Unfinished, crocheted corner for lace tablecloth, original owner Betty McPheeFilet lace, corner piece for tablecloth, unfinished. Colour ecru. Inside edge finished straight; outside edge alternating large and small scallops. Pattern, grapevine with hanging flowershandcrafts, crocheting or crochet work

Found in a cupboard in the Port Fairy Police station. Presumably used by the Local police for restraining difficult prisoners.An item of significance to the precinct that the museum and archives occupies. A glimpse into the not so pleasant part of being a policeman or prisoner in the late 1800's to early 1900's.Canvas straight jacket with eyelet holes in back for lacing jacket closed appears to have been made by a sailmaker - has patch on left front breast - various brown stainslocal history, essential services, police, restraint, jail, prison

Professional Straight Razor Sharpening Strop All Leather Construction, Suede Side And Smooth Side Hanging Eyelet Attached at Top popular 1920's. Circa 1920's used professionally in Barber Shops. Leather razor strop (strap) leather finish on ends with inscription "soft finish" on the leather end of the strop. A chrome loop is attached to the end for hanging or attaching. "Soft Finish" annotated on the end of the leather finish of the strop. leather razor strop

This bit was part of a bridle worn by a horse in a Light Horse Regiment during the Second World War. The style of this bit is similar to the British Universal Pattern (UP) 1902 bridle, as worn by horses in the Australian light horse, artillery, and horse drawn transport between circa 1902 and 1942.Dark metal horse bit constructed of four sections: two side sections, one middle section which sits between two sides and a chain which attaches to a loop on each side. Side sections have two large loops and a straight section with two rectangular cut outs. Middle section is straight with dip in centre, possibly for the horse's tongue. Chain is attached on the left side and hooks onto a hook on right side. Left side has "L" stamped into metal. Stamped on right side is "DEST S."horse, equine, second world war, world war ii, world war 2, 1940s, equipment

This handmade glass bottle was recovered from the wreck of the 1895-1902 ship Inverlochy and is part of the John Chance Collection. The bottle has side seams that extend from base to mouth, indicating that it would have been made in a mould. The parallel, diagonal lines are likely to have been made by the molten glass being mouth-blown into the mould. The mould would have also had the pattern for the embossed numbers in the base. The seamless applied mouth would have been added after the bottle was removed from the two-piece mould. The even neck of the bottle would have probably been sealed with a cork or glass stopper. Bottles similar to this one were used for medical (apothecary) and cosmetic purposes. Bottles with these features date from around the late 19th to early 20th century. Bottles began to have embossed numbers on the bases from the late 19th century and the practice continues into modern times. The numbers may represent the date of manufacture i.e. “463” may be April 1863. It may instead be the date of the patent or design pattern number. This bottle may have been made around 1863 and the latest it could have been made was 1902, the year of the wreck of the Inverlochy. THE INVERLOCHY (1895-1902) - The Inverlochy was a steel sailing barque built in Scotland in 1895 for international trade. In 1902 the Inverlochy left Liverpool under the command of Captain E.R. Kendrick. There were 21 officers and crew and the captain’s wife Mrs Kendrick, on board, bound for Australia with cargo that included tools, chemicals, liquor (beer, whisky, stout, rum, and brandy), steel, iron, wire netting, hoop iron, tinplate and pig iron), and steel wire for the Melbourne Tramway Company, tiles, soap, soft goods and earthenware. On December 18 almost at their destination, the Inverlochy ran aground on Ingoldsby Reef at Point Addis, near Anglesea. The crew and passengers left the ship via lifeboat and landed at Thompson’s Creek, then walked about 20 kilometres to Barwon Heads. Salvagers were interested in the 10 miles of cable in the hold. Mrs Kendrick’s ‘high grade’ bicycle was amongst the items salvaged but she lost her jewellery and two pianos. By February 1903 the ship had broken up and objects such as bottles and casks of liquor were washed ashore. Bad weather shook the wreck in June 1903, causing the ship’s spars and figurehead to be washed ashore. This glass bottle is historically significant as it represents methods of storage and manufacture that were used from the 19th century and into the early-20th century, before machine made bottles were becoming common. The shape and size of the bottle are similar to bottles used for medical and cosmetic purposes in that period. The glass bottle also has significant as it was recovered by John Chance, a diver from the wreck of the Inverlochy in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. This glass bottle is significant because of its historical connection to the barque Inverlochy, which is an example of a commercial international steel sailing barque and is listed on the Victorian Heritage Database VHR S338. The Inverlochy is significant for its cargo, which is a snapshot of the kind of goods imported into Australia at the turn of the 19th century, including cable for the Melbourne Tramway Company. The wreck of the Inverlochy is important as an accessible dive site that shows the remains of a large international trading vessel and its contents. It is valuable for an insight into Victorian era of shipping and maritime history. Bottle; clear glass with opalescent shine in places, round, handmade. Narrow lip is flat across top and on side edge, neck is straight, about a third of the bottle’s height. The shoulder is rounded, and the body has straight sides with two pronounced side seams from below the lip to the base, which is shallow. Outer glass surface is smooth, inner surface has areas of dried, light coloured substance. Base has embossed inscription. Embossed "463" and logo symbol [trident]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, inverlochy, scotland, captain e.r. kendrick, melbourne tramway company, ingoldsby reef, handmade, glass bottle, apothecary, cosmetic, mould blown, vintage, two-piece bould, point addis, medicine

