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Phillip Island and District Historical Society Inc.
Photograph, Cowes main street
Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Post Card of Main Street, Cowes. Ladies & man on buggy in foreground. Wests General Store on right hand side of road.local history, photography, photographs, postcards, cowes, phillip island, black & white photograph, thompson ave cowes, wests general store -
Phillip Island and District Historical Society Inc.
Photograph, Unmade road in Cowes
Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984View of a beach road, Cowes. Unmade, grassy, tree lined street.Along Beach Road, Cowes, Phillip Island, Victoria. Real Photo Series M1256local history, photography, photographs, postcards, cowes, phillip island, black & white postcard copy, phillip island early roads -
Phillip Island and District Historical Society Inc.
Photograph, Phillip island Hotel, Cowes
Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984B & W postcard. View of "Phillip Island Hotel", Walpole Street, Cowes.Phillip Island Hotel, Cowes Victoria. Real Photo Series M.1257local history, photography, photographs, postcards, hotel, cowes, phillip island, black & white postcard copy, phillip island hotel, walpole street -
Phillip Island and District Historical Society Inc.
Photograph, 1978/79
The site on the corner of Thompson Avenue and Church Street, Cowes was reserved on the 12th April 1869 and the church was erected by the end of the year. Financed by the Island Church of England people. Dean McCartney preached the first sermon and performed the dedication service on 30th January 1870. Prior to this time services were held at the McHaffie homestead, Ventnor. Mrs S D (Georgianna) McHaffie, wife of the first European settlers, wrote in her diary "30th January 1870. Drove to Cowes, opened the Church, fine day". the large Bible presented by her is on loan and displayed in the Museum of the Phillip Island & District Historical Society.The timber Anglican Church of St Philips was built by Alex McLardy Sen. in 1869. It is still situated in Thompson Avenue on the corner of Church Street. The Vestry was added by Mr Alex McLardy in 1903 at the cost of 21 pounds. In 1912 a Sanctuary was added to the church and a Memorial Stained Glass Window donated by Miss Rose in memory of her father and two brothers was installed.local history, photographs, buildings, historic, buildings - historical, coloured photograph, john cook, phillip island, anglican church -
Phillip Island and District Historical Society Inc.
Photograph, 1911-12
Part of collection donated to the Museum by Mr. Bernard Grayden. 1975View down Main Street to Bay and newly planted Cypresses within tree guards approx 1911-1912Main Street, Cowes, Phillip Island, Victoria. The Rose Series P 3413local history, documents, postcards, cowes, phillip island, sepia postcard, cypresses -
Mission to Seafarers Victoria
Postcard - Postcard, Black and white, Rose Stereograph, The Chapel, Mission To Seamen, Port Melbourne, Vic, c. 1937
This postcard is part of a series by Rose Stereograph and likely to be sold in the Mission to be used by seafarers.Black and white postcard depicting the inside of the chapel in the 1937 Port Melbourne Mission with pews, reed organ and altar.Written in blue ink by David Conolly: "Faded, which spoils it. Also it's bigger than in this picture."chairs, george v memorial institute, port melbourne, seamen's mission, reed organ, harry norris, st andrews chapel, altar, furnishing, marketing -
Mission to Seafarers Victoria
Postcard, Rose Stereograph, The lounge, Mission To Seamen, Port Melbourne, Vic, c. 1937
chairs, george v memorial institute, port melbourne, seamen's mission, harry norris, lounge, magazines, canteen, caretaker -
Mission to Seafarers Victoria
Postcard, Rose Stereograph, The Billiard room, Mission To Seamen, Port Melbourne, Vic, c. 1937
Postcard of two full size billiard tables george v memorial institute, port melbourne, seamen's mission, harry norris, billiard room -
Greensborough Historical Society
Document collection, Marilyn Smith, Keith Wilkie, 2019_
Keith Wilkie owned Keith Wilkie's Men's and Boy's Wear, 33 Were Street Montmorency (name varies), and Keith and Rose-Marie's place of residence was at 57 Greenhills Road Greensborough 1967-72.1 p. scanned photographs and information collected by Marilyn Smith.keith wilkie's men's and boy's wear, were street montmorency, wilkie family -
Greensborough Historical Society
Postcard, Flinders Street Melbourne, 1930s
