This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons / KNITTING BOOK / No. 222 / "QUICK STEP" / With or / Without Stripes / See page 9 / 6d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

This book was produced by the Alexandria Spinning Mills, Sydney. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Sun-glo / Knitting / Book / DESIGN No. 3401 / Instructions on Page 9 / 1'3 / Series 99handicrafts - history knitting, alexandria spinning mills pty ltd f.w. hughes pty ltd, handicrafts - history, knitting

A pair of medium-tan Service Stockings with lisle feet and top and back and foot seams. Nylon legs. Red cross stitch line at top.Wonderfoot foot comfort series service weight nylon and lisle. Prestige 9-1/2costume accessories, female, costume, female underwear

Illustrated Beecham's Pills Advertisement pasted on pressed board. One centre circled picture of Nurse and child in bed with other pictures in circles in each corner"Sold by all Medicine Vendors - Beecham's Pills in boxes 13.5 pence and 2/9 each".

One of a series of photographs taken after refurbishment of Museum.Colour photograph of part of the 'weights & measures' collection displayed in the old fireplace of the Home Economics Room of the Common School MuseumOn back of photo: "21 Historical Society. New floor & painted room. 21/9/03"common school museum

One of a series of photographs taken after refurbishment of Museum.Colour photograph of the southern end of the Home Economics Room of the Common School Museum.On back of photo: "20 Historical Society. New floor & painted room. 21/9/03"common school museum

One of a series of photographs taken after refurbishment of Museum.Colour photograph of the interior of the Home Economics room of the Common School Museum, facing the north-east corner.On back of photo: "19 Historical Society. New floor & painted room. 21/9/03"common school museum

This is a watch presented to MISS L.C.Mills on the September 25 1934 as a token of appreciation by the V.W.B.B.A., the Victorian Women's Basket Ball Association. The watch presented to L.C. Mills by the V.W.B.B.A is significant as Ms Mills was one of the first to recieve a life membership in 1936 according to documents. Brass coloured watch in a blue box inclosed in a case.Insiden watch box "Presented as a token of appreciation by the V.W.B.B.A to miss L.C.Mills. 25/9/1934".womens basketball, netball, v.w.b.b.a., netball victoria, women's basketball, netball australia, l.c. mills, 1934, victorian netball association

Boyd discusses the influence and legacy of the work of Walter Burley Griffin on Melbourne's architecture. Boyd discusses the utopian tendencies of Griffin as well as his temperament and approach to practice. The text goes on to discuss Griffin's exemplary works including the Capitol Building and Leonard House and the ongoing legacy of Griffin's work. Griffin's patented construction system, 'Knitlock', is also discussed with exemplary projects using this system mentioned. Griffin's influence is concluded as initially controversial and jarring to the conservative nature of Melbourne suburbia, but later becomes exemplary work and essential to the progression of Melbourne's architecture.Typewritten, photocopy, 15 pages, A4, 210x297.Signature. Pencil mark up on page 2, 3, 4, 6, 7, 9, 14.walter burley griffin, chicago school, melbourne, sydney, canberra, a.s. eggleston, edward billson, marion griffin, knitlock, capitol theatre, leonard house.

Tram 15 (body only) in derelict condition at Nerrina, in use as a tennis pavilion.Yields information about disposal of tramcars.Black and white photograph on plain paper"BALLARAT", "Old no.15 at Nerrina" "26-9-46", K: J' MAGOR", "No.", "K.M. Train"ballarat, tram 15, nerrina

In 1965 16 year old Danny Fuller of Sunnybank, commences his first day of work at the Queensland Industrial Institute for the Blind, learning how to weave a cane basket.1 x B/W photograph of boy weaving a basketBlind Institute, F37829, 9-5-61, 3 col x 7 1/4queensland industrial institute for the blind, danny fuller

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. Students from Melbourne High and MacRobertson Girls High School provided the choir. The photos shows the boys and girls choirs on the steps of the Shrine, similar photos were published in The Answer June 1996.A record of a ceremony at the Shrine.Colour photo x 2 of the School Commemoration Anzac service in 1996 and an article in The Answer.Printed on the back "

A church service for Legacy widows at Scot's Church in Collins St, Melbourne. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The church used for the service varies, The Scots' Church was the first Presbyterian Church to be built in Victoria. The photos shows the interior of the church with the congregation listening to service. Same roll of film as the photos with President David Ford in 2003 so the event is assumed to be in that year. The event is referred to as Widows' Sunday, Legacy Sunday and pilgrimage to the Shrine.A record of a church service for Legacy widows in 2003.Colour photo x 6 of the church service at Scots Church.Printed on the back