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

Augers are used to drill holes. Sizes vary as does the surface that they can drill into. Electric and cordless (battery operated) drills are more commonly used now.Small wood auger used to drill small holes in timber. It has a wooden cylindrical handle attached at right angles to a steel auger half of which is straight before twisting to a point.auger. woodwork. drill.

Sauce came in bottles bought at the local grocery store or at a large city store on a shopping expedition. The shape and size of the bottles changed as did the stopper used to seal it.Historical: Change of bottles - shape, size, stopper, embossing Aesthetic: Display showing shape and embossing.Medium sized clear glass sauce bottle with straight sides two thirds of the way up then tapering to the neck and opening. Sealed by cork which is loose inside the bottle. Embossed at the base. Base: Common Seal 'A' with 'G' at top and 'M' below inside the A. Underneath and across the middle 'M559' and beneath 'M' '211' on edgeglass bottle, sauce, household

Clothing. White nylon woman's panties with gusset and straight legs, trimmed with 3.5 cm pleated nylon frill below 2.5 cm. Scalloped lace across the front. Elasticized waistband.Tag on inside seam ''VICLING LINGERIE'' ''ALL NYLON'' ''SW''.costume, female underwear, white nylon woman's panties

"D" handle, used to close a kit bag. The eyelets on the bag are threaded along the straight edge. It was then able to be locked using a padlock through the small ring area.Brass - "D" handle for kit bag.passchendaele barracks trust, brass handle

TULLAROOP CREEK FROM "ROCKS" NEAR SITE OF PORT PHILLIP MINE. ABOUT 1890 - NOTE GOVERNMENT BRIDGE IN DISTANCE. THIS WAS REBUILT IN STRAIGHT STEEL GIRDERS IN 1896.ORIGINAL SEPIA PHOTOGRAPH OF TULLAROOP CREEK, IN FOREGROUND VIEWS OF CLUNES TOWNSHIP. TWO MILE HILL IN LEFT FAR DISTANCE. (SUSPENSION BRIDGE IN FOREGROUND)local history, photography, bridges - buildings and landscape of clunes

Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles were recycled remaining the property of the manufacturer who paid for their return. History of Manufacturers Bottle Co. of VictoriaHistorical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing & shape especially if in good condition.Clear brown glass beer bottle. Straight sides 190 mm from base. Sharp taper to neck which tapers for 90 mm to opening. At top of straight side is a heavily embossed spade (as in cards) shape with M.B. at top and C.V. beneath - both inside spade shape. Bottle made with 2 longitudinal halves. At the bottom near the base is heavily embossed print (in capital letters) around the circumference. At the base is embossed a horseshoe shape.Inside spade shape: M. B. above C. V.. Along the circumference at the bottom "The Property of Manufacturers Bottle Co. of Victoria Pty. Ltd.'. At the base; A horse shoe shape with a pointed curve.bottle, beer, munufacturers bottle co. of victoria, horse shoe shape on bottle, spade shape on bottle

Used on a straight sewing machine, treadle type, years 1720 - 1050. Used by Mrs. Kate Warren who lived in Mitcham Road Vermont between 1936 - 1965.A tin holding an assortment of attachments used with a Singer Treadle Sewing Machine. 26 pieces.Attachments (on lid of Box)handcrafts, equipment

Spirits came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles varied and were re cycled remaining the property of the manufacturer who paid for their return.Historical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing and the shape especially when in good condition.Clear glass bottle used for whisky. Straight sides 190 mm high then a sharp taper to the neck which bulges a little and is 100 mm high. It had a cork stopper. It is embossed on the base.Base: A.G.M. A 6bottle, spirits, whisky

