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Halls Gap & Grampians Historical Society
Photograph, C 1910s
This is a picture of Sentinal Peak, showing Delley's Bridge and Delley's house. This is the second bridge built over Fyans Creek in 1911. The house is Delley's Inn, which became a regular stop-off for thirsty travellers.The photo shows a rocky peak. In the middle distance, in front of the peak, is a house on the left and on the right a wooden bridge can be seen crossing a creek. In the foreground is the creek with a fenced paddock in front of it.access routes, roads, scenery, peaks -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1900s
The photo shows wattle-bark stripping, taking place at Roses Gap (western end). The identity of the men is unknown.The photo shows three men in a cleared area of bush, one is standing holding a bundle of wattle bark, another is behind and to the left of him also holding bark and a third is standing to the right and is scrapping bark from a tree above his head with a long stick . There is a hut in the background, the right side of which is just a frame. timber industries, wattlebark stripping, scenery, roses gap -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1900s
Wattle-bark stripping (bundling) at Roses Gap. The identity of the men is unknown.The photo shows two men kneeling in a clearing. They are both working on pieces of wattle bark and have piles of bark around them. There is thick bush behind the clearing.timber industries, wattlebark stripping, scenery, roses gap -
Halls Gap & Grampians Historical Society
Photograph, C 1900s
The photo shows Mr Russell at a bee site in the Cherrypool area.The photo shows a man standing among a large group of bee-hives. The hives are in six long rows in a fairly open area with eucalyptus trees scattered around it.misc industries, bee-keeping, scenery, cherrypool -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1900s
Bee-hives in front of a shed in the Cherrypool area. The second (transparency) copy is No. 242 in the slide box.The photo shows bee-hives in front of a shed in a cleared area surrounded by eucalyptus trees. The faint outline of high mountains can bee seen in the background.misc industries, bee-keeping, scenery, cherrypool -
Halls Gap & Grampians Historical Society
Photograph - B/W
The photos show the Russell bee-hives at Roses Gap. The tree near the hut is the present site of Chinaman Lodge home. One of the copies is a transparency located at No 243 in the slide box.The photos show a group of bee-hives lined up in front of a timber shed. The hives and shed are in a clearing. There is a large tree near the shed and the clearing is edged with thick bush in the background. The two copies are of two photos taken at slightly different angles and distances from the shed.misc industries, bee-keeping, scenery, cherrypool -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1940s
This is a photo of the Zumsteins camping area, which was popular with families.The photo shows a group of six people, two standing near, and four seated at, a picnic table. There is a large canvas tent/structure with boxes and tins at the entrance to the left and behind it there is a corrugated iron building. The area is surrounded by bush.recreation, camping, scenery, zumsteins -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1920s
The man in the white hat is Freddy Paasch and the other man is Charles D'Alton. Note that names have been inscribed on the rock on the lower right side of the photo (visible only on Copy 1). The second copy is available under Additional Images.The photo shows two men (Freddy Paasch and Charles D'Alton), accompanied by a dog, standing at the base of, and looking up at, a large waterfall (MacKenzie Falls).scenery, mackenzie falls, people, d'alton -
Halls Gap & Grampians Historical Society
Photograph - B/W
This is a photo of a camps site at the base of Mackeys Peak. The Willoughby's are camped on the left, The Barnes in the centre and the Hines on the right (presumably the people in the photo are from these family groups).The photo shows tents in a clearing in bush.There is a large tent to the right with a man and a young child in front of it, another tent or structure can be seen on the left with a group of four adults and two children lined up in front of it. A buggy can be seen in the bush in the centre.Camp at base of Mackey's peak, Willoughby's camp, Barnes Camp Hines Camp, written in pen on back of mount.recreation, camping, scenery, grampians ranges -
Halls Gap & Grampians Historical Society
Photograph, C 1930s/40s
C 1930's/40's. This is a photo of a group of tourists on Lawson's Lookout, taken by Gilbert Rogers, a well known Hall's Gap photographer.The photo shows a group of twenty-one men and women posed on a rocky outlook. A bushy valley can be seen below with a road winding into the distance."Lawson's Lookout Rogers 1012" inscribed into lower part of photo.scenery, lookouts, people, tourists -
Halls Gap & Grampians Historical Society
Photograph - Sepia, C 1890
Photo shows two men standing beside a fast flowing creek, another man is standing behind a bush to their left. The area in the background appears very open."Creek at the Grampians" hand written on bottom of mount board. "Schroder" inscribed in purple on upper, left of mount board. "Photo, Murtoa"(?) inscribed in purple on lower left of mount board.scenery, grampians ranges, recreation, hunting -
Halls Gap & Grampians Historical Society
Photograph - Sepia, C 1920s (?)
