Showing 2932 items
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Greensborough Historical Society
Domestic object - Butter Churn, 1900c
Paddle-style butter churn used to make butter by beating cream, includes two decorative butter pats and one wooden implement for scraping butter inside churn.Wooden butter churn, consisting of u-shaped container, crank driven flails and lid, with two decorative butter pats and one wooden implement for scraping butter inside churn.butter churns, butter making, butter pats -
Ringwood and District Historical Society
Book, Fifty Years of History - Whitehorse Historical Society 1965 to 2015, 2015
Recollections of members held in the society's collections -
Warrnambool and District Historical Society Inc.
Book - History of Friends of Warrnambool Botanic Gardens, Marie Johnstone and Pat Varley, Friends of Warrnambool Botanic Gardens - Their History 1989-2020, 2022
Friends of Warrnambool Botanic Gardens historyThis is a book of 48 pages. The cover is white with a colour image of a water fountain. The pages contain printed text and small images of the front cover fountain.non-fictionFriends of Warrnambool Botanic Gardens historywarrnambool botanic gardens, history of warrnambool gardens, friends of warrnambool gardens -
Robin Boyd Foundation
Book, Pat Smythe, Three Jays go to Town: The Fourth adventure of the Three Jays, 1959
Hardcoverwalsh st library -
Robin Boyd Foundation
Book, Pat Smythe, The Three Jays on the Border, 1960
Hardcoverwalsh st library -
Robin Boyd Foundation
Book, Pat Smythe, Three Jays Against the Clock, 1958
Hardcoverwalsh st library -
Surrey Hills Historical Society Collection
Book, The Taste of Home
There are notes taken by Sue Barnett about the family from discussions with Gill Bell. 122p, illustrations, index, contains recipes, personal memories and photographs of the Craig family, many of whom were residents of Surrey Hills and connected with the Surrey Hills Methodist Church.122p, illustrations, index, contains recipes, personal memories and photographs of the Craig family, many of whom were residents of Surrey Hills and connected with the Surrey Hills Methodist Church.craig family, cooking, cook books, (ms) gillian bell -
Kew Historical Society Inc
Book, Kangaroo Press Pty Ltd, Needlelace Stitches: classic and contemporary, 1989
Kenthurst, N.S.W. : Kangaroo Press, 1989 160 p. : ill. (some col.) ; 30 cm. non-fictionneedlepoint lace., lace -
Horsham Regional Art Gallery
Photograph, Pat BRASSINGTON, The wedding guest, 2005
Purchased through the Horsham Art Gallery Trust Fund, 2008 -
Horsham Regional Art Gallery
Photograph, Pat BRASSINGTON, Untitled III, 2002
Donated through the Australian Government's Cultural Gifts Program by the Bardas family, in memory of Sandra Bardas, 2011 -
Horsham Regional Art Gallery
Photograph, Pat BRASSINGTON, In marble halls #1, 2003
Donated through the Australian Government's Cultural Gifts Program by Leo Christie, 2021 -
Victorian Aboriginal Corporation for Languages
Book, Nola Purdie, Working Together: Aboriginal and Torres Strait Islander Mental Health and Wellbeing Principles and Practice, 2010
Pt 1 History and contexts: 1. Australian Aboriginal and Torres Strait Islander mental health: an overview 2. A history of psychology in Aboriginal and Torres Strait Islander mental health 3. The social, cultural and historical context of Aboriginal and Torres Strait Islander Australians 4. The policy context of Aboriginal and Torres Strait Islander mental health Pt 2 Issues of Aboriginal and Torres Strait Islander mental health and wellbeing: 5. Mental illness in Aboriginal and Torres Strait Islander peoples 6. Social determinants of Aboriginal and Torres Strait Islander social and emotional wellbeing 7. Preventing suicide among Indigenous Australians 8. Anxiety and Aboriginal and Torres Strait Islander young people 9. Substance misuse and mental health among Aboriginal Australians 10. Trauma, transgenerational transfer and effects on community wellbeing 11. Indigenous family violence: pathways forward Pt 3 Mental health practice: 12. Working as a culturally competent mental health practitioner 13. Communication and engagement: urban diversity 14. Issues in mental health assessment with Indigenous Australians 15. Reviewing psychiatric assessment in remote Aboriginal communities 16. Promoting perinatal mental health wellness in Aboriginal and Torres Strait Islander communities Pt 4 Working with specific groups: models, programs and services: 17. Ngarlu: a cultural and spiritual strengthening model 18. Principled engagement: Gelganyem youth and community well being program 19. Dealing with loss, grief and trauma: seven phases to healing 20. The Marumali program: an Aboriginal model of healing 21. Mental health programs and services.colour photographs, tablesmental health -
Victorian Aboriginal Corporation for Languages
Book, Pat Dodson et al, Recognising Aboriginal and Torres Strait Islander Peoples in the Constitution : report of the expert panel, 2012