Photograph of Legatees receiving recognition of service certificates presented by Sir Edmund Herring at Foundation Day Luncheon on 26 September 1978. From the left: Legatees V (Bert) Doery, Frank Doolan, A N (Kem) Kemsley, D B Carter (Pres 1978), Sir Edmund Herring and Jim G Gillespie on the right. Seated is Harry Anderson. From a caption found with another copy of the photo, other Legatees that had attained 50 years of service at this date were: B Armstrong, J K Anderson, P Mountjoy, E Serman, E Harding, D Joynt, H Driscoll (Qld), R Hall and F Meldrum (NSW)A record of Legatees receiving recognition of their hard work.Black and white photo of 7 Legatees and 50 Year recognition of service certificates.Stamped on back "Melbourne Legacy" in purple ink and 26/9/78 handwritten in blue pen.service award, founding legatee, frank doolan, edmund herring, kem kemsley

Divided back postcard with a view of the corner of Spring and Bourke St with Parliament House in the background and two cable car sets. Has the Treasury building in the background. C1905. Coloured postcard. Titled "Parliament House & Treasury Melbourne", along lower edge. Also has the Windsor hotel on the right hand side. On rear - postcard divided into two, part for address only, and part for correspondence. Part the "The BP Series". The dividing line is a wavy line.In pencil in top right hand corner "$19" which has been crossed out and "$9"trams, tramways, spring st, melbourne, cable trams, bourke st

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BEECHWORTH CARRIAGE MUSEUM / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW-08 / B 9 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Fatal accident Somerton Road and Hume Highway 1986Event in SomertonPhoto b/w: 17.5 cm x 12 cmObs 17//9/86; P1; Pascoe Vale Road crash Leader Newspaper stampfatal accident, hume highway, somerton road, somerton, broadmeadows observer

Viewing from left Nos. 3, 5, 7 and 9 Long Valley Way, Eltham. Fiona Court runs off between 7 and 9. Shire of Eltham Archives Series 13, Photograph Album, 1985. Originally contained in a 2-ring PVC binder and document sleevesColour photographseries 13, shire of eltham archives, construction, eltham, long valley way, houses

Viewing from left Nos. 3, 5, 7 and 9 Long Valley Way, Eltham. Fiona Court runs off between 7 and 9. Shire of Eltham Archives Series 13, Photograph Album, 1985. Originally contained in a 2-ring PVC binder and document sleevesColour photographseries 13, shire of eltham archives, construction, eltham, long valley way, houses

Awarded in Washington 9/2/1970 by Secretary of the Army Stanley R Resor.Meritorious Unit Commendation for Australian Army Training Team Vietnam in wooden frame with glass front and cardboard backing.meritorious commendation, aattv, vietnam

Photographs. Nine (9) photographs of the Whittlesea World War I Soldiers Memorialphotos

The Beilharz and Decker families of the 9 families represented. They were internees in Camp 3.Black and white photograph of the 16 kitchen staff at Camp 3 with a back drop of Army huts. The number 839 is on the ground centre front.the number 839internee children, camp 3 children, beilharz family, decker family

Inside Pomonal General Store with Peter & Jenny Greenberger 29/9/1998Gold Reef Photos retail

Cross Reference: ND996 Advertiser: Vol 10 No.45 25/9/1963.Black and white long thin photo of Brentford Square car park, 1963, showing shops such as Dickens & Foodland Supermarkets, which are no longer there.brentford square shopping centre forest hill, car park

also 12.5 x 17 poor copy|also 9 x 14Black and white photograph showing Eastern Pier and entrance to Gippsland Lakes from ocean - Bass Strait, photo shows work shed and crane on end of pier ready to build concrete extension on pier. Lakes Entrance Victoriajetties, boats and boating

Also black and white copy 9 x 14 cm with inscription 'The Jetties'Sepia photograph showing buildings, boats and jetties at New Works. Large sailing boat on slipway at left. Several small boats at PWD jetty, steamer at New Works wharf. Two works buildings on left background and white shed on New Works wharf. Lakes Entrance Victoriaboardwalk, schools, township, ships and shipping

Also two other black and white copies 9 x 13 cmSepia photograph showing buildings on dunes at New Works. Building on left is works office, centre is school, right is harbour master's home. Steamer at wharf, boardwalk with two men. Lakes Entrance VictoriaLakes Entrance (New Works Jetty)boardwalk, waterways, topography, township