IT IS ON PERMANENT LOAN FROM HEPBURN SHIRE COUNCIL. CR. C.W. BLACKMORE WAS ELECTED TO THE CLUNES BOROUGH COUNCIL ON 7-5-1952 AND SERVED AS MAYOR 1954-55; 1958-59 AND 1959-60. THE PHOTOGRAPH ORIGINAL HUNG IN THE CLUNES TOWN HALL DURING HIS TERM AS MAYOR.FRAMED PHOTOGRAPH OF CR. CHARLES W BLACKMORECLUNES BOROUGH COUNCIL CHARLES W. BLACKMORE ELECTED 7-5-1952 MAYOR 1954-55 1958-59 1959-60. CON TARANS STUDIO BALLARATlocal history, photography, photographs, councillors & officers

Slide photograph of the exterior of Harelands on a cloudy day from across Willesmere Road. Harelands was at 5 Willesmere Road on the corner with Burke Road. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Boys then moved to Blamey House and girls went to Stanhope. Harelands was built in the Queen Anne style and is now heritage listed. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the outside of Harelands.Colour slide of the exterior of Harelands, in a brown cardboard mount.Handwritten on front 'Harelands' in blue pen and 6 in pencil. Imprinted with 5 in black ink.residences, harelands

Newspaper photograph taken by The Courier of the steel framework for the BTPS depot in the south Gardens reserve. Photo taken 15/5/1972, published 16/5/1972. See Reg. Item 2203 for the photo used in the newspaper clipping. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Reg Item 4654 for a similar photo, along with 9434, and 3819.Yields information about the construction of the depot building for the BTPS in the south Gardens Reserve and the landscape at the time.Black and White copy photograph with publisher details on the rear.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, btps, depot, gardens, buildings

Two newspaper cuttings pasted onto a sheet of paper. (1) "Floral beauty and a fair admirer at the Royal Horticultural Show - Miss Jean Scott of Burnley Horticultural School, with three choice specimens of gladioli, champions in their class. Left: Emilie Aubrun variety, grown by Mr G. Swensen, Ballarat. Centre and right: Charlemagne and Sunnyside varieties, grown by Mr R. Hayes, Ballarat." (2) Hand written note: "Betty Holmes, 9/5/31. Supplement to The Argus." The caption is: "Autumn blooms - A student of the Horticultural College, Burnley, with a fine display of dahlias at the Royal Horticultural Society's show at St. Kilda."Hand written note: "Betty Holmes, 9/5/31. Supplement to The Argus." royal horticultural show, jean scott, flowers, betty holmes, gladioli, dahlias, g swensen, charlemagne gladiolus, sunnyside gladiolus, emily aubrun gladiolus, r hayes, royal horticultural society

Set of five colour photographs taken by Michael Schrader possibly on the occasion of the 31-8-1997 National Trust event of the opening of Hawthorn Depot with heritage trams "Trams in Hiding". Date to be confirmed - possibly on the day of the launch of No. 8? .1 - Michael Schrader standing alongside HTT 8 at Camberwell Depot. .2 - No. 8 and V214 at Camberwell Depot .3 - HTT 8 with Greg Rogers standing near the tram and other depot staff with B2 2068 in the view. .4 - W1 431 in Swan St reversing at the crossover. .5 - W1 431, V214 and HTT 8 at Hawthorn Depot. Printed on Agfa Paper.5 has on rear in ink "Hawthorn Museum Opening" .3 - "Camberwell Depot"trams, tramways, camberwell depot, htt, w1 class, m class, v class, b class, hawthorn, swan st, hawthorn depot, tram 8, tram 214, tram 431, tram 2068

