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The Beechworth Burke Museum
Animal specimen - Yellow Billed Spoonbill, Trustees of the Australian Museum, 1860-1880
... Eveleigh Johns between 1860-1880. These skins were then mounted ...The Yellow-billed Spoonbill is a waterbird which can be commonly seen wading through shallow waters. This particular variety of Spoonbill is found across Australia, mostly in the northern and well-watered inland areas. It resides in freshwater wetlands, dams, lagoons and swamps. The species feeds on mainly aquatic insects and larvae. The bill has vibration detectors called papillae inside the spoon which enables the bird to feel the vibrations of its prey in murky water. These birds nest in the colonies of other birds like the Ibises and Royal Spoonbills. They live in high forks of trees over water or in reed beds. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Yellow-billed Spoonbill specimen is a large taxidermy of mainly white colouring. The bill is a large and unique spoon shape and is yellow. The long gangly legs and the skin on the face are also yellow. The eyes are made from a black and yellow glass and the bird is stylized standing on a square wooden platform. A paper identification tag is tied to the bird's upper left leg.6c. / [illegible] / Spoonbill / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, spoonbill, yellow-billed spoonbill, yellow billed spoonbill, waterbird -
The Beechworth Burke Museum
Animal specimen - Sooty Albatross, Trustees of the Australian Museum, 1860-1880
... acquired as skins from various institutions across Australia ...The Sooty Albatross can be located on islands in the southern Atlantic Ocean and the Indian Ocean. It is a colonial bird with colonies consisting of 50 to 60 pairs of birds. These birds will build nests on cliffs and steep slopes. The diet of the Sooty Albatross includes squid, crustaceans, cephalopods, fish and carrion. They are considered an endangered species by the IUCN with a population shrinkage of over 75% over the last 90 years. In the 21st century, the population of this Albatross has seen stability on Gough Island. Interestingly, this species have several features which make them unique. They have nasal passages attached to their upper bill called naricorns and can produce a stomach oil which is stored by the bird and used against predators as well as being food for their chicks. These birds also have a salt gland which helps desalinate their bodies after residing in salt water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Sooty Albatross specimen is of medium size and mainly a sooty-brown plumage. The colouring around the sides of the head and the base of the tail is dark. It has a dark bill which is medium in size and has been stylized with glass eyes by the taxidermist. The tail is a wide diamond-shape and the feet are webbed. This specimen has been placed on a wooden mount and has a small paper identification tag tied to its right leg.Sooty Albatross / 13D / Catalogue Page 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, hawk-owl, europe, atlantic ocean, indian ocean, albatross, sooty albatross, endangered species -
RMIT Design Archives
Design drawings, Paul Taylor for Form Australia, Kambrook Axis Kettle concept rendering
The Axis Kettle was developed through the EcoRedesign project funded by the Federal Government and based at RMIT in the 1980s and 1990s. The project involved the expertise of significant Victorian designers such as Paul Taylor, Gerry Mussett, Liam Fennessy and Michael Grima, as well as prominent sustainability experts such as academics John Gertsakis, Chris Ryan and Alan Pears. Axis changed the way kettles were used, guiding users to save resources through their behaviour. It is regarded globally by academics from prominent design institutions such as Loughborough and Delft as one of the first successful eco-design projects. The drawing is part of the Centre for Design collection, RMIT University. Simon Lockrey, 2017 The drawing is historically significant as an early eco-design project. Design drawing of KambrookKettle by Paul Taylor for Form Australia as part of the Centre for Design at RMIT University, featuring electric kettle drawn in black pen + ink with blue ink where kettle lid is. Written design descriptions appear along side the image and title below.LID / SANHOPRENE / GRIP / RECYCLED SKIN / ELECTRIC KETTLE. c 12TH FEB. '93household appliances, industrial design, sustainability, rmit university -
Stawell Historical Society Inc
Memorabilia, Regalia Supplies, Masonic Lodge Memoribillia, 1929 & 1986
Three Generations of Masonic Lodge MemebrsMasonic Vest and Cumberband, Gloves, Bow Tie, & White Lamb Skin Masonic Apron, Life Membership Badge & centenary Badge and Certificate (Instillation) of Acceptence to Numurkah Lodge. Belonging to Kenneth John Hill. 1986 Certificate of (Istillation) Acceptence to Euroka Morning Star Lodge Stawell & Clearence Certificate for William John Hill ( Grandfather) May 1929 & 1932Kenneth John Hill William John Hilllodge, regalia -
Victorian Aboriginal Corporation for Languages
Book, John Henderson, Language in native title, 2002
Introduction /? John Henderson and David Nash Language and native title /? John Henderson Linguistic evidence and native title cases in Australia /? Peter Sutton Linguistic continuity in colonised country /? Jeanie Bell Country and the word: linguistic evidence in the Croker Sea claim /? Nicholas Evans Linguistics and the Yorta Yorta native title claim /? Heather Bowe The language of the Peak Hill Aboriginal people: a linguistic report in a native title claim /? Tamsin Donaldson Labels, language and native title groups: the Miriuwung-Gajerrong case /? Greg McIntyre and Kim Doohan Historical linguistic geography of south-east Western Australia /? David Nash Language ownership: a key issue for native title /? Michael Walsh Can lexicostatistics contribute an absolute time-scale to discussions of continuity of occupation in native title determinations? /? Barry Alpher Linguistic stratigraphy and native title: the case of ethnonyms /? Patrick McConvell Making your skin fit properly: displaced equivalence in 'skin' systems in the Barkly /? Gavan BreenMaps, tables, b&w diagramsyorta yorta, yoda yoda, yabala yabala, bangerang, shepparton, miriuwung, gajerrong, native title -
