Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a light tan rendered brick house with a small curved additional roof jutting over the front door. Other features include tiled roof, white framed windows, door and guttering, feature chimney and a low unpainted variegated brown brick fence in the foreground with bushes and lawn behind the fence. Tall trees behind the house.murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, chimneys, brick fences

The University's mace was carried in procession for the first time during the Graduation ceremonies in May 1996. The mace was presented to the University by former Chief Commissioner of the Ballarat City Council, Vern Robson, at a ceremony on 02 February, following a national competition for its design, sponsored by the Council. (The Flag, Issue 2, July 1996) Nineteen artists responded to the competition which called for a design that would embody a distinctive Australian image reflecting the heritage of the city and in relationship with gold, an Aboriginal element and the history of the University. The winning entry, dominated by a poppet head, was submitted by Central Victorian artist/sculptor Trefor Prest, a sessional lecturer in sculpture at the University.(The Flag, Issue 2, July 1996) The Herald Sun of 03 February 1996 reported 'the new mace shows importance elements of Ballarat's heritage as well as the university's focus on the future. The artist emphasises the egalitarian nature of Australia as embodied in Ballarat's famous slice of history - the Eureka uprising. ... The mace has a poppet head at the top of the shaft - an unusual element for a mace - but it represents Ballarat's mining history and the University's evolution from the Ballarat School of Mines. An opening egg at the top stands for the nurturing of development and learning. The mace's straight shaft is depicted as the tree of knowledge and, incorporating a bark canoe scar, Ballarat's Aboriginal heritage. At the end of the shaft is a surveying device, which represents precision and accuracy ads embodied in the university's academic pursuits.' Bob Morrell of the University organised the national competition to design the mace and said 'It is in keeping with the university's logo, 'proudly flying the flag', which incorporates the Southern Cross.' Trefor Prest lectured in Sculpture at the University of Ballarat from 1995-1996.Black and white photograph showing three men holding the new University of Ballarat (now Federation University) mace. From left to right they are Vern Robson (Chief Executive Officer City of Ballarat), Trefor Prest (Sculptor) and Professor David James (Vice Chancellor).university of ballarat, mace, trefor prest, vern robson

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a casually dressed man, standing on the River Redgum planks of a wharf and holding onto the chain edging fence. On the right side of the background can be seen wharf buildings which are listed on the Australian Heritage Database. On the left can be seen the far bank covered in trees. The man is Frank Wright and the place is the Echuca Wharf at Echuca/ Moama on the Murray River.frank wright, echuca wharf, murray river

The special guest in the car appears to have arrived in Ballarat by train. Could it be William Birdwood to plant trees in the Ballarat Avenue of Honour? There is a band in the background. Note the folded back roof which allows the passenger to be seen by the public. https://architectureau.com/articles/heritage-listed-gold-rush-era-ballarat-coffee-palace-receives-700000-conservation-grant/Black and white photos of a car leaving the Ballarat Station (possibly carrying William Birdwood?). Reid's Coffee Palace is in the background Verso - Post (Correspondence)reid's coffee palace, ballarat railway station, visitor, bunting, celebration, ballarat

This portion of terracotta roof tile was salvaged from the wreck of the Antares by Flagstaff Hill diver, Peter Ronald. It has letters, numbers and symbols impressed into the clay by the manufacturer. The Italian barque Antares was an iron three-masted sailing clipper built in 1888 by Russell & Co of Port Glasgow originally named the “Sutlej” and renamed in 1907 the “Antares” when sold to the Semider Bros of Genoa Italy. The vessel left Marseilles on the 18th of December 1913 with its master captain Gazedo destined for Mullaly & Byrne of Melbourne with a cargo of roof tiles but failed to arrive. The wreckage was found near the Bay of Islands twenty-two miles east of Warrnambool after a body had washed ashore. Some of the timbers washed up were charred by fire, and a small boat's stern board with the name "Sutlej" led to the identification of the wreck as Antares which had been reported missing. According to later reports, the Antares wrecking was overshadowed by war news at the time. A young local boy had remarked that the Germans had arrived off the coast as he had seen them firing off shells and rockets, but his story was passed off as a joke. These rockets were most likely the distress signals from the stricken ship. The Italian barque/clipper Antares was sometime later reported as overdue. The wreck of the ship was later found at the base of a cliff at the Bay of Islands near Warrnambool in November 1914, there were no survivors.This tile is significant in its association with the wreck of Antares and is registered as a Shipwreck Artefact A/2. This tile is significant for its association with the sailing ship Antares, one of the last of the 'tall ships' to be lost along the southwest coast of Victoria, and the only wreck that took the lives of all people on board. The significance is recognised by its listing on the Victorian Heritage Register VHS S34. The Antares is significant as a sail trader carrying international inbound cargo. It is part of the Great Ocean Road Historic Shipwreck Trail.Roof tile; terracotta clay tile shaped for fitting together with other tiles. Inscriptions are impressed into the clay. It was recovered from the wreck of the Antares. Impressed text:”- E R I E S DE LA MEDITERRANEE” “ … T S – MI-LES BOU- R …..” Impressed symbol: (Sideways crown or tree) (could be TULLERIES DE LA MEDITERRANEE)flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, roofing tile, building materials, antares, peterborough, 1914 shipwreck, sutlej, antares rock., bay of islands, terracotta tile, clipper, roof tile, building material

