This Miner’s Right was issued post the rush of the 1850s-60s but is testament to the ongoing interest in gold although the great rush had dwindled. Local papers continued to report on findings and hopes of success, including syndicates and explorations across the south-west district of Victoria and Otway Region, Victoria. The Warrnambool correspondent of the “Hamilton Spectator”, 31/1/1878, p4 attest to the price of a good season of potatoes comparing “favourably with the unsteady returns of any precarious gold-bearing quartz reefs in the colony.” The Miner's Wright is issued to -- Bryant. While it cannot be found who this Bryant is, the name Bryant is historical to the town of Warrnambool which has a street named after William Bryant the first head teacher of the Jamieson Street Primary School from 1876 to 1894. Numerous newspapers of the day reported the movement of local residents moving to other regions with varying success of gold prospecting. This item is significant in that it illustrates that people associated with the region were interested in taking their chances in prospecting for gold similar to many others. A lure that is still present for some today. Although the southwest region found it's source of wealth in other industries from whaling and fishing, wool and other agricultural pursuits.Top to bottom upright Miner’s Right. “Series I. Book No. 2. Five Shillings. No. 144. Colony of Victoria” Issued in Ballarat, date 16th June 1888 to “[looks like] J. V. Bryant”. A previous name is scribbled through and looks like Christine, second name not deciphered. The document is in force until “15th June 1889”. “The Mining Statute 1865”. Authorised signature last name Bennet. The paper is buff and has some slight ink markings and finger smudges. A coat of arms appears at the top centre. Another insignia related to mining with a pick and shovel, set of scales and the initial “VR” goes down the lefthand side of the page. This page has a serrated edge. The ink on the page is black, and the words “BALLARAT” are stamped in red ink, now faded. All hand writing is black script. There are no “particulars of registration” given in the spaces provided on the back of the document. Series I. Book No. 2. No. 144. Ballarat. 16th Jume 1888 to 15th June 1889. Colony of Victoria "The Mining Statue 1865, No. 291.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, james collins, australian goldfields, miner's rights, the history of ballarat, gold rush, bryant

Formed in 1990 by a group of current and former social services and administrative staff at the then-Brighton Council, the Lovely Learned Luscious Ladies of Brighton were a group bound by friendship, humour, fun and a delightfully strange knitting project. Each member took turns to add ten rows ten rows of knitting to the piece, following a series of handwritten rules on an attached card. The wool used was not to be bought, but could be "begged, borrowed or stolen", and previous work was not to be altered. The ladies met bi-monthly over dinner at local restaurants and hotels to swap gossip, play games and share the progress of the knitting. The work of twelve women over eighteen years, the piece documents fond memories, personal passions, wedding celebrations, the birth of a grandchild, footy triumphs, holidays and major events. It is a testament to a close-knit friendship, as expressed on the rules card: "MAY THIS PIECE SERVE TO BIND US TOGETHER".Irregular-shaped knitting project consisting of multicoloured knitted stripes in a variety of yarns and stitches created by a group of women over a period of eighteen years. The piece includes numerous additions and embellishments by the various makers, including sequins, beads, shells, badges, ornaments and laminated images.Attached yellow laminated rectangular card with handwritten rules: "1) Nominated member is to knit (in any stitch of choice) 10 rows of your best by the next meeting. 2) The yarn to be used is not to be purchased for the job but can be begged, borrowed or stolen. 3) The colour of yarn is to be left to member's discretion, but judgement will be passed by others. 4) The nominated member will not tamper with, pull out or destroy a previous member's work. 5) On returning the work to the meeting the member shall declare to what genuine purpose the piece will be put on completion (as a guide for future knitters), e.g. rug for favourite chardy, cock sock for lover. 6) The next knitter can (and shall be encouraged to) change the purpose as stated by the previous knitter. 7) This tag must not, without the permission of a majority of members, be removed. MAY THIS PIECE SERVE TO BIND US TOGETHER."brighton, brighton council, social groups, knitting, 1990s

The Forests Commission and its successors continuously encouraged bushfire research and innovation. In 1946 a large parcel of industrial land was purchased at North Altona as a fire cache and workshop. The Altona workshop became a hotbed of new technological innovation… an exhilarating place where lots of things were invented and tested. In fact, a lot of Australia’s pioneering equipment development was led by staff from Altona, often in collaboration with other State forestry and fire authorities. The CSIRO also contributed significantly. The US Forest Service, the US Bureau of Land Management and US State agencies such as the California Department of Forestry and Fire (CalFire) as well as the Canadian Forest Service faced similar challenges and proved strong and willing partners in sharing knowledge, ideas, equipment and expertise over many decades. This collection of badges is testament to the relationships that were forged across the globe with the Altona workshop. Large display panel featuring many fire service badgesforests commission victoria (fcv), bushfire, bushfire aviation

Certificate issued by the Independent Order of Rechabites Temperance Friendly Society to Victorian state school children who had passed the temperance physiology examination. The Independent Order of Rechabites began in Salford, England in 1835. It was named after Rechab, a leader in the Old Testament, who instructed his tribe to refrain from drinking alcohol. During the Industrial Revolution the idea of temperance became popular as damage was caused to families by alcohol. In Australia it was first established in Tasmania in the mid 1800s. In 1847 a branch was created in Victoria, and it then spread to other States. Members were provided with assistance during times of sickness, death and hardship. The Victoria District of Rechabites (District No. 82) was established in the 28th January 1861 In its heyday the Victoria Rechabites’ membership numbers grew and grew to the extent that there were at one stage in excess of 36,000 members associated with the Victorian Rechabites in the late 1800’s to early 1900’s covering approximately 250 operating Tents. The certificate was issued to Helen Marion Blackman in 1949. Helen was a resident in the City of Moorabbin.Certificate issued by the Independent Order of Rechabites Temperance Friendly Society to Victorian state school children who had passed the temperance physiology examination. Independent Order of Rechabites - Salford Unityindependent order of rechabites, blackman, city of moorabbin, school children

