Showing 1665 items
matching y-103
-
Canterbury History Group
Photograph - Mr. Ken Buckley and another shop keeper and daughter, Jan Pigot, 27/03/1993 12:00:00 AM
Coloured photograph of Mr. Ken Buckley standing outside his supermarket in Maling Road with Godfrey and his daughter , manager of Time For Tea at No. 103 maling Roadcanterbury, maling road, shops, buckley family -
Bendigo Military Museum
Book, Aidan Crawley, Escape from Germany, 1985
Softcover with blue and white image of multi-storey buildings with red silhouette of barbed wire in front.On title page "Donated by Bgo "Y" Men's Club"books, military history -
Bendigo Military Museum
Book, AH and AW Rees, Battleground South Pacific, 1970
Khaki hardcover book with dust jacket. Dust jacket has picture of a beach and sky with a gun barrel on the sand, pointing out to sea. Back cover has three smaller photos of battlefield debris.On second page "Donated by Bgo "Y" Men's Club"books, military battles -
Rutherglen Historical Society
Microfiche, Births Register Index
small sheet of film 1893 GALBRAITH M TO 1893 HONEY CHURCH Ybirth, family, register -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah VIII, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: MARCUSE / YACKANDANDAH / Reverse: Y 3 / 014 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah VI, c1980
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: YACKANDANDAH / 80 Reverse: Y 5 / 018 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Kadimah Jewish Cultural Centre and National Library
Programme, From Goldfarden to Sholem Aleichem; 1950
Y. Sher -M.C., Miriam Rochlin - pianodovid herman theatre, saba hirshfeld, y. greenhaus, l. greenberg -
Kadimah Jewish Cultural Centre and National Library
Programme, Concert Raya Zomina; 1950
M.C. Y. Sher, Piano Miriam Rochlindovid herman theatre, l. rosner, b. razanek -
Kadimah Jewish Cultural Centre and National Library
Programme, Raya Zomina (3rd concert); 1949
M.C. Y. Sher, Piano Miriam Rochlindovid herman theatre -
Bendigo Historical Society Inc.
Postcard - WES HARRY COLLECTION: SINKING OF THE EMDEN
Post card print of a painting called ' Emden, beached and done for, 9th November 1914 ' by Arthur Burgess. Produced y the Australian War Memorial.postcard, photograph, world war 1, emden, world war 1, arthur burgess -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Age, Dry Soil? Don't Despair, 27.03.2021
soil, irrigation, mediterranean plants, peter may, megan backhouse -
Melbourne Tram Museum
Photograph - Preston Workshops Tour Y class and works trams, Warren Doubleday, 30/7/1969
Photos show interior of Preston Workshops during a Monash Railway club tour on 30/7/1969. 1 - Y1 613 and Y 469 2 - Y 469 and works car 16 3 - Spare freight car 19Yields information about Preston Workshops and trams stored or being repaired.Set of three Black and white photographs of the interior of Preston Workshops during a tour.Has details on rear in red ink.tramways, trams, preston workshops, freight tram, tram 613, tram 469, tram 16, tram 19, y1 class, y class -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: SMALL BOOKLET - STAPLED. JOURNAL 'TROLLEY WIRE' MAGAZINE OF THE SOUTH PACIFIC ELECTRIC RAILWAY
Booklet: MAGAZINE OF THE SOUTH PACIFIC ELECTRIC RAILWAY. Published August 1966 Volume 7, No 5 issue, No. 105.South Pacific Electric Railway Co-operative Society Ltd., Box 103, GPO, Sydney.person, individual, basil miller -
Wannon Water
Antique cast iron seal embossing press, Seal
The Portland Water Board was constituted on July 1 1984 under the Water and Sewerage Authorities (Restructuring ) Act 1983 and amalgamated the prebvious authorities of Portland Sewerage Authority and the Portland Waterworks Trust. The Portland Water Board was abolished on 1 July 1994 under the Water Act 1989 and amalgamated with Port Fairy Water Board and Heywood Water Board to form Portland Coast Regional Water AuthorityA cast iron seal press. This was used by Portland Water Board to emboss agreements and official documents. Die is still attached to the press. It reads: Portland Water Board 1984 Cast iron press with handle and inscripted brass diePortland Water Board 1984 Remnant of label: .. eszler 103 Hawke Street West Melbournepublic administration, amalgamation, restructure, portland, port fairy, heywood, water supply, sewerage -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 1900's
One of a collection of 4 photographs donated by Y Hancock.Sepia postcard of Cowes Beach, Phillip Island"The Rose Series P. 3402" "The Beach, kCowes, Phillip Is., Vic."cowes beach phillip island, phillip island beaches, phillip island, y hancock -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 1900's
One of a collection of 4 photographs donated by Y. Hancock.Sepia postcard - photo taken near Lovers' Walk, Cowes, Phillip Island."The Rose Series P. 3416" "Near The Lovers' Walk, Cowes, Phillip Is., Vic."lovers walk cowes, phillip island, y hancock -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 1900's
One of a collection of 4 photographs donated by Y. HancockBlack & White postcard of yachts at San Remo. Many people onboard a vessel next to a yacht."San Remo Sports"yachts, yachts at san remo, y hancock -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 1900's
One of a collection of 4 photographs donated by Y. Hancock.Sepia postcard of a rock formation at Cape Woolamai called The Watch Tower."The Rose Series P. 679" "The Watch Tower, Cape Woolamai, Phillip Island, Victoria"the watch tower, the watch tower cliffs, cape woolamai cliffs, the watch towes at cape woolamai, phillip island coastline, y hancock -
