A framed poster against black matt board of 'Power Brewing Salutes our Vietnam Veterans'. Picture of can of beer and graphic of Huey and troops in foregroundthe proudly Australian Brewery pays tribute.... Power Brewing salutes our Vietnam Veteransposter, vietnam veterans

A4 34 pp matt paper, glossy covers, color reproduction of photographs from events and members artwork. Artwork displayed over 22 ppnon-fictionA commemorative booklet celebrating the 2020 End of Year Art Show and other events over 21 years at the WAA's Silver Grove premises including recollections by past WAA presidents and 22 pages of members artwork.whitehorse arts association, mitcham arts association, art exhibitions, silver grove nunawading, rogalski barbara

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. The coat was donated by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black matt straight-cut women's black coat with maroon lining manufactured by Jump. The coat is buttoned at front and has a manufacturer's label on inside neck.JUMP SIZE 16 MADE IN AUSTRALIAcostumes - coats, women's clothing, jump -- australia -- fashion house, fashion design, fashion -- 1990s

Framed photograph - metal frame, cardboard backing, light green card window mat, of Mike Ryan (VicTrack) as Project Manager for the redevelopment of the Hawthorn Tram depot and Matt Faubel of the Urban Land Corporation for The Age newspaper article titled "Business Victoria - Joint deal puts wheels back on tram plan", 13/9/1999. On the rear of the frame is a photocopy of the article. Photographed on tram 180, with 610 alongside and a photograph of the Hawthorn depot. See also Reg item 2726.2 for an associated newspaper cutting and 2726.6trams, tramways, victrack, hawthorn tram depot, reconstruction, tram 180, tram 610

Black and white photograph mounted into a brown card (acid free) surround, titled "Stacked Trams", taken during the tram blockade of Jan. 1990, looking south along Elizabeth St with the Flinders St Station, Elizabeth St clocktower in the far distance. Taken by Mathew Irwin - https://mattirwin.com/ (accessed 3/3/2021) For 600dpi scan see image i2. Note this is copyright photo."Stacked Trams" and "Cc Mathew Irwin '91" in white ink under the photo. Stamped on the rear is "Matt Irwin Photographer Copyright 1993"trams, tramways, elizabeth st, tram blockade, strike, unions, conductors

A close-up sepia photo of the Neil Nicholls and family. Mr Nicholls, his wife, daughter and infant are posed in a garden setting, seated in cane chairs. The dress is consistent with a date of late 19th century.The photo is mounted on a grey cardboard matt. The matt is foxed and has 2 black ink stains, 3 pin holes and an area of staining from residual sticking tape.Matson and Frazer Mr Neil Nicholls and family 264 Little Collins St Melbourne Back: Eric Boardmaneric boardman collection, nicholls, mr neil, matson and frazer, photographers, george evans collection

This photograph was taken in the winter of 1875 from the Telegraph Station looking up Ford Street towards the Church of England. Picture is a horse and wagon walking towards the camera. Black and white rectangular postcard. The image is printed on matt photographic paper and mounted on cardboard. This photograph depicts Ford Street looking south C 1875 in Beechworth.Obverse: NO INSCRIPTION Reverse: 5570 35 Beechworth about 1875 American & Australian Photographic Company. Victoria Branch. C. BAYLISS, Manager No. 61 Extra Copies may be had by sending Number to present Address. beechworth, ford street, 1875, horse, wagon, horse and wagon, church of england, burke museum, winter

Black and white photograph, two boys playing soccer. Bendigo Advertiser description on back of photo: Player E/H Leon Beatty Matt Umina (GC)recreations, sports, soccer

Black timber fram, buff coloured matt board, framed colour photograph of crew member refuelling a Huey Helicopter. 2nd crew member (obscured) looks on.'Refuelling the Huey - Vietnam 1969' copyright Norm Cooper - My Vietnam Collectionphotograph, huey

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil says "This one is a composite of Purple Sarsaparilla Creeper Hardenbergia violacea (common and widespread throughout SE Australia), and Fairies Aprons Utricularia dichotoma - reasonably common and widespread in SE Australia." NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Henrietta D'Alton, WAMA, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara CricksPainting of purple pea flower and pink fan-shaped flower, intertwined & placed asymmetrically to left, trailing to right. On textured brown paper with mottled brown matt.Signed “M.W.” left of stems. Reverse side backed with stained brown paper shield-shape stamped centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right side (in black felt pen) “McLennan, 106 Bennett Rd. (5)”. wildflowers, flowers

see page 13 Lakes Post Newspaper 15 May 2002Colour photograph of Rohan Evison, Matt Oglesby, junior members Surf Life Saving Club, Pie Night held to thank sponsors. Lakes Entrance Victoriasurf lifesaving, volunteering

Timber Photograph on a black matt board. Coloured photograph of a Huey helicopter hovering over trees depicting a soldier being winched up. The photo is taken from below.My Vietnam Collection, "Dust-off" Vietnam, 1970 @ copyright Mick King.huey helicopter, photograph

Gold framed bone matt board colour print of a Cessna Bird Dog single engine light aircraft flying over jungle with mountains in the background and river belowForward Air Controllers in Vietnam 1965 - 1971. Bird Dog Over Vietnam. Donated by the FAC Association - presented by the RAAFVVAcessna o.1 bird dog, framed print

Black matt painted oval frame with scalloped edge and floral decoration. Picture of 1900s+ woman singing wearing long skirt with jacket and hat. Black and white photograph.

