The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. Rayment played the role of Therese in the production.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Jeanette Rayment, Botanical Gardens, promoting Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew recreation hall

"Mainholm" was the Bridgewater home of Thomas Sloan who was married to Marion Kirk in 1916.Bendigo Advertiser ''The way we were'' from 2002. treasured memories: the Sloan, Isaac and Kirk families gather for wedding photos taken at 'Mainholm' in Bridgewater in 1910. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Colour photograph. Jan Wade, Minister for Women's Affairs, standing behind a lectern on front steps of the QVWC building at the grand opening weekend. Several people stand around including Marion Lau, Trust member and camera/sound crew. official events, fundraising events, historic buildings, cultural structures and establishments

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Esme Melville and Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. In the production, Melville performed the role of Countess Fritzi Frangipani, while Rayment played the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Esme Melville, Jeanette Rayment, Botanical Gardens, *** Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

William and Alice Doyle parents of Rose Marion who married Charles Forsyth Hancock SnrBlack and white photograph of William and Alice Doyle previously of Lakes Entrance taken at their farm in East Bairnsdale Victoria 1945 houses

(a) Clothing ration card No. V.A. 504811, June 1944 issued to Marion Jones, 135 Myrtle street Bendigo. (b) Two sections of clothing ration stamps for 1945 - 6, clothing ration stamps for 1947, Meat Ration stamps for 1948.Commonwealth of Australiatopic, rationing, rationing , world war two

Colour photograph. Janet England, Chair of Trust, standing behind a lectern on the front steps of the QVWC building during the grand opening weekend. Several people are sanding behind J.E. Marion Lau left of frame. Jane Wade Right of frame. official events, historic buildings, cultural structures and establishments

Ema and Carrie Appleby, Will and Eva Bell, Jessie Bligh, Lena Brideson, George Bell, Carrie Froud, Phyllis Bert, Addie, Marion, May, Arthur Howlett, Fred, Marion, Alf and Gladys Legg, Jim and Mabel Thompson at a picnic on banks of Tambo River Bumberrah Victoria. Also a black and white photograph taken after marriage of Eva Howlett to William Bell on 29 February 1916 indentified are Charles, Ethel and Keith Batten, Leah, Lena Brideson, Jane Brodribb, Chaplain Carroll, Janet Duncan, Mr and Mrs Enright, Carrie Froud, Ada Grant, Mrs Healy, Herb, Marion, May, Maud Howlett, Fred, Marion and George Legg, Mr and Mrs Payne, Belle Thexton, Jim, Mabel and Edna Thompson, Mr Wilson dark copy 04411.2 , 10 x 13 cmBlack and white photograph of twenty three adults and children members and friends of the Howlett family,. Also a black and white photograph taken after marriage of Eva Howlett to William Bell on 29 February 1916 genealogy, families

People - "John D Smith, Marion P Smith, U/K & Savina J (Omant) Smith"

Also black and white identical copy 10 x 15 cm, donated by Marion Holding. 02288.1Sepia toned photograph of the old road crossing at Bunga Creek, between Lake Tyers and Lakes Entrance. It shows a rustic footbridge over waterway beside flooded road, horse and buggy with man and woman on board at edge of water. Lakes Entrance Victoriabridges, waterways

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Souvenir programme issued by the "Q" Theatre Guild for a performance of Franz Lehar's The Land of Smiles in 1961. The production was performed at the Kew City Hall. The Cast List includes annotations by Marion Tilley. This was the first time that The Land of Smiles had been performed in Melbourne."q" theatre guild, performimng arts, kew city hall, the land of smiles (lehar)

Colour photograph. Jan Wade, Minister for Women's Affairs, stands behind a lectern on the front steps of the QVWC building during the Grand Opening Weekend. A group of women, including Marion Lau Trust member and Fleur Spitzer OAM, stands behind JW. parliamentary representatives, official events, historic buildings, cultural structures and establishments

L-R: - , Mrs Marion Yeoman, Mrs Opal Smith (Treasurer and Membership Secretary, Shire of Eltham Historical Society)Colour photograph1987, activities, senior citizens' centre

L-R: Nr Marion Firth, Nr Alice Fechner, Nr Lois King, 1940s, Ballarat & District Hospitalfirth, fechner, king, nurses, 1940s, ballarat, hospital, prendergast

Donated to WHG by Marion Crowther, grand-daughter of Annie Ford. Annie Ford wife of John Foord,founder of Wahgunyah. A direct link to the Foord family in Wahgunyah.Brown covered book, gilt edged,Holy Bible embossed on front cover. Inside front cover "Mrs Ford. A token of love from a friend 16th December 1864..."foord,, holy bible

Ballarat College cohort in 1913 photographed standing and sitting on front verandah of Wanliss House. Second year of the school occupying buildings at this address. Fascinating insight into matters of uniform and deportment. Seven staff included - G R Crwother, R Williams, A Alston, A S M Polson, Miss C Gilbert, A R Orton, H P Levy; approximately 3/4 students named.Medium wooden frame with two cut-outs in mount featuring photograph at top and name card at bottom' mount is water-stained; back is sealed and two metal plates are attached to sides for fixing frame to wallHandwritten on back: Turnbull1913, ballarat college, wanliss house, teaching staff, uniform

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of a performance of A Country Girl by The Kew Light Opera Company in 1957. The performance at which this photo was shot took place in The Alexandra Gardens, Melbourne. Inscribed underneath the photo in the scrapbook by Marion Tilley: "X me. Alexandra Gardens." [The 'me' referred to in the photo is the woman with her back to the camera at left.]performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

Series of four Black and White Photographs cable trams in Melbourne at the Bridge Road terminus or city during the mid 1920's/ .1 - Bridge road terminus with the car house or depot on the left hand side with the destination of Spencer St. .2 - Gripman possibly checking his watch with a depot worker? stepping off the tram. .3 - family stepping off the tram with cable trailer 368 in the view - Elizabeth St, near Flinders St? See Brian Weedon's notes re the photo and the trailer. .4 - As for .1 - with an X marked above the lady and a very large motor car passing. Printed on Kodak Paper. Adam Chandler advised by email 5/8/2020: " note there's a destination box fitted to the grip - from memory, these started to be used from the mid-1920s with the dummy and trailer repaints into the brown colour? That also looks to be either a 1925 or 26 Buick - the "moustache" shape at the top of the front radiator grille and the distinctly angled lower sash of the windscreen are further hints. Given the Richmond line closed in 1927 for conversion I'd say some time between 1924 and 29 June 1927." Also see image i5.pdf for further notes regarding the photographs and the Bridge Road tram depot building - use the original pdf file to read. Image i6, has had the "X" removed - done by Darren Hutchesson.On rear in ink in each print, "Cable car Melbourne" and "286 Anzac Hy/Marion Rd Adelaide SA, collection of late Don Schultz"trams, tramways, cable trams, bridge road, flinders st, richmond depot, hawthorn bridge, tram 368

Video originally donated to Eltham Living and Learning Centre by Marion Steel. Return to study skills Course Semester 1, 1989video recording

Colour photograph of Bill and Stella Montague's original house with the orchard that was planted in 1952 in the foreground. The home of Alf and Marion Montague (Bill's parents) is on the left. A line on the left side indicates this is two photos stuck together to form a panorama. Trees in orchard appear to be quite young.

B&W photograph of Girl Guide Float Bendigo at the Easter Procession circa 1949 - depicting Citizenship. Rear details the names of the girl guides: Marion Colleen Cook, Faye Jorgenson, Joyce Stroud, Dot (?) Dawe, Lily Sandner, Julie Sandner & Maureen Spencer.girl guide float about 1949, easter parade

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Atmospheric photograph of performers in the "Q" Theatre Guild's performance of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

This handmade blouse with its matching belt was donated along with a note that says, "This jacket was owned by Marion Leishman who married Captain Eadie. They lived in Warrnambool and are buried at Tower Hill Cemetery." The spelling on the headstone is "Edie" rather than "Eadie". Marion Leishman Edie was born in 1835 and died on August 7, 1914. She married Captain Richard Wilson C Edie in 1865. Capt. Edie drowned at sea on 16th June 1883 aged 49 years. Marion Leishman Edie died on 7th August 1914 aged 79 years. Her sister Alison Keishman Sprod, died in 1863, aged 25 years, and is also buried in the same grave at Tower Hill. The fine satin blouse and matching belt is an example of clothing worn by women in the mid-to-late 19th century. It demonstrates the beautiful and talented skills applied to handmade garments. The decoration indicates that the blouse or jacket was worn for a special occasion.Blouse of black satin, decorated with lace and sequins. Long sleeves are puffed at the shoulder fitted at the lower arm and cuff. The belt has sequins and tassels. Black lace is added around the neck and bodice, fastened at the front with hook and eye.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, costume, blouse, belt, female adult, clothing, fashion, satin, lace, wonem's clothing, marion leishman, captain eadie, tower hill cemetery, marion eadie, jacket, black satin jacket, sequins, marion edie, richard wilson c edie, drowned at sea, marion leishman edie, handmade, black jacket, sequined satin jacket

Armbands of this type were worn by female keepers in the early days of the Healesville Sanctuary. This band belonged to keeper Marion Mason (nee Barber).Home made arm band. Small panel of blue cloth worn as identification. Has two elastic ties attached to the sides and is embroidered diagonally across the panel."Sanctuary" embroidered in white cotton diagonally across the panel.healesville-sanctuary, arm-band, identification-badge, keeper