Showing 3592 items
matching jacket or bodice
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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Lifeboat going to the rescue, n.d
Displayed at History House.Black and white postcard showing the Portland Lifeboat on the ocean. Crew of 12. Man using oar to push off from pier. Man holding tiller. Men wearing life jackets.Back: Kodac. Dr. Wilber. This is the lifeboat. Uncle Will is coxwain. Has been for nearly 30 years now. Auntie Lill. Did you get the views of Portland which I sent.portland lifeboat, postcard -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, Army, Camoflague Shirt
Camoflague shirt with two pockets on chest with two buttons on each. One button missing from top of shirt. One button missing from bottom of jacket. Tailor made in Vietnam.clothing, camoflague shirt, denis gibbons -
Melbourne Tram Museum
Badge - Name badge - Tramway Fidelity Club
The purpose and existence of the Tramway Fidelity Club is not known at the time of cataloguing.Demonstrates a name badge.Name badge - Tramway Fidelity Club - white plastic with a green front, engraved with the MMTB logo and the name of Fred Turner. Has a spring clip on the rear to be pinned onto a jacket or shirt.tramways, mmtb, fred turner, fidelity club -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Grimstead, Hettie, Strangers may kiss, 1952
224 p.: brown cover, section of original dust jacket pasted to front, with image of a woman in evening wear in foreground, a man sitting just behind her, and another woman in the background.fictionhetti grimstead, fiction, romance -
Ringwood and District Historical Society
Book, Geoff Arnott, A History of Wonga Park and Surrounds - Dreamtime to Communities by Geoff Arnott, 2022
Large hard cover book consisting of Muli-coloured dust jacket, but printed in black and white, with many photographs, 345 pages. Copyright Wonga park Community Cottage History GroupISBN 978-0-646-86659-8 -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Blouse, 1940's
Made by internees at Camp 3, TaturaHandmade beige coloured linen jacket-type short sleeved blouse embroidered with european alpine wild flowers. Front opening, shank buttons, blue in colour. Garment shaped to waist.hoefer family, ww2 camp clothing, camp 3 clothing, ww2 camp handcrafts -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Ramsay, Fay, For love of Deborah, 1956
"Deborah's beauty is a mask which hides a most unlovely nature".190 p. : section of original dust jacket, with image of a man and woman embracing, while another woman looks on, pasted to front cover. Title and author's name hand printed on spine.fiction"Deborah's beauty is a mask which hides a most unlovely nature".fay ramsay, fiction, romance -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Rivers, Dorothy, Tangled web, 1946
A tale of romance and deception.188 p. : green cover, section of original dust jacket pasted to front, image of a woman cupping her face with her hands. Title and author's name hand printed on spine.fictionA tale of romance and deception.dorothy rivers, fiction, romance -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1968 c
Black and white photograph of the steam driven Nought 40 pile driver which hammered the piles through the hollow legs of jacket and a further 150 feet into the sea bed, Bass Straitoil and gas industry -
Bendigo Historical Society Inc.
Book - THE POWER OF HUMANITY
The Power Of Humanity, 100 years of Australian Red Cross 1914-2014, hard cover with dust jacket, 327 pages published by Harper Collins contains black and white & colour photographs.Melanie Oppenheimerbooks, technical, red cross -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION: GEORGE LANSELL
Black and white photograph (copy) of George Lansell. Written on bottom of image ' Photo by Bartlett Bros. George Lansell.' George is wearing a dark coloured jacket with lighter piping on lapels and pocket.person, bendigo, george lansell -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small head and shoulder portrait of a man. He is wearing a jacket and shirt. He has a bushy beard which covers the neck of his shirt. Photographer's name and address printed on the back.Chevalier, Pall Mall, Sandhurstphotograph, portrait, male, portrait of a man, chevalier -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: TRUCK CAR TRAM
Black and white photograph of No. 19 ' truck car' tram. Motor man in cab, four inspectors and conductor on extreme right. Inspectors wearing double breasted jackets. Basil Miller Collection.person, individual, basil miller -
Bendigo Historical Society Inc.
Photograph - ADULT MALE PORTRAIT, late 1800's ?
sepia studio photograph of adult male, bearded and moustache , bareheaded, jacketed, hear and shoulders shown in oval on white surround. Glazed surface to print. Print mounted on rectangular black card.printed on front 'Bartlett Bros, Sandhurst. Printed on back 'Bartlett Bros, Photographers, Sandhurst, William Street Opposite Shamrock Hotel and New Public Buildings.person, individual, male, bartlett bros., sandhurst -
Bendigo Historical Society Inc.
Photograph - BANDSMAN WITH CORNET, approx,. 1890's ?
black and white photograph, mounted on grey board. Adult male bandsman with cornet. Jacket with braid, epaulettes, buttons. Cap with peak, braid. Waxed moustache. Printed on board 'The Royal/Eaglehawk''The Royal/Eaglehawk'person, individual, bandsman -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: MID BLUE JACKET BY ZANKO: PART OF ENSEMBLE WITH 11400.522
Mid blue waist length long sleeved jacket to be worn over 11400.522 11cm fold over collar that extends to waistline with crossover front and scalloped lapels. Right over left crossover (3.5cm) fastened with one fabric covered 2.4cm button with centre circle and narrow edge. Lapels have decorative cut out lace motifs attached – match lace across midriff of dress. Ten motifs evenly spaced around collar. Front pieces have vertical darts from hem under bust. Back of bodice has two pieces with centre seam. Vertical dart on either side of the centre seam. Unlined. Machine made. Kimono sleeves. Three quarter length. Gusset under each arm 12 x 13cm. Part of ensemble with 11400.522.Created by ZANKO of Melbournecostume, female daywear, coat -
Brighton Historical Society
Clothing - Dress, Day dress, circa 1878
This dress is of uncertain provenance. BHS records indicate that it was owned by Marion Jane Ellen Devlin, nee Stokes (1845-1936), who married Oliver Devlin on 2 April 1877 in Victoria. The dress is believed to have been worn on the Bendigo goldfields circa 1878. It may have been worn as a wedding dress. However, additional documentation discovered in August 2019 suggest that the dress belonged to Margaret Cocking, nee Carr (1850-1936), who married Gustavus Cocking in Bendigo in 1877.A grey-green circa 1878 dress comprising a matching jacket and skirt. The jacket (.1) features a standing collar that gathers to a low point at the throat. This point is concealed behind a bow with raw edges which may not be original. The centre front of the jacket has been secured with nineteen concealed metal hook and button holes. The centre front features fifteen sets of single fabric covered glass buttons secured in a diagonal pattern and appearing as double headed buttons. From the shoulder through the body the jacket is shaped with decorative panels with grey silk detail. Beside these panels shaping into the waist and under the arm are a further two pleats. On the left side waist is a small pocket with decorative flap, grey silk trim and button. The base line of the jacket features a decorative horizontal panel that wraps around the jacket. The sleeve head is small and sits on the natural shoulder line with a slim fitting, curved, full length sleeve. At the base of the sleeve, there is a decorative panel reminiscent of a formal cuff, with a decorative turn back and two buttons. Secured underneath this turn back is a bow like decoration. From the back the jacket features a V shaped decoration, an extension of the front two decorative panels. From the shoulders the jacket is shaped by four panels curving tight into the waist and flaring out again to fullness of the bustle. These seams are also finished with decorative binding. This peplum-like shape features two decorative flaps and six covered buttons. The skirt (.2) is shaped to the waist with pleats and secures on the front left hand side, the original waistband and fastenings have been replaced. The skirt front features a large decorative panel of the same fabric that curves from the front at approximately shin length, upwards towards the back securing underneath the bustle decoration. A second panel, plus a pleated panel finish the hem of the skirt continuing around to the back. At the back the skirt features two deep pleats with a large decorative bow that would sit out over the bustle. The skirt is long featuring a small train at the back. The dress is lined in a brown waxed cotton.wedding dress, 1870s fashion, marion jane ellen stokes, oliver devlin, margaret carr, gustavus cocking, bendigo -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 71
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Alexandria Spinning Mills, Sydney, during WWII and contains knitting patterns for womens bed jackets and under garments.Series 71 / 7d. / Sun-glo / Knitting Book / DESIGN No. 2933 / PAGE 3knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history -
Melbourne Tram Museum
Functional object - Laminex clothes rack divider, Melbourne & Metropolitan Tramways Board (MMTB), 1970s
The two pieces of laminate show the different shades used by the MMTB in their vehicles, both trams and buses. These two pieces have been cut for use in the Uniform Workshops to separate size and type of items, in this case trousers and lumber jackets.Demonstrates two types of laminates used in MMTB vehicles and then used in the the MMTB or The Met uniform store clothing racks.Set of two sheets of laminex with dymo letter punched into adhesive tape.See item.trams, tramways, uniforms -
Federation University Historical Collection
Costume, Dressmaking samples, 1947-49
These samples were made by Beverley Lette who was a student of Dressmaking at the Ballarat Technical Arts School.Four samples of garment construction using calico .1) sample partial bodice with a neckline made with an outside facing finish turned at the edge and machine stitched, french seams at shoulder and darts from shoulder. .2) sample sleeve with two different cuffed ends. .3) sample sleeve with turned under bias facing and split at cuff end and four darts at shoulder. .4) sample of three pocket finishes, four covered buttonhole finishes, pintucks and seams with three different methods of finishing the raw edges, all on a sample bound by using two different methods and with one edge scalloped. .5) sample of a partial bodice with shoulder french seams, pintucks and a collar with a placket opening. garment construction, needlework, costume, dressmaking, textiles, ballarat technical art school, beverley lette, beverley mcbride, samples -
Kew Historical Society Inc
Clothing - Pink silk evening dress, c.1842
This dress is believed to have belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A one-piece, lustrous silk taffeta evening dress, lined with polished cotton, probably owned by Mary Ann Henty, and later by her daughter, Alice. The V-waist line of the dress and the dimensions of the skirt are comparable to Mary Ann’s wedding dress. The bodice in contrast is less structured. At a later stage, the sleeves were removed. Measurements (mm): BODICE: Girth - Neck 914.4, Chest 863.6, Waist 685.8, Hip 863.6, Hem circumference 3302. Vertical - Front neck to hem 1371.6, Front waist to hem 1092.2, Back neck to hem 1384.3, Back waist to hem 1079.5 Horizontal - Neck to sleeve head 44.45, Chest back 431.8, Underarm to underarm 431.8.mary ann lawrence, francis henty, evening dresses, henty collection, fashion -- 1840s -
Bendigo Historical Society Inc.
Leisure object - DOLL COLLECTION: LARGE PLASTIC DOLL
Large 75cm tall plastic doll with curly blonde hair. Her eyes close when she is laid on her back. She is dressed in a cream muslin dress with vertical inserts of white braid. It is also trimmed with wide cream cotton lace on the bodice and hem and burgundy insert on the bodice. A burgundy sash is around her waist. Underneath the dress is a cream cotton pintucked petticoat trimmed with various cream laces and cream cotton bloomers trimmed with cotton lace and white satin bows. She is wearing black socks and brown canvas shoes with plastic soles. There is also a cream muslin bonnet, heavily trimmed to match her dress with a burgundy bow and a white muslin bow.toys, dolls, plastic -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: SILK AND NET BLOUSE, Late 1800's early 1900's
Clothing. Cream cotton net, woven with a goemetric pattern of filligree diamonds and tiny squares. The garment is fully lined with the most delicate, and sheer cream silk. A peplum ettect 7 cms deep, is finished with 9.5 cm deep peak at the centre front. Two metal hooks, and stitched eyes are the only fasteners, and are located at the waistline on the peplum seam. The curved front bodice is edged with a 3.5 cm deep frill of cream net, which is finished at the outer edge with two rows of stitching in a heavier weight thread. The front bodices are gathered at the centre front to the peplum. The long sleeves are finished at the wrist, with a double frill of plain tulle, also edged with a double row of stitching, in a heavier thread.costume, female, silk and net blouse -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Lady's Beige Bloomers c1950, c1950
Gertrude Augusta "Gussy" Moran was an American tennis player who was active in the late 1940s and 1950s. Dress designer Ted Tinling created a daring ensemble for the lanky American tennis player. The white dress offered a sculpted bodice, a tight waist and an unusually short skirt. Moran asked him what would happen if the breeze blew her skirt around Tinling then gave her a pair of silk lace underwear. Women around the world were very impressed and made copies of these bloomers commonly known as 'Gorgeous Gussys'A good example of the fashion c1950 when fancy underwear became popular after tennis player Gertrude Moran wore frilly pants under her tennis skirt.A lady's beige satin bloomers with lace and elastic . Known as 'Gorgeous Gussys' clothing ,underwear, dressmaking, early settlers, market gardeners, post world war 2 estates, moorabbin, bentleigh , ormond, moran gertrude, gorgweous gussy, tinling teddy, tennis, reed gladys, -
Stawell Historical Society Inc
Photograph, Giles Family Late 1890's -- Studio Portrait
Joshua born 1848 dressed in suit with right hand in coat. Agnes or Emily with short curly hair and Leg of Mutton sleeves dress. Arthur wearing three piece suit with Fob watch on chain. Front row Walter sitting down arms folded wearing three piece suit. Anne (mother) hat on head holding card, dress puffed sleeves with tie around waist. Agnes or Emily hair is pulled back, frilled collar and puffed sleeves with embroidered bodice. Both Giles women married Heal Brothers.Writing on back of photo -
Vision Australia
Photograph - Image, Photograph of May Harrison
Sephia-toned photograph of May D. Harrison from the shoulders upwards. Nameplate at base of photograph reads 'May D. Harrison / First / Hon. Secretary & Librarian / 1894-1912'. Mrs Harrison looks to the right of the frame, and is wearing a dress with gathered bodice, puffed sleeves and lace neckline. Her small drop earrings are visible, as her hair is swept up, with two brooches on the bodice and neckline. A length of chain is worn around her neck, although its base remains out of shot. May Harrison was one of the first Braille transcribers trained by Tilly Aston and undertook the position of Honorary Secretary at the formation of the Victorian Association of Braille Writers (VABW) in 1894. Offering use of a room in her home in St Kilda for the storage of Braille books, she became the first librarian for the VABW. Mrs Harrison also taught Braille to other participants and her house became a meeting point for readers and transcribers alike. Her death in 1912 was greatly mourned, and a Memorial Fund set up in her honour, as well as a grave marker and tablet at the Braille library. Her niece Minnie Crabbe, who assisted her work, assumed the role of librarian after Mrs Harrison's death. Inscribed in the lower right 'J O'S & Co, Melbourne'.Photograph in frame of woman in 19th century dressvictorian association of braille writers, may harrison -