Cordial was bought at the local general store or at a grocery shop in a near-by city. Bottles belonged to the manufacturer and came in many shapes and sizes with a variety of lids.Historic: Size and shape of bottle The Kia-ora CompanySmall clear glass bottle with white screw-top tin lid. The bottle has straight sides half way up then tapers gradually to the opening. The lid has red writing on the top.On lid: Kia-ora Embossed around bottom of bottle: Kia-ora Not to be Refilled. On base:1/07 in centre. m on one side and 4 on the other, Under the centre: '1080'cordial bottle; kia-ora company

Item was used in conjunction with Cat No 501.Detatchable handle used to convert kit bag from being shoulder carried to hand carried. Made of brass, one curved section and a straight section which threaded through the fabric of the bag.military-equipment, brass handles, kit bags

Maritime trades included making and mending nets. Netcraft skills have been taught and applied for centuries and are ongoing. Shuttles, or net needles, are used in the netting process, along with twine or cord, and a sharp knife or scissors. The twine is wound onto the shuttle and dispensed as the shuttle knots and weaves the cord to make the net. These shuttles are lightweight, compact and portable too. Nets were used on sailing ships for the crew's safety, often saving the sailor's lives in stormy seas Examples are the ship mast nets or shrouds that are wide at the base on the deck and taper to a point at the top of the mast, and railing nets that encircle the rails around the deck and prevent people and objects from rolling or falling into the sea. The shuttles were donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, until 1969. Nets were an essential part of the life-saving safety equipment on sailing vessels. The set of netting shuttles is an example of net-making tools used in the 18th to 20th centuries and continues into modern times to create and repair safety equipment. The shuttles are part of the W.R. Angus Collection, which is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. Shuttles, set of three; wooden slats, one end pointed, the other a concave shape. The centre is cut-out, leaving a straight tab in the centre lengthwise. The set is part of the W.R. Angus Collection. warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, net making, net mending, net shuttle, net making tool, maritime trade, darning, shuttle, tool, 20th century, w.r. angus, weaving, netting shuttle, net craft, net needles, safety nets, safety equipment

Wine was stored in bottles and bought at licensed premises either locally or in larger cities visited during shopping expeditions. The shape and colour of bottles varied. History of making glass and hand finishing.Historical: Change of bottles - shape, manufacture, glass Aesthetic: Display showing colour & shape.Dark green glass wine bottle with straight sides about half way up before tapering gradually to the neck and then the top. The base is indented. In the middle of the base there is a 'knob'. The bottle is hand finished. Marked with bubbles in the glass and random ridges.bottle, wine, hand finished bottle, dark green glass

Stout, a strong dark beer, came in bottles and was bought at licensed premises either locally or in larger cities visited during shopping expeditions. This bottle may have been brought as a gift from a friend / relative from overseas. This bottle differed in that it is made from porcelain and contains, stout, not the common beer.Historical: Types of bottles change with the material they were made from, shape, size, inscriptions and weight. Aesthetic: Display showing inscription, material and shape.Beige porcelain heavy bottle used for stout 'a strong dark beer'. It has straight sides two thirds of the way up tapering to the lip and opening. On the bottom of the side is an oval stamp with inscription.Oval stamp: Circumference - Along the top - 'Port Dundas' along the top. Across the middle - 'Glasgow' Along the bottom ie. Underneath - 'Pottery Co.bottle, porcelain bottle, stout, beer, port dundas glasgow

Textiles, cream coloured crocheted lace doyley. Words formed in lace "ANZAC FOR VALOR'' ''BRAVO AUSTRALIA''. Also pictures of a kangaroo and two service medals. Straight edges. Old box 75.textiles, domestic, square doyley

Clothing. Light blue nylon woman's panties with gusset and straight legs with 3 cm hem. Printed on lower leg on LHS, ''Sunday'' with heart shape and figure of Cupid. Ribbed elastic waistband.Tag on inside seam. ''Patolaine Lingerie Guanteed Quality Pbl'', ''Made from Ceylanese Yarn '' ''Trade Mark'' '' SW''.costume, female underwear, cream coloured nylon panties

Joseph William Cairnduff (1876-1929) was born in Hobart, Tasmania. He married Ann Walker in 1900. When he enlisted on 19 August 1914 he was given SERN 4. At the time he was living at 'Tyne', 96 Guildford Road, Surrey Hills. He was 5'5", 38 years old and employed as a civil servant. He had served for 5 years in the Senior Cadets and 3 years in the Australian Signallers. He was given the rank of sergeant in the Divisional Signal Company 1 and embarked for Egypt from Melbourne on board HMAT A10 Karroo on 20 October 1914. Surviving service on Gallipoli and the Western Front, he returned to Melbourne leaving on board HT 'Wiltshire', 12 November 1916. He was discharged medically unfit. Joseph and Ann had a large family before he left for WW1: Ann Mary b.1901; James William Cotter b. 1903; Mathew Norman Banks b. 1904; Doris Jean b.1906; Claude James b, 1908; Elsie Edna b. 1910; Clive Bruce b. 1912 and Gladys Janet b. 1914. After his return he and Ann had more 2 daughters - Sylvia McLaren b. 1917 and Mavis Morley b. 1918, who commenced at Chatham Primary School in 1927 and 1928 respectively. Joseph and Ann are buried in Box Hill Cemetery (M-NS-0492). Joseph's twin brother, James Banks Cairnduff (SERN 571) also served in the AIF and is also buried in Box Hill Cemetery (M-NS-0003). A studio portrait of a soldier in AIF uniform and a peaked cap. He is short and is standing with one arm straight and the other bend. He is holding what looks like a whip in the hand of the bent arm.In the hand of the donor: "1914" in ink in top RH corner. The centre: "Joseph W. Cairnduff / Before leaving for overseas / in 1914, firstly to Egypt / then Gallipoli, then Western / Front."joseph william cairnduff, first world war, signals company, guildford road, 'tyne', (miss) ann walker, (mrs) ann cairnduff, (mrs) mavis good

Embroidered inen table mat with blue straight edging along the top and blue scalloped edging along the bottom edge. There is a brown embriodered bowl with blue and pink flowers and green leaves at the bottom.household textiles, hand towels

This handmade glass bottle was recovered from the wreck of the 1895-1902 ship Inverlochy and is part of the John Chance Collection. The bottle has side seams that extend from base to mouth, indicating that it would have been made in a mould. The parallel, diagonal lines are likely to have been made by the molten glass being mouth-blown into the mould. The mould would have also had the pattern for the embossed numbers in the base. The seamless applied mouth would have been added after the bottle was removed from the two-piece mould. The even neck of the bottle would have probably been sealed with a cork or glass stopper. Bottles similar to this one were used for medical (apothecary) and cosmetic purposes. Bottles with these features date from around the late 19th to early 20th century. Bottles began to have embossed numbers on the bases from the late 19th century and the practice continues into modern times. The numbers may represent the date of manufacture i.e. “4188” may be 4th January 1888. It may instead be the date of the patent or design pattern number. This bottle may have been made around 1888 and the latest it could have been made was 1902, the year of the wreck of the Inverlochy. THE INVERLOCHY (1895-1902) - The Inverlochy was a steel sailing barque built in Scotland in 1895 for international trade. In 1902 the Inverlochy left Liverpool under the command of Captain E.R. Kendrick. There were 21 officers and crew and the captain’s wife Mrs Kendrick, on board, bound for Australia with cargo that included tools, chemicals, liquor (beer, whisky, stout, rum, and brandy), steel, iron, wire netting, hoop iron, tinplate and pig iron), and steel wire for the Melbourne Tramway Company, tiles, soap, soft goods and earthenware. On December 18 almost at their destination, the Inverlochy ran aground on Ingoldsby Reef at Point Addis, near Anglesea. The crew and passengers left the ship via lifeboat and landed at Thompson’s Creek, then walked about 20 kilometres to Barwon Heads. Salvagers were interested in the 10 miles of cable in the hold. Mrs Kendrick’s ‘high grade’ bicycle was amongst the items salvaged but she lost her jewellery and two pianos. By February 1903 the ship had broken up and objects such as bottles and casks of liquor were washed ashore. Bad weather shook the wreck in June 1903, causing the ship’s spars and figurehead to be washed ashore. This glass bottle is historically significant as it represents methods of storage and manufacture that were used from the 19th century and into the early-20th century, before machine made bottles were becoming common. The shape and size of the bottle are similar to bottles used for medical and cosmetic purposes in that period. The glass bottle also has significant as it was recovered by John Chance, a diver from the wreck of the Inverlochy in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. This glass bottle is significant because of its historical connection to the barque Inverlochy, which is an example of a commercial international steel sailing barque and is listed on the Victorian Heritage Database VHR S338. The Inverlochy is significant for its cargo, which is a snapshot of the kind of goods imported into Australia at the turn of the 19th century, including cable for the Melbourne Tramway Company. The wreck of the Inverlochy is important as an accessible dive site that shows the remains of a large international trading vessel and its contents. It is valuable for an insight into Victorian era of shipping and maritime history. Bottle; clear glass, round, handmade. Narrow lip is flat across top and on side edge, neck is straight, about a third of the bottle’s height. The shoulder is rounded, and the body has straight sides with two side seams from below the lip to the base, which is shallow. Outer glass surface is rough, inner surface has areas of dried, light coloured substance. The body has several diagonal parallel lines and areas with opalescent shine. Base has embossed inscription. Embossed inscription on base "4188".flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, inverlochy, scotland, captain e.r. kendrick, melbourne tramway company, ingoldsby reef, handmade, glass bottle, apothecary, cosmetic, mould blown, vintage, two-piece bould, point addis, medicine

Part of the Reverend Chaplain major Thomas Bruce Williams, No 556101, Collection.Six gold coloured metal shoulder insignia with the letters 'RAAChD' joined by a straight bar top and bottom. each has two pins on the back with brass press clips attached for fastening to a shoulder board.army chaplain, insignia, major thomas b. williams

Cream came in bottles bought at the local store or at a large city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. The amount of liquid was measured in ounces and pints pre 1966. History of J. Kikpatrick, Waverley, East malvern.Historical: Change of bottles - shape, size, stopper, embossing and use. Aesthetic; Display showing embossing and shapeClear small glass cream bottle with heavy embossing on both sides. Inside the opening is a rim to hold a cardboard disc used to seal the bottle. The sides are straight half way up then taper to the opening. One side: The Property of / J. Kilpatrick (half moon on top) / Waverly Road (across middle) / East Malvern (half moon on bottom) Other side: Please / wash / & / Return (also curved with & in the middle) Along side at base: "Contents not less than 8 ozs." Base: Across middle M93 above M, and AGM below. cream, dairy, milkbar, bottle, household

Drink came in bottles sold locally or in larger cities visited during shopping expeditions. The shape of bottles varied. History of bottles made in Scotland and sold in Australia c1920's. Possibly brought to Australia as a gift. Contents not known.Historical: Change of bottles - shape, glass, embossing, use Aesthetic; Display showing embossing and shape.Clear green glass medium sized bottle joined on each side longitudinally. Heavy embossing on the base. Straight sides half way up from the base gradual tapering to a lip near the opening.Around the circumference of the base: 'Bottle Made In Scotland' In the centre of the base: 'P' followed by '25'drink, bottle, green glass, scotland bottle

1916 William Henry Thomas of Keys Road , South Brighton (now Moorabbin ) in WW 1 1914 -1918 1st AIF uniform. William was born in 1894 , Christened at the Wesleyan Church. (Methodist), Wickham Road, South Brighton and attended Moorabbin State School. . Private Thomas was a market gardener in Moorabbin prior to his enlistment in the Australian Imperial Force on 19 July 1915. Both his parents wrote separate letters giving their consent for their son to serve overseas due to " the pressing request of my son William Henry, also the urgent need of recruits do give my consent that he shall go to the front." September 29th 1915 he left Australia with the 5th Reinforcements of the 24th Battalion for Egypt. March 1916 he was hospitalised with Mumps and shortly after left Alexandria to join the British Expeditionary Force for France where he transferred to the 6th Australian Machine Gun Company.. Whilst on leave in England he received medical attention before returning to France and 13 November 1918 he spent a week in the care of the 7rh Field Ambulance suffering with influenza . Private Thomas returned to Australia on the hospital transport Castalia 13 April 1919 and his enlistment was terminated 26 September 1919Private William Henry Thomas and his family are examples of the patriotism exhibited by the market gardeners, and indeed throughout Australia, during the World War 1 1914-1918. Photograph is black and white. William Henry Thomas is standing straight and tall in the centre of the photograph, looking directly at the photographer while holding a weapon in his right hand. He is in his military uniform (WW1) .Front of Mount : Ainor Studio Auburn Back of Mount : William Henry Thomas / 1st World War 1916 / Keys Rd., Moorabbin / Born 1894 / Christened at Wesleyan ( Methodist ) Church / Wickham Rd., / South Brighton / now Uniting Church unsigned undatedwilliam henry thomas, 1916, 1894, first ww, world war one, uniform, wickham road, south brighton, moorabbin, world war 1 1914- 1918, thomas street,early settlers, pioneers, market gardeners, australian infantry force, soldiers, key's cup, victorian war memorials, cheltenham, mckinnon,, keys road moorabbin, ss castalia, british expeditionary force ww1 1914- 1918, 24th battalion 1st aif, 6th australian machine gun company 1st aif, influenza epidemic 1919, alexandria egypt, methodist church,