The photo shows two men, a boy and a dog on top of a rocky area. One man is seated and is holding a gun."Scene in the Grampians" hand written on top of mount board. "Schroder" inscribed in purple on upper, left of mount board. "Photo, Murtoa"(?) inscribed in purple on lower left of mount board.scenery, grampians ranges, recreation, hunting -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s
Location unknown.The photo shows a sandy track through bushland.'Forests Commission, Victoria' inscribed on bottom, right of border. 'Publicity & Public relations Branch, When reproducing please Acknowledge Forests Commission, Victoria, Negative No. 322-14' stamped on back.access routes, roads, scenery, grampians ranges -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s (?)
A photo of the gate barring vehicle access to the top portion of the Mt William Road. The photo is part of a Ministry of Tourism campaign.The photo shows an iron gate across a road (Mt William Road). There is a man standing on the edge of the road in the background. A sign on the gate reads 'No vehicles beyond this point'.'Ministry of Tourism of Victoria, 276 Collins St., Melbourne, Nag. No.... , Date ..., Locality Grampians, Subject Gate-Mount William Road.' stamped on back.access routes, roads, scenery, mount william -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s (?)
The location in the photo is unknown.The photo shows a road, seen on a slope, in the distance, crossing through bushland'Forests Commission, Victoria' inscribed on bottom, right of border. 'Publicity & Public relations Branch, When reproducing please Acknowledge Forests Commission, Victoria, Negative No. 322-1' stamped on back.access routes, roads, scenery, grampians ranges -
Halls Gap & Grampians Historical Society
Photograph - Coloured
This is the main street of Halls Gap, with the general Store and petrol station in view. The photo was taken at the time of the flower show; year unknown. A number of the cars are "F series" Holdens.The photo shows a shopping strip with numerous people in front of it, a road with a green car travelling along it (towards camera) and numerous cars and a bus parked on the other side (closest to camera).events, wildflower show, scenery, halls gap -
Halls Gap & Grampians Historical Society
Postcard - B/W, C 1930s
Man in photo was well known photographer and bushwalking guide Gilbert Rogers. He was also a Forest Officer so knew the Grampians well.Postcard shows a man standing beside a waterfall holding up a cup. the waterfall is flowing rapidly over rocks. The man has on a backpack and long hiking boots.'Good luck and good health from your old friend'( written on front) Rogers - (bottom Right) no,264people, gilbert rogers, scenery, waterfalls -
Bendigo Historical Society Inc.