This 1977 Jubilee Year publication was a special project undertaken by the Form 5 Politics Class at Salesian College, Rupertswood, as part of the school’s commemorative efforts to reflect on its past, present, and future. Created during a year of celebration and reflection, the project was both a civic and educational exercise, allowing students to explore the structure and culture of their school through the lens of political systems. Organised under the themes of Legislative, Executive, and Judicial branches, the publication presents a unique and structured interpretation of the college’s operations and community life. It includes contributions on key aspects of the school such as the Salesian order, the Parents and Friends Association, academic and sporting programs, the media, and the Old Boys’ Association. The project reflects the educational ethos of the time—encouraging inquiry, collaboration, and pride in one’s school. It also highlights the role of student voice in shaping the narrative of the college’s history. As a student-led initiative, this publication stands as a testament to the creativity, engagement, and reflective spirit of the 1977 cohort.This 1977 Jubilee Year publication, compiled by the Form 5 Politics Class at Salesian College, Rupertswood, is a significant historical document that captures the voice, perspective, and civic engagement of students during a milestone year in the college’s history. Created as a special project, the publication reflects a thoughtful and structured examination of the school’s identity through the lens of political systems—Legislative, Executive, and Judicial—demonstrating both creativity and critical thinking. The document is notable for its student-led authorship, its comprehensive scope—including reflections on the Salesians, the Parents and Friends Association, media, agriculture, academics, sport, and alumni—and its collaborative spirit. It offers a rare and valuable insight into how students of the time understood and interpreted the structure and culture of their school community. As a preserved artifact, this publication contributes meaningfully to the archival record of Salesian College. It not only documents the educational and social environment of the late 1970s but also highlights the enduring values of participation, reflection, and pride in community that continue to define the Rupertswood legacy.A 27 page stapled document, with a yellow front page (cover), detailing the history of Salesian College, Sunbury to 1977.salesian college, rupertswood, sunbury, 1977, jubilee

Jacana Primary School, founded in 1959 and closed in 2009, was a cornerstone of public education in Melbourne’s northern suburbs for over five decades. During this time, the school evolved alongside the community it served, adapting to waves of suburban development and increasing cultural diversity. The 1993 Junior School Council photograph captures a moment of student leadership and engagement, reflecting the school’s commitment to fostering responsibility, inclusion, and active participation from an early age. Junior School Council initiatives encouraged students to contribute to decision-making and community-building within the school, helping to develop confidence and civic awareness. Set against the backdrop of significant urban and demographic change, this image also offers insight into the social dynamics and educational values of the early 1990s. It stands as a testament to Jacana Primary’s nurturing ethos and its role in shaping not only academic outcomes but also the personal growth and community identity of its students. The 1993 Junior School Council photograph from Jacana Primary School is a significant historical record that highlights the school’s emphasis on student voice, leadership, and community participation. Captured during a time of urban growth and increasing cultural diversity in Melbourne’s northern suburbs, the image reflects the inclusive and democratic values that shaped the school’s educational approach. This photograph not only documents the students who took on leadership roles but also symbolises the broader ethos of empowerment and engagement that Jacana Primary fostered among its young learners. As part of the visual legacy of a school that served its community for 50 years, the image preserves the memory of a place where children were encouraged to contribute, lead, and grow—making it a meaningful artefact for former students, staff, and the wider community.Colour Photograph on Satin Finish Paper, mounted on card backingBack; (Blue Label): PH-5396 (Front) (Bottom Right Corner): Fotek ©jacana primary school, education, photograph, group photograph, 1993, jacana, junior school council

HOSKING AND HUNKIN COLLECTION: Small Bible inside envelope. On Binder: New Testament Inside front cover: This Book Belongs to Ellen Nancarrow November 8th 1857 Redruth Coomb Inside second page: This is a present given to Emily Hoskong by her Aunt Helen a a token of Love November 1860. Bible Details: The New Testament of our Lord and Saviour Jesus Christ translated out of the original Greek and with the former translations diligently compared and revised, by his Majestiy's special Command appointed to be read in Churches. Oxford prineted at the Univerity Press for the British and Froreign Bible Society, instituted in London in the year 1804; and sold to Subscribers at the Society house Earl Street, Blackfriers, London. Diamond's 48's 1856. Cum Privilegio Note inside BibleBible given to Emily Hosking (m. Emmanuel Hunkin) from her aunt Ellen (Nancarrow) Redruth Coomb. 8 Nov 1860 prior to sailing to Victoria. Nancarrow = Valley of the Stags. On front of envelope: Her New Testament a precious possesion. Bible given to Emily Hosking (b. 12-2-1854 d. 22-5-1905) by her mother's sister Ellen Nancarrow (b 17 Mar 1827 husband Wm Hosking m. 1853 Rev. John Cornwall Wm. D. 10 July 1914) in 1860 8th Nov before leaving for Australia. Liven and mined at Eaglehawk, Vic. Then Rushworth area (farming) Emblen Hosking nee Nanacarrow RedruthCoomb Cornwall b. 6/3/1831 d. 20/5/1895 Gobarup. Rear of envelope: Yellow and black stickers (Women with flowers and Man with Scythe, and St. Piran's) written on 'Cornish Patron Saint's day - 5th March. Address Label: Ms Betty Night, 29 Gilbertson Street Essendon Vic 3040 Separate page of Notes: A note in the front of Hymn Book Emily Hosking born 12/2/1854 married 1873 her book. A reward - The Bible Christian Sabbath School, Sailors Gully June 29th 1868. Hyms - Bible Christian 2nd edition 1890. Bible Christian Book Room 26 Paxxxx Road E.C. Mrs E. Hunkin Eaglehawk B.C. Church January 21st (18) 94 Husband Emmanuel Huskin born 21/1/1852 - collection of hymns Wesley hymns Emmanuel Hunkin. 2. A collection of hymns Emmanuel Hunkin, Eaglehawk Bendigo.book

