Painted by Bianca Biesuz in 1983 The art work features cattle and trees in the foreground and Wilson's Promotory in the distance. Brown wood frame with gold edging.

Framed oil painting titled: "Coastline near Inverloch" painted by Mary Hennekam. Set in cream card window mount with brass plaque affixed to lower edge. Gold painted wood frame.

Framed oil painting featuring a coastal landscape titled: "Corner Inlet" by B. M. Casey. Set in light brown textured vinyl window mount with gold edging. Engraved brass plaque lower edge. Brown and gold painted wood frame.

Framed portrait of Walter Tuck. Set in cream vinyl window mount with gold edging and ornate gold painted wood frame.

Framed oil painting featuring a country landscape painted by G. Guppy 1996. Includes trees, road, fence and gate. Signed and dated by the artist lower left corner. Painted in shades of blue, yellow and green.

Framed oil painting titled: "Breaking Wave" painted by Robert Wood. 1988.Gold edged timber frame.

Framed watercolour painting titled: "A Mirboo Sunset" painted by Neila Peart 1998. Features a landscape with sunset, trees and sky. Painted in shades of browns, pinks and greys. Cream window mount with gold edging. Wood frame with gold on edges.

Landcsape - Australian bush scene. Mounted & framed. Gold painted wood frame featuring textured light brown window mount with white and gold border.

Framed oil painting titled: "Leongatha Landscape" painted by Harris Smith. Features scene of farming property in the foreground and township of Leongatha in the distance. Rolling hills, flora, buildings and sky. Gold decorative frame with cream textured vinyl window mount. Painted in shades of browns, greens, blues and yellows.

Framed oil painting of the Great Southern Festival at Korumburra 1980/1981 featuring Karmai the Giant Earth Worm. Painted by artist Frank Smith.

Framed colour print of an oil painting titled "Winter's Morning 1914" painted by Frank McCubbin. Brown wood frame.

Framed oil painting featuring a bush scene painted by Irene Cox. The scene includes trees, a wooden hut. Gold decorative frame. Artist's signature lower right corner.

Framed oil painting seascape titled: "Mahers Landing" by Adrian Johnson. A Fish Creek Acquisitive Art Show Prize 1991.Set in cream card window mount with gold painted woood frame. Small brass engraved plaque affixed to lower edge. Details of artist on reverse.

Has a strong association with the artist and demonstrates activities the Ballarat Tramway MuseumFramed painting - wooden frame - black and gold colour of Horse Tram No. 1 in Wendouree Parade, titled "Oil Painting of Horse Drawn Tram", fitted with a plastic gold engraved sign "Oil Painting of Horse Drawn Tram / painted and donated by Edna Stephens". Framed with a white card back and brown plastic tape - with metal hanging wire framed by Macarthur Framework and Gallery 1008 Sturt St Ballarat. See Inscriptions for note on artist.On rear in ink "Edna Stephens painted 2012 / Horse Drawn Tram Lake Wendouree Ballarat"trams, tramways, wendouree parade, painting, art work

Destination roll that was used in Malvern Depot trams, Melbourne, until the late 1960's. Roll on linen, with white letters on black background. Has stencilled words "STOP" on top and bottom of rolls, stencilled miniature destination on rear to assist driver to locate the destination. Letters approx. 140 high. Roll consists of an unpainted section 535 long at top and 360 long unpainted section at base. Painted section approx. 7.2m long. Roll has oil and dirt stains in the middle portion, but the last three destinations are very worn with the black paint in a deteriorated condition. Image information - btm1747i1 to 1747i6 - photos of various sections of roll from top to bottom - shows level of damage and nature of the last three destinations on the roll. For listing of destinations - see images.tram, trams, melbourne, malvern depot, destination roll, mmtb

Has a strong association with the artist and demonstrates activities the Ballarat Tramway MuseumFramed painting - decorative frame made from wood with card cut outs, glass sheet, oil on Masonite of tram 26 in Wendouree Parade. Painted by Alan Dixon, husband of donor, approx. 2000 to 2003. White card and brown tape on rear with label "219", with wire hanging cable with screwed ends.trams, tramways, wendouree parade, painting, art work