Information pertaining to the former Jarrold Cottage built in the early 1850s which has been in the Skipper family since 1944 Contents: 1 Journal Article: Jarrold Cottage; This quaint house survived fire and flood, Eltham Shire, newsletter c.2002, p10-11 2. Newspaper article: Cottage of 1800s, 100 Years of News Special Edition, (Leader Newspapers), August 27, 1997, p36 3. Jarrold Cottage (7), extract from tourist drive map publication (unknown) 4. Journal Article: Eltham . . . then and now, written by Judy Lewis, Eltham Town Community News, pp10-11, date unknown with hand written comments/corrections by Diana Bassett-Smith. Features Jarrold Cottage, Southernwood and Walter Withers and the former CBA Bank building. 5. Artice: Jarrold Cottage or White Cloud Cottage, compiled by Harry Gilham (2 pages)Folder of information on Jarrold Cottage consisting of 5 A4 photocopies and one A3 (colour) two page journalbootmakers cottage, cba bank, eltham, jarrold cottage, main road, southernwood, walter withers, white cloud cottage

Black and white photocopy of a typed letter written by Company Sergeant Major (later Captain) George Eric Milne on the second last night at Lone Pine, Gallipoli. The letter to his parents show that he was scheduled to be in the second last party to leave the area during the evacuation. The other papers with this letter show that Legatee Don S (probably Simonson) had attended a planting of a Lone Pine seedling at Scotch College and the Head had read the letter out as part of the service. George Milne had attended school at Scotch College and is commemorated with his name on the wall of the Memorial Hall. From NAA his record shows that he had left Australia as part of the 24th Battalion (on the same ship as Legacy founder Stan Savige), he served at Gallipoli. Later with the 46th Battalion he was wounded in action and died in France on 5 April 1918, and is buried at Gezaincourt Communal Cemetery. Full text of the letter is transcribed and attached.A first hand account of the evacuation of Lone Pine from someone in the same battalion as Stan Savige.Black and white A4 photocopy x 5 pages of a typed letter written by GE Milne and associated research.gallipoli, world war one, george milne, evacuation

The unveiling of the William Wallace Statue in 1889; biography of William Wallace; biography of sculptor, Percival Ball.The Unveiling of the William Wallace Statue demonstrates the importance and loyalty to Scottish heritage of Ballarat people in the nineteenth century. 01Small coloured photograph of the Wallace Statue. Ref: The National Trust for Scotland. Newspaper Articles: 02 Ballarat Courier 12/9/1997, "Celebration of Battle's Anniversary". 03 Chambers Encyclopedia, Vol.X., 1892, "Wallace, Sir William", 04 The Ballarat Courier, 24/5/1889, 05 The Ballarat Star,24/5/1889, 06 Ballarat Star, 25/5/1889, 07 The Ballarat Star, 25/5/1889, "The Statue of Sir William Wallace" "Unveiling Ceremony" 08 "William Wallace", Wikipedia, 2011, 09 Percival Ball, Sculptor, Wikipedia, 2011. 010 Ball, Percival, Australian Dictionary of Biography,2006-2011.Ballarat Courier newspaper article, 12/9/1997 in blue biro, top left corner. Chambers Encyclopedia, Vol X, in black biro. Research by R. D. Mosman, April, 1997, FBBG logo. Courier Newspaper article, 24/5/1889 in black biro, research by R.D.Mosman, April, 1997. Photocopies taken by the Clark Centre 19/2/2002. Transcription of articles by John Garner. william wallace, percival ball, unveiling of wiliam wallace statue, statues in the ballarat botanical gardens, statue of a scottish hero, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat, statues, wallace

1. November 28th 1914. 2. January 2nd 1915. 3. January 9th 1915. 4. April 17th 1915. 5. July 24th 1915. 6. May 29th 1915. Original owner - Stephen John PARISH Regiment number/ Unit 703 Became an Officer, born Warracknabeal, living in Mildura when he enlisted in the 8th Battalion.Six Magazines; 1./2./3./6./ - Covers - semi glossy white paper - black print with red colour highlights and part of illustration. Illustrated - black and white photographs. 4./5./ Covers - white paper and black print, illustrated black and white photographs. These magazines are missing their outer cover. 1. No 342 - 364 pages. 2. No 466 - 488 pages. 3. No 490 - 512 pages. 4. No 194 - 216 pages. 5. No 522 - 544 pages. 6. No 330 - 352 pages.magazines, ww1, s. j. parish, 8th battalion

