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Stratford and District Historical Society
Overcoat
Handmade by Betty Taylor during the 1940s, while living at Wodonga. Subsequently worn by her daughters. It was made from a blanket during the 2nd World War as other materials were only obtainable with coupons which were scarce. Once made the coat was used by all the female family members at various times (including grand-daughters). She married Neil Clarence Ripper and moved to Airly in 1950. Airforce-blue ladies handmade overcoat, light weight tweed material, three-button front, flared style, collarless, shaped sholders.world war 1939-1945 -
Wangaratta RSL Sub Branch
Colour Patches, 8th Light Horse
Army Unit Colour Patches were worn as a distinguishing unit indication at the top of each sleeve from 1916.The 8th Light Horse Regiment was formed as part of the 3rd Australian Light Horse Brigade, 3rd Contingent and attached to the Australian Division. Made up of men drawn from the 3rd Military District [Victoria], the 8th Light Horse Regiment was established at the Broadmeadows Training Camp in Melbourne, Victoria. The Army Unit Colour Patches (UCP) were orginally designed in a simple manner,allowing other member to easily identify the member's unit, division and battalion. A UCP is worn on the puggaree of the slouch hat whilst the Unit Shoulder Patch will incorporate the UCP normally with a border showing the unit's superior HQ. Horizontally aligned rectangular colour patch for 8 Light Horse Regiment, AIF, divided diagonally yellow (left) below light blue.Nilwwi, world war 1, light horse, 8th regiment -
Brighton Historical Society
Dress, circa 1965-66
This dress belonged to Meredith Lenné, a lifelong Brighton resident. She bought it around 1965-66 at Oggi, a fashion boutique at the "Paris End" of Collins Street, while she was working at the Royal Children's Hospital as an occupational therapist. It was her 'good' dress, worn to dinner parties, balls and lunches throughout the 1960s. The hem was taken up and adjusted several times as the fashion moved towards shorter skirts.Emerald green print midlength shift dress, sleeveless, with high neckline and high waist. Back zip. Hem has been let out, having been altered multiple times during the 1960s. Label reads "Oggi of Collins Street".oggi, melbourne designers, 1960s, meredith lenné -
Whitehorse Historical Society Inc.
Clothing - Gown, 1873
'Going Away' jacket and skirt worn by Catherine Grant - nee Marden after her wedding at Holy Trinity St Kilda on 22 June 1873. Catherine Jane Marden was born in Bacchus Marsh in May 1849 and died in June 1925. William Fraser Grant was born in Aberdeen on October 17, 1845 and died in April 1916. See Love letter ND3737 and Marriage Certificate ND1667Going Away Dress. Faded grey skirt and jacket. Material- shot silk . Lace trim on neckline. Cuffed jacket sleeves with 3 buttons. 13 covered material button trim, with hook and eye fastening. Bustle effect skirt. Same material on long train.costume, female -
Ballarat Tramway Museum
Photograph - ESCo Bendigo tram and crew, 1908
Photograph of an ESCo Bendigo tram with its crew and a passenger. The tram has the destination lettering of Quarry Hill & Eaglehawk. Illustrates the tram appearance of 1908, showing the seating and step board arrangements which were different to that of Ballarat at the time. Also provides information about the uniforms and badges worn. Two crew named as Motorman Parkman and Conductor C Campbell. Most likely from the Basil Miller collection.Yields information about Bendigo tramcars during 1908Photograph, black and white with notes on rear.In ink on rear "Bendigo, Motorman Parkman, Conductor C Campbell, view of 1908"tramways, trams, bendigo, esco, crews -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, Ede and Ravenscroft et al, City of Brighton Mayoral Robe, c. 1970
