Showing 217 items
matching textiles - embroideries
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Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Craft - Stevengraph, Neyret Freres et Cie, Untitled (Billiards), c. 1890s
This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a Victorian era billiards room. An ornate billiard table is at the centre of the image. At the near end of the table, two men are crouching down and leaning over the table, examining billiard balls while holding billiard cues in their left hands. At the far end of the table, a woman is sitting on the corner of the billiard table while holding a billiard cue in her left hand, in an intimate face to face pose with a man standing behind the billiard table. All figures are depicted in Victorian era aristocratic dress. The bottom right corner of the images features the signature 'D'A. PEREZ'. Three small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Craft - Stevengraph, Neyret Freres et Cie, Untitled (Fencing lesson), c. 1890s
This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a group of women taking a fencing lesson, under the guidance of a male teacher. Two women are pictured pointing sabres at each other at the centre of the image, while four other women look on at the right of the image. The teacher is shown on the left hand side of the image, holding a sabre in his right hand which is pointing downwards so that the tip of his sabre is resting against the floor. All figures in the image are wearing Victorian era dress. There is a sticker for Gibson's Auctioneers attached to the bottom right hand corner of the front of the artwork. Two small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging. -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: EMBROIDERED AND LACE TRIMMED PILLOW CASES, Late 1800-1900's
Textiles. Large pieces of linen, 119 cm x 96 cm edged with a border, 8.5 cm deep of cotton lace, matching the lace of the bedspread. This lace has a corded effect, outlining 'finger shapes' of floral pattern, alternating with an open chain stitch, looped effect. Like the bedspread, the pillowcase is embroidered with the initials in satin stitch and some cut work embroidery. A smaller rectangle of linen fabric is stitched to the back of the fabric, to hold a pillow in place. Measuring 81 cm. x 48 cm. This envelope is tied with three ties of cotton tape. It could be presumed that these pillow slips would be a decorative feature of the bed linen. As on the bedspread, lavishly embroidered initials may be the initials of Caterina (Ina) Lamaro, who married Giovanni (Jack) Favaloro, or Caterina (Kitty) Lopes, who married Salvatore (Salve) Favaloro.textiles, domestic, two embroidered and lace pillow cases -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: BED-SPREAD PART OF MATCHING SET WITH PILLOW CASES, Late 1800-1900's
Textiles. Finely woven linen bed spread, white in colour, and with a ''turn-back'' top to come over or under the pillows. A 10.5 cm deep band of cotton lace trims the edge of this turn-back, and is gathered around the two lower corners, and extends 74 cm. along the side edges of the turn-back. An insert of lace, 2.5 cm wide, also outlines the turn-back, 8 cm from the edge of the linen. The lace trim has a scalloped edge, and a corded effect. Above the narrow band of lace, are beautifully embroidered initials CF. Some small red cotton embroidery on top hem-left hand corner. Embroidered in white cotton satin stitch, the initials are embellished with floral motifs and leaves, and some embroidered eyelets May be the initials of Caterina (Ina) Lamaro who married Giovanni "Jack" Favaloro, or Caterina "Kitty" Lopes who married Salvatoro "Salve" Favaloro.textiles, domestic, woven linen bed spread -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: VERY LARGE LINEN PILLOW COVER-LACE TRIMMED, Late 1800-1950's
... , showing the embroidery fabric to advantage. Textile FAVALORO ...Textiles. Very large cover, with an envelope to enclose the pillow, stitched on the underside, with cotton tape ties to enclose the pillow. Beautiful fine cotton broderie fabric (possibly Swiss cotton broderie anglaise) edges the pillow. Corners of the embroidered cotton have been mitred in an unusual way, with the excess fabric still evident, in a 'kite-shaped' manner, in each corner. The embroidered cotton edging features a scalloped edge, with circular, and floral design. A 6 cm deep hem outlines the linen fabric edge, showing the embroidery fabric to advantage.textiles, domestic, very large linen pillow cover -
Narre Warren and District Family History Group
Book, Eleanor Taylor, The Cardinian embroidery, 2006
The Cardinian Embroidery uses fabric, thread and the ancient art of stitching to depict the heritage and traditions of the Cardinia Shire as viewed in 2005. There are eight panels depicting 384 features of local significance. A brief historical note accompanies each feature. The individual textile artists are also listed.iv, 68 p.; 30 cmnon-fictionThe Cardinian Embroidery uses fabric, thread and the ancient art of stitching to depict the heritage and traditions of the Cardinia Shire as viewed in 2005. There are eight panels depicting 384 features of local significance. A brief historical note accompanies each feature. The individual textile artists are also listed. cardinia shire (vic.), embroidery -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: DOUBLE DAMASK TABLE RUNNER/COVER WITH PULLED THREAD EMBROIDERY, Early - mid 1900's
Textiles. Damask weave fabric, with a design of a rose, with buds, and two stems of leaves, and a lovely soft sheen. Two bands of six zig zag peaks, are made by using pulled thread embroidery, and form a border either side of a row of pulled threadwork diamond shapes, 7 cm x 7 cm. This decorative border is at each end of the runner, which also is completed with a 12 cm deep fringe. A geometric patterned weave forms the background to the pulled thread embroidery, while a single rose and bud weave is tucked into each zig zag, and a scroll design features at each fringed end.textiles, domestic, double damask table runner