Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1989watercolour on paper

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1988watercolour on paper

Gift of Mack Jost, 1987watercolour on paper

Gift of the artist, 2003lithograph on Lana Gravure paper

Gift of the artist, 2003etching on Somerset paper

Gift of the artist, 2003etching on Somerset paper

This painting is dedicated to Patricia Boyd, Robin Boyd's wife, on the reverse side. "Night of Love" was exhibited as a complimentary pair with "Days of Gold" at Laycock's 1965 exhibition at South Yarra Gallery, where Robin Boyd purchased it. It hangs in the living/dining room. "Three of the Players", the 1953 painting by John Brack, hung in this position in the Mark Strizic photograph in Robin Boyd's book "Living in Australia" p 80. The Brack was in the Boyd home until 2010, when it was sold.Abstract composition, predominantly in red tones but with blue tones in the bottom right hand corner.Initials and date (DL 65) in centre at the bottom. On the reverse side - "1506" ; label on rear with cutting instructions, and" To Pat".donald laycock, south yarra gallery, paricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_18

SoftcoverInscription inside front cover: "To John and Patricia, old and good friends, with warmest good wishes, Denis Warner". Several cards inserted inside. Reference to the Australian National Gallery in card from Penleigh, Robyn, Ben, Amy & Rupert.walsh st library

Softcoverwalsh st library

Hardcover w/ Dust JacketNote from Johnwalsh st library

Hardcover w/ Dust JacketTwo newspaper clippings inserted at p. 104: Clark K 1976, 'The National Gallery of Art: Mellon's 'Triumph of Foresight', Washington Post, Tuesday October 19, p. B4 and p.? (article in two parts)walsh st library

SoftcoverHandwritten note from the artist to Patricia and Johnaustralian art, national gallery of victoria, clifford last, geoffrey edwards, noel hutchison, walsh st library

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Hayward Gallery, South Bank, London, UK, 1968. (Architects: Norman Engleback, Ron Herron, Warren Chalk and John Attenborough.)Made in Australia / 21 / MAY 69M2 / Encircled 11 (Handwritten)london, slide

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Hayward Gallery (1968), South Bank, London, England . (Architects: Norman Engleback, Ron Herron, Warren Chalk and John Attenborough.)Made in Australia / 19 / MAY 69M2 / Encircled 12 (Handwritten)london, slide

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Hayward Gallery, South Bank, London, UK, 1968. (Architects: Norman Engleback, Ron Herron, Warren Chalk and John Attenborough .)Made in Australia / 16 / MAY 69M2 / Encircled 13 (Handwritten)london, slide

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Hayward Gallery (1968), South Bank, London, England . (Architects: Norman Engleback, Ron Herron, Warren Chalk and John Attenborough .)Made in Australia / 17 / MAY 69M2 / Encircled 14 (Handwritten)slide, robin boyd

The bottle was donated to the Council by Hedley Elliott for an exhibition in the Art Gallery (George Evans Museum). Note that Goonawarra is misspelt on the label.Green glass bottle used for 1975 claret and bottled for the first Sunbury Fair. The label is printed in brown and cream and features a sketch of the Goonawarra Winery and surrounding area. There is a brief statement on the back about the winery and the background to production of the wine. On the back is a hand-written label, stuck on with clear tape giving an account of the origin of the bottle of wine, its donor and storage instructions. It has a black metal cap and miscellaneous markings on the flat bottom."Sunbury Fair / Goonawarra Vineyard (above) was established / in Sunbury in 1858 by the / Hon. J. G. Francis, former Premier of Victoria. / This 1975 Claret from the Stanley Wine Co. / was bottled by Emerald Wines especially / for the Sunbury Fair / WINE PRODUCED IN AUSTRALIA F100 750ml". The hand-written label is signed by John McKerrow in 1985.sunbury fair, wines, goonawarra vineyard, stanley wine company, emerald wines, elliott, hedley, mckerrow, john, festivals and celebrations, francis, j.g. (hon.), george evans collection, 1970s

John Parkes avoids technology. This work expects the viewer to understand the importance of the hand and time… The blanket and the apron were gifted by friends in Germany. The apron was worn by Helen in her studio practice as a jeweller. The blanket was a find in the cellar of their Munich apartment. The red moleskin cloth was an OP shop find and originally a eucalyptic green. This cloth was discharged and overdyed. Cloth will often sit around the house, unattended, until ideas germinate. Is “Art” about “Art” or about the “Artist”?... There is a Buddhist notion of not writing in the first person, in that the Ego is not employed. There is a Japanese tradition “Boro” in which cloth is not discarded but repaired. These three cloths are now one.Wangaratta Art Gallery Collection - Winner WCTA 2017A square handsewn textile that features a white apron that has red running stitch squares, holes, hand paint stains across with initials in blue thread sewn in the bottom right corner of the apron which is in the center of the work. A brown wool cloth that features rows of white running stitches and red embroidery patches borders the apron, which is bordered by strips of red patterned fabric that has been dyed and features lines of red running stitches.wangaratta art gallery, textile, wcta, john parkes

Rural City of Wangaratta Collection. Gift of Cr. D.M. Whittaker.A rectangular landscape of the old Borough Offices of Wangaratta painted in oil in shades of green, white, grey, red, yellow, and orange.Obverse: J. Colin Angus/ 1962/ (bottom right corner)wangaratta art gallery, landscape, j colin angus, john colin angus

Rural Council of Wangaratta Collection - Gift of the artist 1989A bush landscape painted in oil using shades of brown, blue, yellow, and green.Obverse: J. Colin Angus/ 88/ (bottom left corner)wangaratta art gallery, j colin angus, john colin angus, painting, landscape

Rural City of Wangaratta CollectionA pastoral landscape painting in oil using a tonal colour palette of greens, blues, browns and yellows.J. Colin Angus/ 84/ (bottom left corner)wangaratta art gallery, j colin angus, john colin angus, painting, landscape, pastoral

Rural City of Wangaratta CollectionA landscape of a river crossing painted in oil using shades of green, brown, blue, and white.J. Colin Angus/ (bottom right corner)wangaratta art gallery, j colin angus, john colin angus, landscape painting