Members of the Marriott family arrived in Port Phillip in 1857. However it was John and Jane Marriott who in 1876, (after toiling hard since their arrival in1871, for very little gain), first leased, then purchased in 1882, 30 acres with a four-roomed house in East Boundary Road, in the area then called East Brighton. (Now known as East Bentleigh). The land they purchased had previously been a part of the 1841 Dendy Survey. Over the following years, John and his four sons with hard work and determination became prosperous vegetable growers and purchased further land in the area. Following John's retirement and subsequent death in 1903, the land was passed to his sons, and then onto the Marriott grandchildren. The family continued to remain very prosperous and successful vegetable growers. This lovely photo of Geoff Marriott bears testament to just one of the many families steeped in the tradition of vegetable growing which significantly contributed to the prosperity of the Shire, and its subsequent development into the City of Moorabbin. The photograph of Geoff Marriott of the Marriott family represents a typical example of the MANY early market gardening families, some names less prominent, but who with their labours contributed to the prosperity and the development of the community of the Shire of Moorabbin. This group of early pioneers, over many years, were a singularly important group responsible for the growth of schools, churches, the Mechanic's Hall, and were active in local government. Large coloured photograph, taken in 1969, showing Mr Geoff Marriott with his horse-drawn plough pulled by "Duke" the Clydesdale horse, and accompanied by "Smoky", his dog, working in his market garden, Brady Road, East Bentleighhorse, brighton, moorabbin, pioneers, settlers, fruit, markets, vegetables, plough, mayors, moorabbin shire, moorabbin roads board, marriott geoff, marriott john, marriott jane, market gardens, horse drawn plough, city of moorabbin

The historic ruins of Monasterboice are of an early Christian settlement north of Drogheda in County Louth, Ireland. It was founded in the late 5th century by Saint Buithe who died around 521, and was an important centre of religion and learning until the founding of nearby Mellifont Abbey in 1142. The site houses two churches built in the 14th century or later and an earlier round tower, but it is most famous for its 10th century high crosses. The round tower is about 35-metres tall, and is in very good condition, although it is not possible to go inside. The passage of time has laid down layers of earth so now the doorway is almost at ground level. The monastery was burned in 1097. The 5.5-metre Muiredach's High Cross is regarded as the finest high cross in the whole of Ireland. It is named after an abbot, Muiredach mac Domhnaill, who died in 923 and features biblical carvings of both the Old and New Testaments of the Bible. The North and West crosses are also fine examples of this kind of structure, but these have suffered much more from the effects of the weather. (http://en.wikipedia.org/wiki/Monasterboice)Image of a round tower in a graveyard. It is the Round Tower at Monasterboiceballarat irish, monsasterboice

This photograph, believed to have been taken during Jacana Primary School’s 1990 Christmas picnic—likely held at Greenvale Reservoir in Melbourne’s northern suburbs—captures a candid moment of outdoor play among students. The image features three children engaged in recreational activities: two lying on the grass and one actively chasing a football. The relaxed setting, with trees, benches, and picnic tables in the background, reflects the informal and joyful nature of the event. Jacana Primary School, established in 1959 and closed in the early 2000s, was a vital part of the local community, known for fostering both academic excellence and strong social bonds. Annual events like the Christmas picnic were central to the school’s culture, offering opportunities for students, staff, and families to connect outside the classroom in a spirit of celebration and community. This photo serves as a visual testament to the school’s emphasis on holistic education—where play, social interaction, and community engagement were valued alongside formal learning. It also highlights the importance of outdoor spaces like Greenvale Reservoir in supporting communal activities and childhood development during that era.This photograph, taken during Jacana Primary School’s 1990 Christmas picnic—likely held at Greenvale Reservoir—holds cultural and historical value as a visual record of community life and educational practices in Melbourne’s northern suburbs during the late 20th century. It captures a moment of informal recreation among students, reflecting the school’s emphasis on holistic development through social engagement and outdoor activity. Jacana Primary School, established in 1959 and closed in the early 2000s, played a pivotal role in shaping the educational and social landscape of the Jacana community. Events such as the annual Christmas picnic were emblematic of the school’s commitment to fostering inclusivity, connection, and celebration among students, staff, and families. The image is significant not only for its documentation of a specific event but also for its representation of broader themes in Australian public education—community involvement, the value of play, and the integration of social experiences into the school calendar. It serves as a testament to the enduring legacy of Jacana Primary School and its contribution to the cultural fabric of the region.Colour Photograph on glossy paper in landscape formatPH18289 (crossed out) PH-4209 (crossed out) PH-4868/this paper/manufactured/by Kodakjacana primary school, christmas party, 1990, jacana

This photograph captures a festive moment from the 1990 Jacana Primary School Christmas picnic, likely held at Greenvale Reservoir Park—a popular recreational destination north of Melbourne known for its open spaces and family-friendly amenities. The image features students enjoying an end-of-year celebration, reflecting the school’s tradition of fostering community spirit and marking milestones with shared outdoor events. Jacana Primary School, established in 1959, served as a vital educational and social hub for the suburb of Jacana until its closure in the early 2000s. Events like the annual Christmas picnic were integral to the school’s culture, offering students opportunities to build friendships, celebrate achievements, and connect with their peers and teachers outside the classroom. The choice of Greenvale Reservoir Park underscores the school’s connection to local landscapes and its emphasis on accessible, communal experiences. This photograph stands as a visual testament to the values of inclusiveness, joy, and community that defined Jacana Primary School during a formative period in the suburb’s development. It also contributes to the broader narrative of how public education in Melbourne’s outer suburbs supported social cohesion and identity across generations.This 1990 photograph of Jacana Primary School’s Christmas picnic, likely held at Greenvale Reservoir Park, offers a compelling visual record of community celebration and student life in Melbourne’s northern suburbs. Featuring Grade 5 and 6 students, the image captures a moment of joy, social connection, and tradition at the end of the school year. Events like this picnic were central to the school’s culture, fostering a sense of belonging and reinforcing relationships among students, staff, and families. Jacana Primary School, established in 1959 and closed in the early 2000s, played a vital role in shaping the identity of the Jacana community. This photograph reflects the school’s commitment to inclusiveness, wellbeing, and shared experience, while also illustrating broader patterns of public education and suburban development in late 20th-century Victoria. As part of the school’s visual legacy, the image contributes to our understanding of how educational institutions supported social cohesion and community life across generations.Photograph on glossy paper of a group children in the park.PH18289 (crossed out) PH-4209 (crossed out) PH-4868jacana primary school, christmas picnic, 1990, jacana, christmas party

Olive trees have been a boon to civilization for millennia. The oil extracted from olives can be used for everything from fuel for lanterns to medicinal balms to an essential ingredient in foods. It’s easy to understand why the tree was incorporated into so many early religious practices, but near the Mount of Olives in Jerusalem, a grove of olive trees in Gethsemane provides a direct link to ancient biblical stories. At the foot of the Mount of Olives, a small olive grove would go on to become an important site for Christianity. Gethsemane, taken from the Aramaic word for olive press, is mentioned many times throughout the New Testament as a favorite place for Jesus and his disciples to rest and pray beneath the evergreen olive trees. Today, the Church of All Nations has been constructed in a section of Gethsemane, enshrining the ground where Jesus is said to have last prayed.However, as a privilege, soldiers were given one green envelope per month in which they could send uncensored personal and private letters to loved ones. The soldier had to sign to verify that they had only included private and family matters.A small vintage brown paper WWII AUSTRALIAN Active Service envelope with faded green text explaining its use, which was for letters only. It was Revised July 1942. There is a large green lined open cross on the front with Active Service at the top and (Crown Copyright Reserved). It has an address space on the right. Inside the envelope is a small folded paper souvenir from Gethsemene Jerusalem with a black and white image on the front of a relief sculpture depicting the moment when an angel visits Jesus in the garden of Gethsemane. It is titled 'Gethsemeni'. Inside the small souvenir card is a Daily Prayer for the Dying and, glued to the opposite side, an olive leaf from the Garden of Gethsemane. On the back of the souvenir is a text titled, The Good Work of the Holy Land, which describes the work of the Friars Minor who resided in Jerusalem for seven venturies. Though undated, this document dates from WWII when the soldiers were in the Middle East.'Leaf from the Trees of the Garden of Gethsemane'

This photograph captures a joyful scene from Jacana Primary School’s 1990 Christmas picnic, likely held at Greenvale Reservoir Park—a popular recreational destination north of Melbourne, celebrated for its wide open spaces and welcoming, family-friendly atmosphere. The image showcases younger students enjoying an end-of-year celebration, reflecting the school’s commitment to nurturing community spirit through shared outdoor experiences. Founded in 1959, Jacana Primary School was a vital part of the local community until its closure in the early 2000s. Events like the annual Christmas picnic were central to the school’s culture, offering students—especially those in the early years—opportunities to form friendships, celebrate their achievements, and connect with peers and teachers in a relaxed, natural setting. The choice of Greenvale Reservoir Park underscores the school’s strong ties to local landscapes and its dedication to inclusive, accessible activities. This photograph stands as a visual testament to the values that defined Jacana Primary School: joy, inclusiveness, and a deep sense of community. It also contributes to a broader understanding of how public education in Melbourne’s outer suburbs fostered social cohesion, local identity, and intergenerational connection during a formative period in the region’s development.This photograph from the 1990 Jacana Primary School Christmas picnic, likely held at Greenvale Reservoir Park, is a valuable visual record of community life and educational culture in Melbourne’s northern suburbs during the late 20th century. It captures the joyful participation of younger students in a cherished annual event, reflecting the school’s emphasis on inclusiveness, celebration, and connection to local natural spaces. Jacana Primary School, established in 1959 and closed in the early 2000s, played a pivotal role in shaping the social fabric of the Jacana community. Events such as the Christmas picnic were integral to the school’s identity, fostering friendships, strengthening ties between families and educators, and promoting a sense of belonging among students. The use of Greenvale Reservoir Park highlights the school’s commitment to accessible, outdoor learning environments and its engagement with the surrounding landscape. This image is significant not only for its depiction of school traditions but also for its broader representation of how public education in Melbourne’s outer suburbs contributed to social cohesion, local identity, and intergenerational connection. It stands as a testament to the enduring values of joy, community, and inclusivity that defined Jacana Primary School and its legacy.Photograph on glossy paper of a group children in the park.PH18289 (crossed out) PH-4209 (crossed out) PH-4868jacana primary school, christmas picnic, 1990, jacana, christmas party