The City of Brighton Mayoral robe features embroidered Coat of Arms on the sleeves, which were granted in 1970 by the British College of Heraldry. It includes two figures, the market gardener heralding back to Brighton’s early history in farming, and an aboriginal man, symbolising the original inhabitants of the area, the Bunurong people of the Kulin Nation. This robe was worn by the City of Brighton Mayor until Brighton’s amalgamation into City of Bayside in 1993.Full length mayoral robe with centre opening. Red wool with light brown fur edging on centre front opening and cuffs. The cuffs are also trimmed with wide bands of black velvet and each shoulder has an embroidered polychromatic roundel featuring the Brighton Coat of Arms. The bottom edge of the robe also has black velvet trim. city of brighton, mayoral robe, robe, ceremonial wear, coat of arms, r.w. bredin & son, ede and ravenscroft, bayside, mayoral regalia -
Kew Historical Society Inc
Clothing - Satin & Organza Cocktail Dress & Coat, Dorothea Fush, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was made and worn by Dorothea Fush, the mother of Thea Sartori. It is one of a number of items in the Sartori Collection.Mother and daughter, Dorothea Fush (nee Winstanley) and Thea Sartori (nee Fush) were both skilled dressmakers. One of the items donated was entered in the Royal Melbourne Show in the 1960s and won an award for home dressmaking. The donation overall dates from the 1950s and 1960s and includes dresses and hats.Gold figured satin dress and organza coat, the latter held by a large button at the neck. women's clothing, evening wear, evening dresses, cocktail dresses, evening ensembles, dorothea fush (nee winstanley), sartori collection -
Kew Historical Society Inc
Clothing - Cerise Silk & Velvet Ball Gown, c.1901
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This gown is believed to have been owned and worn by a member of the Smart family of 'Turinville', in Barnard Grove, Kew.Two-piece dress comprised of a bodice and floor length skirt made of a soft, lightweight cerise coloured silk fabric. The bodice features a v-shaped rear neck. A wide velvet cummerbund is part of the outfit. Dated to c. 1901. (Measurements: Length 132 x Waist 62-73, Chest 76 cm)australian fashion - 1900s, ball gowns - 1900s, evening dresses, evening wear, women's clothing -
Vision Australia
Clothing - Object, Kiwi tie
Framed dark blue tie with embroidered pattern of red Kiwi birds and white flaps with 'N' in blue. Description beneath the tie reads: The Nicholas Kiwi Limited company tie was worn by John Wicking AM and Malcolm Daubney and is portrayed in their paintings. The tie symbolises the strong bond and history that existed between them as friends and colleagues at Nicholas Kiwi Limited and as Presidents and Board Members of Vision Australia Foundation. 1 gentleman's neck tie in old gold frame vision australia foundation, john wicking, malcolm daubney -
Falls Creek Historical Society
Clothing - Women's Ski Wear 1970s
This outfit was donated by Hayley Martin. It was worn by two generations of the family, Hayley's mother and later by Hayley herself. Throughout the 1960s and early 1970s the six members of the Martin Family generally spent at least a week each year at Falls Creek, staying at Spargo's Lodge. The Martins then bought a share in Diana Lodge and stayed there frequently until the late 1970s. The sweater (HEAD brand) was purchased at Molony's at Falls Creek.This item is significant as it is indicative of the apparel worn by skiers at Falls Creek in the 1960s and 1970s.Black woollen stretch pants with white line pattern. A woollen cap completes the outfit.women's ski attire, molony ski shop, cuming's ski hire -
Australian Nursing & Midwifery Federation
Australian Nursing Federation aged care campaign badge, [2004-2006?]
