Two newspaper clippings about the possible closure of railway lines in Victoria, Feb. 1958. .1 - from the Sun, Tues 19/2/1958, titled ""Use or lose it is railway motto" announcing the VR Commissioners proposals to close railway lines and a pamphlet - "Use or Lose" being distributed in the country areas. .2 - from an unknown newspaper, cutting dated 19-2-1958, titled They'll fight to keep trains" , providing commences from community representatives about the Commissioners proposals to close seven country branch lines..1 - has the dated written in ink on the right hand side.vr, railways, closure

Newspaper clipping from the Bendigo Advertiser, pages 1 and 2, Tuesday April 18, 1972, the after the commencement of bus operations following the closure of the SEC operated system. Front page has an article titled ""Buses were a little late at first" - about the late running of buses after the change over. On page two are three letters to the editor concerning trams and buses. 1 - "Tram Museum states its case for Bgo trams" - letter from L. N. Millar, Secretary of the TMSV about the actions of the Bendigo Trust and what the TMSV had planned to collect from Bendigo. 2 - "Keep Bendigo the way it is", signed "Bendigonian" about tourism in Bendigo and keeping the landscapes. 3 - "Bus Depot at Charing Cross", signed by David Drummond about bus routes and the impact on Bendigo traffic. Made a number of suggestions about bus routing. bendigo, tmsv, bendigo trust, buses, closure, bus replacement

Yields information about the construction of the tramway in Ballarat from a newspaper viewpoint of 1904 and compares the construction with that of Bendigo.Photocopy of an extract and article from the Ballarat Start, Friday 16 September 1904" titled "The Electric Tramway System - What it will be in Ballarat - A revolution in street traffic". Describes the tramway system that is planned for Ballarat, including the power station, the routes, rails, gauge, overhead, tramcars, with comparison with the Bendigo system. Photocopy provided by Andrew Cook 15-1-2015.trams, tramways, ballarat, esco, ballarat a power station, opening, newspaper clippings, bendigo

Pages 42 of The Courier, Ballarat, Monday Sept 30, 2011 featuring photographs of people attending the BTM Family Fun day, titled "who's in it today? " / "Tramway". Has a photographs of Roger Salen standing in front of No. 27 on the depot fan, as MC of the event , Neil Lardner, Alan Bradley and Christopher Mitchell. Photos by Jeremy Bannister of The Courier. See Reg item 50?? for prints of these photos from The Courier's web site.btm, family fun day

The Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued for a Syd Ellwood Operatic Production of the musical 'Strike It Rich'. Performances were held in the Essendon and Box Hill Town Halls in 1957. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.syd ellwood operatic production, strike it rich (musical)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera [Undated] And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of Mozart's They All Do It (Cosi fan tutte) at the Kew City Theatre in 1959. 30.11.1959 / The day Robbie died"q" theatre guild, performing arts (kew), theatre (kew), kew city theatre

Written by Jan E. Knights and Barry R. Knights and edited by Thomas C. Bowen. Published by Silent PartnersWhite A4 Binder with loose leaf pages in protective pockets, 30cmHx21cmW, 275 pagesauslan, australian sign language

Produced and acted by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company) and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company).Artistic aesthetic social significance for the members, subscribers and audience of the Heidelberg Theatre Companytypeface blurry1954, 15, heidelberg theatre company, geoffrey dean, city of heidelberg repertory group, htc

1976, 169, city of heidelberg repertory group, heidelberg theatre company inc, directed by alice bugge

Newspaper clipping from MX. Captioned photo of two people right of frame in front of a fence with graffiti.classes, cultural structures and establishments

The extraordinary and compelling story of June 6, 1944 and the battle for Normandy is told here through first-hand testimonies from civilians and soldiers on both sides. D-Day: As They Saw It features classic accounts by soldiers such as Rommel and Bradley, together with frontline reports by some of the world's finest authors and war correspondents, including Ernest Hemingway and Alan Melville. Published to celebrate the 60th anniversary of the Normandy landings, highlights of this unique collection include the break-out from Omaha beach as told by the GI who led it, a French housewife's story of what it was like to wake up to the invasion, German soldiers' accounts of finding themselves facing the biggest seaborne invasion in history, a view from the command post by a member of Eisenhower's staff, combat reports, diaries and letters of British veterans of all forces and services, and accounts of the follow-up battle for Normandy, one of the bloodiest struggles of the warForeword by Field Marshall Lord Carversoft cover book

