Showing 281 items
matching neck ties
-
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WHITE CROCHET BABY JACKET, 1950's
Long raglan sleeves, round neck with a scalloped edge at the neckline and cuffs. A 1 cm wide nylon ribbon passes through eyelets at the underarm, and ties with a bow at the front opening. Above this, the yoke has three plastic pearl buttons to fasten. The treble pattern of the crochet gives a shell-like effect, to the sleeves, and lower section of the garment, while the yoke, and cuffs have a treble filet pattern.costume, children's, white crochet baby's jacket -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WHITE HAND-KNITTED BABY'S BONNET, 1950's
Hand knitted bonnet in a lacy pattern. The circular crown is knitted in garter stitch, and as the circle increases in size, a "spoked" effect where the increase is made, gives a wheel-like effect. The main part of the bonnet has a repeat of a six row pattern. The front band of the bonnet, framing the face, is 2 cm wide, knitted in garter stitch. A 2.25 cm wide nylon ribbon attaches to the corners of this band, and ties under the chin. A narrow band of garter stitch, finishes the neck edge.costume, children's, baby bonnet -
Bendigo Historical Society Inc.
Clothing - LADIES SHORT JACKET, 1960's-1970's
Ladies brightly coloured waist length jacket. Single breasted with front opening, fastened with six X2.5 cm fabric covered shank buttons. 10 cm fold over collar attached across back of neck and detached at shoulder seams to form two 35 cm ties. These ties are threaded through two 4 cm buttonholes-one either side of V neckline 10 cm below shoulder seams. Shaped peplum dipping to V shape on either side of front opening and on either side of centre back. Padded shoulders. Front has 15 cm darts from each shoulder seam. Three quarter length sleeves shaped at end by three darts. Two 1 cm fabric covered buttons and loops fasten to form a pleat to tighten the opening by another 2 cms.costume, female, ladies short jacket -
Bendigo Historical Society Inc.
Photograph - UNKNOWN FAMILY COLLECTION: PHOTOGRAPH
Photograph - black and white. A group portrait, looks like all the same family (facial features). One male and 2 females. 1st female wearing a plain dress with a thin bow tie, 2nd female plain with frills around the neck and bodice of dress, pendant around her neck, both females wearing long white gloves. Male wearing a dark suit, collar and tie, clean shaven.person, group, possibly, family group, group portrait. 2 females and 1 male. -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A FEMALE
Photograph - black and white. Portrait of a female, standing, leaning her left arm on a intricate upholstered chair, hair tied up in a tight bun, cross and chain around her neck.Bartlett Bros., Sandhurst.person, individual, female portrait, portrait of a female. -
Bendigo Historical Society Inc.
Photograph - PORTRAIT - 2 WOMEN
Photograph - black and white in a heavy glass frame. The photo is a postcard, looks like mother sitting on a cane (unusual) shape chair, daughter sitting on a stool with elbow rests. Both women tied their hair up in a bun, high neck frilled blouse. Frame is heavy, glass and maybe 'mother of pearl' on the 4 corners of frame.Kalina, 578 69, Pall Mall, Bendigo.person, family, mother and daughter, portrait 2 women. kalina bendigo. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Doctor's theatre gown worn by Dr Mitchell Henry O'Sullivan, c. 1930s
The wearing of gown became mandatory in all operating theatres from the 1900s and in 1914-1918 during the Spanish flu epidemic. During the 1930s gowns were worn when attending polio patients. From 1945 onwards, midwifery hospitals required all staff working in labour wards, premature nurseries, and special care (observation nurseries) to wear gowns when in contact with mothers or babies. During the 1950s the gown regime helped to combat the spread of golden stph in midwifery hospitals. Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Cotton gown with high round collar and long sleeves. Gown is made in two sections with a centre doubled seam. The collar is made to button at the neck, but the button on this gown is missing. Wrists of gown are fastened with flat mother of pearl buttons. Open at back with six ties. Laundry tag taped to right side of gown.surgery -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, Man with moustache, WW2
... with cotton thread. Magenta tie stitched to neck. Bottle green felt.... Magenta tie stitched to neck. Bottle green felt jacket ...The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head of man with large nose, pointed chin and moustache. Hand painted blue eyes. Moustache and eye brows made with cotton thread. Magenta tie stitched to neck. Bottle green felt jacket with magenta trim. Leather hands attached to sleeves. Light brown skirt attached to jacket. leather ears on head. pow puppets, pow handcrafts, hand puppets -
Tatura Irrigation & Wartime Camps Museum
Clothing - Neck Tie, 1940's