ADB entry: http://adb.anu.edu.au/biography/langham-frederick-3987 Frederick Langham (1833-1903), Wesleyan missionary, was born on 24 April 1833 at Launceston, Van Diemen's Land, son of Samuel Langham, builder, and his wife Eliza, née Robinson. Nurtured in a Methodist home he attended the Paterson Street Sunday school and was 'converted' under the ministry of Rev. William Butters. In 1847 the family moved to Victoria where Langham joined the Fitzroy Church. After two years training as a teacher in Britain he returned to Melbourne and on 16 November 1854 at Richmond married Ann Elizabeth Knight. In January 1855 Langham became headmaster of the Wesleyan Denominational School at Barker Street, Castlemaine, where he was a contemporary of Shirley Baker at the other Wesleyan school. Influenced by Rev. Thomas Raston to consider missionary work, Langham was prepared for the ministry by Rev. John Harcourt and in 1858 was received into the Victorian Conference. He was appointed to Fiji where he arrived in June. Langham served at Lakemba in 1858-63, Bau in 1864-66 and Viwa in 1868-70. As one of the assertive 'colonial young men', he was resented at first by Rev. James Calvert and his colleagues, but Langham soon dominated the mission and was chairman of the Fiji district in 1869-94. From 1871 he lived at Bau where he won repute among Methodists as King Cakobau's adviser. Although his policies did not please all the missionaries, they accepted him as their spokesman. Believing himself the champion of the Fijians he encouraged annexation by Britain, but often nettled the colonial administrators by his paternalism and lack of imagination. To his colleagues he was 'Father' Langham and Sir Arthur Gordon referred to him as 'The Cardinal'. In 1874-75 and 1890 Langham and his wife visited Melbourne mainly for their health. They finally left Fiji in April 1895 and lived in Sydney where Langham worked on the revision of the Fijian Bible. Though always reluctant in Australia to travel on deputationary work, he identified himself with the Orange cause and was easily persuaded to give anti-Catholic missionary lectures, which involved him in public controversy with Cardinal Patrick Moran. In 1898 Langham went to England to see his New Testament through the press. The subsequent burning of some testaments at the Roman Catholic mission at Namosi received much publicity in Australia. Langham's wife had helped his revision and was author of many Fijian hymns. Their adopted (European) daughter Annie Langham Lindsay died on 21 December 1901, just before the revised Old Testament was completed. His wife did not recover from this shock and died on 5 January 1902. Langham became a supernumerary in 1901 and travelled on deputationary work in Britain, mainly for the British and Foreign Bible Society, of which he was a life governor. He also shared in the 'simultaneous mission' of the Evangelical churches. In addition to the Fijian Bible he had published other works in Fijian, some in conjunction with other authors. Recommended by Sir William MacGregor, Langham was awarded a doctorate of divinity by the University of Glasgow. He died at Wilton Villa, Albion Grove, Hackney, on 21 June 1903 and was buried in Abney Park cemetery. Although he bequeathed a 'cannibal fork with human bone attached' to a sister in Melbourne, the rest of his Fijian collection was sold. He instructed his trustees to destroy his journals and correspondence but many of his original letters are in other collections. Physically impressive with leonine hair and beard, Langham cut his missionary role in the cloth of the schoolmaster. As a disciplinarian his punishments were severe but tempered with justice; he once insisted on being caned by a wrongfully punished boy. His relentless energy and simple piety won him renown as a great missionary by his denomination and those of the religious public familiar with the romanticized version of his career. Sepia toned carte de visite studio portrait of the Rev. Frederick Langham"Langham c.1873-77"rev frederick langam, wesleyan methodist missionary, minister, fiji

Jacana Primary School, established in 1959 amid Melbourne’s post-war suburban expansion, was a cornerstone of the Jacana community for over four decades. Built to serve families settling in newly developed housing estates in the northern corridor, the school quickly became a hub for education, inclusion, and community connection. Its student population reflected the area’s growing diversity, with many migrant families contributing to a vibrant and evolving school culture. By the late 1980s, Jacana Primary had earned recognition not only for its academic programs but also for its strong commitment to extracurricular activities. Soccer, in particular, emerged as a defining feature of school life. It united students across cultural and social backgrounds, fostering teamwork, resilience, and a deep sense of school pride. The sport’s popularity mirrored the cultural heritage of many students, making it both a recreational and symbolic activity. The 1990 Soccer Premiers photograph captures a moment of triumph and togetherness during this dynamic period. More than a record of athletic success, it embodies the school’s values of inclusion, participation, and community spirit. It stands as a testament to Jacana Primary’s role in nurturing personal growth and social cohesion through sport. Though Jacana Primary School closed in the early 2000s, its legacy lives on in images like this—offering a window into the lived experiences of students and the social fabric of Melbourne’s northern suburbs during a time of transformation.The 1990 Soccer Premiers photograph from Jacana Primary School is a culturally and historically significant artifact that reflects the school’s role as a vital educational and social institution in Melbourne’s northern suburbs. Established in 1959 during a period of rapid suburban development, Jacana Primary served a diverse and growing community, including many migrant families whose cultural backgrounds enriched the school’s identity. This image captures more than a moment of sporting success—it embodies the inclusive spirit, resilience, and camaraderie that defined Jacana Primary’s approach to education. Soccer was a central part of school life, bridging cultural divides and fostering a sense of belonging among students. The photograph stands as a testament to the school’s commitment to holistic development, where extracurricular activities played a key role in shaping character and community cohesion. Although Jacana Primary School closed in the early 2000s, its legacy endures through visual records like this one, offering valuable insight into the lived experiences of students and the evolving social fabric of Melbourne’s northern corridor during a transformative era.A colour photograph on Matte embossed photo paper.PH-5339(blue label) This paper/ Manufactured/ By Kodakjacana primary school, photograph, school photograph, education, soccer team, 1990, jacana

