, early settlement, timboon -
Victorian Interpretive Projects Inc.
photograph - colour, Clare Gervasoni, Hand Pump, 25/05/2013
Colour photograph of a metal hand pump located in the grounds of the Bon Accord Museum, Burra, South Australia. -
Charlton RSL Sub Branch
Souvenir - Decorated envelopes WW2, Copies of 30 hand drawn envelopes from WW2
5 A3 sheets of copied hand drawn envelopes by serviceman PVT Edward Davis to his Mother and Sister -
Flagstaff Hill Maritime Museum and Village
Decorative object - Vase, ca. 1970s
This beautiful hand-cut crystal vase was made in Poland by Violetta Crystal Glassworks. Its design is decorative and functional. It reflects vases produced in the late 19th and early 20th century when hand-cut lead Crystalware was popular in England. The lead content in the glass makes the glass softer and easier to hand-cut. The crystal clear glass sparkles in the light. Crystalware was kept for special occasions such as weddings and religious events. The Violetta Crystal Glassworks was founded in 1864 by Franz Losky, at the district of in Stronie Śląskie. Its original name was Oransko-Nassawska Glassworks, then later named Oranienhütte. The Glassworks came under Poland's rule after World War II. In 1950 it was subject to the Central Board of the Glass Industry and Precious Ceramics, with its seat in Sosnowiec, and the Glassworks was called United Glassworks of the Lower Silesia Region – State Crystal Glassworks in Stronie Śląskie.In 1953 it began exporting its products. In 1970 the name was changed to Violetta Crystal Glassworks in the Polish district of Stronie Śląskie. The firm became the major exporter of Polish glass. From 1992, structural changes in the company resulted in the loss of production, which stopped altogether in May, 2008. Minex CEI SA bought the plant in 2011 and operated it until the end of 2018.This hand-cut lead crystal vase design reflects that of vases produced in the late-19th and early-20th centuries. It is representative of decorative domestic items used during that era, particularly for important and special occasions such as weddings and religious events. Crystalware was cherished for its beauty. The vase is also significant for its association with the renowned Violetta Crystal Glassworks established in 1864 by Franz Losky, which was at one time the greatest exporter of hand-cut crystal made in Poland.Vase; clear hand-cut glass, 24 per cent lead crystal. The vase is wide at the top with a scalloped edge. It tapers inwards to a round foot. A clear rectangular label with gold text is attached. It is branded Violetta hand-cut crystal, made in Poland. On the label: "MADE IN POLAND" "Violetta" "Hand cut 24 % lead crystal" "(R)" within a circleflagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, decorative object, functional object, vase, crystal vase, cut glass vase, hand-cut glass, violetta, violetta glassworks, polish glassworks, made in poland, vase with scalloped edge, crystal glassworks, franz losky, oransko-nassawska glassworks, oranienhütte, stronie śląskie, hand-cut crystal, crystalware -
Stawell Historical Society Inc
Article - Model, Hand made farm wagon model. c1921, c1921
Entered in 1921 Stawell Show Right front wagon wheel missing 1 spoke, 2 pieces of wheel also missing Hand made timber model farm wagon - metal chains stained dyed wood, two horse yolks at front -
Federation University Historical Collection
Equipment - Object, Otto Waschatz, Cast of Hand, Plaster Cast Drawing Prop
The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. This plaster hand is inscribed “Waschatz, Modeller, Melbourne.” Otto Waschatz was a German plasterer who opened a plaster business in the Melbourne suburb of Richmond, and was responsible for the invention of the first true fibrous plaster - using a layer of hemp laid between plaster to create light and strong panels. By 1912 Waschatz's Lottoid Pty Ltd was a thriving and creative business, and possessed over 5,000 moulds for all kinds of plasterwork. The business closed in 1915, as the result of anti-German sentiment during World War One. Plaster cast of a hand used as a teaching aid at the Ballarat Technical Art School. The Victorian Education Department courses required art students to create studies based on ancient sculptures so copies of famous works were purchased as teaching aids. Among these courses were 'Drawing the Human Figure from Cast' and ‘Drawing from the Antique’. Waschatz, Modeller, Melbourneballarat school of mines, art, arts academy, ballarat technical art school, vikki nash, plaster cast, otto waschatz, lattoid pty ltd, school of mines, plaster copy, drawing from the antique, drawing the human figure from cast