Kew Historical Society Inc
Photograph, Alice (Henty) Hindson (1852-1932), 1906-1930
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The portrait was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Alice (Henty) Hindson, born in Portland in 1852, died at 'Field Place' in Kew in 1932. She was the daughter of Francis Henty. The portrait has added artistic and aesthetic significance as a signed photographic portrait by Lafayette Photographic Studios, Collins Street, Melbourne. The studio flourished from 1906-1930. Photographic portrait of Alice (Henty) Hindson (1852-1932), one of the daughters of Francis Henty and Mary Ann Lawrence, taken and signed by the internationally renowned London photographer 'Lafayette'. The oval photograph is encased in a brown calf skin case. The portrait represents the sitter in middle age, wearing a black dress and a white lace collar. Alice Henty had married John Hindson in 1875 at Trinity Church, East Melbourne. The couple were to live at 'Shrublands' in Canterbury from 1883. Her husband died in 1919 and it is likely that the portrait was taken after that date. She was to donate 'Shrublands' to the Anglican Church in 1923, after which it became St John's Home for Boys (and girls). Alice Henty's sister Louisa Henty died at her home 'Field Place in 1924. Alice was also to die at Field Place in 1932. Signed: "Lafayette / Melb."henty family, alice henty, alice hindson, shrublands, field place, john hindson, francis henty, louisa henty, mary ann lawrence, mary ann henty, lafayette photographic studio -- mebourne (vic.) -
Flagstaff Hill Maritime Museum and Village
Photograph, C. 1891
Photograph shows the ship FIJI where she met her demise, in Wreck Bay, on the shipwreck coast of South West Victoria. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are china miniature animals, limbs from small china dolls, rubber balls, a slate pencil, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife. Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White Photograph of the ship "Fiji" taken from Wreck Creek. warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, pocket watch, fob watch fiji, william vickers, william robe, bill robe, gebauhr, stansmore, carmody, wreck bay, moonlight head, fiji shipwreck 1891, port campbell rocket crew, wreck bay victoria -
Orbost & District Historical Society
stuffed toy, late 19th-early 20th century
Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert)This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century.A hand-crafted toy fluffy dog. It is cream coloured with brown patches.It is made from sheep skin and has a pink silk protruding tongue, ears lined with brown silk and felt foot pads. It has one glass eye.handcraft toy needlework warren-helena -
Royal Australasian College of Surgeons Museum and Archives
Functional object - Operating stool, circa 1950s
A special stool made to enable a disabled surgeon to operate while sitting was donated to the College by Mr John Farlow FRACS in September 2003.The stool was made for Gilbert Phillips FRACS (1904-52), the legendary Sydney neurosurgeon and wine connoisseur. Phillips was a gifted young graduate, a protégé of (Sir) Harold Dew (PRACS 1953-55). He went to England, where he became surgical assistant to (Sir) Hugh Cairns, amongst others. He was a consultant to the RAAF during WWII, and at the end of the War returned to England at Cairns’ request. Back in Sydney, he returned to Royal Prince Alfred Hospital, where he spent most of his professional career. In 1951, after a long battle with skin cancer, he had his right leg amputated below the knee. Only a few weeks later he was back working at the operating table, and it was at this time the stool was constructed for him. By now however, he was suffering from secondary melanoma, and he died in September 1952.This object is an interesting example of pioneering apparatus from the days before stools became a familiar piece of theatre equipment.The design of the stool is simple and robust. A substantial padded saddle forms the seat, which is adjustable for height. The saddle is upholstered in red leather. The frame is made from tubular steel, painted cream. The whole device runs on three swivelling casters, two at the front and one at the rear, which enable it to be taken in any direction. noneracs, gilbert phillips, harold dew, surgery, 2003 -
Stanley Athenaeum & Public Room
Photograph - J. Corey Davis, Picture
Original photograph in Gilded Frame - 2.5cm floral edged, 2cm internal gold rim, molding floral plaster edging. Gold internal matte approximately 5cm. Internal mounted photo 6cm black/white - sepia? Timber covered Back - 2 central screws and hanging wire.'Photograph is of Mr. J.Corby Davis. Identified as such by Mrs Eva Boswell (nee Breustedt), Mrs Annie Crawford ( nee Skinner). Presented by Mrs Goodyer 30/11/1973. Beechworth 24th April 1937. John Corby Davies. O&M Paper.' Davis was an auditor for the Athenaeum in the 1900's. -
Ballarat Heritage Services
Digital Photograph, Stairs from Salisbury Cathedral
These stairs are on display at Victoria and Albert Museum, London. Salisbury Cathedral is still in existence and houses the famous Magna Carta. Standing 123 metres high above the city that grew up around it Salisbury Cathedral is almost entirely Early English Gothic in architectural style. The Magna Carta housed at SAlisbury is the best preserved of the four originals dating from June 1215 and still in existence.It is written in Latin with a quill pen on treated animal skin (parchment). The sealed documents were sent throughout the country after the Charter was forced on King John barons who were unhappy with the way he was ruling England. Wooden stairsmagna carta salisbury cathedral king john stairs -
Old Castlemaine Schoolboys Association Inc.