1955, 24, city of heidelberg repertory group, heidelberg theatre company inc, directed by mel norgan

Purchased with the assistance of the Crafts Board of the Australia Council, 1980Batik textile mounted on woodgippsland, artwork, permanent collection

Purchased, 2000Watercolour and ink on paper collagegippsland, artwork, permanent collection

Extract of Victoria As I Found It. "Brown on Pleasant Creek" By Henry Brown. Photocopied at the Public Library MelbourneLight Blue Plastic Cover with clear cutout and white paper insert with Black Print"Brown on Pleasant Creek" from "Victoria as I Found It" By Henry Brown Published London 1862stawell gold

Tennis Club. A minister is standing on the end right side, so it may be a church club.Black and white photograph of a large group of men, women and children, some holding tennis racquets. Circa 1900 to 1910 Tennis court markings along the front of the photograph. Trees in the background. Photograph has a patterned green mount. Photographer W.J.Chapman - Stawell.W. J. Chapman - Stawelltennis, sport

Swedes Creek where it originally connected to the Wimmera River. 2017water

Colour Photo of Dunmunkle Creek originally connected to Wimmera River at this point. Just before the Glenorchy Weir. 2017water

Motorbike "The Wimmera" in front of wooden wall with word Garage in it and a group of Dunlop Tyres. Deards and Young and Ledgars Garage.stawell wimmera motor vehicles

1 foldout pamphlet, illustrated.

Contents/Summary: Getting started - collecting records and keeping archives: what are archives?; common mission of archives; types of records; deciding whether to set up an archives or donate records; developing an archives policy -- Acquiring and organising archives: deciding what to keep - appraisal; Receiving records - acquisition; Recording essential information - accessioning; Arranging and describing records -- Preserving archives: storing archives; packaging and containers; Environmental conditions; handling archives -- Accessing archives: access policy; access forms; archives reading room; register of requests for records; security measures; copyright and privacy; guides and fact sheets; copying; volunteers; promotion and display; grants for community heritage collections -- Preparing a disaster recovery plan -- Appendices: Sources for further information; Archiving software; Suppliers of archival papers and products. Soft cover book of 64 pages, indexed; broad areas covered are acquisition, management, preservation, access and disaster plan recovery for community archives.Soft cover book of 64 pages, indexed; broad areas covered are acquisition, management, preservation, access and disaster plan recovery for community archives.archives

A street by street survey of each of the proposed precincts was undertaken. For each precinct, building fabric was defined in terms of intactness, scale, construction type, architect and predominant eras of construction.A street by street survey of each of the proposed precincts was undertaken. For each precinct, building fabric was defined in terms of intactness, scale, construction type, architect and predominant eras of construction.cultural property, protection of historic sites, heritage overlay precincts, heritage review, building citations

Another early Co-op building was referred to as the Humpy. It was used as a pottery studio. Originally a weatherboard building built by Chris Mueller in 1973-74, it eventually started to deteriorate and was clad in mud brick. Band White Photo

Gilda GUDE (1918-1996) Gilda Gude worked in various media throughout her career, favouring figure and flower studies. She attended the Ballarat Technical Art School during the early 1930s, and later the George Bell School. In 1938 Gilda Gude and Betty Brown, another Ballarat Technical Art School student, designed the flora carpet for the Ballarat Begonia Festival. This artwork was completed for a competition sponsored by the large art supply company Wiltshires. In 1952 Gude won the Royal Art Society Drawing Prize, and began lecturing at RMIT in 1861. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, gude, gilda gude, journal, poster, agriculture, farmer, reading

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two ceramic artworks.art, artwork, ceramics, earthenware, louise curtis