This photograph is one of a series taken by Allan while travelling through France in mid-1946. It was taken in the medieval city of Rouen, a city heavily damaged by the Allied bombings during the Battle of Normandy in May 1944 and shows a cob house, typical of the period. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of a historical building and street scape in Rouen.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is a mark "ItI"in pencil, written sideways.allan-quinn, photograph, rouen, france, ww2, battle of normandy, normandy, cob house, middle ages, medieval

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of an inn door, in Rouen, France, taken on the 5th of June, 1949. Two small wooden monks are have carved into either side of the eaves.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, half-timbered houses

Ballarat No. 31 covered on below windows with posters for Morton's Circus, ads for 'To-Nite'. Has Castrol and footrest shoes? roof ads. Tram travelling down Lydiard St, towards station, just left Seymour St. loop, following another bogie car. Both trams have dash canopy lights with small white strip. No. 31 showing 'SPECIAL' on destination.SEC Ballarat No. 31 with Morton's Circus Posters, Lydiard St. North, 5/1/62' in blue inktramways, trams, ballarat, morton's circus, lydiard st., seymour st. loop, tram 31

1. - 5. Shirt - green colour cotton fabric with long sleeves, shoulder epaulettes, two front pockets with button down flap. Front button closure, sleeve cuffs. plastic buttons, green and brown colour. Manufacturers label, below collar, green colour cotton with black ink print on it. 3. 2, 4, 5. Illegible. Date of Manufacture 1953 to 1982. Army work dress shirt commonly called "Greens". Manufacturing dates from 1953 to 1982. Green cotton label information - black ink print. 1. "A.G.C.F./ VICTORIA/ 1980/ ^/ SIZE 41/81/ 8405.66.093.2443/ SERVICE NO./ NAME ". 3. "Pelaco/ Victoria/ 1953/ D^D". 2. 4. 5. Illegible/ passchendaele barracks trust, uniform, army, workwear

Frame 5. Photo 1. Lonely graves on a battlefield. This has been identified as "Vaire Wood cemetery" just south of the Somme at Vaire-sous-Corbie. Some 28 diggers from Vaire Wood were later reburied at Crucifix Corner Cemetery at Villers Bretonneux. Photo 2 and 3. Two photos, troop train luxury travel. This is possibly 45th quota men 'en route' from Gamaches to Havre in early 1919. From Havre they sailed for England on the "Prince George". Photo 4. Bert Grinton receiving his "DCM" from Lady Denman for actions around Clery on 31/8/1918. His CITATION reads: For conspicuous gallantry and devotion to duty near Clery on 31st August 1918. he became detached from his Company and joined another party in the advance. mainly through his assistance with a Lews Gun, they cleared an enemy trench, killing about 30 and capturing several machine guns. he got on top of the trench and under heavy fire silenced a field gun which was firing over open sights. This is from the official records in his service documents. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. 4 photographs top to bottom. 1. Graves on a battlefield. 2 x 2. Troops in front of a rail wagon. View of rail wagons and troops. 3. Soldier receiving an award. Frame - timber with black colour paint, glass front, mount black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten, blue felt tip pen "5."framed photographs, grinton collection, ww1, 38th

Framed leaflet of 'Performance Statistics' no 9 SQN RAAF/June 1966 to Dec 1971 /Blue print on white5-5 Years (2000 days ) / Deployment Strength to casualties