Button distributed to and worn by Australian Nursing Federation (ANF) members. The ANF has been campaigning for more funding and qualified nurses to improve the quality of aged care for the past several decades, and continues to do so. The Royal Australian Nursing Federation became the Australian Nursing Federation (ANF) in 1989, and then became the Australian Nursing and Midwifery Federation in 2013, suggesting this badge is from the 1990s or early 2000s.Circular blue, green and white plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Proud to be an Aged Care nurse' and the ANF [Australian Nursing Federation] logo.nursing, nurses, unionism, aged care, lobbying, funding, badges, buttons, pins, trade unions, labour history, staffing, workforce, patient care, australian nursing federation -
Orbost & District Historical Society
hair nets, Mid-second half 20th century
Hair nets were a popular hair accessory in the 1940’s for both daytime and work. They were a rayon or cotton crocheted net fitted with a headband. The band was worn around the top of the head and all of the hair would be encased in the snood. The band would have to be pinned in place. Many women of the 1940s and 1950s went to the beauty shop once a week to have their hair "done," then slept in hairnets every night to keep their "do" in place until the next visit. These hair nets were worn by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class working church-going family. Her mother was a milliner who made manyof Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. These items are examples of women's hair fashion during the mid 29th century.Five women's hair nets. One is pale green and the others are brown.accessories hairnets-snoods burton-marjorie -
Kew Historical Society Inc
Clothing - Two-piece pink silk afternoon outfit, 1875
This afternoon dress was owned and first worn in 1875 by Alice (Henty) Hindson, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. The outfit was worn in the same year as Alice's marriage to John Hindson at Trinity Church, East Melbourne, and may have formed part of her trousseau. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Alice (Henty) Hindson's afternoon dress is a two-piece, two-toned pink ensemble made of silk taffeta. The detailing is done with fine knife-pleated trims piped in ivory satin and decorated with ivory silk moiré bows on the bodice and skirt. The panelled peplum jacket is boned and the front button closure has hand-embroidered buttonholes with handmade covered buttons. The gathered full buttoned skirt falls into a train. The skirt is decorated with rows of ivory tulle corded lace and the hemline is edged with crisp fluted organza and tatted lace. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 863.6, Waist 685.8, Hip 787.4, Cuff 304.8, Hem circumference 1422.4. Vertical - From neck to hem 546.1, Front waist to hem 241.3, Back neck to hem 609.6, Back waist to hem 355.6, Sleeve length 330.2. Horizontal - Neck to sleeve head 60, Underarm to underarm 419.1. SKIRT Girth - Waist 558.8, Hip 1473.2, Hem circumference 3911.6. Vertical - Front waist to hem 1092.2, Back waist to hem 1524. fashion -- 1870s, afternoon dresses, alice (henty) hindson, women's clothing -
Ringwood and District Historical Society
Photograph, Mayor Cr. E.T. Purser, J.P. receiving his guests at Ringwood Mayoral Ball 1952
Written on back of photograph and catalogue card, 'Mayor Cr. E.T. Purser, J.P. receiving his guests at Mayoral Ball 1952. Left to right - Councillor Anderson, Mayor of Rochester, England, Councillor H. Petty, Mayor of Prahran, Councillor Paice, Mayor of Nunawading, Councillor Kemp, Mayor of Box Hill, Councillor E.T. Purser, Mayor of Ringwood on the occasion of the first Mayoral Ball held on July 31st, 1952. Mayoral chain (gift of anonymous donor) worn for the first time'. -
Bendigo Military Museum
Photograph - Lithographic Squadron Group Photos, Army Survey Regiment, Fortuna Villa, Bendigo, 1990
