SEC Tram 17 and a former bus used as a food vendor stand, that has finished up in the front of S.E. Dickins Pty Ltd. (Grocers) store 1/10/1949. The tram derailed at the intersection of Sturt and Grenville St. collided with the bus and pushed it into the front of the store. Many people standing around the incident, including two trammies in front of the tram. Thought to be a Ballarat Courier Photograph. Wal Jack's caption advises the Bedford van was a doughnut kitchen. 1020.1 - added 3/06/2006 - small newspaper cutting with the same photo and a caption "While the driver was picking up lunch at Ashkar's pie shop, his tram ploughed into Dickin's grocery, on the present site of Norwich Plaza". Probably from The Courier, and date unknown. 1020.3 - as for 1020, from the Jack Richardson Collection with Wal Jack comments on rear. Comments on rear - see btm1020i4. Photo caption advised 1/10/1949. On Kodak Velox paper. See Reg Item 5587 for newspaper reports and 6858 for other photographs. See image i7 for high res scan of album photograph. See image i8 for high res scan of negative - on a large format size neg - most likely purchased from The Courier. Scanned at 3200dpi. Yields information about Ballarat 17 in an accident with a bus used a doughnut kitchen and S.E. Dickins Store, Bridge St Ballarat.Set of images and a copy negative of a Black and white photograph of an accident.See image trams, tramways, grenville st., accidents, s.e. dickins, tram 17

Black and white print of a donated negative. Print made 8/1998. Photo of SEC bogie tram 21 at Mount Pleasant Terminus. See also item No. 857 for photo from the other end of the tram. Tram has destination of "Gardens Via Drummond St. North", "Pay as you enter sign" in near front window and SEC advert on tram side "Everything is under control in my all electric kitchen" Also visible in the photograph is the pan in the over head to assist with the location of the trolley pole at termini. Photo taken during 1968 - see note on item No. 871. Cobden St. street sign also visible through a window. Negative rescanned 9-5-2020 and image updated.tramways, trams, mount pleasant terminus, 21, ballarat, tram 21

Photo of SEC Ballarat No. 39 northbound, Albert St. Sebastopol, crossing the highway to the east side of the road. Tram has destination of "Lydiard St. Nth" and has a SEC "Everything's under control in my all-electric kitchen" roof advertisement. See also Reg. Item 2098, the previous slide. Kodak cardboard mount slide, taken by Peter Moses assumed Jan. 1969.On the rear of the slide "Sebastopol Tram" in black ink "P. Moses" along bottom left hand corner in black ink on the other side of slide.tramways, trams, albert st, sebastopol, tram 39

Agfa plastic mount (blue base, white cover) of a photograph of No. 21 and 14 at Grey St loop. No. 21 has destination of Sebastopol and a SEC "Everything's is under control in my all electric kitchen" roof advertisement. No. 14 has destination of Lydiard St. North. Photo taken 9/1971. One of a set of 20 slides made by the Association of Railway Enthusiast Provincial Tramways film strip. Reference Item 2560 details the ARE Film Strip and provide references to other slides. Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 65" in pencil.tramways, trams, grey st loop, albert st, sebastopol, tram 21, tram 14

Colour photograph of Ballarat No. 43 and 37 in Lydiard St. North, at the intersection with Sturt St. No. 43 northbound, No. 37 about to turn into Sturt St (north side - See Reg. Item 2421). Both trams have the SEC roof advertisement "Everything's under control in my all electric kitchen". In the background is the ANZ bank, the AMP buildings and other buildings along the west side of Lydiard St. Nth. Also a number of pedestrians in the photograph. Photo on Agfa Paper and taken on Friday 21 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/14" in blue ink and date stamp "Friday 21 August 1971" also in faded green ink.lydiard st nth, sturt st, anz, amp, tram 43, tram 37

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of No. 21 and 14 at Grey St loop. No. 21 has destination of Sebastopol and a SEC "Everything's is under control in my all electric kitchen" roof advertisement. No. 14 has destination of Lydiard St. North. The film strip notes (Reg. Item 2560), provided the following caption details: "Further down, the track headed to a relatively safe roadside location Cars 21&14 cross at one of the loops in this section. ...Sept. '71 .(Stephen Holmes)" See image btm2575p.tif for high level scan of image. Stamped on base of slide "11785" and written in ink on top edge "21 + 14 Sebastopol line Ballarat"tramways, trams, are, film strip, grey st, sebastopol, tram 21, tram 14

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of a Bendigo No. 23 passing through Needle Loop, enroute to Eaglehawk. Tram has two SEC Roof advertisements "Electric Cooking" and "Everything's under control in my all electric kitchen" The film strip notes (Reg. Item 2560), provided the following caption details: "Bogie car 23 - freshly painted - negotiates Needles loop on the way to "EAGLEHAWK". - Dec 68 (Dave Macartney)" See image btm2594p.tif for high level scan of image. Stamped on base of slide "11804" and written in ink on top edge "No. 23 Needles Loop Eaglehawk line"tramways, trams, are, film strip, needle loop, eaglehawk, tram 23

House hold itemkitchen strainer, serving spoon, spoon

House hold Item, pastry cutter, & strainerkitchen, cooking, appliance

House hold item, electric toastertoaster, toast, kitchen

The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. From its beginnings, the Society has mounted exhibitions and/or displays, in early days in shop windows and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. One of two photographs of a display at the Kew Library, curated by Les Littlechild featuring items from the Kew Historical Society's and from private collections, of a model 1920s kitchen in Kew.kew historical society - exhibitions, australian dometsic architecture - kitchens - 1920s

Handmade hostess apron, made as an engagement gift by Joan Chambers, the donor's Ranger Guide leader, on the occasion of the donor's engagement in 1970, aged 22. The donor described the item as a 'hostess apron' as it was decorative and not for real kitchen duties.Blue hostess apron. Hand-made. Scalloped edges, with appliquéd and embroidered female dancers. aprons, hostess aprons, protective wear, fashion design, fashion 1970s

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. Miniature kitchen stove, cooking utensils and implements. Made of metal and enamel. Orange and black. Eight pieces.miniature toys, toy kitchen equipment, functional toys

Large white oval platter with light blue trim on lip. Depression in middle of platter and flat base.No visible markingsdomestic items, crockery, kitchen, platter, large plate, .

Metal ladle approximately 1 cup in size. Cup is round and conical-like shaped with a flat base. End of handle is hooked.No visible markingsdomestic items, food storage and preparation, ladle, milk, measure, kitchen, food, drink.

Wooden spoon with shallow round concave at end. Handle is slightly curved and has hole at end.No visible markingsdomestic items, food preparation, spoon, mixing, stirring, cooking, kitchen, domestic, food, wood.

Red wooden turned handle with steel hooked shape blade. Blade is hook shaped with serrations on hooked area.No visible markingsdomestic items, food preparation, butter balls, curling tool, butter, kitchen, food, dairy.

2 litre enamel-coated tea pot grey speckled with blue. Low-set spout with curved handle. Lid with squared handle.No visible markingsdomestic items, food & drink consumption, tea pot, enamel, drink, kitchen

Black vitreous enamel saucepan with long fluted handle open at end. Lid with squared handle, grey on inside.No visible markingsdomestic items, cooking, saucepan, black, enamel, food, kitchen

Large cast iron kettle with riveted, curved tubular handle spanning width of opening. Spout upright, lid with flattened knob made of pressed sheet metal.No visible markingsdomestic items, food and drink preparation, cast iron, kettle, food and drink, kitchen, rivet

Pressed sheet metal frying pan with folded/tube handle, riveted onto side. Flat bottomed, with edges that slant outward.No visible markingsdomestic items, cooking, pan, frying, pressed, metal, food, kitchen

Pressed, embossed sheet steel tin, with overhanging top. Dome on top for beans, hinged, with curved handle and wooden knob. Wooden drawer set into bottom, removable, sheet metal and sign of handle missing. Decorative embossing on each side.L 4' embossed on basedomestic items, food and drink preparation, coffee, grinder, beans, kitchen, drink, pressed sheet steel, embossed

Wooden, leather and zinc sheet bellows, top has round hole in centre. Handles, top and bottom all wooden, tear-drop shaped with handles. spout is zinc sheet. Signs of former wrist strap, leather, on handles.No visible markingsdomestic items, cooking and heating, bellows, fire, kitchen, stove, ignition, leather, wood

Solid fuel stove, with stovetop cooking device, ash tray and oven, with two opening doors. Fire flu at back which extends up the chimney.Lux' on fuel cabinetdomestic items, cooking, stove, lux, fire, kitchen

Two ceramic egg cups, both chicken shaped with cup on back. Item 1 is yellow with a white cup, the chicken design achieved by molding, and has a larger cup. Item two is painted in different colours, and is slightly smaller.Item 2 has 'made in Japan' printed in blue on the underside.domestic items, food & drink consumption, egg, cup, food, kitchen, breakfast, chicken

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico bag with yellow and blue graphic text on front.Front: COOK-WELL \ SELF- \ RAISING \ FLOUR \ PREPARED WITH \ PHOSHATE AERATOR \ HENRY BERRY & Co (A/S??Ltd) \ 568 580 COLLINS STREET \ MELBOURNE \ NET 7 LBSwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and red, white and black text. Back of bag shows red and white graphic image of a woman wearing a dress and heeled shoes holding a coffee cup, with red and white text.Front: THREE BEARS \ PORRIDGE \ FLAKED \ OATMEAL \ SOMEBODYS BEEN TASTIN' MY PORRIDGE \ AN' THEY'VE EATEN IT ALL UP \ Jas. F. McKenzie & Co. Pty. Ltd. \ AUSTRALIA \ 7 LBS. NET. Back: MCKENZIES \ EXCELSIOR \ COFFEE \ ESSENCEwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and white and black text.Front: THREE BEARS \ PORRIDGE \ ROLLED \ OATS \ SOMEBODYS BEEN TASTIN' MY PORRIDGE / AN' THEY'VE EATEN IT ALL UPwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen