Worn by donor's mother c 1970s.- Summer house coat with raglan sleeves - Cotton with satin trim & tied neck - Iris & stripe pattern in multi colour - Plastic buttons down front " A Ralstan Gown", size 18, Bust 100cmclothing, fashion, housecoat

Proudly worn by soldiers of the 1st and 2nd Australian Imperial Force in both World Wars, the 'Rising Sun' badge has become an integral part of the digger tradition. The distinctive shape of the badge, worn on the upturned side of a slouch hat, is commonly identified with the spirit of Anzac. There are seven patterns of the Rising Sun. The Rising Sun has evolved over time and today Australian Army soldiers wear the seventh pattern Rising Sun.The Rising Sun badge, also known as the General Service Badge or the Australian Army Badge, is the official insignia of the Australian Army and is mostly worn on the brim of a slouch hat or, less frequently, on the front of a peaked cap for Army personnel filling certain ceremonial appointments.Timber look laminate box with gold colour metal "rising sun" badge on front. The box opens out flat and contains seven metal " rising sun " badges mounted on black felt on the right side. The left side below an image of the rising sun contains a written history of all seven badges from 1902 to the present.The Australian Armyrising sun, badge, australian army, anzac

The geometric pattern mimic Ukrainian embroidery design,using straw marquetry technique (which is similar to that of wood marquetry). The wheat straw was soaked in different pigments to achieve the required shades,dried,split and ironed flat. Then cut into various sizes and shapes to create this pattern. The pieces where then glued onto a backing board.The backing board was then glued on the back of the photo album. This album was received as a birthday gift in early1960's.This form of straw art is very rarely seen today.Book is black.Back page is coloured straw design. photographsphoto, book, straw, ukrainian design, 1960, family dutka

Clothing. Woman's black waist length long sleeved silk blouse. Wide scooped neckline with fold over collar (10 cm) with rounded corners. Kimono cut sleeves with geometric pattern of black beading at wrist (5 cm wide). Front of bodice has crossover section with fastening across left shoulder. Front section has 30 cm panel of black beading geometric pattern. Waist is gathered by a cotton tape casing 2.5 cm above the hem. The front opening is on the LHS from shoulder to waist with eight metal hooks and cotton loops. Opening across the left shoulder is fastened with four hooks and loops and one press-stud. Back of bodice has matching panel (30cm wide) with a black beading geometric pattern. Garment is unlined. Beading patterns use 1mm black beads.costume, female, woman's black silk blouse.

This item of dress would have been worn at summer entertainments or at pool parties. The bold floral pattern is typical of the styles favoured in the 1960s and 70s.This dress is of minor interest as an example of ladies’ clothing from the 20th century and will be useful for display.This is a floor length woman’s dress. It is made of polyester material and the print has a white background with mauve, aqua and pink flowers. The waist at the back is elasticized and there is a zip at the back. The front bodice has halter straps. The skirt is slightly flared. The maker’s label is attached to the back of the garment ‘Peer Gynt Size 12’ ladies fashions, floral 1960 dress, peer gynt

This pattern of gaiter was worn by US troops during WW2. These particular gaiters were shortened by Australian troops and used in the New Guinea theatre of operations.US M1938 Canvas Gaiter (Right), khaki with leather laces and hoop and loop fastening. Webbing strap and brass buckle. Shortened for use by Australian troops in New GuineaLangdon Tent & Awning Co. 2 Rgaiters

This pattern of gaiter was worn by US troops during WW2. These particular gaiters were shortened by Australian troops and used in the New Guinea theatre of operations.US M1938 Canvas Gaiter (Left), khaki with leather laces and hoop and loop fastening. Webbing strap and brass buckle. Shortened for use by Australian troops in New GuineaLangdon Tent & Awning Co. 2 Rgaiters

Weaving sample folder: TEXTILE DESIGN SAMPLE RANGE 1971" contains sheet detailing 3 "MEDIUM WEIGHT FURNISHING" patterns with cloth samplesG.A. ROBERTS (ink) TEXTILE DESIGN SAMPLE RANGE 1971 (ink) MEDIUM WEIGHT FURNISHINGweaving textile industry textile design, weaving, textile industry, textile design

Weaving samples folder: 3 "LADIES FANCY WOOLLEN SKIRTING" patterns with 1 blue, 1 green and 1 brown speckled cloth samplesWAYNE BUGG (ink) RANGE No 1 (ink) LADIES FANCY WOOLLEN SKIRTING (ink)weaving textile industry textile design, weaving, textile industry, textile design

Weaving sample folder: "K. NILA" contains "WOOLLEN RANGE" pattern sheet and 4 cloth samples (blue, brown, green and light brown).K. NILA (ink) WOOLLEN RANGE (ink)textile production weaving, textile production, weaving

Silver metalwork chain purses were made in tiny coils and formed into patterns in the early nineteenth century. This example is made of fine silver mesh.This item formed part of a large collection of items collected by Dorothy Rogers, a notable local historian and founding member of the Kew Historical Society.Hand-linked silver rings, with silver frame and clasp.purses, bags - handbags, fashion accessories, clothing accessories

Concrete bricks formed pattern mould, made in shed at Kimmell's farm by Clyde Worseldine, WW2 returned service man, in employ of Tambo Shire.Colour photograph of a concrete brick afternoon-tea pavilion built 1946c for Lakes Entrance Cricket Club. Building has a chimney at each end and corrugated iron roof, sited flush of south fence of Recreation Reserve. Also in image small wooden shed which was moved from Post Office residence 1960c when Post Office was extended. Lakes Entrance Victoriasports, cricket, buildings

This book, edited by Donald MacLeod, was given in 1883 as a prize to Annie Egerton by the Rev. W.H. Scott for Bible Knowledge. Annie Egerton was a pupil at the Allansford State School. John Jones was the Head Master at this school from 1867 to 1891. The school was opened in December 1856 as a National School and is still operating. No other details concerning Annie Egerton have been found.This book is of importance as it is a 19th century book given as a prize to a pupil of the Allansford School in 1883 for her Bible knowledge. It is particularly interesting that a prize for religious knowledge was given in the 1880s to a pupil at a secular State School. It is also interesting to note the type of book given to a primary school girl in the 19th century – a book with strong moral overtones and some heavy instructional articles. This is a hard cover book of 836 pages. It has a dark green and black cover patterned with an ornamental pattern and gold lettering contained within a square box on both the cover and the spine. The inside front and back pages have a mottled green flower pattern. The edges of the pages have a gilt finish. The book has a bookplate on the inside cover and the book contains an Index of Contents, short stories, articles on various topics and an Index of Authors. There are many black and white illustrations and sketches throughout the text. The first illustration has a piece of tissue paper in front of it. The cover is a little frayed at the edges and somewhat blotched. ‘Allansford State School No.3, 1st Prize given by the Rev. W. H. Scott awarded to Annie Egerton, Bible Class, Senior Division, for Bible Knowledge, 21st December 1883, J.E. Jones Head Teacher’. allansford state school, education in the warrnambool area, annie egerton, john jones, rev. w. h. scott

Crochet books used by donor's mother, Molly Myers who lived in Blackburn.1 Coates Mercer- crochet design leaflet 741 No. 29 . Mostly black cover with top yellow band with picture of 7 designs. Patterns inside 15c recommended price. .2 Paragon No 103 crochet edgings book, price 35c. Mostly black cover with blue corner with Paragon No 103 on. Black has the designs shown. Full working instructions inside. Patterns inside. Back page has Needlecraft Productions other booklets and publish details. .3 34 Semco crochet edges box 22. Mostly gold with black bands of designs. Back cover gold with lace pattern.As above detailshandcrafts, crocheting or crochet work

Cream wool hand knitted square necked dress. Small balloon sleeves, short cream satin ribbon tie at waist. Yolk has an open pattern, while skirt is stocking stitch, with a band of diamond shaped patterning 13 cms wide, and a bottom band of garter stitch. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby dress

Hand knitted salmon pink coloured ladies woollen bed jacket with set in long sleeves. All over feather and fan pattern with rib pattern on yolk. Fold over collar. Front opening. Pink satin ribbon tie at neck. Apricot coloured ribbon ties at cuff.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, female, ladies bed jacket

Document. Greeting Cards. White card with pale blue edges. Patterned 23mm around the edges. Card has a celluloid vase of flowers attatched to the front with two bifurcated pins. The vase is a gold patterned one with large purple and small blue flowers and green leaves. Best Wishes in white is across the front of the vase. Card and insert held together with a pale blue ribbon.person, greeting cards, malone collection, malone collection, greeting cards

Textiles, lingerie or stocking bag. Cream coloured tapestry fabric on both sides. All over pulled thread work to form lattice pattern. All over cross stitch pattern on lattice with cream coloured thread. Cream coloured 5 cm gathered lace edging on four sides. 12 cm opening on one side. Lined with pink cotton fabric. Hand made.textiles, domestic, lingerie bag.

Made by the Returned Soldiers & Sailors Mill in Geelong, post-1924. Rug was given to NWM from another museum in Western AustraliaTartan rug with cream base, featuring pattern with blue, black, green, yellow and red believed to be the Dress Stewart tartan pattern. RS&S label stitched on back of one corner. Label has stitched signature of John Monash. Two of the ends are tasseled. Appears used with several stains and small holes. Reverse of rug is free of design with solitary light brown colour Bottom left front corner has label which reads "THE/ Dress Stewart" On rear of same corner has label which reads "THE GEELONG R.S & S WOOLLEN MILLS/ PURE/ WOOL/ THE John Monash RUG wool, rs&s, reutrned soldiers and sailors mill, rug, quilt, blanket, john monash, the dress stewart, world war one, world war two, tartan

This dress belonged to Ethel Nina Blundell (1876-1949), having been first made for her mother Jane Blundell (nee Burkitt, 1845-1878). Born in Dublin, Jane married James John Blundell Jr at the Black Street Congregational Church in Brighton on 16 March 1874. The Blundells were a socially prominent Brighton family who played an important role in the development of the area. James' father, publisher and bookseller James John Blundell Sr, served as a Brighton Borough Councillor between 1862 and 1867 when the local government was still in its formative years, including holding the position of Mayor in 1864. He was involved in the foundation of the Brighton Volunteer Rifle Corps and was also a strong supporter of the Brighton Ladies Benevolent Society. The Blundell family were active members of the Brighton Congregational Church and supported the construction of the Black Street church, where James Jr served as a deacon for sixty years, in addition to his work in the Crown Land and Survey Department. The dress is believed to have been made for Jane in 1875 or 1876 during her early pregnancy, likely by a local dressmaker. Jane died in 1878 when Ethel was very young, and Ethel was then raised by her father and paternal grandmother. As she never married, Ethel remained living in the family home of 'Eumana', 164 Church Street, and as an adult she assumed the role of hostess whenever she or her father had guests. On these occasions, she reportedly wore her mother's dress. The family home was sold on James Jr’s death in 1924 and Ethel was living at 52 Black Street Brighton when she died in 1949. In the 1930s, Ethel gifted the dress to a close family friend, Dr Jean Kelly. She told Jean that the garment held precious memories, perhaps due to the connection it provided to the mother she had never known. Jean donated the dress to the Merimbula Old School Museum in NSW in 1987, where it was on display for many years. The Museum donated the dress to Brighton Historical Society in 2023.This is a good example of a late nineteenth century day dress, made from two different patterns of russet brown silk brocade and featuring a lobster tail style bustle. The lack of boning combined with waist and hip measurements indicates it may have been made as a maternity dress. It is lined with beige leaf pattern cotton fabric. The princess line fitted bodice of herringbone pattern brocade has a high round neck with small 'mandarin' style collar and buttons down the front to below the waist where it forms an overskirt which is bordered with a band of coffee bean patterned brocade. The overskirt drops down to hem length at the back but from the centre front it is draped up to the back to a point below the waist level. Here it is sewn to the edge of the lobster tail style bustle which is also bordered by the coffee bean fabric. There is a concealed pocket with the opening under the right edge of the bustle. The buttons on the front of the dress have a decorative circlet of small blue flowers around a russet silk covered dome. The long sleeves are set in and slightly full with a contrasting three pleat band of coffee bean fabric with an ornamental turn back from the pleats sewn just above the wrist. The skirt section of the dress is in four 20 cm bands of alternate fabric patterns with the top and third band of coffee bean pattern slightly gathered and the second and fourth bands of herringbone forming pleated ruffles.1870s, ethel nina blundell, jane blundell, jane burkitt, eumana

The Sidcot Pattern Flying Suit was the general suit used by the British AM (Air Ministry) during WW2. This suit dated 1941. Used by the RAF and the RAAF.Khaki flying suit with map pocket. Zips on front right side and sleeves. Lambswool collar

An aged George Anderson, son of Robert Anderson Snr. Black Homberg hat, waxed moustache, suit coat, waistcoat, white shirt, patterned tie.George Anderson as an aged manlocal history, photography, photographs, slides, film, george anderson, black & white photograph, mrs emma anderson jacobs

This book was produced by the Alexandria Spinning Mills, Sydney and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Sun-glo / Knitting / Book / DESIGN No. / 3218 / PAGE 2 / Series 83 / 7d.handicrafts - history knitting, alexandria spinning mills pty ltd f.w. hughes pty ltd, handicrafts - history, knitting

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Paragon and contains knitting patterns for socks.Paragon / KNITTING BOOK / No. 38 / SOCK BOOK / 1'6knitting handicrafts - history, paragon art needlecraft, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by Weldons and contains knitting patterns for vests.FREE INSIDE:- 3 EASY-to-FOLLOW CHARTS for VEST-TOPS / NEW / SERIES / No. 11 / WELDON'S PRACTICAL NEEDLEWORK / 4D. / KNITTED VESTS / for Ladies and Men / FULL DIRECTIONS for making 13 UP-to-DATE VESTSknitting handicrafts - history, weldons ltd, knitting, handicrafts - history

Weaving sample folder: three "18 SHAFT FANCY - MOCK LENO" patterns with 1 brown, 1 green and 1 blue checked cloth sample.18 SHAFT FANCY - MOCK LENO (ink)weaving textile industry textile design, weaving, textile industry, textile design

Richelieu embroidery - White openwork: the pattern outlined in buttonhole stitch and linked by bars (often with picots, like needlepoint lace) with the fabric background cut awayNightdress, ladies - (cotton) french seams Cut out work with Richelieu embroidered. Arm sleeve edges buttonholed with picots.costume, female nightwear