Colour photo in brown, wooden frame 7 cream coloured matt board. Depicting a Centurion tank, bulldozer and 6 soldiers inside Fire Support Base Coral.My Vietnam collection. Fire Support Base Coral, Vietnam 1968 @ Fred Bowden.fire support base - coral

The foundation stone of the present church was laid by the Hon James Balfour on 15 June 1875. Mr Charles Webb was the architect, the builder Mr James Bonham . The opening services were held of 2 December 1875.B&W matt photograph mounted on card of the interior of the Brighton Congregational Church hall c.1900. The image shows tables, chairs and flags arranged inside the hall.harvest festival, brighton congregational church hall

Gold and Redgum Inkstand made by Ernest Leviny, c1855-1858. Presented to Mr J.V.A. Bruce, contractor for the Melbourne and Murray Railway by the workmen, at Woodend on Monday 8th July 1861. This gold inkstand was Leviny's first major masterpiece commenced around 1855 and made from gold found on the Victorian fields. It featured four gold nuggets representing the Southern Cross from the goldfields of Ballarat, Bendigo Maryborough and Castlemaine. It was exhibited in Melbourne in 1858, and again in 1861 where it was awarded a 1st Class Certificate at the Victorian Exhibition in Melbourne. In 1862 it was exhibited at the London International Exhibition where it attracted a great deal of attention and was published in The Art Journal Illustrated Catalogue accompanying the exhibition. The whereabouts of the Inkstand is currently unknown.Matt, albumen print, mounted on lightweight card backing. Albumen photograph of a gold and redgum inkstand. Elaborate inkstand highly decorated with cast figures. Mounted on a redgum base.Stamp embossed on upper left corner. Crown in a circle with the words Bristol Paper. Handwritten in ink under image. "Gold inkstand presented at the opening of the Railway, designed by the late Ernest Leviny Esq. October 13th 1862. Made of almost pure gold and cost £700".inkstand, ornament, gold, goldsmithing, london exhibition 1862, melbourne and murray railway, photograph, woodend, 8 july 1861, mr j. v. a. bruce

Portland Library Exhibition, 2005Abstract painting with predominantly green, pink and yellow colours. Swirls and blotches giving the impression of movement. Mounted in cream double matt, in dark wood frame with glass glazing.Bottom right: Vinall 03bruce vinall, warrnambool artist, watercolour, abstract, seascape

This photograph shows Orbost's first cricket team in the Lochiel paddock - C 1880's.Included are: Alec Cameron; Harry Richardson; Jo Swallow; Matt Lynch; Joe Roderick; ? Hatton; Alf Richardson; Janes Cameron; John Cameron;John FarquharSport is often regarded as an important part of life in rural Australia. Cricket is one of the most popular sports in Australia at international, domestic and local levels. It has been played in Australia for more than 200 years. This photograph is a pictorial record of an Orbost cricket team in the nineteenth century.A black / white photograph of a group of men standing in front of a cricket pitch. Two men are holding cricket bats and are wearing pads. One man is crouching.sport-cricket recreation-cricket

Various stories written by local and former Tatura residents. Includes trip by school children to 1956 Olympic Games, Township of Tatura 1879, Matt Patterson's life story, Dhurringile Mansion history by J Lowry, W Doller and R NewnhamPlastic cover, black and white cartoon like characters and grave yard scene on front. Contains plastic sleeves each with printed material.tatura and district, documents, history, tatura residents, 1956 olympic games, tatura 1879, matt patterson, dhurringile mansion history, j. lowry, w. doller, r newnham

Coloured photo in black wooden frame with brown matt board depicting 3 U.S. Army self-propelled artillery & 3 soldiers in the foreground in a sand bagged defensive position.54GP 3F35 , A-16 (on artillery piece). My Vietnam collection @Fred Bowden; Fire Support Base Coral, May 1968.fire support base - coral

The foundation stone of the present church was laid by the Hon James Balfour on 15 June 1875. Mr Charles Webb was the architect, the builder Mr James Bonham and the cost was 2,826 pounds 17 shillings, exclusive of fittings. The opening services were held of 2 December 1875.B&W matt photograph mounted on grey card of the Brighton Congregational Church interior showing Harvest Festival displays and banner text: "Thou crownest the year with thy goodness". brighton congregational church, harvest festival, hon james balfour, charles webb, james bonham

The foundation stone of the present church was laid by the Hon James Balfour on 15 June 1875. Mr Charles Webb was the architect, the builder Mr James Bonham and the cost was L2826/17/- exclusive of fittings. The opening services were held of 2 December 1875.B&W matt photograph of the Brighton Congregational Church interior including the organ pipes, showing Harvest Festival displays and banner text: "Thou crownest the year with thy goodness". pipe organ, brighton congregational church, harvest festival, hon james balfour, charles webb, james bonham

The foundation stone of the present church was laid by the Hon James Balfour on 15 June 1875. Mr Charles Webb was the architect, the builder Mr James Bonham and the cost was L2826/17/- exclusive of fittings. The opening services were held of 2 December 1875.B&W matt photograph of the Brighton Congregational Church interior including the organ pipes, showing Harvest Festival displays and banner text: "Thou crownest the year with thy goodness". pipe organ, brighton congregational church, harvest festival, hon james balfour, charles webb, james botham

Embroidered black apron, front is shiny satin, reverse matt satin. Machine scalloped edging. Machine embroidered leaves and flowers in autumnal colours. Apron tied with satin ribbon.costume, female working