This is a set of 15 photographs of personnel posted to Lithographic Squadron at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria, on the 1st of October 1990. These informal and formal group photos were taken on the day of a CO’s Parade. It is not known why sunglasses were worn at the Squadron parade outside the Litho huts. Photos of the other three Squadrons, the Officers, and Warrant Officers/Sergeants from this set of negatives are catalogued in item 6440.11P. This is a set of 15 photographs of personnel posted to Lithographic Squadron at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria, on the 1st of October 1990. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) &.2) - Photo, black & white, 1990. OC MAJ Bob Coote. .3) - Photo, black & white, 1990. Front rank L to R: SPR Ken Labouchardiere, SPR Doug Whiteside, SPR Mark McCullogh. Centre rank L to R: SPR Andrew Woodman. Rear rank L to R: CPL Geoff Webb, CPL Daryl South. .4) - Photo, black & white, 1990. Front rank L to R: SSGT Russ Mollenhauer, SGT Kim Reynolds, SGT Brian Paul, unidentified, SPR Ken Labouchardiere, SPR Doug Whiteside, Centre rank L to R: SPR Graeme Spong, SPR Andrew Woodman. Rear rank L to R: SGT Steve Burke, CPL Geoff Webb. .5) - Photo, black & white, 1990. WO1 Trevor Osborne. .6) - Photo, black & white, 1990. LCPL Damien Cole. .7) - Photo, black & white, 1990. L to R: WO2 Rhys De Laine, WO2 Steve Egan, WO2 Keith Fenton RE UK Exchange, WO2 Rob Bogumil, WO1 Bill Jones. .8) - Photo, black & white, 1990. L to R: SPR Shane ‘Smily’ Campbell, SPR Andrew Woodman, CPL Daryl South. .9) - Photo, black & white, 1990. LT Greg Tolcher. .10) - Photo, black & white, 1990. SGT Steve Burke. .11) - Photo, black & white, 1990. Lithographic Squadron: Back row L to R: SPR Ross Anza, SGT Brian Fauth, unidentified, SPR Andrew Arman, SGT Gary Kerr, SPR Doug Whiteside, SSGT Russ Mollenhauer, CPL Peter Swandale, CPL Roy Hicks, SPR Shane ‘Smily’ Campbell, SPR Graeme Spong. Jones. 3rd row L to R: SSGT Garry Drummond, SGT Kim Reynolds, unidentified, SGT Brian Paul, CPL Gavin Mclean, SPR Mark McCullogh, CPL Le-Anne (Smallshaw) Shirley, CPL Geoff Webb, SPR Gary Lord, SSGT Di Chalmers, CPL Peter Dillon, LCPL Damien Cole, SGT Steve Burke. 2nd row L to R: SSGT Peter Imeson, SPR Gary Sievers, unidentified, CPL Daryl South, SPR Greg Howell, SPR Janet Murray, SPR Michelle Withers, SPR Ken Labouchardiere, SPR John Bragg, SPR Andrew Morrison-Evans, CPL John ‘Flash’ Anderson, CPL Trevor King. Front row L to R: WO2 Steve Egan, WO1 Trevor Osborne, LT Greg Tolcher, WO2 Rob Bogumil (standing), OC MAJ Bob Coote, LT Marty Lyons, WO2 Rhys De Laine, WO2 Keith Fenton RE UK Exchange, WO2 Jeff Willey. .12) & .13) - Photo, black & white, 1990. Lithographic Squadron: Back row L to R: SPR Ross Anza, SGT Brian Fauth, unidentified, SPR Andrew Arman, SGT Gary Kerr, SPR Doug Whiteside, SSGT Russ Mollenhauer, CPL Peter Swandale, CPL Roy Hicks, SPR Shane ‘Smily’ Campbell, SPR Graeme Spong. Jones. 3rd row L to R: SSGT Garry Drummond, SGT Kim Reynolds, unidentified, SGT Brian Paul, CPL Gavin Mclean, SPR Mark McCullogh, CPL Le-Anne (Smallshaw) Shirley, CPL Geoff Webb, SPR Gary Lord, SSGT Di Chalmers, CPL Peter Dillon, LCPL Damien Cole, SGT Steve Burke. 2nd row L to R: SSGT Peter Imeson, SPR Gary Sievers, unidentified, CPL Daryl South, SPR Greg Howell, SPR Janet Murray, SPR Michelle Withers, SPR Ken Labouchardiere, SPR John Bragg, SPR Andrew Morrison-Evans, CPL John ‘Flash’ Anderson, CPL Trevor King. Front row L to R: WO2 Steve Egan, WO1 Trevor Osborne, LT Greg Tolcher, WO2 Rob Bogumil, OC MAJ Bob Coote, LT Marty Lyons, WO1 Bill Jones, WO2 Rhys De Laine, WO2 Keith Fenton RE UK Exchange, WO2 Jeff Willey. .14) - Photo, black & white, 1990. L to R: WO2 Rob Bogumil, unidentified, OC MAJ Bob Coote, CPL Daryl South, unidentified (x3), CPL Roy Hicks, SSGT Di Chalmers, WO2 Jeff Willey, WO2 Keith Fenton RE UK Exchange, SPR Ken Labouchardiere, WO2 Rhys De Laine. .15) - Photo, black & white, 1990. L to R: SPR Greg Howell, SPR Gary Sievers, unidentified, SPR Ross Anza, unidentified (x4), SSGT Russ Mollenhauer, SPR Doug Whiteside, SGT Brian Paul, unidentified (x7), WO2 Jeff Willey, unidentified, WO2 Keith Fenton RE UK Exchange, WO2 Rhys De Laine, SPR Shane ‘Smily’ Campbell..1P to .15P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn -
Warrnambool and District Historical Society Inc.