Honour Board, Chewton Primary School
1927 – Henry Hocking 1928 – Myr. Mortimer 1929 – B.M. Dennis 1930 – Bessie M Dennis 1931 – Mary. L. Archbold 1932 – Edith O. Strong 1933 – Victor Payne 1934 – Nancy Exon 1935 – Hilton Dyring 1936 – Edna Scoles 1937 – Olive Dennis 1938 – Bruce Addis 1939 – Tessie Priest 1940 – Myrtle Wright 1941 – Ailsa Dennis 1942 – Dorothy Scoles 1943 – Robert Briggs 1944 – Douglas Cracknell 1945 – B.L. Delmenico 1946 – Valmae Colling 1947 – Joy Cocks 1948 – Judith Botten 1949 – Malcolm Archer 1950 – Brian Schreck 1951 – John Dawe 1952 – Sally Smirftt 1953 – Keith Campbell 1954 – John Burch 1955 – J. Retallick 1956 – L. Williamson 1957 – P. Kouwenberg 1958 – Inge. Schuber 1959- Linday Burch 1960 – Garry Wiseman 1961 – Heather McMillan 1962 – Linda Preece 1963 – Gail Nancarrow 1964 – Robyn Retallick 1965 – Brian Jenkins 1966 – Reg. Ellery 1967 – Suzanne Skinner 1968 – Lynette Jenkins 1969 – Bettie Exon 1970 – Janice Cox 1971 – Kerry Pollerd 1972 – Norma Ellery 1973 – John Bari From 1983, The Chewton School awarded the award on their own behalf 1983 – Robyn Dredge 1984 – Sharon Tizzard and Shannon Grey 1985 – Julie Tizzard 1986 – Karen O’Meara 1987 – Tammy Smith 1988 – Maggie McCormack 1989 – Rebbecca Say &Trinity Mawson 1990 – Amber Mawson 1991 – Lucy Norwood 1992 – Emma Cohen & Aimee London 1993 – J. Troutbeck-Noy -
Brown Hill Progress Association Inc.
Document, List of Bus and Char-a-Banc Plying for Hire, 1923
A charabanc or "char-à-banc" is a type of horse-drawn vehicle or early motor coach, usually open-topped, common in Britain during the early part of the 20th century. It has "benched seats arranged in rows, looking forward, commonly used for large parties, whether as public conveyances or for excursions." It was especially popular for sight-seeing or "works outings" to the country or the seaside, organised by businesses once a year. The name derives from the French char à bancs ("carriage with wooden benches"), the vehicle having originated in France in the early 19th century. In Australia a modern similar type of bus or motorcoach, with a lateral door for each row of seats, survived up to the 1970s and was referred to as side loader bus; but all or most of them were not open-topped. (Wikipedia)Two pages relating to buses, char-a-bancs and trams in Ballaratbus, tram, char-a-banc, john lucas, john j. mckenna, hugh williams, a.b. smith, thomas pascoe, h.g. whiteley, walter hearne, thomas james, george skinner, sydney stapleton, hugh george lake, oscar cruikshank, robert taylor, thomas powell, wilmot, j.p. bennett -
Ringwood RSL Sub-Branch
Souvenir
1. Pig skin wallet (black) with two studs 2. Book - Gospel of St John Australia Royal visit 1949 - 78 pages 3. Pay envelope - R Bingley3. R Bingley R46519 -
Tarnagulla History Archive
Photographs: The Newbridge Rifle Club (The Bendigonian), The Newbridge Rifle Club (The Bendigonian), October 22, 1901 (original)
The Newbridge Rifle Club Butts were behind a big hill north of road to Llanelly. Formed in 1900 for rifle practice during the Boer War. Range of 500 yards. Brigade Captain Bob Douglas. Murray Comrie Collection. Two copies of a monochrome photograph, image depicting a large group of men assembled in an outdoor setting, some holding firearms. Printed caption reads: 'The Newbridge Rifle Club' Title printed on top of page reads 'The Bendigonian' and 'October (?) 22 1901'. This is a poor quality copy of an older original, possibly a news clipping. Copy probably made by Murray Comrie in the 1960s.Accompanying note identifies some subjects: Standing: 1. Will Hart (?) 2. _________ 3. John Brown 4. Donald Joyner 5. Geo. Daws 6. _______ 7. Nat Ramsay 8._______ 9.__________ 10. Alf Michael 11. Bod Hamilton 12. Jack Bruce 13. Vince Pola 14. Frank Bruce 15. Eli Summers 16. ____ 17. ____ 18. ______ 19. Bob Chamberlain 20. P. Rayner 21. Ted Skinner 22. Geo. Martin 23. Bill Michael. Sitting: 1. ______ 2.______ 3. ______ 4. Will Ramsay 5. Nat Hart 6. Bob Douglas (in uniform) 7. Jim Joyner 8. Steve Hatt 9. Bob McKenzie 10. Charlie Summers (in uniform) 11. William Bridge (in uniform) 12. Tom Michael (in uniform). (Not sure if this matches the photo very well. Note filed in M. Comrie research notes (general).)newbridge, sports, recreation, shooting, clubs, rifle club, military, boer war -
Federation University Historical Collection
Book - Book - Press Clippings, Ballarat University College/University of Ballarat School of Visual and Performing Arts, 1993 - 1999, 1993