Yields information about the closing days of Ballarat trams, and the street scene of Barkly St near Main St.Black and White photograph of Ballarat No. 18 inbound along Barkly St, from Mount Pleasant, about to turn into Main St. Photo taken from near the Ballarat Fire Station, c9170's. Tram has the destination of "Gardens via Drummond Nth." Taken by John Phillips.On rear of photograph "Front Cover" in pencil and "5?5?" in ink.tramways, trams, mt pleasant, barkly st, main st, tram 18

Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. This bottle has an aesthetic element in that the shapesis visually appealing. It reflects the type of glassware that was in circulation in the first half of the 20th century. A narrow clear glass bottle with a short neck and a moulded rim.5 3bottle container

An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A small, round, clear glass ink bottle. It has a screw thread at the top.15543 5ink-bottle glass-container stationery

A box decorated with Christmas paper containing Australian news and cuttings of items of interest in Australia. Includes the history of the M.C.G., Lord and Lady Casey, Treasure from Gilt Dragon wreck, Flinders Street railway station, 'The story of 100 years by Roy Bridges, The 24th Annual Report of AMPOL 1960, magazine titled,' A picture of the Commonwealth' and various other items of news. 1960s.Australliana 5australia, history, general item of interest, lydia chancellor, collection, australia, australiana, history, person, melbourne cricket ground, flinders street railway station, governor general of australia, 'gilt dragon' wreck, australian history

photograph of ladies auxiliary taken in front of concertina doors in meeting room of Ely St fire station. BACK L - R Karen Bell, Jan Baytala, Tracey Collier, Aileen Sanders, Dorothy Wise, Gayle Humphries, Lorraine Grenfell, Dianne Mills. FRONT L-R Tess Haynes, Elaine Graham, Pat Prendegast, Sue Read, Joan Rosser, Beryl Nolan, Jean Brown.black and white group photograph of ladies auxillary No.5 - centreladies auxillary, auxillary, ely street, karen bell, jan baytala, tracey collier, aileen sanders, dorothy wise, gayle humphries, lorraine grenfell, dianne mills, tess haynes, elaine graham, pat prendegast, sue read, joan rosser, beryl nolan, jean brown.

A73/5equipment/gear, ballarat rsl, ballarat

The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed lithograph3/5juli haas, printmaking, gippsland printmaking teaching collection, gippsland campus, churchill, alumni

Juli HAAS (1952–2014) Born Melbourne Juli Haas studied under Euan Heng’s at the Monash University Churchill campus. Haas completed a Bachelor of Arts in 1989, a Graduate Diploma of Arts in 1990 and a Master of Arts (Research) in 1995. Juli Haas has won Sir John Sulman prize in 1995 at the Art Gallery of NSW and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed lithograph4/5juli haas, gippsland campus, gippsland printmaking teaching collection, printmaking, alumni, churchill, dog, fauna

After the 1939 bushfires, the Forests Commission Victoria invested heavily in a radically new communications network. After suffering some inevitable delays due to the war, radio VL3AA switched into full operation in October 1945 proudly beaming out 200 watts across the State. But by today’s standards, the technology was primitive and the reception poor unless the user was on a high point somewhere. The radio signal was "line-of-sight" and bounced between fire towers and relay transmitters across the mountains back to the District offices. The advent of solid-state electronics in the 1960s replaced the more delicate valve sets which enabled greater use of vehicle mounted radios. The Commission continued to research, develop and build new radios at its many workshops around Victoria. The network was supported by a large team of skilled radio technicians. The more secure and versatile State Mobile Radio (SMR) digital trunk system came into operation in about 1995. Upgraded Tait Radios were purchased in 2014 after recommendations of the 2009 Bushfires Royal Commission. But it was the convergence of separate technologies such as 5G mobile phones, high-capacity and light-weight lithium batteries, Wi-Fi, the ever-expanding internet, cloud data storage, digital cameras, GPS, personal organisers and hundreds of supporting Apps into powerful smartphones and tablets which revolutionised bushfire communications from the mid-2000s. Portable radio with aerial and charging portKSC 5bushfire, radios, forests commission victoria (fcv)