Household, Pair of Over-Shoes, 1940s
These over shoes or galoshes would have been worn by a woman wishing to protect the high-heel shoes she was wearing at the time. They would have been used in wintry weather or when walking over rough and wet country roads or tracks, perhaps when going dancing or to a function of some sort. With the advent of common car use and better roads, this type of over-shoe would no longer be used today.These shoes are of interest as examples of the footwear worn by women in the mid 20th century to protect lighter and more fragile shoes. This is a pair of black rubber over-shoes or galoshes for wearing over high-heeled shoes. They have moulded rubber soles with high heels, rubber uppers with a flap to cover the ankles and an opening with two metal press studs with black button tops. The inside is lined with light brown cloth. ‘Dunlop’ ‘DZM’ ‘LZA’ women’s fashions, history of warrnambool -
Warrnambool and District Historical Society Inc.
Spats, Early 20th century
These spats appear to be part of an army uniform and may have been worn by a member of an Australian Lighthorse unit. The Victorian Mounted Rifles was established in 1885 by Colonel Tom Price who lived in his retirement years in Warrnambool. Many members of the G Company Mounted Rifles from Warrnambool and district enlisted in World War One and served with distinction in the Victorian Lighthorse units which evolved from the Mounted Rifles units. These spats are retained as they are possibly part of the uniform of an Australian Lighthorse soldier early in the 20th century and may have local provenance.These are two spats or leggings made of stiffened brown leather shaped to fit the lower calf of the leg. They have leather straps and metal buckles at the top end. australian lighthorse regiments, spats, history of warrnambool -
Flagstaff Hill Maritime Museum and Village
Clothing - Apron, early 1900's
This apron is similar to aprons were made for use during war times, perhaps with Red Cross. It was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Apron, ladies size, plain, heavy cotton. Full length apron with bodice, shoulder straps and a button closure at waist. Skirt has five panels. There is a small pocket on wearer's right side, inserted into seams. Ca.1900's.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, apron late early 1900’s, ladies work apron, domestic service, domestic clothing, ladies’ clothing, hospitality clothing, hospitality service -
Flagstaff Hill Maritime Museum and Village
Clothing - Petticoat, c. 1900
This petticoat was donated along with other well kept items of women's clothing. the pin tucks and lace trim could have been made to give flexibility to the length. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Petticoat, ladies size, cotton, waist to floor, drawstring waist closure, bottom lace trim is lined, pin tucks in lower skirt. Machine made lace, machine stitched. C. 1900.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, ladies undergarment, petticoat c 1900, ladies' clothing, ladies' fashion, underwear, petticoat -
Greensborough Historical Society
Photograph - Digital image, Hewitt - Keys family group, 1905c
Group photograph of members of the Hewitt and Keys family. From Nola Parish (nee Iredale) "This is a photo of taken at my grandparents wedding in Heidelberg and includes daughters of Edward Keys and his wife Eliza formally Elizabeth Hewitt who's maiden name was Eliza Joyce daughter of Thomas Joyce and Mary A'Hearn. The Keys family lived in Worns Lane Yarrambat formally Tancks Corner." A short history of the family is included.Digital copy of black and white studio photograph. Includes short family history.keys family, hewitt family -
Halls Gap & Grampians Historical Society
Photograph - Sepia, C 1930s
Guests on verandah of Bellfield Hotel. Marshall White bought a licenced building from Armstrong (between Great Western & Ararat), moved it to the site of their house and, in 1924 opened it as an hotel. It remained a very popular hotel under many owners until completely gutted by fire in 1967. Currently (2011) the Grampians Motel stands on almost exactly the same site. By the clothing worn by the guest in the photo this was probably taken in the 1930's.Guest on verandah of of a long building. The verandah has a vine growing along it.Quality paper made in Germany Hl Gap 0380 NNNAAaccommodation, guesthouses, bellfield -
Flagstaff Hill Maritime Museum and Village
Headwear - Lady's boudoir cap, Early 1900s
Simple night caps had been worn by women in the 1800s for practical purposes such as to keep warm at night. In the early 1900s silk boudoir caps became popular to protect hairstyles while sleeping. It was also thought to maintain or even improve the condition of the hair. This boudoir cap was amongst the belongings of the donor's Great Aunts who were both dressmakers at the original Terang & District Co-Op which was established in 1908.Socially this item is significant as an example of women's headwear from the early 1900s. Historically this item holds significance as a possession of the donor’s Great Aunts who worked as dressmakers at the original Terang & District Co-Op established in 1908.The boudoir cap is constructed of cream silk with a pale floral pattern. A cream crocheted border and top insert are attached using hand stitching. The small ruffle is machine stitched. The silk fabric is fragile and has perished in some places.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, boudoir cap, nightcap, female headwear, sleepwear, vintage women's clothing, terang & district co-op -
Flagstaff Hill Maritime Museum and Village
Headwear - Lady's boudoir cap, Early 1900s
Simple night caps had been worn by women in the 1800s for practical purposes such as to keep warm at night. In the early 1900s silk boudoir caps became popular to protect hairstyles while sleeping. It was also thought to maintain or even improve the condition of the hair. This boudoir cap was amongst the belongings of the donor's Great Aunts who were both dressmakers at the original Terang & District Co-Op which was established in 1908.Socially this item is significant as an example of women's headwear from the early 1900s. Historically this item holds significance as a possession of the donor’s Great Aunts who worked as dressmakers at the original Terang & District Co-Op established in 1908.The boudoir cap is made of a pale yellow silk trimmed with a lace border and lace inserts across the top of the cap. Two apricot flower buds are attached on opposite sides of the cap.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, boudoir cap, nightcap, female headwear, sleepwear, vintage women's clothing, terang & district co-op -
Federation University Historical Collection
Costume, Ballarat Teacher's College Blazer, c1948
This blazer was worn by Helen Veitch in 1948, while a student at the Ballarat Teachers' College in Dana Street. She lived in Ascot Street South and attended the Urquhart Street Primary School. The first class she taught was grades 1&2 at Wedderburn Primary School with 46 students. She also taught at Wendouree West, Wendouree, Urquhart Street and Pleasant Street Primary Schools. She married in 1955 and died in 1979.This royal blue woollen, unlined blazer is bound on all the edges with braid including the tops of the three pockets and 8.5cm from the sleeve edge. The embroidered patch breast pocket has the emblem of the Ballarat Teachers College. It has three buttons at the front. Most of the seams are bound, though some are turned back and stitched down. The back of the top of the pockets are reinforced with cotton fabric.Maker's embroidered patch - Paterson, Powell Pty Ltd, Ballarat White tape with handwritten marking - Veitchblazer, helen veitch, costume, textiles, logo, embroidery -
Wangaratta RSL Sub Branch
Badge
WW2 propeller badges - larger of the two badges has appearance of trench art; the other manufactured Metal badge in the shape of the sleeve propeller worn as a symbol of rank by leading aircraftmen. The main body of the badge has been shaped from one piece of brass.Attached to the centre of the badge is a central boss made from a circular piece of brass. It has an impressed circle in the centre with engraved lines extending from the small circle.Two brass coloured metal badges in shape of a propeller - one badge slightly larger appears handmade (trench art) from silver metal. and has rear clips attached.propeller badge, trench art, ww2 -
Uniting Church Archives - Synod of Victoria
Pamphlet - Methdoist Girls' Comradeship, Rays' Merit Badges
This pamphlet outlines the particulars of the System of Merit Badges referred to in Section 10 of the Constitution. The pamphlet explains the MGC Rays' merit badge system. There were four badges: Devotional, Educational, Service and Physical. The Merit badges were a round metal disc which was attached to a 2.5 inch square of royal blue ribbon with a pin attached. The four badges, forming a square were worn on the regalia above the sign of office. E3094.1 and E3094.2 - White bi-fold paper with blue text with the Methodist Girls' Comradeship badge on the front.methodist girls' comradeship rays' section, merit badges, methodist girls' comardeship, rays' merit badges -
Uniting Church Archives - Synod of Victoria
Pamphlet - Methdoist Girls' Comradeship, Rays' Merit Badges
This pamphlet has the Particulars of the System of Merit Badges referred to in Section 8A of the Constitution. The pamphlet explains the MGC Rays' merit badge system. There were four badges: Devotional, Educational, Service and Physical. The Merit badges were a round metal disc which was attached to a 2.5 inch square of royal blue ribbon with a pin attached. The four badges, forming a square were worn on the regalia above the sign of office. White bi-fold paper with blue text.methodist girls' comradeship rays' section, merit badges, methodist girls' comardeship, rays' merit badges -
National Wool Museum
Spinning Wheel
Part of the Zakrzewski Collection of spinning wheels donated to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This spinning wheel is from the Nepal / Tibet region. Interestingly, the hole in the crank which holds the stick to turn the wheel is extremely worn, demonstrating its lenthy use. It was purchased from Soo-Tze Orientique in Prahran.Part of the Zakrzewski Spinning Wheel collection.handicrafts - history, spinning wheels, highlights of the national wool museum: the zakrzewski spinning wheel collection - exhibition (28/07/2001 - 02/12/2001), zakrzewski, mr wlodzimierz -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Education kit - Blue Nurse Uniform on Miniature Doll - School 1(1950) to School 7 (1951), Nursing Through the Ages
Northern District School of Nursing commenced in 1950. During the early years of the School, student nurse wore a simnple blue dress with white shank buttons. This uniform was worn from School 1 (22/3/1950) thought to School 7 (24/4/1951). The Foundation Dean of the School was Nancy Winifred long who continued in this role until 1974 when failing health forced her resignation.30 cm Miniature Doll wearing blue dress with white shank buttonsName tagnursing history, nursing education equipment, nancy long -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1980
This photograph is taken in a Hospital. RDNS Liaison Officer, Sister Pat Holdsworth is giving the hospital patient, who was to be seen by RDNS District staff on his discharge, a leaflet explaining what to expect at the time of the first RDNS visit. Sr. Hodsworth is wearing the RDNS summer uniform of that era, which was a white blouse worn under a royal blue V neck tunic style frock with the RDNS insignia emblazoned on the upper left.Liaison had occurred between doctors and the nurses of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals would be beneficial, for not only the MDNS, later called Royal District Nursing Service,(RDNS), nursing staff, but also for the patients and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District sister wrote a report of progress and any queries to the hospital doctor, via the Liaison sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District sister. Liaising also occurred between District field staff and Doctors when patients were referred by General Practitioners and did not attend a hospital.Standing on the left of the black and white photograph is a Hospital Sister, with her dark hair drawn up, and wearing her white uniform and white cap, To her right is Royal District Nursing Service (RDNS), Sister Pat Holdsworth, who has short wavy hair; is wearing glasses, and wearing a V neck tunic style frock over a short sleeve white blouse.. She is holding a paper in her left hand which is extended over the side rail on a patient's bed. Her right arm is also extended over the bed rail and she is pointing out information on the paper to the gentleman patient who is sitting up in bed. The man has blonde shoulder length hair and is wearing a light coloured long sleeve striped gown.. His hands are resting on the white bed covers and his left wrist is bandaged. The bed has bed rails attached on each side. Another hospital staff member, a lady with dark hair who is wearing a white hospital style coat, is on the right hand side of the bed with her arms resting on the right hand bed rail..melbourne district nursing society, mdns, royal district nursing service, rdns, rdns liaison, melbourne district nursing service, sister pat holdsworth