The Restoration of The Bendigo Gasworks Boiler House Complex, A Community Jobs Project March 2002 - June 2002. Final Report. Researched, compiled and written by: Fiona Gust and Simone (Mona) Krause. Front cover is purple, back cover is black and some inside pages are red or yellow. Topics in the book are: History of the Gasworks, How a Gasworks Works, Heritage Requirements, The CJP Crew, Crew Profiles, Initial Condition of the Boiler House Complex, O, H & S, Work Begins - Asbestos Removal, Clean-up, Iron Removal and Glazing. Artifact Cataloguing, where artifacts and where they were found were cataloged. On Going Discoveries. Exhauster ad Tank Room Ceilings, Pipes, Oil Spray Tower, Skillion over the Amenities Block, Posts, Beams along the Exhauster Room Wall-NE side, Beams on the SW side of the gable .. The join between the skillion and gable roof, Donuts on the Exhauster Room Wall - NE side, Trusses, Gutters and down pipes, Paint and Whitewash, Brickwork, Iron Fittings, Internal Fixtures, Generator Room/Compressor Room, Floors and Conclusion. The Captains Last Words by Peter Roberts. Acknowledgements. The coloured pages in the back are Edition One - 19.4.2002, Edition Two and Edition 3 of Combustible News which gives a progressive account of the work.buildings, gas company, the bendigo gasworks, the restoration of the bendigo gasworks boiler house complex, fiona gust, simone (mona) krause, city of melbourne gas and coke company, the bendigo mercury, the gas and fuel corporation, central deborah, community jobs project, peter roberts, chrysalis constructions, cvgt industrial training center, rod mclaughlin, allan fox, david gilroy, glen slater, aaron ott, ron whitford, daniel keogh, paul atkins, nick pearson, leigh williams, des leahy, anthony jennings, heritage victoria, the bendigo shire, central deborah, david bennear, david wright, deborah simm, community jobs unit, james thompson, mac booth, mine, tramways, discovery centre, mandy cooper, delwyn douglass, cindy tassie, helen yorston, brenda stanley, greg o'connell, kym smith, darren hutchesson, julie cain, john bullen, joe slaviero, mario joh;ns, norm harris, paul green, len cutting, jim morrissy, melissa tuddenham, fiona beckwith, leo trainor, gary anquetil, helen lynch, abbotts supply, action auction, garry floyd, bendigo trailers and hardware - matt, ron & jack, brennans - butch & robbie, bunnings - evan, brett crapper, hip pocket, jason kiel, country victorian scaffolding, paint right bendigo, alan gladman, deborah simms, graeme jennings, hugh ward, leigh williams, paul eccles, peter sporn, barb & mal krause, peter & shirley turner, bendigo copy centre

Painted from Beaumaris Cliffs looking over to Mentone this work is a characteristic example of Beckett's ability to create a sense of place with an economy of means. The bands of floated colour create a flattened 'modern' space while still rendering a truthful impression of the location. oil on boardbeach, coast, cliff, path, tree, clarice beckett, beaumaris, beaumaris bay, bay, bayside, water, meldrum school, painting, mentone

When Thomas Bent, politician and land speculator, was appointed Speaker of the Victorian Legislative Assembly in 1892, a number of local Brighton constituents and supporters raised money to present him with an oil portrait. Bent had been a member for Brighton for 21 years, and the painting was seen as a way of showing their appreciation of his services to the Brighton constituency, as well as congratulating him to his new position as Speaker. In June 1892, British/Australian landscape and portrait artist Charles E. Gordon-Frazer was given the commission to paint the portrait. Thomas Bent is depicted as standing in his Speaker's robe on the dais beneath the canopy in the Legislative Assembly Chamber in the act of addressing the House. He wears the traditional Speaker’s dress of a black silk and gold laced robe over a three-piece black suit, lace jabot and cuffs, buckled shoes and a ceremonial long wig. The top of the gold parliamentary mace sits on the right of the work near the frame's edge.sir thomas bent, thomas bent, speaker, mayor, premier, brighton, moorabbin, land speculator, local government, councillor, official, member of lower house, portrait, parliament, ceremonial robes, legislative assembly, jabot, wig, mace

Donation includes a letter, dated 12 June 1983 from June Uhl to Mrs [Thea] Sartori referring to research about John Hodgson and the naming of Studley Park.Photographic negative of a lithograph of the Melbourne and Studley Park pioneer John Hodgson, accompanied by a letter from the donor, Jean Uhl.Envelope: "John Hodgson painted* by Ludwig Becker 1855. Photographed by State Library of Victoria from original held by Royal Historical Society of Victoria. Kew Historical Society from Jean Uhl." Editor note: Incorrect attribution. The Becker oil painting is held in the City Collection, City of Melbourne. This negative is of a lithograph based on a drawing of Hodgson, made by L. Becker circa 1855.john hodgson, studley park, stoodley pike - scotland, rev alex davies, jean uhl, ludwig becker

Newspaper article glued to backing board: HERITAGE WEEK - HISTORICAL PHOTO COLLECTION The launch Heritage Week (April 8-15 [1984]), the Kew Historical Society has arranged the display of large colour photographs (the Koelmeyer-Edmonds Collection) of early suburban Melbourne Street scenes. This important collection may be viewed during Heritage Week at the City of Kew Library, Charles Street, Kew. Laurie Koelmeyer, a collector old and rare photographs, commissioned Jenny Edmonds, a noted local artist, to paint scenes such as Kew Junction, Auburn Village and the Hawthorn Railway Station in historical detail from old photographs. The paintings were then colour photographed for the heritage Week display. Kew residents will see twenty photos in all at the Kew Library. We should feel honoured that our suburb has been chosen for this display. The Koelmayer-Edmonds team was invited to launch the public exhibition in Kew at the instigation of the Historical Society and its President, Rae Brunette, who are to be congratulated for their efforts in arranging this special collection. The State Bank has indicated its support for the photographic display. Later it is proposed that the completed paintings will be exhibited at the Head Office of the Bank to coincide with Victoria’s 150th Anniversary celebrations. The display at the Kew Library is a significant honour for our City and is one which you should not miss. The Kew Historical Society can be contacted on ’80 3657.”Framed oil painting on board of the 'Commercial Heart of Kew', copied and painted from an early postcard published 1905.Labels on reverse: "THE COMMERCIAL HEART OF KEW / COPIED AND PAINTED FROM AN EARLY POST CARD PUBLISHED 1905 / RESEARCHED AND DONATED BY MR LAWRIE KOELMEYER APRIL 1982 TO KEW HISTORICAL SOCIETY." "SMALLER COPY OF THE KEW HISTORICAL PHOT0 DISPLAYED IN THE KEW LIBRARY."jenny edmonds, cotham road -- kew (vic.), lawrie koelmeyer

Minnie Mary Fimmel (1880-1965) was born at Kewell, near Minyip and married carpenter John Thomas Francis Moroney in 1897. His death left her a widow with two children. Minnie re-invented herself as Marie Minnie Dalley and commenced menial work in Melbourne. Known as ‘Ma’, she became a financially successful businesswoman, eventually owning various properties around Victoria including a ‘machinery factory’. She was much ‘talked about’ in the newspapers for her benevolent actions, particularly towards women. For this community service she received an O.B.E. in 1949. Aged 74, she became the first female mayor of Kew. Ma Dalley refused to accept a formal presentation of the honour at a ‘return ball’, insisting that the money be donated to St George’s Hospital, Kew. She continued to financially donate to various charitable organisations. Her piéce de résistance was a staggering £250,000 personal donation to further the building of St George’s Hospital. She died at Kew and is buried at Miniyip Cemetery. Framed large oil painting on canvas. Cr Marie Dalley in her mayoral robes. Painted inscription on reverse of canvas: ‘Ma Dally [sic]. 1st lady Mayer [sic] of Kew Vic. Pinxit Govett 1951". [Cr Dalley was Mayor of Kew in 1954-55, so the date given by the artist on the reverse is incorrect.]marie (ma) dalley, james william govett, ma dalley, minnie mary fimmel, mayoral portraits

In 1870 the Earl de Grey was Grand Master of England, but his rule was short lived. After being converted to Roman Catholicism, he felt it was essential that he resign from Freemasonry as his church at the time was opposed to Freemasonry. Albert Edward Prince of Wales, later King Edward VII, readily accepted nomination as Grand Master of England and continued in office until his Accession in 1901.This portrait the Prince of Wales was painted by Thomas Flintoff. It is held within a very elaborate gilded frame which comes apart in 3 sections and is one of only two known types existing.Portrait oil painting of Prince Albert on canvas stretched over stretcher/strainer. Framed in a very elaborate qilded wood and rosen frame. Heavy ornamentation on top and bottom of the frame. Signed: 'T. Flintoff 1880', Placque: 'Grand Master U.G.L. of England 1874-1901 H.R.H. Albert Edward Prince of Wales by T. Flintoff'. portrait, painting, his royal highness albert edward prince of wales, freemasonry, freemasons, freemasons victoria

Sir Dallas Brooks, was Victoria's' longest serving Governor and Grand Master. Born in Cambridge England in 1896, his interest in becoming a Freemason was expressed whilst in England however he chose to wait until he became Governor of Victoria to be initiated. Sir Dallas Brooks held the position of Grand Master of the United Grand Lodge of Victoria from 1951 to 1963. He was a popular Grand Master and Governor and although he was unable to commit as much time as he would have like to Freemasonry, he participated where possible.This portrait was painted by Joshua Smith and the only painting created by this artist.Framed oil painting on canvas with stretcher/strainer. Frame is wood with a matte bronze paint. Gold-coloured metal placque attached to front of canvas. Signed: 'Joshua Smith'. Placque: 'M.W. Bro. General Sir Dallas Brooks / K.C.B., K.C.M.G., K.C.V.O., D.S.O., K.St.J. / Grand Master 1951 - 63' sir dallas brooks, freemasonry, freemasons, portraits, freemasons victoria

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Synthetic polymer paint on composition boardgippsland, artwork, permanent collection

Two Colour photos of original oil painting of Oban by John Gloverstawell houses

Bartram type AK, 5 HP horizontal cylinder water cooled magneto ignition oil Engine mounted on a metal and timber chassis with 4 wheels. It has its own cam driven water pump which pumps cooling water over metal gauze for evaporative cooling. Painted green. It has two flywheels, one at each end of the crankshaft, with a flat belt pulley attached to one flywheel. Cooling tank of galvanised steel with Bartram stencilled on one side. In working order.Cast nameplate on front of crankcase with a Bartram logo cast on also "Bertram / Type / AK"