Photograph - GRANT DAVIS COLLECTION: BLACK AND WHITE GROUP PHOTO INCLUDING FRANKLYN DAVIS
Grant Davis Collection black and white group photo with brown border including Franklyn Joseph Davis (centre middle ) .The photo appears to be of members of a play Three men and six women wearing Victorian era costumes on a stage with background scenery .There is a paper? Parasol with the words -The Geisha Tea house and function rooms next age officephotograph, portrait, 'the geisha tea house and function rooms next age office -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, The Geisha, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members in Sidney Jones' The Geisha by the "Q" Theatre Guild in 1957. The performance in the Kew Recreation Hall was produced by Beatrice Oakley with musical direction by John Trotter. The Kew Philharmonic provided the music during this series of performances. The scenery was constructed by the Company, while the costumes were sourced from the Princess Theatre.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Scene from the Black Spur, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.27 / ‘Scene from the Black Spur’ / Albumen silver photograph mounted on boardOn Reverse: ‘The scene which this illustration represents is taken from one of the slopes of the Black Spur Hill, on the Great Dividing Range of Mountains, and is characteristic of the scenery to be found in most parts of the beautiful and romantic districts of Fernshawe and Healesville.’nicholas caire (1837-1918), australia - landscape photography -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s
A track to the top of Mt William existed many years before, an all weather road was constructed in the early 1960s Not only did engineers and construction workers enjoy some spectacular scenery during "smokos" but so have thousands of tourists Some even experiencing the freezing gale force winds which greeting Major Thomas Mitchell and his party in July 1836sPhoto shows 3 men looking over to Wonderland Range from Mt William. Two men are wearing hard hats The third man a felt hat - he is pointing to a point in the distanceWMT (Wimmera Mail Times}access routes, walking track, roads, mount william -
Warrnambool and District Historical Society Inc.
Souvenir - Post Card 12 views of Warrnambool, Nucolorvue Productions, 1950's
This type of folded postcards was popular with tourists in the 1940s, 50s, and 60s and often kept by them for many years afterwards. The views of Warrnambool here, taken about the 1950s, were typical of the Warrnambool postcards available at the time and were mass-produced as many examples survive today. They include photographs of Hopkins Falls, the beach and harbour, Liebig Street, Hopkins River, coastal scenery and the Botanical Gardens. These postcards are of some historical interest, though the photographs appear frequently in many publications. They also have a social significance showing what tourists bought 60 or more years ago.This is a packet in envelope form containing 12 coloured postcards of views of Warrnambool about the 1950s. The photographs are printed on buff-coloured paper and fold up to envelope size so that they can be sent by post. The front cover includes three dotted lines for the address and the back cover has a space to include the name of the sender. One page gives some general information on Warrnambool. Front cover: ‘A Souvenir of Beautiful Warrnambool’, ’12 Specially Selected Views in Full Color’ Back cover: ‘From…’ , ‘Published by Nucolorvue Productions, Elwood, Victoria’ tourism, warrnambool -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Gay Rosalinda, 1960
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Stanley Wilson or Howard Bell, who performed on different nights as Frank, the governor of the gaol in the "Q" Theatre Guild's performances of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.) -
Parks Victoria - Mount Buffalo Chalet
Map, "Railway Map of Victoria"
Large framed map of Victoria, showing Victorias extensive rail network. Printed by Victorian Railways and is one of a number of 'framed pictures, particularly photographs of scenery, which have always been a feature of the Chalet.' (Pg 83. Historica, 2011) This map has been a permanent fixture situated in the hallway alongside the ballroom leading to the ski hire area since the 1950's and most likely earlier. Listed in Draft Inventory of Significant Collection ItemsLarge railway map of Victoria, Melbourne & Ballarat framed in white painted wood. Scale eight miles to one inch. Areas of the map have been whited out.Yes -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, The Bohemian Girl, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of members of the cast of the "Q" Theatre Guild in their 1959 production of Michael Balfe's The Bohemian Girl. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Fred C., Esme M., Val Breen, Jeanette R., Alan Wilson, B. Meagher, Irene T., Gwen Bolden".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Lara RSL Sub Branch
Book, Australian War Photographs, 1919