... Neck Tie... on front. Tie attached to neck band with hook (no eye) at back.... to neck band with hook (no eye) at back. Clothing Neck Tie ...Made and used in Camp 3Black with blue tulip, part of 2 pink flowers and red heart on front. Tie attached to neck band with hook (no eye) at back.men's ties, peter and barbara drescher, men's clothing accessories -
Tatura Irrigation & Wartime Camps Museum
Clothing - Childs Blouse, 1940's
Made by Helene Hoefer for her daughter, Traude, internees in camp 3.Fawn material, round necked child's blouse. Features smocking around neck and edge of short sleeves, front opening has cross stitch around it and a plaited tie.traude glenk, traude hoefer, helene hoefer, ww2 camp clothing, ww2 camp handcrafts -
Tatura Irrigation & Wartime Camps Museum
Photograph, Custodian Krach - Peter Mueller
... running down and a single line across. He has a red scarf tied... across. He has a red scarf tied around his neck and a red vest ...The sketch was drawn by artist Hans von Gruenewaldt. The sketch depicts Peter Mueller acting in the role of Custodian Krach in Hosterhaus, a play put on in camp 13. Both men were POW's in Camp 13 during WW2. Colour photograph copy of a sketch (on foam backing) of a red haired man wearing a white jacket which has double lines running down and a single line across. He has a red scarf tied around his neck and a red vest with 6 buttons. He has his thumbs in his armholes and fist closed. Trousers are white with black stripes running vertically. Standing behind a corner shaped wooden divider with 6 uprights. A black top hat on his head.hans von gruenewaldt, camp 13 artists, camp 13 internees, peter mueller -
Tatura Irrigation & Wartime Camps Museum
Costume - Puppets Neck Frill, 1940's
Part of a collection of clothes and outfits for puppets from Beinssen family.2 layered cream neck frill for puppet with 2 ties at backpuppets, tatura, puppetry, dr silke hesse, ekke beinssen, ww2 camp puppet theatre -
Uniting Church Archives - Synod of Victoria
Postcard
Possible Brighton lay people.Matte, sepia, postcard head and shoulders photograph of a man and a woman. The man is looking at the camera and the woman slightly to one side of the camera. He has short white hair and beard and is wearing glasses and a collar and tie. She has her hair tied back and is wearing a white blouse with a broach at the neck underneath a dark coloured dress. She has a long chain around her neck. The couple is Rev. and Mrs. J. Latham. The postcard's width is written on the back in pencil and indication that the photograph was to be used in the Spectator.latham -
Hume City Civic Collection
Dress, Inmates
Worn by patients at Sunbury Asylum.Inmate's dress in unbleached canvas with red stripe. Back opening from neck to thigh with four pairs of bias bound eyelets. Tie is unbleached calico with blue stripe, hemmed and sewn in three lines. Bodice and skirt pleat into waistband. Neck has reinforced yoke."K . . . .L" in black ink inside front neck; heavily darned, only end letters legible.costume, sunbury asylum, george evans collection -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1930
Cream Lawn Nightgown Crochet Round neck and sleeves. White silk embroidery on yoke & sleeves. Ribbon tie at waist . Mrs P Blight.stawell clothing material -
Sunshine and District Historical Society Incorporated
School Uniform, Blazer - Mark Anttony Schoolwear, SUNSHINE WEST HIGH SCHOOL, 1960's
Sunshine West High School started in 1960 with classes held in the old church and the church hall of St Mark's Anglican Church, Sunshine, Victoria, 3020. The school transferred to Lachlan Road, West Sunshine when the new building was completed. In 1961 the proportion of students from European background was almost 52% and those of British-Australian almost 48%. By 1965 the number of students totalled 699, with 28 of them being the first to do the Form 6 (Year 12) Matriculation exam. By 1969 the number of students had increased to the point that some classes were held in shelter sheds. In 1992 the multi campus Sunshine College was formed through the amalgamation and restructure of six schools: Sunshine West High School, Sunshine Technical School, Ardeer High School, North Sunshine Technical School, Sunshine High School, and Tottenham Technical School. The last two school sites were closed and are now occupied by Victoria University and the Tottenham English Language Centre respectively. Sunshine West High School became the junior West Campus of Sunshine College. The style of school uniform displayed here is not used by the Sunshine College. The girls had two sets of uniforms, one for the summer and one for the winter. The frock and blazer (as displayed) were for the summer but a grey straw hat, grey socks, and black shoes were also part of the compulsory uniform. The displayed grey v-necked jumper could be worn in both summer and winter. The winter outfit consisted of a blue shirt, a tie (as displayed), a grey box pleated tunic, blazer, grey stockings, black shoes, a blue felt hat and grey gloves. Of particular interest is that the boys did not have to wear the feminine looking style of grey jumper with the pink and blue stripes. They wore a dark blue jumper. There was a 'uniform inspection' carried out after the Monday morning assembly and the Prefects had the task of policing students to make sure that they wore the full complement of items, both to and from school. The 3 badges indicate that the female student was a member of the School Council, which had replaced the Prefects around 1969 or 1970, and she was also Captain of one of the 4 Sports Houses and of her Form. Sources of information: (1) http://www.sunshine.vic.edu.au/history.htm (accessed 4/11/2015). (2) Book - 'Harvester City' by Olwen Ford (page 412). (3) Discussions with two former students.Sunshine West High School played a significant part in the secondary education of local children, however the school had a relatively short life span in its own right during the latter part of the twentieth century. The items of girls school uniform, the school insignia, and the 3 metal badges serve as a historical reminder of the previous existence of the school, and of the colours and designs of these items.Four items of girls school uniform plus 3 metal badges: (1) Dark blue blazer with school insignia on the left breast pocket. (2) Blue and white striped frock. (3) Light grey v-necked jumper with dark blue, light blue, and pink stripes around the neck and the cuffs. (4) Dark blue tie with light blue and pink diagonal stripes. The 3 badges are School Captain, House Captain, and Form Captain.Insignia on blazer - SWHS / COURAGE AND WISDOMsunshine west high school, girls school uniform, carland, blazer, frock, school jumper, swhs, courage and wisdom, junior campus, west campus, sunshine college, 1960, 1991 -
Yarrawonga and Mulwala Pioneer Museum
Clothing - Evening gown, 1960's
Worn at Wilby and balls in the districtBurgundy Georgette full skirt lined with taffeta,high waist under bust,edged Round neck and under bust with gold braid oversewn with white sequins. There are two long ties at back extending from shoulder them line. Back zippefLabel on bodice Dorolyn Melbourne, size W. Drycleaning only -
Stawell Historical Society Inc
Photograph, Mr. Jim Wharrie with Ruby Wharrie and Lewis van Praagh in fancy dress
Ruby Wharrie in Fancy Dress with Lewis van Praagh, Jim Wharrie is sitting between Ruby & Lewis in his dressing gown. Taken in 19th May 1982 from "The Heidelgerger" ( Melbourne).Black & white print form a newspaper of Jim & Ruby Wharrie with co performer Lewis van Praagh, aged 86 at the Austin Hospital. Both Jim & Ruby are 80 years of age. Ruby is dressed in a blazer with a frilled blouse underneath and a bowler hat. Jim is in a dressing gown and Lewis dressed in a blazer with decorative cuffs, a bow tie and a stiff rimmed hat with a medallion & scarf around his neck.stawell -
National Wool Museum
Clothing - Dress, 1993
This dress was made for the Melbourne Show in 1993 and won 3rd prize. It was designed by Jean Inglis who was inspired by the Blue Triangle Butterfly (Scientific name: Graphium sarpedon choredon). The Warp was 2/24 commercially brought black wool with a “tie down” thread of black polyester and Weft of the same 2/24 wool 2 ply. Jean utilised a twill technique devised by Theo Morgan in creating the dress. The dress was handwoven by Jean Inglis with the help of Ruth Rondell with some of the pattern and final sewing. Black dress stretching from below the knees, reaching up to the neckline and down to the hands in the sleeve. The dress has three butterflies attached to the front approximately 50mm in diameter going from right knee to left hip in a nonvisible diagonal line. Lower half of dress has ten thin blue & green lines of varying lengths, reaching a max height of the hip. The neck of dress has four frills of blue and green colour. The longest two frills are in the centre pointing diagonally outwards towards the hands. The second layer of frills is shorter and further around the neckline towards the shoulders. The dress is completed with a cape of blue and green colour with a thick black seam separating each segment of colour. The cape sits on the shoulders and droops to a height of the hips. At the rear, the cape reaches the height of the rump. The cape has two draw strings for tying to the shoulders. wool, butterflies, melbourne show, butterfly -
National Wool Museum
Booklet - Cleckheaton No. 106, Country Spun, Cleckheaton, c.1970s
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced for Cleckheaton wool and contains knitting patterns for a jumper and a jacket.Knitting pattern book, 4pp. Cover printed in colour with an oval photo of a man and a woman wearing a chunky, textured knitted jumper in beige (her) and a shawl necked brown jacket with a belt tie (him).No. 106 / Cleckheaton / COUNTRY SPUNknitting handicrafts - history, cleckheaton, knitting, handicrafts - history -
Whitehorse Historical Society Inc.
Clothing - Bed Cape, 1920s
... Pink handknitted bed cape. Open work on yoke and ribbon tie... handknitted bed cape. Open work on yoke and ribbon tie at the neck ...Belonged to an aunt of the donor. Mostly used when patient was in hospital.Pink handknitted bed cape. Open work on yoke and ribbon tie at the neck.costume, female nightwear -
Whitehorse Historical Society Inc.
Leisure object - Indian Doll
This type of toy was often brought back from overseas as a novelty for grandchildren, nieces and so on.Red plastic doll dressed in Indian dress made from cream flannel tunic with five red, blue and black motifs and tied at the waist with red cord. The neck, sleeves and hem are fringed. Her hair is black and a plastic band with red and blue figures is tied around her head.toys, dolls -
Whitehorse Historical Society Inc.
Clothing - Dress, circa 2000
not knowncirca 2000 black chiffon evening full length waisted dress with short sleeves, round neck and front of a false waistcoat beaded with black flowers and tied at the back. Underskirt of fine black lawn. Back zipperDG Sport Classic Comfortcostume, female -
Whitehorse Historical Society Inc.
Clothing - Matinee Jacket, 1920
... Baby matinee jacket crochet edges, tied at neck edge... crochet edges, tied at neck edge with cream silk ribbon Cream silk ...Matinee jacket was worn in 1920 and made by Mrs Harris the donors mother.Cream silkBaby matinee jacket crochet edges, tied at neck edge with cream silk ribboncostume, children's -
Whitehorse Historical Society Inc.
Domestic object - Bottle Cover, approx 1990's
... White cotton crochet cover with ties and tassels at neck... or crochet work White cotton crochet cover with ties and tassels ...Donated by Betty Jones. Bottle cover was used as a decorative item on a formal dinner setting.White cotton crochet cover with ties and tassels at neck edge. Elongated shape with SAUCE worked into centre panel.handcrafts, crocheting or crochet work -
Whitehorse Historical Society Inc.
Clothing - Blouse, circa 1980
Worn by Margaret Skey in 1980's1980's black polyester blouse with yoke and tie neckline. gathered sleeves to small cuff. Buttons are round black plastic to neck (six) and on each cuff. Size 14 (see NA3766 red suit with which blouse was worn.)costume, female -
Whitehorse Historical Society Inc.
Clothing - Blouse Front, 1930-1940
Blousettes were popular for ladies wear under suits and cardigans in the 1930's and 1940's. Part of the Bette Jones collection.Fine voile and net blousette (blouse front and back); cream coloured. Ties at side- elastic at waist and back, satin ribbon at front and back. Front panel of three vertical panels of petit-point coloured flowers, centre panel flanked, each side, by four rows of cotton edging lace. Stand-up net collar of three rows of same edging lace. Back neck opening fastened with metal hooks and eyes.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Blouse Front
Dark beige georgette front, tied at sides and worn as an imitation blouse. Has a crochet insert in centre front with three 5.5cm tucks each side of insert stitched with a lighter colour rayon thread. Small up-standing collar also stitched with two rows of the same thread referred to above. Short pieces of white cotton at back of neck and at waist with ties.costume, female -
Whitehorse Historical Society Inc.
Clothing - Camisole and knickers combination
Purchased by Joy Kenny on behalf of the Society from St Vincent de Paul Opportunity Shop.All in one camisole and knickers combination in cotton trimmed with anglaise around the neck , sleeves and leg. Five linen buttons down front - back has trap door opening and ties at waist.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Pinafore
Childs white lawn pinafore with Broderie Anglais all around edge, two ties at waist with Broderie on each end. 8 cm tucks from neck to waist held in place at waist with lace. Tape at neck to fasten. Open down back with three buttons.costume, children's