Showing 314 items
matching textile machines
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Stawell Historical Society Inc
Photograph - Aunde Album 29, Winding, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Female worker loading yarn into /onto winding machine - wheeled crateswindingindustry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Watching yarn in weaving machine, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Employee watching yarns entering weaving machine correctlyindustry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Checking finished Weave, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male employee checking finished weave as it goes on roll from weaving machine.industry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Watching yarn come of Spools, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour photo: Water damaged. Portrait Yarn entering weaving machineindustry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Weaving, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Empty weaving room warping yarn threaded into machine.industry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Weaving Room, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Spools loaded onto weaving machinesindustry, aunde -
National Wool Museum
Textile - Quilt, 1910 - 1940
Part of the "Wagga collection". Made from squares of patchwork suiting, machine stitched with red diamond and rectangle motifs at strategic positions. The diamonds look like they have been inserted in the fabric pieces where a dart has been cut and opened out.Quilt made of squares of patchwork suiting and fabric offcuts, machine stitched with red diamond and rectangle motifs at strategic positions.quilting history, patchwork history, running stitch group, running stitch collection, quilting - history, patchwork - history -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Raschel Area, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Raschel Area Spools on machinesRaschel Areaindustry, aunde -
Whitehorse Historical Society Inc.
Machine - Sewing Machine, c1880
Machine used by Francesca Schwerkolt, August Schwerkolt daughter -in - law. She was the grandmother of the donor.Hand and foot operated transverse shuttle sewing machine with ornate foot treadle. Wooden top with mechanism in centre. Base of mechanism has mother of pearl inlay. Ornate iron supports. Two drawers on either side with ornate handles. Centre drawerOn Sewing Mechanism - ' Syst 182/Manufactured in Germany/Specially for/Hugo Wertheim'|On Base - 'Griffin' in ironwork|'Wertheim' in ornate ironwork on sides|S No. 6778165domestic items, sewing, textile machinery -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A quilt made from woven samples of woollen fabric with herringbone and checked designs, mostly in brown, green, blue and red. The samples are machine sewn together. It has a cream backing which is machine sewn onto the quilt.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria, quilts, necessity -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A quilt made of rectangular woven samples of polychrome woollen fabric. The samples are machine sewn together. It has a blue, red and yellow pieced backing which is loosely handsewn onto the quilt.Back: [handwritten] A Andersonhandicrafts, returned soldiers and sailors mill, wagga, samples, anderson, mr robert anderson, mrs lucy, geelong, victoria -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A brown quilt made from woven samples of woollen striped fabric in browns and olive greens. The pieces are machine stitched together. It has an off-white backing which is machined and hand sewn into place.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria -
Ballarat Tramway Museum
Textile - Framed Tapestry - Zoo Tram, 1980s
Depicts Zoo Horse Tram No. 100. Possibly from a purchased outline of the image which a person then sewed with wool.Demonstrates a hand made item depicting the zoo horse tram that operated in Melbourne.Hand made woolen tapestry (could be machine made) of a Zoo horse drawn Tram framed within a wooden frame. Paper backing with a brass hanging wire and two eye screws on either side of the frame. tramways, zoo tram, tapestry, souvenirs, memorabilia -
National Wool Museum
Photograph - Product Photograph, Automatic Feeding Machine
... . The Automatic Feeding Machine automatically dispenses wool to a carding ...These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. The Automatic Feeding Machine automatically dispenses wool to a carding machine, so that an even, constant supply is received. This eliminated the manual labour previously needed for the initial weighing and feeding of wool. The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866, Tatham developed innovative textile machinery and sent their products to Australia and other countries around the world.Two black and white photos of an Automatic Feeding Machine in a landscape format. The first photo is of the front of the machine, the second is of the rear.8037.1 - Front - top margin: For description see over. Front mide right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1146 Rear - 78” wide Automatic Feeding Machine having Dual Hoppers in which the first and large section feeds the second Hopper so as to maintain a constant level of material in the latter. The driving of both spiked lattices is by electro-magnetic clutches, the one in the first Hopper being actuated by a sensitive feeler motion in the second, the second spiked lattice however, being controlled, of course, from the Scale Pan. Through a mercury switch. The scale is of our latest super-sensitive pattern mounted diagonally across the Feed. Only the opening doors are used in the actual weighting and the trap doors placed over the scale which close immediately the correct weight is deposited, operate through a solenoid. The machine incorporates many other features and is arranged to divide for facility in cleaning. 8037.2 - Front mide right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1147 Rear - Showing opposite side of Dual Automatic Feed illustrated in photo 1146textile machinery, automatic feeding machine, tatham, feeding machine -