The graphic pen-pictures of the war correspondents we have learned much of the conditions under which our soldiers lived and fought, but no matter how vivid the presentation, words alone cannot fully convey to the civilian an accurate impression of the battle area. Many of these photographs were taken under heavy fire showing the actual scenery amid which some of the most thrilling acts in the great drama of WWI were displayed. A pictorial record of places and events of our heroic soldiers who served in WWI. Each photograph of the sectors on which they fought will stimulate old memories - some sad, some pleasant, but all unspeakably dear. Australian War Photographs - Printed 1919. A pictorial record from November, 1917 to the end of WWI. Soft cardboard cover front back and spine. The back cover has the badge of the Australian Commonwealth Military Forces badge. The front cover has the title and silhouette illustration of WWI soldiers in the trenches and/or 'no man's land'.wwi, war correspondents, pen pictures, condition under which our soldiers served., official photographers -
Lara RSL Sub Branch
Book, Australian War Photographs, 1919
The graphic pen-pictures of the war correspondents we have learned much of the conditions under which our soldiers lived and fought, but no matter how vivid the presentation, words alone cannot fully convey to the civilian an accurate impression of the battle area. Many of these photographs were taken under heavy fire showing the actual scenery amid which some of the most thrilling acts in the great drama of WWI were displayed. A pictorial record of places and events of our heroic soldiers who served in WWI. Each photograph of the sectors on which they fought will stimulate old memories - some sad, some pleasant, but all unspeakably dear. Australian War Photographs - Printed 1919. A pictorial record from November, 1917 to the end of WWI. Soft cardboard cover front back and spine. The back cover has the badge of the Australian Commonwealth Military Forces badge. The front cover has the title and silhouette illustration of WWI soldiers in the trenches and/or 'no man's land'.wwi, war correspondents, pen pictures, condition under which our soldiers served., official photographers -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Glover Walk Marysville, Unknown
An early black and white photograph of Glover Walk which was off Lady Talbot Drive in Marysville, Victoria.An early black and white photograph of Glover Walk which was off Lady Talbot Drive in Marysville, Victoria. Glover Walk was named after Hannah Elizabeth Glover, a nurse who in 1908 established the Kerami guest house in Marysville. She became an active member of the local tourist association and was acclaimed for her 'energy and enterprise' (Riverine Herald, 31 December 1915). In this capacity she successfully lobbied government to fund walking tracks in the district, one of which was given her name.POST CARD PLACE/ POSTAGE/ STAMP/ HERE Marysville/ Jan 29th/18 Dear Lillie/ We arrived here safely on Sat after a very hot/ drive, we rested at several places on the way. The/ road is very heavy, the scenery is extremely/ beautiful, it repay one to see the beauty./ I have never seen such scenery. Weather/ today is very oppressive, it has rained all/ this morning. We leave for home tomorrow Wed./ I hope you are having a very enjoyable time/ Love from ??? Jerome ???? Sonya + Mothermarysville, victoria, glover walk, hannah elizabeth glover, lady talbot drive, talbot drive, souvenir, marysville tourist association, kerami guest house, postcard -
Warrnambool and District Historical Society Inc.
Pamphlet - Warrnambool Directories, Warrnambool City Council (Warrnambool Tourist Information Centre), Warrnambool Directory. Welcome to Warrnambool, Warrnambool and District Directory, 1970s and 80s
Warrnambool Directories.1 and .2 One sheet of paper folded twice to provide six pages. The pages contain a map and printed material. .3 One sheet pf paper folded to provide sixteen pages. The pages contain two maps and printed material. The front page has a stamp indicating the original owner. non-fictionWarrnambool Directorieswarrnambool tourism, shipwreck coast tourism -
Warrnambool and District Historical Society Inc.
Folding Postcard, Murray Studios, Warrnambool, c.1960
This is a Warrnambool folding post card sold to tourists and locals in the mid 20th century. The card contains photographs of Warrnambool scenes – the Hopkins River mouth, the Botanic Gardens, Liebig Street, Fletcher Jones gardens etc. Warrnambool has been promoted as a tourist town since the late 1800s and attracts visitors in both the summer months (beaches, coastal scenery etc) and the winter months (visit of Southern Right whales and major sporting events). This card is an example of a local tourist souvenir sold in places such as Warrnambool in the mid 20th century and ensuing decades.This is a postcard with a cover photograph in colour and twelve other colour photographs folding up in concertina fashion. One page has space for a stamp and an address.Warrnambooltourism in warrnambool, history of warrnambool