Current multiparty support has created a historic opportunity to recognise Aboriginal and Torres Strait Islander peoples as the first peoples of Australia, to affirm their full and equal citizenship, and to remove the last vestiges of racial discrimination from the Constitution. The Expert Panel was tasked to report to the Government on possible options for constitutional change to give effect to Indigenous constitutional recognition, including advice as to the level of support from Indigenous people and the broader community for these options. This executive summary sets out the Panel's conclusions and recommendations" [taken from executive summary]. Report contains draft Bill for an Act to alter the Constitution to recognise Aboriginal and Torres Strait Islander peoples and their cultures, languages and heritage, to replace racially discriminatory provisions and to include a prohibition of racial discrimination. Letter to the Prime Minister Foreword from the co-chairs Executive summary Introduction: Expert panel and its methodology 1. Historical background 2. Comparative and international recognition 3. The national conversation: themes from the consultation program 4. Forms of recognition 5. The 'race' provisions 6. Racial non-discrimination 7. Governance and political participation 8. Agreement-making 9. The question of sovereignty 10. Approaches to the referendum 11. Draft bill Appendixes Bibliography.maps, tables, colour photographs, chartsconstitutional history, legislation, australian constitution, constitutional law, closing the gap, 1967 referendum, white australia policy, sovereignty -
Geelong Gallery
Print - Akimbo, BRASSINGTON, Pat, 1996
Inkjet print -
Swan Hill Regional Art Gallery
Mixed media, PICKUP, Pat, Nana McGrath's in her garden, 1983
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Swan Hill Regional Art Gallery
Mixed media, PICKUP, Pat, Czarina Alexandra's favourite dress, 1978
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Swan Hill Regional Art Gallery
Mixed media, PICKUP, Pat, Morning tea club, 1983
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Swan Hill Regional Art Gallery
Mixed media, PICKUP, Pat, Dress with skipping rope, 1977
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Swan Hill Regional Art Gallery
Print, PICKUP, Pat, Circus Sunset, 1974
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Swan Hill Regional Art Gallery
Print, PICKUP, Pat, Turkish Circus, 1975
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Swan Hill Regional Art Gallery
Print, ANDRUCHOW, Pat, For quiet flight, 1999
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National Wool Museum
Textile - Quilt, Judith Oke et al, Isolation Quilt, 2020-2021
In 2020 during the period of lockdown due to COVID the National Wool Museum asked their volunteers to make and donate blocks made from a variety of materials found in their homes, for an ISO quilt. The NWM reached out to the patchwork and quilter community to find a local quilter to sew the donated blocks together. The quilt is sewn together and quilted by Judith Oke, 2020-2021. Judith is a local patchwork and quilter and a member of Geelong Patchwork & Quilters Guild. Through the process she was inspired by the tradition of wagga quilts, where bits and pieces are stitched together, sometimes lined with whatever the sewer found available, such as clothing and sacking, to provide warmth. In construction of the finished quilt the challenge was combining 10 inch blocks made from a variety of materials, with uneven sizing. The aim was to combine these very different blocks into a harmonious whole. To this end a light and dark pattern was planned, with the blocks to be sewn onto a blanket. The choice to layer the blocks over each other, rather than sew an even seam was aimed at emphasizing the make do nature of these ISO blocks. Due to the weight of the blanket a decision was made to sew the blocks onto a base before the whole was stitched onto the blanket. The blanket was sourced from NWM donations. The rich, red of the blanket provides a bright, warm background for the colourful squares. Some of the light weight blocks were backed with iron-on interfacing to strengthen them for sewing. The edges of two of the woven squares were blanket stitched with knitting wool. The 10 inch donated blocks/squares were machine sewn to a cotton sheet base, with liberal use of blanket stitching, as the blanket was too heavy to sew the blocks directly onto the blanket. The base with squares was then machine sewn onto the red blanket backing.Various multi coloured and designed patchwork squares sewn onto a red woollen blanket. isolation, covid, quilt, wool -
Stawell Historical Society Inc
Book, Pat Darling, Portrait of a Nurse - Prisoner of war of the Japanese 1942-1945 Sumatra, 2001
stawell ww2 -
Gippsland Art Gallery
Print, Waters, Pat, Abduction, 1997
Purchased, 1997Monotype on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Waters, Pat, Across the Water, 1997
Purchased, 1997Monotype on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Waters, Pat, Adam and Eve, 1999
Artworks Gallery Collection. Donated by Norman & Petah Creighton, 2018Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Waters, Pat, At Five O'Clock in the Afternoon, 2015
Donated by the artist, 2015Solvent transfer print with collograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Waters, Pat, Birth, 1997
Purchased, 1997Monotype on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Waters, Pat, Crucified Trees, 1992
Purchased, 1993Procion dye print on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Waters, Pat, Homage to Black Madonna I, 2015
Purchased, 2017Monotype on papergippsland, artwork, permanent collection