Blue cover book of press clippings. .1) 1993 - briar rabbit, brer rabbit, Libby Tanner, Belinda Lees, Lorrae Desmond, Cherry Orchard .2) 1994 - Bruce Widdop, Eureka, Rebellion, Aiden Fennessy, Steel Magnolias, Rumpilstiltskin, Tale of Two Cities, Peter Tulloch, Ring Round the Moon, Grainery Lane, Barnstorm Theatre, Rivers of China, Lord Wedgewood, Rick Chandler. James Charters, Matt Molony, Antoninino Atzori, Joseph, Len Bauska, Joseph and the Amazing Technicolour Dreamcoat, Damian Muller, Bert Labonte, Once a Catholic, Peta Brady, Fiddler on the Roof, King Richard III, The Seagull, Mr Men .3) 1995 - Point of Departure, Stags and Hens, Hansel and Gretel, Rob Knowles, The Would Be Gentlemen, SOund of Music, Barry Breen, The Bundle, Karl Hutton, Much Ado About Nothing, Len Bauska, Hamlet, Pajama Game, Peter Tulloch .4) 1996 Melissa Casey, The Wizard of Oz, Peter Tulloch, Libby Tanner, Rooted, Erard Concert Grand Piano, Atlantis. The Visit, Stella Axarlis, Me and My Girl, Our Country's Good, Three Billy Goats Gruff, Hold the Mayo, The Crucible, Chris Dickins, Stuart Pursell, Arts Academy .5) 1997 - Tempest at Loch Ard Gorge, Maelstrom, Angela Coad, Damian Muller, West Side Story, The Importance of Being Ernest, Mark Gambino, Brett Edgington, Cosi, Damian Muller, Leonard Bauska, Matthew Heenan, Amanda Sandwith, Bacchae, Richard DiGregorio, Roger Woodward, Peter Tulloch, Gavin Fenech, Bruce Widdop, Lola Montez, Tim Haymes, Tina Ford, Ross Jones .6) 1989 - Graeme Bird, Leanne Lettieri, Ballarat Symphony Orchestra, Christopher White, David Addenbrooke, Bruce Widdop, Chris Betts, John Garland, Allan Mann, John Sharpham, David Forrest, Warwick Stengards, Jan Davis, Wendy Morrison, Equus, Scott Cameron, Bryan Trueman, Peter Blizzard, Andrew Burnham, Peter Pilven, Chalk Circle, Tsou Nan-Chien, Ten Little Indians, Doug Wright, Stellarc, Chris Betts, Eric Lovett, Bob Allan, Doug Wright, Kaspar, Bill Levis, The Removalists, Liz Poklar, Goldfields Print Award, Margaret Sulikowski, Kathy Gamble, Maria Froia-Crump, Ian Hemmingway, Geoff Wallis .7) 1989 - Shirley Randall, Fref Fargher, Richard Jeziorney, Shane Lee, Neville Philpott, Val Lehman, Bill Levis, Hamp, Peter Ford, Shane Lee, Richard Akers, Peter Blizzard, Debbie Fraser, Shane Lee, Away, Genevieve Lacey, Pauline Coutts, Tsou Nan-Chien, Petrus Spronk, Debbie Fraser, Chris Betts, David Addenbrooke, Alan Peascod, John Crump, Deb Rosser, Michael Cook, Bruce Widdop, Jenny Trickey, Jennifer Marshall, Stellarc, Carboni, Stuart Matteson, Peter Sargeant retirement, Lyn Conellan .8) 1990 - Micehelle Tuddenham, Pauline Coutts, Anthony Horton, Claire Dale, Kryal Castle, Howard Tostivan, Simon Buckle, Blitz, STelarc, Hitz of the Blitz, Doug Wright, Nerissa Heath, Mieke Glickson, Ruth Greenburg, Peter SParkman, Allan Mann, Rachel Appleton, Michelle Tuddenham, Romeo and Juliet, Jennifer Pacey, Felicity Hay, Kristen Boys, Shane Lee, Norm Strange, Demolition Job, Merran Lisette, Charlotte's Web, Merran Hedbury, Richard Akers, Felicity Hay, Disco, Peter Harbison, Peter Clinch, Jeff Crispin, Cynthia Treadwell, Anagama Kiln, Debbie Lord, Sue Quinlan, Hedder Gabler, , Christine Hateley, Marilyn Chestnut, Geoff Crispen, Petrus Spronk, Peter Ashman, Country Heat, Bruce Widdop, Andrew Seary, Len Bauska, Christopher Pendlebury, Doug Wright, Frank Hurley, Peter Tulloch. Liz Blizzard .9) 1991 - Goldilocks and the Three Bears, Yvonne James, Doll's House, Liz Blizzard, Peter Blizzard, Elizabeth Tanner, Amanda Davies, Kimba Jeffries, Black Comedy and Public Eye, Peter Pilven, Macbeth, Richard Sutherland, Bruce Widdop, The Little Prince, The Would-be Gentleman, The Crucible, Warren Muschialli, Janet Dale, .10) 1992 - Deanne Clapton, Anthony Marsh, Alice in Wonderland, Bruce Widdop, The Beard, Fiona Bennett, Warren Muschialli, Orphans, Peter Blizzard, Red Riding Hood, Circus In a Suitcase, Frank Zappla, The Twelfth Night, Peta Brady, Street Angels, Lawrence Price, Donna Brunt, Jessi Watson, Too Much Punch for Judy, Miranda Crellin, Lyle Quick, Trevor Harris, Howard Tostivan, John Daykin, Barry Breen, The Paradise, Hansel and Gretel, Sandra Moon, Rosalind Lawson, Jason Wasley, The Paradise and The Passion, Simon Buckle, Sam Trinder, Doug Wright, .11) 1998 - Barnum, Skins, Marqui De Sade, Kangaroo Pie, Comedy of Errors, Manhatten, Nicholas Nickleby, Great White Way, Peer Gynt, Boys from Syracuse, Cancerto, Miranda Crellin, Ron McLeod, Alexandra Meerbach, Nathan Firmin, Chris Dickins, Christine Ward, Belinda Lees, Judith Roberts, Tim Arundell, Dom Phelan, Paul Thomas, Rose Tonkovic, Jon Peck, Andrew Page, Luke Doxey .12) 1999 - Pirates of Penzance, Phil Horwood, Adrian Barnes, Dennis Olsen, Kate Gorman, Nathan Firmin, Margaret Whitlam, Nadine Collins, Liz, Gutt, Sara Brett, Kate McLennan, Dom Phelon, Midsummer Night's Dream, Bruce Widdop, Nadia Andary, Amy Maiden, Sing For Your Supper, Tania Burn, Under Milkwood, A month of Sundays, Matt Heyward, Dane Carpenter, Peter Tulloch, phil Crompton, Tim Haymes, David Haymes, Jenny Haymes, Barry Wenyss, Heather Kent, Monty Farag, Sancho de Silva, Jose da Costa, Cameron Sweatman, Ways and Means, Matt Heywood, Rbecca McGuiness, Michelle Pitcher, Peter Tulochperforming arts, visual arts, ballarat academy of performing arts, peter tulloch, bapa -
Bendigo Military Museum
Certificate - CERTIFICATE, LIFE MEMBER 1960, RSL Inter Units Social Club, 28.3.1960