National Wool Museum
Photograph - Product Photograph, Tape Condenser
These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. A Tape Condenser is a device that receives the wide fibre web from a woollen card, divides it, and rubs each section into a sliver. The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.Two black and white photos of a Tape Condenser in a landscape format. The first photo is of the front of the machine, the second is of the rear.8038.1 - Front - top margin: For description see over. Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1138 Rear - Showing new model Tape Condenser with all-Perspex Guards, new gear box type of main drive to Condenser. New mounting of all Tape Rollers, cross shaft drive to Variable Speed Gear Box for drive to rubber shaft and many other improved features. 8038.2 - Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1140 Rear - New Model Four-teir Tape Condenser showing rubbing motion side Note greatly improved guarding completely enclosing rubbing motion and gearing, also Variable Speed Drive to Rubbing Motiom via heavy ‘V’ Belt. The drive is taken by cross-shaft from the main gearing of the Condenser. Rubbing Motion has all roller bearing eccentrics throughout.textile machinery, tatham, wool manufacture, tape condenser -
National Wool Museum
Photograph - Product Photograph, Patent Automatic Feed Machine
These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. An Automatic Feeding Machine automatically and sequentially supplies uncarded wool to carding machines, The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.A black and white photo of a Patent Automatic Feed Machine in a portrait format. Black wiritng on the rear, typed with a typewriter.Front - mid left corner - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1129 Rear - Patent Automatic Feed with Extended Hopper fitted with balanced pressure plate which operates through Variable Speed Device to regulate speed of spiked lattice in accordance with material in Hopper. Electro-Magnetic Clutch Drive to spiked lattice controlled by Mercery Switch on scale arm. Diagonal Scale Pan with improved knife edge suspension. Dual Trap Doors over Pan actuated by Solenoid. Automatic device to slow spiked lattice just prior to weigh being obtained. Ball or roller bearings to main shaft, combs and other parts. Self-aligning bearing to timing shaft etc.textile machinery, tatham, wool manufacture, carding, automatic feeding machine, wool -
National Wool Museum
Photograph - Product Photograph, Semi-Continental Card Set
... . A carding machine disentangles and cleans wool fibres ...These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. A carding machine disentangles and cleans wool fibres and then aligns the individual fibres so that they are parallel with each other.The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.Two black and white photos of an Semi-Continental Card Set in a landscape format. The first photo is of the whole machine, the second is a close up of the mid section of the machine.8038.1 - Front - top margin: For description see over. Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1131 Rear - Semi-Continental Card Set arranged to receive latest pattern Automatic Feed fitted with Peralta, improved type Parallel Fiber Feed permitting of passageway between Scribbler and Carder. Four-tier Continuous Tape Condenser. 8038.2 - Front - top margin: For description see over. Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1132 Rear - Showing Peralta with hydraulic pressure to rollers and working with improved pattern Parallel Fibre Feed arranged with passage between the two main sections.textile machinery, tatham, carding machine, wool manufacture -
National Wool Museum
Photograph - Carding Machines
Sales photograph for William Tatham Ltd. of Rochdale, to showcase new Carding Machines in a newly developed textile factory. The photograph was taken in Glasgow, Scotland.A black and white photo of a room filled with working Carding Machines in a portrait format. A man is working at the end of the closest machine.On rear - top margin - Showing Card Sets in new Card Room. Bottom right corner - Commercial Artists photographers and blockmakers Scottish Studios and Engravers LTD. 196 Clyde st. Glasgow. C C.P.D 6893 Dtextile machinery, wool manufacture, carding, wool, glasgow -
National Wool Museum
Photograph - Product Photograph, Two-Part Scribbler
These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. The scribbler was the first part of a group of machines known collectively as the carding engine. The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.A black and white photo of a Two-Part Scribbler in a landscape format.Front - top margin: For description see over. Front bottom right corner - 1076 Rear - Two-Part Scribbler, Semi-Continental Type with Patent Automatic Feed having Extended Hopper. Cylinders in this case are 50” diam. Doffers 36” diam. Drive to strippers and other parts by ‘V’ Belts. Note improved guarding to Fancy Chain Drives, also feeder gearing.textile machinery, tatham, wool manufacture, scribbler, carding -
National Wool Museum
Photograph - Product Photograph, Patent Parallel Fibre Feed