Invicta Mills was one of final two remaining blanket mills of the forty that had been in operation in Australia when Invicta first began trading in 1946. This Newsletter chronicles many key milestones of this significant Textile enterprise that began humbly and grew to champion the Australian wool industry here and internationally. This typed internal company Newsletter included transcripts of the speeches made at the 1986 Annual Ball to commemorate the company’s achievements at the 40 Year mark. The Newsletter contains information about the history of the company; its’ owners, staff, wholesale customers, suppliers etc. This included the relationship with former Mayor Ron Walker. Also mentioned are the various international Wool Mark Awards the firm won for the blankets designed and produced over several decades. The Business Owner’s Speech at the Commemoration Ball “40 Years” by Mr Leon Korsica is recorded in the final pages. It tells the story of the beginnings and development of the business: its challenges, successes and some stories about key people. Invicta was a multicultural enterprise employing people from 40+ nationalities, many of whom were lifelong employees. It included former German soldiers despite the Company owners were Jewish, with much of the workforce being part of the first wave of post WWll migrants from all over Europe. Page 5 is typed in Vietnamese, a testament to the multicultural nature of the company.14 A4 pages make up the newsletter with printing on both front and back. Only black Ink has been used in the Newsletter with picture and words making up the contents of all these pages.invicta mills

1. A black leatherette softcover Holy Bible contains the Old and New Testaments with the title and publisher Oxford printed in gold lettering on the spine. There are five embossed double lines on the spine too. On the front cover at the bottom right there is printed in gold lettering J.H.L. At the back there is an Indexed Atlas to the Holy Bible with a List of maps and a List of Biblical Names. This is followed by twelve yellow and blue coloured maps of the Lands and Nations of the Bible. The pages have gilt edges. 348p. Inside the front right hand side endpaper written in small blue handwriting is a prayer as written in the Inscription box below. 2. A miniature brown leatherette softcover book titled Daily light on the Daily Path - a devotional text book for every day of the year. The faded title is printed on the front cover at the top and on the spine. At the back there is a section For Special Occasions: Easter, Affliction, Marriage, Bereavement and others. There are two lists of the Daily Texts - the morning and evening hour arranged in biblical order. The edges of the pages are gilt. In the front is handwriiten in black ink - Neville Lordnon-fiction1. A Holy Bible containing the Old and New Testaments. At the back there is an Indexed Atlas to the Holy Bible with a List of maps and a List of Biblical Names. This is followed by twelve yellow and blue coloured maps of the Lands and Nations of the Bible. 2.A miniature book titled Daily Light on the Daily Path, A Devotional text book for everyday in the year..religious books, bibles, prayers

Georg Lansell's brother Wootton Lansell's was Born in Margate, Kent, England, son of a grocer and tallow chandler.Worked as a seaman, with a mariner's certificate issued in 1844, he Arrived in Australia in 1850, initially working as a mounted trooper in Adelaide before moving to Bendigo in 1852 during the gold rush. After some success in gold prospecting, Lansell became a carpenter and then opened a butcher's store in View Point, Bendigo. He Invited his brothers George and William to join him; together they expanded into soap, candle, and tallow businesses. The partnership dissolved after three years, with Wootton turning to farming on 500 acres at Leichardt, while George became known as Bendigo's 'Gold King. Wotton Married Helen Hall in 1854 in Adelaide; they had one son (Thomas George William) and three daughters. Wootton invested in mining and was involved in several mining directorates. Around 1879, Wootton built a substantial brick and stone house (Myrtle Villa) with eight main rooms, which remains in the family. The house is notable for its original features, such as sand-colored tile-patterned wallpaper and a four-poster bed where nine of his ten grandchildren were born. The garden is sustained by a permanent spring and retains much of its original character. The house is still occupied by his descendants, notably his twin granddaughters Alice Lansell and Neva (Mrs. D. W. Jenkins). The family has preserved the home's historical character, with careful updates and retention of original furnishings and heirlooms. The Lansell name is closely associated with Bendigo's early gold-mining history and development. Myrtle Villa stands as a testament to the family's enduring presence and influence in the region.Lansell Articles - Wotton Lansell - Myrtle House Bendigo This item contains the following document: 11217.67a Colour photo 7.5 x 10 inches of four poster bed at "Myrtle House", Bendigo. The photo is of the elegant four-poster bed in which nine of Wotton Lansell's grandchildren - the family of his son Thomas William, were born. On the rear of the photo is written in ink. "Main bedroom, Myrtle Villa c 1982; a gift to Wotton and Helen Lansell from Edith Lansell."non-fictionbendigo, fortuna, george lansell, edith lansell, wotton lansell, helen hall lansell

Athol Gill was born in Wauchope, NSW, on 5th September 1937. On 25th April 1959 he married Judith Prior. In 1960 he enrolled to become a Baptist minister studying at the Baptist Theological College of NSW. A strong call to higher studies took him to London where he obtained his BD (Hons) and later to Zurich where he attained his Masters and a Doctorate of Theology. Athol lectured in Biblical Studies in both Baptist and Methodist Theological Colleges in Brisbane, moved to Melbourne in 1974 to become Dean of Whitley College, then in 1979 was appointed Professor of New Testament where he continued until his death. He was widely respected for his academic work but also for his remarkable commitment to living the faith he taught. Athol lived, with his family, in Christian Community for nearly all his adult life - in Brisbane at the House of Freedom, and for his last seventeen years as founding leader of the House of the Gentle Bunyip linked with the Clifton Hill Baptist Church, which later became known as the Community Church of St Mark. The House of the Gentle Bunyip came into being in 1975 during the Anzac Day weekend when Athol was teaching on "Discipleship" from the Gospel of St Mark. He announced he was commencing a Christian community to explore and expound the meaning of discipleship. 35 people, mainly young and single, agreed to join him. Athol was a provocative advocate for the poor and for social justice. He campaigned relentlessly for the Church to reflect the teachings of Jesus and for a peaceful and just society. This was evident in his simple lifestyle and through his practical engagement in mission with the poor and marginalised. Honoured in Australia and internationally as a brilliant theologian, teacher and author, Athol is also remembered for his love of sport, especially for the Carlton Football Club, his unique sense of humour and his warm humanity. He died suddenly on 9th March 1992. Head and shoulders of Athol Gill seated in front of bookcaseDr Athol Gill says that the Christians in Yugoslavia are not hoping for a change to Western democracy, but greater human rights under a Communist government. dr athol gill; house of the gentle bunyip

On the 12th of March 1891 documents show Ann Myer’s application for a dairy. A small addition to the front right side of the house can be seen in the photo of Ann and her two sons. The dairy remained until the house was demolished in 1969. Mary Dowling’s sisters Ann and Eliza appear on the shipping list to Australia arriving in Melbourne as assisted immigrants on the ‘Hotspur’ on the 25th June 1855. Their ages were recorded as 19 and 20 years. Ann Dowling’s records contains receipts for the rent of land in the parish of Kororoit in 1865. In 1867 Ann married Henry Miers at St Patricks Cathedral on the 28th May at age 26 years. Other spelling of the family name have been spelt, Miers, Myres, Mears and eventually became Myers. Henri came from Prussia but little information about his life before he married Ann. Ann and Henri had a small house built c1860 near Ryans Creek also known a Myers Gully. Henry was a labourer. According to notes in Edna’s research the original house consisted of two rooms and was built by Russell, and more rooms were added later built by Paddy Burns, the grandfather of Nick Burns. Additions were made to extend the south veranda and north further skillion rooms were added.Ann and Henri had four sons, Henry born in 1870, Thomas in 1872, George in 1874 and Frederick in 1877. By the December of 1886 tragedy struck again when father Henry fell from the top of a hay wagon at Darlingsford when the driver Ralph Parkinson failed to warn him the horses where about to move. Henry asked to be taken home where he died the next day. Henri Miers was aged 51 years at his death. The Parkinson family paid compensation for causing the death of Henry. Ralph Parkinson died shortly after. The Myers boys received their education at Melton State School. Their handwriting is testament to the benefit of receiving an education to grade 8. Frederick the youngest son gained his Merit Certificate on the 10th of October 1889. They also received books inscribed by the Head Teacher. Ann was illiterate and was aged about 15 years when she arrived in Australia and was dependent on youngest son Frederick. Although at a disadvantage she managed her legal affairs. Frederick Myers married Martha Watson in 1908. Thomas Myers died in November 1909 Ann Dowling Myers died in October 1924. She lived in the family home with Martha Fred, grandson Fred and granddaughters Marjorie and Edna who was aged six at her death. Her son Henry died in 1950 followed by George in 1954 and Frederick in 1963. Ann with two of her children and turkeys at the front of their housepioneer families, local identities

"Hannah ‘Grannie’ Wattsis one of Melton’s mostcelebrated and cherished pioneers. Born in Ireland in 1831, Hannah immigrated to Australia with her husband George Byrns in 1854. Moving to Melton, they built a wattle and daub hut home where they lived with their four children until George was tragically killed in 1860. Unusually for the time, Hannah purchased land in her own name in the Melton township in 1863. Later that same year she married William Watts and together they moved to Toolern Vale and built a bluestone and mud brick home. It is believed that while travelling to Australia, Hannah assisted the ship surgeon and demonstrated a natural aptitude for the tasks assigned to her. When she was living in Melton she assisted other women in an unofficial capacity as neighbourhood midwife, while also working on her farm and raising her six children. By 1887, however, her reputation as a midwife had grown to such an extent that she was able to establish her own practice. William Watts died in 1874, but Hannah remained in Toolern Vale for the next twenty years. In 1894, she moved into the Melton township and built Lynch Cottage on the corner of Yuille and Sherwin streets, near Toolern Vale Creek. There she assisted in the births of hundreds of Melton residents, as well as the laying out of the deceased. Meticulous in her record keeping, Hannah Watts recorded the details of a total of 442 births between the years 1886 and 1921. Lynch Cottage was officially registered as a private hospital in 1911 and Hannah was listed in the Victorian Register of Midwives in 1917. Hannah Watts died on 21 October 1921, a few months after she assisted with the delivery of her final baby, Thomas Watts Minns. She was 90 years old. Hannah was buried in Melton Cemetery and mourned by the Melton community. Her obituary in the Gisborne Gazette is a testament to how beloved she was by the people she served: ... while in the absence of medical aid residents looked to Grannie as their doctor, philosopher and friend. Hundreds, in fact we might say thousands of people held the deceased in veneration ... A woman of great energy and determination combined with superior intelligence, Grannie conquered difficulties that would have made many falter... Today Grannie Watts is remembered by her descendants and by many locals in the City of Melton. Created in 1985, Hannah Watts Park honours Grannie Watts’ pioneering work for the health and wellbeing of hundreds of Meltonians. Not only is the park a fitting tribute to the memory of an outstanding citizen, it also continues to provide today’s residents and visitors with a space to walk, relax, gather and celebrate in Melton" .Tom Minns holding Debra Wain, first hospital baby to be born In Melton since 1921. Article featured in the Herald. Mother Rhonda Wain is featured in the photo too. local identities, local significant events