The Life Membership relates to William John Turner Bendigo RSL Sub Branch. Refer Cat No 8029 for details of his work and fund raising for the Sub Branch. Refer Cat No 8030 for details re his Committee involvement with Bendigo Sub Branch and his WW1 service history. The Unit Social Clubs listed in an RSL Bendigo Annual report 1946 appear to be 6th, 38th, 57th Bn Associations, Railways Sub Section, Catholic War Veterans Association, POW Association (new member 1947).Framed certificate, frame is timber gold colour, backing for the certificate is maroon colour, certificate has ornate blue edging, RSL logo at the top followed by the details of the certificate, all print in black, signed and dated.Main points; “Inter Units Social Club - Life Members Certificate - Presented to Mr W.J. Turner for services rendered to the above club” “R C. Kuryke President” “H Skinner Secretary” Dated 28.3.1960”brsl, smirsl, certificate. -
Victorian Railway History Library
Book, Sargent, John, Locomotive Profile New South Wales Railways 40 Class, 1999
A photographic profile of the 40 class Canadian- Alco diesel electric locomotive of the New South Wales Railways.ill, p.48.non-fictionA photographic profile of the 40 class Canadian- Alco diesel electric locomotive of the New South Wales Railways.locomotives -- australia -- pictorial works, diesel locomotives - new south wales - history -
Victorian Railway History Library
Book, Train Hobby Publications, Locomotive Profile: Victorian Railways Electrics L and E class, 1999
A photographic profile of the E & L class electric locomotives of the Victorian Railways from 1950 to 1985.Ill, p.48.non-fictionA photographic profile of the E & L class electric locomotives of the Victorian Railways from 1950 to 1985.electric locomotives - victoria - history, railroad operations - victoria -
Victorian Railway History Library
Book, Sargent, John, Locomotive Profile New South Wales Railways "50" class, 1999
A photographic profile of the D50 class 2-8-0 freight locomotive of the New South Wales Railways.ill, p.48.non-fictionA photographic profile of the D50 class 2-8-0 freight locomotive of the New South Wales Railways.locomotives -- australia -- pictorial works, locomotives - new south wales - history -
The Beechworth Burke Museum
Animal specimen - Weasel, Trustees of the Australian Museum, 1860-1880
... anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were ...The Weasel is the smallest carnivorous mammal in the world. They commonly reside in central and western Europe and in the Mediterranean region. They can also be found in North Africa, Asia and North America. This species was also later introduced to New Zealand. The Weasel prefers to live in locations which include grasslands, sand dunes, lowland forests, upland moors and towns which have a suitable food source. Collective nouns for a group of Weasels include a "sneak", a "boogie", a "gang" or a "confusion". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A light coloured weasel standing on a wooden platform. Two identification tags are tied to one of the specimen's back legs. The animal has a long and slim body with a small and triangular shaped head. The teeth are visible from close-up and the eyes have been replaced by dark coloured glass. The snout is pointed and the weasel has long whiskers. The ears are small and rounded.A.4491 ?. Weasel sp. / Catalogue, page, 48 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel -
Glen Eira Historical Society
Pamphlet - Ripponlea Primary School No. 4087
A sixteen-page pamphlet which has chronological dating of events in school from 1908 to 1982. Includes poliomyelitis epidemic in late 1930’s and 1949, and the need for slit trenches in 1942. It also has the eleven principals’ names over the sixty years. The pamphlet also has a memory of the first years by Robert Horne who attended Ripponlea from July 1922 to December 1924.ripponlea primary school, primary schools, reid athol, horne robert, ripponlea house estate, festivals and celebrations, war memorials, cottages, land subdivision, shelter sheds, carrington grove, sinclair a.j.g., world war 1939-1945, radio transmission, councillors, slit trenches, poliomyelitis, polio, woodruff john e., wilson henry a., young william, morris henry, skinner raymond g., cunningham donald h., junor phillip h., hatters charles, holt clare, baker clare, principals, st. aubins, house names, cass mr., horne mary, horne ruth, horne john, williamson miss, pollock miss, caulfield grammar school, horne paul, horne isabel, mcnichol mr., halliwell mr., tilley mr., higgins miss, weymouth miss, johansen miss, kennedy miss, wridgway miss, teachers, st. aubins avenue, sloyed rooms, sidwell estate, balaclava road, caulfield park, education, games, fetes, gymkhanas, leather tommy, triffin dick, florance joe, florance peter, florance sheila, florance shiela, compston gilbert, rogers jack, anderson stan, rogers bill, lynch master, kidd master, martin r., segenfield z., white ray, gray edna, curtis john, anderson walter, hoskins ben, horton warren, wastell inky, eastwood ted, eastwood grocery, balaclava, newsagency, alma road, watson willie, feitel maurice, bridges alf, moody jim, lucas cuylah, cooper dick, dairies, shirley kathleen, gates edna, moss thelma, simpson hilda, ryder ernie, blanton corah, reid athol -
Glen Eira Historical Society
Letter - CAULFIELD YOUTH COUNCIL
This file contains six items: 1/A copy of the Caulfield Youth Council Statement of Purposes. 2/Correspondence dated 07/10/1981 regarding the Community Youth Support Scheme and levels of funds received for 1982. 3/Two financial statements for the Caulfield Youth Council. One dates from 01/03/1984 – 18/04/1985 and the second dates from 01/07/1986 – 30/06/1987. Contains handwritten annotations and signature of L.Goodfellow, dated 18/04/1985. 4/Three Caulfield Youth Council Meeting minutes from the period 04/10/1984 to 18/04/1985. 5/A copy of Caulfield Youth Council’s 1987 A.G.M Agenda which includes the 1986 A.G.M minutes and the Youth Development Officer’s Report. Contains handwritten annotations, author unknown. 6/Miscellaneous information that perhaps would have been provided and discussed at a Caulfield Youth Council meeting, date and sources unknown. One is the constitution for the Southern Region Youth Action Council and the other is an Appendix to the White Paper on unemployment.caulfield youth council, caulfield festival, caulfield city caulfield, goodfellow l., neale ray, caulfield, brain ian, c.y.c, carr kate, caulfield high school, nevinson wayne, howard kerry, musgrove wendy, bowman jenny, welham roberta, schaeffer rema, ferdinands ken, bigeni anne, carr mandy, carr steven, ecimovic mitch, larson john, campbell jack, o’neill wells, hanevski gena, diamond jack, marek waldemar, smith vicky, carr stephen, jacobs david, williamson dave, williamson david, caulfield south, gunther lisa, farmer reg, feder stephen, cook damien, atteins ben, caulfield youth council incorporated, caulfield town hall staff house, farmer reggie, carr manda, carr kate, noulton peter, schaffer renna, feden stephen, kershaw tracey, musgrave wendy, jackson clive, loursen john, enright danny, doman pam, sheehan tony, st. kilda east, campbell fiona, mcinerney john, mardling matthew, shaffer rena, henevski gina, shawki enas, melvin david, tanner ted, maple street, smith wendy, goodfellow loris, scheaffer rema, atkins ben, gibbs brett, miller nicki, nugent virginia, lechmus julian, caulfield park, clay liz, campbell a, st. georges road, elsternwick, higgins, shipton roger, spencer david, cox lisa, ellmer kay, enion paul, ashton kim, toulidakis george, wilkin john, conway shaun, tesoriero dominic, beaumont kim, skinner simon, mcquarrie kay, wiseman anthony, garland nigel, merifield rod, ashton matthew, schaffer rema, leclerc lorraine, loorham warren, tanner ted mr, nye lyn, ellmer ray, youth of caulfield, ellmer kerry, campbell j, seidel bernie, caulfield lions, caulfield lions club, glenhuntly, caulfield council, matzirodoz arti, kids in caulfield, k.i.c, nisbet karen, the lions club, smith loretta, leitch meaghan, sallis richard, city of caulfield, caulfield city council, young adults, youth clubs, youth, community services, meetings, civic establishments, community organisations, local government, local officials and employees, mayors, financial documents, teenagers -
Flagstaff Hill Maritime Museum and Village
Weapon - Cannon, Alexander Hall and Son, c. 1855
The Schomberg Cannon was recovered from the 1855 wreck of the SCHOMBERG in 1974 by Flagstaff Hill divers Peter Ronald, Colin Goodall and Gary Hayden. The wreck site was discovered in August 1973 by Stan McPhee and John Laidlaw. ABOUT THE SCHOMBERG When SCHOMBERG was launched in 1855, she was considered the “Noblest ship that ever floated on water.” SCHOMBERG’s owners, the Black Ball Line, commissioned the ship for their fleet of passenger liners. The ship was built by Alexander Hall of Aberdeen at a cost of £43,103. It was constructed with three skins: one planked fore and aft and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). Its first-class accommodation was simply luxurious; velvet pile carpets, large mirrors, rosewood, birds-eye maple, mahogany, soft furnishings of satin damask; an oak-lined library and a piano. Overall she had accommodation for 1000 passengers. At the launch, the SCHOMBERG’s 34-year-old master, Captain ‘Bully’ Forbes, had promised Melbourne in 60 days, "with or without the help of God." James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; MARCO POLO and LIGHTNING. In 1852 in the MARCO POLO he made the record passage from London to Melbourne in 68 days. There were 53 deaths on the voyage but the great news was of the record passage by the master. In 1954 Captain Forbes took the clipper LIGHTNING to Melbourne in 76 days and back in 63 days, this was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his own records. He cared little for the comfort of the passengers. On this, the SCHOMBERG’s maiden voyage, he was going to break records. SCHOMBERG departed Liverpool on her maiden voyage on 6 October 1855 flying the sign “Sixty Days to Melbourne”. The ship departed with 430 passengers and 3000 tons of cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, and 90,000 gallons of water for washing and drinking. It also carried 17,000 letters and 31,800 newspapers. The ship and the cargo was insured for $300,000, a fortune in those times. The winds were poor as she sailed across the equator, slowing SCHOMBERG’s journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, and Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the Third Mate Henry Keen, who reported land about 3 miles off, Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26 December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to SCHOMBERG and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS QUEEN at dawn and signalled the steamer. The master of the SS QUEEN approached the stranded vessel and all of SCHOMBERG’s passengers and crew were able to disembark safely. The SCHOMBERG was lost and with her, Forbes’ reputation. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the SCHOMBERG. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot! Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach SCHOMBERG, salvage efforts were abandoned. Parts of the SCHOMBERG were washed ashore on the south island of New Zealand in 1870, nearly 15 years after the wreck. The wreck now lies in 825 metres of water. Although the woodwork is mostly disintegrated the shape of the ship can still be seen due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. Flagstaff Hill holds many items salvaged from the SCHOMBERG including a ciborium (in which a diamond ring was concealed), communion set, ship fittings and equipment, personal effects, a lithograph, tickets and a photograph from the SCHOMBERG. One of the SCHOMBERG bells was in the old Warrnambool Library. The Schomberg cannon is currently on loan to the Port Campbell Visitor Information Centre.The SCHOMBERG collection is of historical and archaeological significance at a State level, listed on the Victorian Heritage Register VHR S612. Flagstaff Hill’s collection of artefacts from the SCHOMBERG is significant for its association with the Victorian Heritage Registered shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the SCHOMBERG. The SCHOMBERG collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be the fastest and most luxurious of its day. The SCHOMBERG collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history.Cannon; 6-POUNDER (6pdr) smooth bore cannon, mounted on a wooden frame. The cannon has a metal lug on each side. It is commonly known as the Schomberg cannon. It was recovered from the wreck of the Schomberg in 1974.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, cannon, the schomberg cannon, schomberg cannon, peterborough, 1855, sailing ship -
National Wool Museum
Functional object - Magnifying Lens, c.1930s
This item was inherited from the donor's father, René Dupuche. John Dupuche, writes: This magnifying glass was used to remove the burrs and thorns that wool-buyers tended to get in their fingers when examining bales of wool. The open end was placed on the finger since the thorn was sometimes buried under the skin. The buyer looked through the magnifying glass and with tweezers or a pin removed the thorn which had rendered the finger inoperative. The wool-buyers needed the sensitivity of their fingers to appraise the suitability of the wool, as buyers had for centuries past, measuring the length of the staple, feeling and counting the crimps in the fibre, its finesse, softness, elasticity and strength, assessing the colour, watching for extraneous matter such as dust or seeds which would not be welcome by manufacturers half-way across the world. Their skills took years to acquire. Knowledgeable buyers were invaluable to their employers, since they were able to evaluate to the last percentage the yield of a bale. My father, René Dupuche, was the ‘principal buyer’ from 1927-1966 in Victoria, South Australia and Tasmania for the international wool company ‘Masurel Fils’ which was one of the largest wool businesses in Europe. It was based in the north of France, in Tourcoing, one of the major wool centres of the world. He was sent to Australia as a young man at the age of 23 and took part in the ‘golden era’ of wool in Australia, and the eventual replacement of hands-on appraisal by ‘core-testing’. Masurel Fils was one of the dozens of French and Belgian firms operating in Australia. These men from Flanders enjoyed a cosmopolitan society augmented by diplomats, European bankers and shipping-line executives for various countries and a handful of scientists and academics.Small black metal magnifying lens with three fold design and two hinges. One panel contains a circular glass lens, the centre panel has a circular hole, and the third panel has a square hole with three lines on each side.wool buyer, magnifying glass, magnifying lens, burrs, rené dupuche, john dupuche, migrants, masurel fils, french, belgian, flanders, working life, sheep industry, wool industry, agriculture -
Surrey Hills Historical Society Collection
Photograph, Surrey Hills State School 2778, Grade IVA, 1938
Don Murray who was a member of this class has supplied us with this photo naming almost all the pupils. Please refer to Surrey Hills State School vertical file for list of names.A black and white photograph of a Grade 4 class from Surrey Hills State 2778 taken in 1938. The are 56 children in the class.mr keith rimmer, mr john allen, mr cliff hoath, mr ken newell, mr alan aird, miss joy moodie, miss barbara hoskin, miss helen james, miss valerie muir, miss merle christine, mr don cam, mr don hutchinson, mr maurice millet, miss - canty, miss jean mollison, miss margaret peacock, miss shirley cockerill, miss carmen hutchinson, miss betty carter, miss melba moore, miss vivian turner, mr john flower, miss audrey broomhead, miss gwen skinner, miss dorothy stout, miss irene dunn, miss irene jones, miss isobel browne, miss lucy deucher, miss merle yeomans, miss elaine burgess, miss betty tuck, miss joyce phillips, miss joan fletcher, mr len yeomans, mr frank fletcher, mr bobby edgelow, mr brian griffin, mr claude colbert, mr ken carrington, mr barry dimelow, mr don murray, mr david mccracken, mr ken wheat, miss fay mcbain, miss thelma mcconville, miss valda mcconville, miss betty o'brien, miss barbara mclachlan, mr ray mcdonald, mr ian mckenzie -
Surrey Hills Historical Society Collection
Photograph (copy), Surrey Hills School No 2778 Grade Va 1939, 1939
Don Murray who was a member of this class has supplied us with this photo naming almost all the pupils. Please refer to Surrey Hills State School vertical file for list of names and where they are located in the photo..A black and white photograph of 30 boys and 23 girls from the 1939 Grade Va at Surrey Hills State School No.2778clothing and dress, 1939, education, surrey hills, primary schools, mr kevin boxhall, mr don cam, mr tom dellar, mr fred kneale, mr bill bedggood, mr ken newell, mr ron salmon, mr keith greenwood, mr jack raisbeck, mr ray mcdonald, mr ken brown, mr ian tweedie, mr vernon coster, mr norman henry, mr keith rimmer, mr ken wheat, mr colin bentley, mr ron brown, miss valerie muir, miss fay mcbain, miss audrey broomhead, miss dorothy stout, miss gwen skinner, miss jean mollison, miss lucy deuchar, miss irene dunn (jones?), miss barbara hoskin, miss june -, miss ruby clemson, miss ettie redfern, miss pam skerrett, miss valreen church, miss merle yeomans, miss thelma mcconville, miss dorothy freeman, miss merle christie, miss helen james, miss melba moore, mr len yeomans, mr douglas mathews, mr norman bell, mr don murray, mr john flower, mr bob holborn, mr alan wadsworth, mr john atkinson, mr barry broadbent, mr barry dimelow, mr colin couper, miss mcleish, teachers -
The Beechworth Burke Museum
Animal specimen - Turtle, Trustees of the Australian Museum, 1860-1880
... Eveleigh Johns between 1860-1880. These skins were then mounted ...The family Chelidae is endemic to Australia, New Guinea, and South America and consists of some 40 species of freshwater turtle. Twenty-four described species are found in Australia and three of these occur in the Murray Darling Basin. Turtles of the genus Chelodina are distinguished by their exceptionally long necks, giving them the names long-neck and snake-neck. These turles are also referred to as side-necked turtles, so named because the neck and head, when not extended, fold under the leading edge of the carapace. They are further characterised by their relatively flattened shells and their clawed webbed feet. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Snake-Necked Turtle is stylized standing on a wooden platform. It has a long, narrow neck (the inspiration behind the name of this particular species of Turtle) and a large and relatively flat shell. The head, neck and limbs are all dark grey or brown in colour and the underside is a pale brown. The feet are webbed and have long claws. The eyes are made from pale glass and the specimen has a short tale.BMM5891taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, turtle, australian turtle, australian animal, snake-necked turtle, chelidae -
The Beechworth Burke Museum
Animal specimen - Wombat, Trustees of the Australian Museum, 1860-1880
... museum skin reynell eveleigh johns On wooden mount: BMM 5901 ...Wombats are short-legged, muscular, nocturnal marsupials that live in a wide variety of habitats throughout Australia. A common wombat can grow up to 1.2 metres in length and weigh up to 35 kilograms. The name “wombat” comes from the Darug language spoken by the Aboriginal Darug people, who originally inhabited the Sydney area. The wombat was first recorded in 1798 by explorer John Price on a visit to Bargo in New South Wales, however, wombats are depicted on Aboriginal rock-art that date back as far as 4,000 years ago. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Medium sized stocky wombat with a broad head and two muscular forelegs and two weaker hind legs that are met with long sharp black claws. The hair is long, thick and coarse in brown/yellow shades. The head features two small black eyes that have been made from glass, two short pointed ears and a bare nose pad. On wooden mount: BMM 5901 /taxidermy mount, taxidermy, wombat, animalia, vombatidae, burke museum, beechworth, australian museum, skin, reynell eveleigh johns -
National Vietnam Veterans Museum (NVVM)
Book, Arnold, John, Cop In A baggy Green Skin
... In A baggy Green Skin Book Book Arnold, John ...An MP had much better working conditions and '5' star accommodation' compared to the poor bloody field soldiers.An MP had much better working conditions and '5' star accommodation' compared to the poor bloody field soldiers.australia - armed forces - military police - biography