... East Rose Series postcard flinders street melbourne melbourne ...Flinders Street Melbourne, facing EastRose Series postcardBlack and white photograph, correspondence and address space on reverseRose Series P.206flinders street melbourne, melbourne -
Greensborough Historical Society
Postcard, Elizabeth Street Melbourne, 1930s
... south towards Flinders Street station, circa 1930s. Rose ...View of Elizabeth Street facing south towards Flinders Street station, circa 1930s.Rose collection postcardsBlack and white postcard, correspondence and address spaces on reverseRose Series P. 3458melbourne, elizabeth street melbourne -
Greensborough Historical Society
Postcard, Flinders Street Melbourne, 1930s
... west, Flinders Street Station to the south. Rose Series ...Flinders Street Melbourne, facing west, Flinders Street Station to the south.Rose Series postcardBlack and white photograph, correspondence and address spaces on reverseRose Series P. 210melbourne, flinders street melbourne, flinders street station -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Lighthouse and harbour Portland Victoria, n.d
Postcard, Lighthouse & Harbour, Portland, Victoria, from the "Rose" series ----colourview No 503, showing adult & three children walking on an unsealed road north of Whaler's Bluff. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Richmond House, n.d
Richmond Hotel showing the filled in glass verandah. Circular path. Trees on right side of photo. Bushes and garden on left.Front: The Rose Series P1114 "Richmond Hotel", Portland Victoria. Back: - Postcard - The "Rose" Series. Deluxe. A. Real Photograph. Product of Australia.portland, richmond hotel -
Glenelg Shire Council Cultural Collection
Print, Portland Its All On Your Plate, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features: a pink plate with a fish, abalone and flower sitting on it; a silver spoon with a rose sitting on it; and a white vessel with a rose painted on it. Background is pink with various patterns and text "it's all on your plate at PORTLAND".Front: (no inscriptions) Back: 29 -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 12, Bob Stone, The boat at times appeared to stand up perpendicular on a wave that rose up like a wall, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Twelth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts Portland lifeboat being rowed through heavey seas.Front: Linocut Bob Stone 2009 The boat at times appeared to stand up perpendicular on a wave that rose up like a wall. 'SA Advertiser 20th August 1859' - Black pen, hand writtenadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Book, Rose Hartwick Thorpe, Curfew Must Not Ring Tonight, 1867
The story involves Bessie, a young woman whose lover, Basil Underwood, has been arrested, thrown in prison by the Puritans and sentenced to die that night when the curfew bell rings. Knowing that Oliver Cromwell will be late in arriving, the young woman begs the old sexton to prevent the ringing of the curfew bell. When he refuses, she climbs to the top of the bell tower and heroically risks her life by manually stopping the bell from ringing. Cromwell hears of her deed and is so moved that he issues a pardon for Underwood.Illustrated book with carboard cover. Front cover has a central colour illustration of a church, a bell and a fir tree bough. 28 pp. Gilt edges to pages.The story involves Bessie, a young woman whose lover, Basil Underwood, has been arrested, thrown in prison by the Puritans and sentenced to die that night when the curfew bell rings. Knowing that Oliver Cromwell will be late in arriving, the young woman begs the old sexton to prevent the ringing of the curfew bell. When he refuses, she climbs to the top of the bell tower and heroically risks her life by manually stopping the bell from ringing. Cromwell hears of her deed and is so moved that he issues a pardon for Underwood.poem, narrative, puritans, civil war -
Glenelg Shire Council Cultural Collection
Artwork, other - Bowl - created as a gift from Ernest York of Mildura to Elsie Rose, Ernest York, 1950s
Small wooden, footed bowl with inlaid 'E'. Made by Ernest York of Mildura from wood from a Portland gun carriage rescued from the edge of Fawthrop Lagoon in the 1950's. The white of the 'E' is bone and the shadow is ebony from Africa. made as a gift for Elsie Rose -
Glenelg Shire Council Cultural Collection
Painting - Hand Painted Poster - The Newest Hospital for the Oldest Town, Elsie Rose, 1945, c. 1945
Hand painted poster by Elsie Rose, 1945, 'The Newest Hospital for the Oldest Town'. Black border, yellow background, red printing, pile of brown bricks left hand side, replica on shilling a brick, be a brick and finish the jobelsie rose -