Bendigo Military Museum
Book - BOOKS, Allan S Walker, Australia in the War of 1939 -1945. Series 5 Medical, 1) & .2) 1956; .3) 1957; .4) 1961
Medium red buckram covers with dark maroon plastic covered dust jackets. .2) Dust jacket is lighter shade of puce. Titles on front & spines. Illustrated with photos & maps. .1) Vol I Clinical Problems of War, 726 pages .2) Vol II Middle East and Far East, 701 pages .3) Vol III The Island Campaigns, 426 pages .4) Vol IV Medical Services of the RAN and RAAF, 574 pages.3) Fly leaf stamped in ink, oval shape: Returned Services League Memorial Hall Bendigobooks - history, military, medical -
Whitehorse Historical Society Inc.
Clothing - Dress and Jacket, 1968
Purchased in 1968 by Phyl Johnson at Myers. Worn twice by her and then, in 1990, by her mother, Mrs M. Gray at her grand daughter's wedding at Box Hill, St Andrews Presbyterian Church1968 Pale pink pure wool, short sleeved dress. Round neck with zip from neckline to waist. Fully lined in pink polyester fabric. Detail stitching from bustline to waist and continuing across waist line at back. Fitted pink jacket has waist length long sleeve, trimmed with a collar of faux fur. Fastened with three buttons and loops, and has two pockets with detailed stitching. Jacket is fully lined with pink polyester.Merco Dabroncostume, female -
Brighton Historical Society
Suit, circa 1908-1914
This ladies suit belonged to an elderly neighbour of the donor, Margot Miller, who lived in Black Street, Brighton in the 1970s. The neighbour had offered Margot a selection of her old clothing, dating from the early 20th century, as she wanted somebody to hold onto and care for the items after she died. Before Margot could take the items the neighbour was moved into a nursing home and, while cleaning out the house, the woman's son took the clothing to the tip with a load of rubbish. Margot happened to see him leave and was able to follow him and retrieve the clothes. They remained in the Miller family for many years; some were worn by Margot's daughters and some were ultimately passed on to others. Based on our research, we believe that the suit's original owner may have been Julia Richards (nee O'Keefe, c. 1882-1976), who lived at 59 Black Street during this time. Born in Ireland, Julia emigrated to Queensland in 1900. She married William Alfred Richards in 1911 and lived with him in Ayr, near Townsville, where they ran a hotel. It is unclear what became of William, but by the mid-1920s Julia and her two children were living in Brighton, where she remained until her death in 1976, aged 94.Cream wool ladies suit consisting of a jacket and skirt. Jacket is partially lined with silk, quilted around shoulders. Fastens with four self-covered buttons, one attached to a belt. Two box pleats at front and back, each featuring four decorative self-covered buttons at the waist. Upturned cuffs, each with two buttons. The skirt features a fabric belt and triangular pockets in each side with decorative self-covered buttons. Hook fastenings at side.1910s, women's suit, julia richards -
Bendigo Historical Society Inc.
Book - LUDWIG BECKER, ARTIST AND NATURALIST WITH THE BURKE & WILLS EXPEDITION, c1979
Ludwig Becker. Artist & Naturalist with the Burke & Wills Expedition. Brown Dust jacket and clear plastic jacket. Publisher: Melbourne University Press, Carlton. Edited with an Introduction by Marjorie Tipping. Sketches & paintings. Markings/Inscriptions: Bendigo Historical Society stamp. Book signed by Marjorie Tipping. 21st Birthday gift card (business card size): With all Best Wishes on this most important occasion, H C Lee-Archer, Nov 1979. Pres RHSVMarjorie Tippingbook, burke & wills, ludwig becker, burke & wills expedition, h c lee-archer rhsv, australia history, flora fauna