Kadimah Jewish Cultural Centre and National Library
Programme, God, Man and Devil; 1949
Play in 4 acts. Premiere. Produced by Y. Greehausdovid herman theatre, helen beverlen, leah naomi, lazar freed, david opatoshu, izidor kashir -
Kadimah Jewish Cultural Centre and National Library
Programme, Plays by I. L. Peretz ; 1952
Orchestra - Miriam Rochlin, Ch. Wainer, Y. Vilerdovid herman theatre, jacob waislitz, moshe potashinski, chana light, i silman, eva meletski, i. levine, pnina kochen, mila waislitz, shia tigel, a. vygusin, meyer ceprow, b. rosenberg -
Melbourne Legacy
Slide - Slides, c.1960
Photos depict many aspects of Legacy activities during the 1960s'. From the captions on the slides there is a range of topics. Including: Collecting firewood in Eildon and delivering it to Melbourne Legacy Camp in 1956/7 and 1962 Harelands house from the outside and an internal photo Group members meet the children 1958 Christmas party 1960 Government House party 1960.Showing the level of involvment of Legatees helping children of deceased ex - service and service personnel. Helping those families in need with a great variety of activities.103 x 35mm coloured slide photographs. Cardboard/plastic surrounds 35mm photo. Photo grouped according to various activities photos depict in yellow plastic container.Variousactivities, fundraising, junior legatee -
Glen Eira City Council History and Heritage Collection
Document (Item) - Newspaper (digital), Glen Eira News, 2006
The Glen Eira news is the official newspaper of the City of Glen Eira from 1995 to present day. The City of Glen Eira is the Municipal Council for an area of the South Eastern suburbs of Melbourne, including Bentleigh, Bentleigh East, Brighton East, Carnegie, Caulfield, Elsternwick, Gardenvale, Glen Huntly, McKinnon, Murrumbeena, Ormond and St Kilda East. Prior to the amalgamation of City of Caulfield and parts of the City of Moorabbin in 1994, the Glen Eira News was preceded by the Caulfield Contact Monthly. glen eira, city of glen eira, bentleigh, bentleigh east, brighton east, carnegie, caulfield, elsternwick, gardenvale, glen huntly, mckinnon, murrumbeena, ormond, st kilda east -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1924
Knight's tea-rooms. See "Victoria's Wonderland" p. 103-104 for further information.Photo shows a house with a smaller building behind and a picket fence (house and tea-rooms at Henham. Two cars are parked to the left of the smaller building (tea-rooms)bbuildings, tea rooms -
Bendigo Military Museum
Newspaper - THE AIF NEWS, 1941, The AIF News Middle East, 5.7.1941
The main content is war news with photos plus sports news, interesting adverts by businesses in Cairo and Alexandria, last page has photos of Australian soldiers in Syria with ancient Roman and Crusader ruins.Newspaper, The AIF News, issued y the Australian Imperial Force Middle East, classed as 8 pages, yellowed, all print in black, contains photos.“The AIF News, Saturday 5 July 1941 No 69”the aif news, middle east, 1941 -
Federation University Historical Collection
Scientific Instument, Daystrom Limited, Oscilloscope, c1960
Any early acquisition y the Mount Helen Physics Department. Oscilloscope user assembled supplied by Dystrom Limited, Gloucestor, England, under the Heathkit brand. Grey ripple finish sheetmetal case, with ventilation slots. Leather strap carry handle. Specifications not attached. scientific instrument, ballarat school of mines, bill durant, physics -
Tatura Irrigation & Wartime Camps Museum
Book, Phillip Island in Picture & Story, 1968
Bequeathed to the Museum by Y. Greig by her Executor B. Hotchin.Blue hard covered book, white printing. Blue dust cover. Birds (2) and koala bear on front, rough map and birds, koala, Pelican, Penquin, seal and crab on the back of the dust cover.Phillip Island in Picture & Storydunera, camp 2 -
Kadimah Jewish Cultural Centre and National Library
Programme, Purim Concert 1949; 1949
Concert followed by Purim Megillah with I. Giligich and Y. Sherdovid herman theatre, i. raymer, s. ginter, r. swiatlo, a. braisblat, i. greenhaus, rachel holzer, n. ginter, m. rochlin -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Publicity Branch Victorian Department of Agriculture, Students in the Laboratory, 1961
This group of students appears in an illustration in, "Green Grows Our Garden," A.P. Winzenried p 103. Black and white photograph of students in the Laboratory they are left to right: Peter Trudgeon, Dianne Durrant, Thea Rimmer, Oliver Frost and Lex Hodge.On reverse, "Photograph by Publicity Branch Victorian Department of Agriculture Ref. No. c.1695J."students, peter trudgeon, dianne durrant, thea rimmer, oliver frost, lex hodge, green grows our garden, a.p. winzenried, laboratory, students in class -
Bendigo Military Museum
Book, An Entertaining War
MIchael Pate - renowned Australian actor and film makerHard cover - white with black and red lettering Black and red lettering on spine White dust cover with cartoon on "The Islanders" on front and photo of Michael Pate on back. Illustrated - 189 pages plus 3 indexDonated by BGO Y Mens Club on the 1st title pagebooks, military history -
Bendigo Military Museum
Book, Cheshire V.C, 1972
White soft cover with picture of a painting on the front cover of Group Captain LEONARD CHESHIRE. Author - RUSSELL BRADDON. Pages 192Written on front page "Donation by BGO "Y" Mens Clubbooks-biography, military history - army