Sepia image (copy) picture shows family gathered at base of large tree trunk with door opening. Two small children in doorway, woman holding younger child inside tree, two men either side of image. Both men are wearing suit coats, vests and wearing hats. Straw broom and pots fixed to tree trunk. Man on RH side has an axe to his right. PLEASE NOTE: Letter with photo inquiring about the people in photo, states that the image is that of Peter Tyson, younger brother of James, his wife Margaret Sheil, and their twin daughters, Alice and Harriet. Diary is of accounts with limited text of a written diary on RH wide of sheets. Bookkeeper was Robert Primrose, whose name appears frequently in the book. Further research by Murray Poustie discovered that the photograph may actually be of Nicholas Penny, his wife Eva and their children Charlie, May, George and Nicholas. Also in the photograph on the left is their neighbour, Mr. John Green. The Photograph was taken by Max Lowenhardt when the Penny family was living in the tree at Fumina in 1906-07 following devastating bushfires. Fumina is in timber country at the foot of the Baw Baw Mountains and the area was frequently affected by major bushfires. The photograph was featured on the cover of the Gippsland Heritage Journal No.19, 1996 and is also extensively noted as ''The Penny family's tree home at Fumina'' in other publications including Vision & Realisation.person, receipts

"Marydale", at 2270 McIvor Hwy., Axedale, was part of the original Campaspe Plains and Axe pastoral runs. By 1857 William Heffernan(1803-1891) had purchased the property from the "Axedale Station's" Robert Ross. it's heritage listing includes the outbuildings that remain in their original format and include the summerhouse and the schoolroom. Also included in the listing are the extensive gardens of mature trees. 1. William Heffernan (1803-1891) was born in Tipparary, Ireland and came to Australia in 1853 with Mr J Crowley. Together they first went to the Heathcote goldfields before moving on to Bendigo where they initially opened a tent restaurant. This successful endeavour allowed them to purchase the Pall Mall site of the Shamrock hotel. They built their first hotel and a large hall for entertainment that was later called the Theatre Royal. They continued to grow and expand until they built the current Shamrock building. He went on to several other successful theatres and hotels before retiring to "Marydale" in 1879/80. Before moving to New Zealand in 1884/5 he sold "Marydale" to Jeremiah Heffernan. He went to NZ to manage a hotel for his newly widowed sister and then built the Pier Hotel in Dunedin. By the time of his death in Dunedin he had lost most of his fortune. 2. Jeramiah Heffernan (1831-1897) was also born in Tipparary, Ireland but was no relation to William. He came to Australia in 1854 and to Bendigo in 1855, where he was employed by William and his partner, Mr Crowley at the Shamrock Hotel in Pall Mall. Twelve months later he became the manager of Heffernan and Crowley's Rose Shamrock and Thistle Hotel at Epsom. After twelve months in this position he bought the Albert Hotel in McCrae Street, Bendigo. He was a successful businessman who later purchased the Victoria Hotel in Pall Mall before retiring in 1887,firstly to "Marydale" that he had bought from William Heffernan in the early 1880's and then to his home in St Kilda. On doctors orders he returned to "Marydale" where he died 13/5/1897.Bendigo Advertiser from 18/07/1970. Article titled "Before Bendigo was....Marydale was." by Toora. The article describes the historic homestead of Marydale at Axedale.In red pen "Bendigo Advertiser 18-7-70"marydale, axedale, historic homestead

Bluestone building, arched windows, timber lean-to at side, with arched doorway. Single chimney. Pine trees behind, presumably on Ravenswood Estate.house, heritage, ravenswood homestead, ravenswood homestead, pastoral, farming

Taken by Gary Spivak, an officer of the City of Port Phillip involved with the reconstruction of heritage buildings to create low cost housing. this project was under his direction.B&W photos of Excelsior Hall 2003, prior to redevelopment into units 08 - Paperbark tree in Station Stbuilt environment - civic, town planning, heritage, excelsior hall, rsl, returned services league

Used for storing sugarOrange painted tin with inscriptions and decorations. Motifs of thatched huts and palm trees suggest it was painted in the (then) Dutch East Indies.Suiker (sugar) on front and back. sugar container.

Cream background with, in foreground, couple in dark brown regional Brabant costume; farmhouse with outbuildings and trees in background. Spring frame at rear for hanging. Brown imitation wood frame.Brabant at base of tile.

This tile was produced in 1938 to honour the 40th anniversary of Queen wilhelmina's succession to the Dutch throne.Significant because of the Dutch people's connection to their Royal House.A small square commemorative tile in celebration of the 40th anniversary of the reign of Queen Wilhelmina. Basically blue, it also features an orange tree with fruit, the Amsterdam city coat of arms and an inscription. On the front: "Regeerings Jubileum Koningin Wilhelmina 1898-1938". (Queen Wihelmina Jubilee 1898-1938). On the back: "Koninklyk Goedewaagen Gouda" and "NRvGelder&Co Amsterdam". A hole to enable hanging has been pierced in one corner .

Princess Juliana and Prince Bernard married in 1937 prior to the Princess becoming Queen in 1948.The fact that this item was brought to Australia with a migrant family indicates the affection in which the Royal Family was held by many Dutch people.Rectangular tile depicting a leafy tree loaded with oranges. Under it are four young people - two male and two female. The main colours are green on a greyish background. Orange accents appear throughout the clothing. An orange banner reads 1937-1962. Below the illustration is the motto: "Doen kunnen we alles maar dan ook alleen allen samen." (We can do everything but only together). On the back are various imprints relating to the maker Mosa Holland.

Small pale wooden carving of a bird about to land on a tree branch which forms the carving's base.

Wilhelm Manzke was a German POW held at Camp 13 Murchison Victoria during WW2. USB contains photographs of him prior to WW2, during WW2 as a POW, a family tree of him and his wife and their children, a photo album and letters sent to his wife whilst interned at Murchison. Compiled by his children. Also a copy of a document on the heritage of Murchison Camp 13 (C3594).Lexar usb (white with green plastic cover) containing photographs and information on Wilhelm Manzkewilhelm manzke, german pow, murchison camp 13, manzke family tree, hildegard manzke, hildegard marake

'Black Saturday' Bushfire Memorial Sculpture.Commissioned by the Hepburn Shire with funds provided by the Commonwealth and State Governments through the Bushfire Community Recovery Fund. Large scale tree-inspired steel and bronze sculpture incorporating two drinking fountains. Artist's name is laser cut onto the base of the 'trunk' of the tree.hepburn shire, hepburn shire public art collection, public art, bushfire memorial, sculpture, memorial, public art commissions, anton hassell, australian bell pty ltd, daylesford, art

The photograph has been printed from a glass negative which is part of the collection held by the Sunbury and District Heritage Association Inc. It is a view of Jackson's Creek near Eadies Mill.A black and white photo of a group of people sitting on an embankment and one man sitting on a large rock by Jackson's Creek. The men and women are dressed in suits and/or dresses. There is a waterfall behind and to the left of the party and a tree trunk in the foreground. Black and white with broad black margin on either side of the photograph.jackson's creek, sunbury, sunbury and district heritage association inc., clothing and dress, george evans collection

The series of 9 photographs were taken to be included in a study of archaeological sites and Aboriginal rings in the Sunbury area. Five earth rings which are thought to be associated with male initiation ceremonies have been identified in Sunbury. Only 3 others have been found in the rest of Victoria. Despite rapid development in the area, those sites are protected heritage sites.A coloured photograph of an open hillside which is a sacred site. Gum trees and grassy tufts are dotted across the hillside.aboriginal culture, aboriginal rings, sacred sites, george evans collection

The weatherboard house is one of the six weatherboard cottages which were built on the east side of O'Shanassy Street in the early 1900s. It has been listed in the Heritage Study in 1998. Scheduled as having some significance and recommended for further investigation.A coloured photograph of a weatherboard Victorian cottage with an overhanging verandah across the double fronted building. The weatherboard walls are painted biscuit and the window and door frames are tan. A wooden tile trim painted in biscuit, tan and dark green. There are two stepped chimneys protruding from the white painted corrugated iron roof. The overgrown garden has low growing trees and shrubs.george evans collection

Christmas Gift to donorsNilUpright rectangular tin, maroon with silhouette outdoor café scene, gold coloured knob on lid.In middle of all 4 sides, three gold squares featuring a star, parcel and Christmas tree. Inscription beneath, Seasonal Greetings. Gold badge top and bottom of all four sidesand top. Ingredients and nutritional information on bottom as well as packed by "ontrack" and item codes and best by date, 20-11-05.wafer tin, collectable tin, tin collectable, biscuit tin.