Glenelg Shire Council Cultural Collection
Painting, High Tide, 2003
Portland Library Exhibition, 2005Abstract painting with predominantly green, rose and yellow colours. Mounted in cream double matt, in dark wood frame with glass glazing.bruce vinall, warrnambool artist, watercolour, abstract -
Glenelg Shire Council Cultural Collection
Domestic object - Bookmark, n.d
Found in pages of text when cataloguing (9 November 2006).Embossed and coloured print of roses in a vase bearing words: "May Christmas be joyful and the New Year increase your happiness".Back: With Tilly's best wishes to Nellie Rimmington (pen, right edge). -
Glenelg Shire Council Cultural Collection
Painting, Elizabeth King, On the Edge, 2004
Exhibited by the artist at the Wood, Wine & Roses Festival, Heywood, 2004.Acrylic paint on canvas depicting birds and fish, water lilies and other vegetation, and stylised designs associated with early settlement of Aboriginal people in the Portland/Glenelg wetland area. Black painted border with white dot pathways, a circle of white dots in each of the four corners. Centre area in blues and greens featuring two birds, painted in black with red and ochre bandings.Front: nil -
Glenelg Shire Council Cultural Collection
Print - Print - Nullarbor 1-1-83, Mary Macqueen, 1983
Print Council of Australia Members' Print Commission, 1983Abstracted views of two houses in the desert. A central road intersects image at a vertical diagonal. Faint outlines of houses and a watertower are scattered throughout the image. A railway crossing sign is positioned lower centre, at beginning of road. Dominant colour is rose, with blue accents and grey shadows. Mounted in grey matt, in wooden frame.Front: Nullarbor (lower left of image) (ink) 35/100 (lower left) Nullarbor 1-1-83 (lower centre) Mary Macqueen 83 (lower right) (pencil) Back: (no inscriptions) -
Greensborough Historical Society
Photograph - Digital image, Mrs Jemma Fielding and daughter Rose, 1910c
Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Mrs Jemma Fielding (seated) and daughter Rose. The Allan Studio operated from 318 Smith Street Collingwood between 1904 and 1920.Digital copy of black and white studio photograph.shirley fraser, jemma fielding, rose fielding -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Botanical Gardens, Portland, n.d
Black and white photograph of Portland Botanical Gardens. Showing an unpaved path edged with rocks in a garden. In the background left in a cottage with two chimneys.Front: THE ROSE SERIES. P. 10757/ COPYRIGHT (typed, lower left) BOTANICAL GARDENS, PORTLAND (typed, lower centre)portland botanic gardens, postcards, travel, tourism -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland Lighthouse, c. 1950
Postcard showing lighthouse & Harbour, Portland, Victoria, from the "Rose" series ----colourview No 503, showing adult & three children walking on an unsealed road north of Whaler's Bluff. Clothing suggests c. 1950's-60'spostcard, view of portland, holiday, whalers bluff, lighthouse -
Glenelg Shire Council Cultural Collection
Headwear - Bonnet, c. 1930
Belonged to Mrs Jane Rose, Portland (Mother of donor) and worn during the 1934 centenary celebrations in PortlandCotton bonnet, white fabric with all over indigo design, bonnet has frill and tucks, worn during the 1934 centenary celebrations.celebrations, 1934, centenary, bonnet, clothing, hat, headwear -
Glenelg Shire Council Cultural Collection
Costume - Costume - Nightdress, c. 1930
Belonged to Mrs June Rose (Mother of donor)White cotton nightdress, with pink hand-done embroidery & cuthole work on the bodice and sleeves, and insert of commercially made lace at waistline. Press stud fastening at waist. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Panorama of Portland Harbour, n.d
Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and circular jetty protruding from it. In the foreground are trees, a dirt road to the foreground right and a railway track visible between the trees.Front: THE ROSE SERIES P. 1113/ COPYRIGHT (typed, lower left) PANORAMA OF THE HARBOUR, PORTLAND (typed, lower centre) Back: (no incriptions) -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - The Harbour, Portland, n.d
Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and circular jetty protruding from it. In the foreground are trees, a dirt road with an RACV sign bridging it to the foreground right and a railway track visible between the trees.Front: THE ROSE SERIES P. 10771/ COPYRIGHT (typed, lower left) THE HARBOUR, PORTLAND (typed, lower centre)