These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. The Patent Parallel Fibre Feed machine is used for connecting Breaker and Finisher Card Sections. The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.A black and white photo of a Patent Parallel Fibre Feed in a landscape format. Black wiritng on the rear, typed with a typewriter. Front - top margin: For description see over. Front mid left edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1106 On machine bottom right quadrant - TATHAMS Rear - New Patent Parallel Fibre Feed for connecting Breaker and Finisher Card Sections. This Machine incorporates a completely new type Plaiter Motion, the operation of which is quite unique.textile machinery, tatham, wool manufacture, carding, patent parallel fibre feed machine -
National Wool Museum
Textile - Child's Quilt, 1930s - 1940s
... in machine sewn patchwork. Textile Child's Quilt ...This wagga has been made of regular sized, machine sewn patches of mens suiting fabrics. The fabrics would almost certainly have been sourced from a sample book of fabrics for mens suits, owing to their regular size and the fact that many have the same pattern but vary in colour.Wagga, made from samples of mens suiting in machine sewn patchwork.patchwork, wagga, fabrics, mens suits, pattern, necessity -
National Wool Museum
Textile - Quilt, Domestic Wagga, 1950s
Part of the Running Stitch collection, possibly made in BallaratDomestic wagga, unfilled, consisting of two machine sewn layers of woollen garment pieces both knitted and woven. The front pieces are predominantly red, blue and yellow, the back is mostly brown red and blue.WAGGA/ Maker unknown 154cm long X 90cm wide/ Made of parts of wool garments, knitted and woven.....handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history -
National Wool Museum
Textile - Quilt, Mrs Elizabeth Morton, c.1934
Made by Mrs Noel (Lizzie) Morton, the donor's mother on their farm "Wanera" at Benjeroop on the Murray River. It was stitched with a treadle machine. Her sister Flora MacDonald did the running stitch and provided the silk backing. The squares were sent as samples from a firm called "Fred Hesse" who advertised in the Melbourne papers "Be smart and dressy In a suit by Fred Hesse". The buyer chose a sample and then sent it back with measurements and received a "mail order" suit.A small knee rug made from suiting samples machine stitched together. It is backed with black silk fabric and finished with a running stitch of orange wool oversewn with black wool thread.farming quilting quilting - history, wanera benjeroop, farming, quilting, quilting - history -
Whitehorse Historical Society Inc.
Textile - Lace Piece
Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.4 sample pieces of cream machine made lace stitched to backing board.On display stand ' C. R. Eichhom Plaven I. V. 'handcrafts, lacemaking -
Whitehorse Historical Society Inc.
Textile - Tray Cloth
Large white cotton tray cloth. Machine made. Torchon lace border with hand embroidered button holing stitch. Leaf and flower pattern in four corners and cut out button holing pattern in centre and sides.manchester, table linen -
Federation University Art Collection
Textile - Artwork - Textile, 'Through the Yellow Glass' by Helen Burgess
Helen BURGESS (c.1927 - 08.03.2018) Born Sydney, New South Wales Helen Burgess gained a Diploma of Design and Craft, and instructed Craft in the Occupational Therapy Departments of Repatriation and Rehabilitation. In 1957 she came to Victoria, gaining a Technical teachers Certificate from the Bendigo School of Mines. Soon after moving to Ballarat in 1973 she joined the newly formed Ballarat Embroiders Guidance Group (later Embroiders Guild). She lectured in Craft at the Ballarat Institute of Advanced Education from around 1974. She retired from the Ballarat College of Advanced Education in 1982. Helen Burgess was also an office bearer with the Ballarat Field Naturalists Club. Helen retired from BCAE in 1982 as Lecturer in Art and Craft, having commenced at BIAE approx. 1974. This work was possibly exhibited at the Embroiderers Guild, Victoria - Ballarat Branch. In 2015 Helen Burgess was considered one of the guild's longest members, at it was thought she was a foundation member of the Ballarat Branch.Textile landscape featuring applique, and hand and machine embroidery.Signed verso 'H. Burgess'.artwork, artist, helen burgess, textiles, embroidery, applique, landscape, ballarat field naturalists club, embroiderers guild -
Flagstaff Hill Maritime Museum and Village
Clothing - Traveller's Apron, Eliza Towns, Circa 1915
This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework -
Flagstaff Hill Maritime Museum and Village
Textile - Bolster Sham, Eliza Towns, Late 19th century to early 20th century
This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen -
Churchill Island Heritage Farm
Textile - Bed Jacket, Cuff, 1860
This is a fine cotton bed jacket decorated with beautiful whitework embroidery. Whitework is any type of embroidery where the threads worked are the same colour as the base fabric. It is usually worked on white linen but this could be worked on Hardanger fabric which is 22 thread count cotton. The embroidery is a combination of types but drawn thread work and Hardanger work can be clearly seen on this garment.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above.Bed Jacket with open frontPackaged with note: "Limerick lace bed jacket Janet Amess 1860 from Kel Bright collection with separated cuff".janet amess lace collection, lace, churchill island, janet, amess, bed, jacket, cuff, garment, clothing, princess, machine, bobbin -
Flagstaff Hill Maritime Museum and Village
Clothing - Nightgown, Eliza Towns, circa 1890's
... Wimmera textiles clothing machine sewing hand sewing pintucks ...This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing