This Minton floor tile is from the wreck of the LOCH ARD. Other examples of this manufacture have been recovered from the wreck site and form part of the collection at Flagstaff Hill. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London when it ran into the cliffs of Mutton Bird Island near Port Campbell and was wrecked on the early morning of June 1, 1878. The LOCH ARD was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-metre-high ceramic masterpiece of vivid glazed colours. The almost total loss of life and property from the LOCH ARD registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from gold and wool was increasingly being spent on magnificent private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent were their new range of colourfully patterned but very durable floor tiles – ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased within the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) that were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast.The Minton encaustic floor tile is significant for its method of manufacture which makes it durable as well as decorative. The shipwreck of the LOCH ARD is of State significance. Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.A square Minton floor tile with a black and beige pattern against a white base. This encaustic floor tile was recovered from the shipwreck of the LOCH ARD. On the back, or base, of the tile is inscribed the number “46” and the letters “Minton & Co Patent Stoke upon Trent”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, minton floor tile, encaustic tile, melbourne international exhibition, floor tile

This Minton floor tile is from the wreck of the Loch Ard and is currently on display in the Great Circle Gallery at Flagstaff Hill. The iron hulled clipper ship from the Loch Line was heading for Port Phillip from London, when it ran into the cliffs of Mutton Bird Island near Port Campbell. The Loch Ard was laden with a high value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well packed Minton porcelain peacock, a two meter high ceramic masterpiece of vivid glazed colours. (This is also on display in the Great Circle Gallery). The almost total loss of life and property from the Loch Ard registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. Wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-molded casting. When fired, the resulting tile was colours-fast and design-fast. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A square Minton floor tile with a dark brown, beige and white pattern. The tile has a piece broken off along one side and some chipping along the edges. This ‘encaustic’ floor tile was recovered from the shipwreck of the LOCH ARD. Branded "... MINTON&CO Patent ..."flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, minton floor tile, encaustic tile, melbourne international exhibition, floor tile

This Minton floor tile is from the wreck of the Loch Ard. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London, when it ran into the cliffs of Mutton Bird Island near Port Campbell. The Loch Ard was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-meter high ceramic masterpiece of vivid glazed colours. (This is also on display in the Great Circle Gallery). The almost total loss of life and property from the Loch Ard registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A square Minton floor tile with a white background, and beige, dark blue, light blue and black geometric pattern as well as leaves in the design. The tile has corner broken off and some chipping along the edges. The reverse has five rows of five evenly spaced holes. The back of the tile has inscriptions. Made by Minton & Co. at Stoke upon Trent. This encaustic floor tile was recovered from the shipwreck of the LOCH ARD. Branded "... MINTON&CO / PATENT / STOKE UPON TRENT"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, minton floor tile, encaustic tile, melbourne international exhibition, floor tile, minton tile, minton & co., stoke upon trent

A cardboard Red Cross Gift Box used by Australian Red Cross in WW11 to send comfort parcel to POW in Germany. This particular box belonged to VX34767 Private T.H. AndersonLeft top of Box: POW Food Parcel/Germany/same size 8lbs. Centre: Red Cross Symbol/A Gift/on behalf of your Next-of-Kin with the best/ wishes of the London Committee/ Australian Red Cross Society. Top right of Box: Postage label/Mrs (torn)?olls/149 (torn off) Street Geelong West Australia./ Below this is the contents list: Chocolate/Chewing Gum/ Dentifrice/ 4 hankerchiefs/ mail brush/ pullover/ pencil/ razor blades/ 2 safety pins/ shirts/ soap/ 3 prs sox/ shaving soap/ towel/mending wool. Left hand side lower down: Despatched 18/5/44/ VX 34767 Private T.H. Anderson/ Australian Prisoner Of War No 125514/ Stalag V11 A Germany/ C/O International Red Cross Society/ Geneva Switzerland.australian, cross, ww11, red, pow, t h, anderson

Certificate commemorating The Geelong Wool Sales at the National Wool Centre 1995 durring which Aoki International paid 1,030,000 cents per kilogram for 13.8 micron wool. Wool was grown by the Appledore Family at Brim Victoria. Aoki International purchased the wool through their agets G.H. Michell & Sons (Australia) Pty. Ltd. Relates to Million Dollar Wool Bale on display in Gallery OneTimber framed certificate with gold inlay and glass covering. Certificate is cream coloured paper with gold printed text and decorative boarder. Hand Signed by K.L. Jackson on bottom left corner. Back of the frame has a horizontal hanging string

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

The Wettenhall family were well known sheep breeders. The family owned the "Stanbury" corriedale stud at Ceres.ESTATE LATE R E WETTENHALL/ VICTORIAN CORRIEDALE RAM FLEECE/ 13/ 268sheep breeding corriedale studs agricultural shows, stanbury corriedale stud australian corriedale association, sheep breeding, corriedale studs, agricultural shows

The Wettenhall family were well known sheep breeders. The family owned the "Stanbury" corriedale stud at Ceres.ESTATE LATE R E WETTENHALL/ VICTORIAN CORRIEDALE RAM FLEECE/ 13/ 268sheep breeding corriedale studs agricultural shows, stanbury corriedale stud australian corriedale association, sheep breeding, corriedale studs, agricultural shows

"Instruction Paper No.110: Reading Working Drawings 3rd ed"- International Correspondence Schools Ltd."Instruction Paper No.110: Reading Working Drawings 3rd ed"- International Correspondence Schools Ltd.textile industry - education, international correspondence schools ltd

"Instruction Paper No.486: Woolen and worsted cam-looms.." - International Correspondence Schools Ltd."Instruction Paper No.486: Woolen and worsted cam-looms.." - International Correspondence Schools Ltd.weaving textile machinery textile industry - history textile industry - education, international correspondence schools ltd, cloth - woollen, cloth - worsted, weaving looms, weaving, textile machinery, textile industry - history, textile industry - education

"Instruction Paper No.5770: Quilling 1st Ed" - International Correspondence Schools Ltd."Instruction Paper No.5770: Quilling 1st Ed" - International Correspondence Schools Ltd.various calculationsweaving textile machinery textile industry - history textile industry - education, international correspondence schools ltd, quilling, winding, winding machinery, weaving, textile machinery, textile industry - history, textile industry - education

"Instruction Paper No.484: Woolen and worsted cloth calculations, 1st Ed." - International Correspondence Schools Ltd."Instruction Paper No.484: Woolen and worsted cloth calculations, 1st Ed." - International Correspondence Schools Ltd.weaving textile machinery textile calculations textile industry - education, international correspondence schools ltd, cloth - woollen, cloth - worsted, weaving, textile machinery, textile calculations, textile industry - education

"Instruction Paper No.841B :Drum and pirn winding frames, part 2, 1st Ed. - International Correspondence Schools Ltd."Instruction Paper No.841B :Drum and pirn winding frames, part 2, 1st Ed. - International Correspondence Schools Ltd.weaving textile machinery yarn production textile industry - education, international correspondence schools ltd, winding, winding machinery, weaving, textile machinery, yarn production, textile industry - education

"Instruction Paper No.485B: Woolen and Worsted Warp Preparation part 2, 1st Ed." - International Correspondence Schools Ltd, 1926."Instruction Paper No.485B: Woolen and Worsted Warp Preparation part 2, 1st Ed." - International Correspondence Schools Ltd, 1926.weaving textile machinery textile industry - history textile industry - education, international correspondence schools ltd, cloth - woollen, cloth - worsted, dressing, beaming, weaving, textile machinery, textile industry - history, textile industry - education

"Instruction Paper No.513: Pile Weaves, 1st Ed." - International Correspondence Schools Ltd."Instruction Paper No.513: Pile Weaves, 1st Ed." - International Correspondence Schools Ltd.weaving textile machinery textile industry - history textile design textile production textile industry - education, international correspondence schools ltd, corduroy, carpet, velvet, weaving, textile machinery, textile industry - history, textile design, textile production, textile industry - education

"Instruction Paper No.485A: Woolen and worsted warp preparation Part 1, 1st ed" - International Correspondence Schools Ltd."Instruction Paper No.485A: Woolen and worsted warp preparation Part 1, 1st ed" - International Correspondence Schools Ltd.weaving textile machinery textile industry - history textile industry - education, international correspondence schools ltd, cloth - woollen, cloth - worsted, weaving looms, weaving, textile machinery, textile industry - history, textile industry - education

Instruction Paper No.490: Woolen and worsted loom fixing, 1st ed, 1925Instruction Paper No.490: Woolen and worsted loom fixing, 1st ed, 1925weaving textile machinery textile industry - history textile industry - education, international correspondence schools ltd, cloth - woollen, cloth - worsted, weaving looms, weaving, textile machinery, textile industry - history, textile industry - education

"Instruction Paper No.487B: Woolen and worsted fancy looms, part 2, 1st ed - International Correspondence Schools Ltd."Instruction Paper No.487B: Woolen and worsted fancy looms, part 2, 1st ed - International Correspondence Schools Ltd.weaving textile machinery textile industry - history textile industry - education, international correspondence schools ltd, cloth - woollen, cloth - worsted, weaving looms, weaving, textile machinery, textile industry - history, textile industry - education