This small label badge carries the symbol of the World Council of Churches (WCC), which was established in 1948. The WCC states on its website "The World Council of Churches (WCC) is the broadest and most inclusive among the many organized expressions of the modern ecumenical movement, a movement whose goal is Christian unity. " The 'V' on the back of the badge possibly stands for Victoria. The word on the logo of this badge has the spelling "OIKUMENE" but in many other WCC logos, the Greek word "Oikoumene" is used. The term is translated as "inhabited earth" and is used fifteen times in the original Greek New Testament, including in Matthew 24:14, which says "And the gospel of the kingdom shall be preached in all the world for a witness unto all nations and then shall the end come." The WCC explains that the logo uses early Christian symbols to portray its message, with the church portrayed as a boat afloat on the sea of the world with the mast in the form of a cross. This badge is part of a set of eleven badges collected from the 1920s to the 1940s by Dr W. R. Angus. The set represents various organisations that he had interests in. It was donated to Flagstaff Hill Maritime Village by the family of Doctor Angus, Surgeon and Oculist. The set of badges is part of the “W.R. Angus Collection” which includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at the University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was a house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was a physician, surgeon and chemist. In 1926, he was appointed as the new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This religious lapel badge of the World Council of Churches represents one of the organisations in which Dr Angus had an interest. The set of badges is significant for connecting Doctor Angus with Australian organisations of the early-to-mid 20th century, including those relating to military service support. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Lapel badge; a small round blue enamel badge with gold image and text. The image contains the symbol of a cross above a small boat on waves. The image is the logo of the World Council of Churches.This badge is part of a set of badges collected by Dr W R Angus. the set represents organisations that he was involved in, and is part of the W.R. Angus Collection.Test above Logo: “OIKUMENE” Logo; [cross] above [small boat] above [waves] Text under clip; “V” flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, oikumene, w.r. angus, metal badge, enamel badge, organisation badges, religious badge, lapel badge, oikoumene, world council of churches, wcc, christian unity

This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. MARINER'S CROSS symbol: - The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says, “Which hope we have as an anchor of the soul, both sure and steadfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery are examples of traditional handcraft skills used over the centuries and continuing in use today.Altar cloth, white linen, with custom-made white cotton cover. The long rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand-stitched. The cover has two white tape ties and embroidered text in blue silk thread. This cloth and cover is part of the St. Nicholas Seamen's Church Collection. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity, anchored cross, flagstaff hill maritime museum and village, maritime village, religious worship, worship service, st nicholas seamen’s church, williamstown, missions to seamen victoria, mission to seafarers, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church

The Trustees of the Australian Ex-Prisoners of War Memorial have defined a Prisoner of War to be a person who was captured by a common enemy and/or interned in a neutral or non-combatant country. To be defined an Australian Prisoner of War, the person needs to be either an Australian Born person serving in the Uniform of an Australian Service; or in the Uniform of a friendly country, or Born Elsewhere and serving in the Uniform of an Australian Service. A Prisoner is a person who has lost personal privileges, suffers deprivation of liberty or is unable to return home or dies in captivity.Colour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial." ballarat, ballarat botanical gardens, peter blizzard, ballarat north gardens, war memorial, prisoner of war, prisoners of war

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, peter blizzard, prisoner of war, ballarat north gardens

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, prisoner of war, ballarat north gardens, peter blizzard

This print of Christ is slightly smaller than the original 1927 oil painting by Herbert Beecroft, which is titled “Christ” and measures, in centimetres, 60 high by 50 wide. The original is displayed at John Wesley’s House & The Museum of Methodism in Islington, England. This print was part of the original furnishings donated by the Williamstown Lightkeepers' Auxiliary to the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria, operated by the Missions to Seamen organisation. The title of the print is taken from the Holy Bible, from the New Testament book of Luke, chapter 22 verse 61, which is a famous Christian account of Jesus being betrayed by Peter, which leads to Jesus’ crucifixion; “And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice.”. The print was published in 1942 by the National Sunday School Union in England, now known as the National Christian Education Council. The NSSU was established in Britain in 1803 to promote Sunday Schools in Britain and overseas. The organisation produced many publications, including training manuals and materials for Sunday School teachers. Herbert Beecroft 1864-1951, also known as Lawrence Herbert Beecroft, was an early 20th-century artist. He and his wife emigrated from England to Sydney, Australia, in 1905. He worked as a painter, illustrator, miniaturist, lightning cartoonist, and lecturer. From 1927, Beecroft painted a series of portraits of Jesus Christ, prints of which made many worldwide sales. He entered a miniature portrait in the 1921 inaugural Archibald Prize competition. It was one of forty-one entries but the title was unknown. It was probably JF Archibald, the person who endowed the prize, first awarded in 1921. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity in Great Britain that has served the world's seafarers since 1856. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seamen Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, and the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and resembles the Williamstown chapel. This print of Christ, originally painted by Herbert Beecroft, represents the social movement in the early 20th century to educate all children in good morals and Christianity. The book is historically significant for its connection to the Missions to Seamen and to the Williamstown Lightkeepers' Auxiliary, an organisation of women, formed to support seafarers. A religious portrait of the artist’s impression of Jesus. The print is in a gilt timber frame behind glass. The frame has eyelets and wire for hanging. The backing paper lifts to reveal a handwritten pencil inscription. The portrait shows a male figure from the waist up facing the viewer but turned slightly to his right. He has long wavy blond hair, a moustache and a beard. He wears a blue-grey robe over a collarless white shirt. The background is red-brown. It is the artist’s impression of Jesus. The whole frame-mat has script text above and below the print, giving its title, and details of the publisher and producer. This print was produced from an original 1927 oil painting by Herbert Beecroft. It was published in 1942 by The National Sunday School Union in London and produced by Frost & Reed Ltd., England. This print is part of the St. Nicholas Seamen's Church Collection. Handwritten script on the mat; “Published in 1942 by the National Sunday School Union, 4 Black Friars Lane, London, EC4. Produced by Frost & Reed Ltd., Bristol & London. Printed in England. Copyright.” and, “The Lord turned and looked upon Peter … and Peter remembered” Signature on bottom left “Herbert Beecroft” In pencil on backboard under back paper “H 89 / 12”. 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