"Instruction Paper No.487A: Woolen and worsted fancy looms, part 1, 1st ed - International Correspondence Schools Ltd."Instruction Paper No.487A: Woolen and worsted fancy looms, part 1, 1st ed - International Correspondence Schools Ltd.weaving textile machinery textile industry - history textile industry - education, international correspondence schools ltd, cloth - woollen, cloth - worsted, weaving looms, weaving, textile machinery, textile industry - history, textile industry - education

"Instruction Paper No.5279: Control of materials, 1st ed - Dexter S Kimball Jr, for International Correspondence Schools Ltd."Instruction Paper No.5279: Control of materials, 1st ed - Dexter S Kimball Jr, for International Correspondence Schools Ltd.textile industry - history textile mills - management textile industry - education, international correspondence schools ltd, textile industry - history, textile mills - management, textile industry - education

"Instruction Manual: Book-keeping part 1, 19A, 3rd ed" - International Correspondence Schools Ltd."Instruction Manual: Book-keeping part 1, 19A, 3rd ed" - International Correspondence Schools Ltd.textile industry - education, international correspondence schools ltd

"Instruction Manual: Book-keeping part 2, 19B, 4th ed" - International Correspondence Schools Ltd."Instruction Manual: Book-keeping part 2, 19B, 4th ed" - International Correspondence Schools Ltd.textile industry - education, international correspondence schools ltd

"Instruction Manual: Book-keeping part 3, 19C, 3rd ed" - International Correspondence Schools Ltd.Booklet, 79pp. Soft cover, pale blue and printed black ink. "Instruction Manual: Book-keeping part 3, 19C, 3rd ed" - International Correspondence Schools Ltd.textile industry - education, international correspondence schools ltd

"How to study and how to prepare and send your lessons No 18, 5th ed" - International Correspondence Schools Ltd."How to study and how to prepare and send your lessons No 18, 5th ed" - International Correspondence Schools Ltd.textile industry - education, international correspondence schools ltd

Fabric samples produced by Aoki International, Japan and sent to Keith Jackson at Victorian Producers' Co-operative Limited.Fabric samples produced by Aoki International, Japan and sent to Keith Jackson at Victorian Producers' Co-operative Limited.Geoff, This is for Keith Jackson fron Aoki International (Vivo textil) Regards, Paul FINE WOOL 152 AOKI INTERNATIONA Vivo Textile Co. Ltd. C. Migutani Vivo Textileweaving textile design, aoki international limited, jackson, mr keith - victorian producers' co-operative limited, weaving, textile design

The Wettenhall family were well known sheep breeders. The family owned the "Stanbury" corriedale stud at Ceres.INTERNATIONAL/ CORRIEDALE FLEECE COMPETITION SUPREME CHAMPION/ CORRIEDALE RAM FLEECE/WON BY ESTATE LATE R E WETTENHALL/ 1965sheep breeding corriedale studs agricultural shows, stanbury corriedale stud, wettenhall, mr rupert e., sheep breeding, corriedale studs, agricultural shows

Red white and blue felt trophy rosette, International Corriedale Fleece Competition, 1965, and Victorian Champion Ram Fleece, presented to Stanbury Coriedale Stud, R EWettenhallINTERNATIONAL CORRIEDALE FLEECE COMPETITION 1965 VICTORIAN CHAMPION RAM FLEECEcorriedale sheep sheep breeding agricultural shows, stanbury corriedale stud, wettenhall, mr rupert e. wettenhall, mrs janet, victoria, corriedale sheep, sheep breeding, agricultural shows

Red white and blue felt trophy rosette, International Corriedale Fleece Competition, 1965, and Supreme Champion Ram Fleece, presented to the Stanbury Coriedale Stud, R EWettenhall.INTERNATIONAL CORRIEDALE FLEECE COMPETITION 1965 SUPREME CHAMPION RAM FLEECEcorriedale sheep sheep breeding agricultural shows, stanbury corriedale stud, wettenhall, mr rupert e. wettenhall, mrs janet, victoria, corriedale sheep, sheep breeding, agricultural shows

The pamphlet was made for and distributed at the Hong Kong International Toy and Games Fair, 1996, and directed to an international market. Possibly part of a subsequent donation ie after the initial 1989 donation.NWM 99.107sheep stations - management wool growing squatters, lloyd, mr robert, australia, sheep stations - management, wool growing, squatters