Colour slide in a mount. Unknown locationMade in USA / Patented / Encircled 21 (Handwritten)slide, robin boyd

Colour slide in a mount. Unknown location, possibly USAMade in USA / 21 / Encircled 55 (Handwritten)slide, robin boyd

Small silver lapel badge showing two dolphins face to face. The badge is titled " The Submarine Warfare Insignia." They are worn by qualified submariners. V - 21 - N is inscribed in rear of badge.

Fur Felt Slouch Hat as issued to the Royal Australian Navy. Navy Blue Pugaree and blue metal badge with QE11 Crown.Akubra C.C. 21 JS February 2010

Colour print photograph of the two horses, Ajax and Herc leading Ballarat Horse Tram No. 1 along Wendouree Parade, north bound on 7/11/1992. See page 3 of November 1992 Fares Please! for similar photograph. Photo shows harness arrangements. On AGFA photo paper, "Made in Germany".on rear of photo in blue ink "21. 7.11.92"horse trams, btm, wendouree parade, tram 1

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Coloured postcard of highland scenes produced as part of the "Fine Art" Series. Valentines Series. The postcard was purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."To Jack / From Inverness 21-8-1928"postcards, george and edith weir, postcards -- scotland (uk), weir collection

Legacy have many programs to send young junior legatees on activities, camps and outings. The photo shows a junior legatee trying archery at a camp. There are photos of several junior legatees attempting archery from the same event (items 03101 to 03106). There are photos of the same children trying abseiling. The date is not known though it was stored with other photos of Junior Legatees from the 1980s and 1990s. A record of a Legacy providing experiences for the junior legatees.Colour photo of a junior legatee or instructor trying archery at a camp.Printed on the back 'No.21' which is the image number.junior legatee outing, archery

Colour patch is probably 2/2nd Heavy Anti Aircraft Regiment.1. Jacket, wool. Colour sort of grey tinted khaki. Has 4 front pockets. Buttons are darkened AMF type - 4 on front. Epaulettes have darkened "AUSTRALIA" name badge on each collar have darkened Rising Sun Badges. Shoulders have a triangular shaped colour patch. Red and Blue triangle on grey felt triangle. Chest has a ribbon bar showing 4 service medals. 2. Trousers - wool - colour Khaki. 3. Hat - Khaki, slouch. WW1 style hat band. Darkened Rising Sun Badge- AMF. Service ribbons are; 39 - 45 star. Pacific Star. British War Medal. Australian Service medal.Trousers - in green texta - “21-95” in waistline.ww2, uniform, army, passchendaele barracks trust

Black and white postcard, divided back with a photo of the Myer Lonsdale St Warehouse with a grip car in front prior to the construction of the 11 storey store. Card dated c1920. Has a number of motor vehicles and horse drawn vehicles in the view. Has space for a stamp on the rear and has card details and some notes about Myer itself.On rear in pencil "Purchased 21/6/1983"trams, tramways, lonsdale st, cable trams, grip tram, myer

Members of the Geelong Amateur Cycling ClubBlack and white photograph with white border. Nine men creating a human pyramid. Bicycles and other people in background.On back - 'Fun day 21 of Jan/1956'

This gas lamp light and stand came from the original manufacturer in Melbourne. Gas street lights such as this one were used in Melbourne from the mid-19th century. The lights enabled safer after-dark travel for pedestrians and vehicles and were a deterrent to crime. A lamp lighter was employed to keep the lamps lit, sometimes with little success due to weather conditions and the pranks of youths. WARRNAMBOOL Gasworks In Warrnambool prior to 1874 there were about twenty rare, individually lit street lights in Warrnambool, each with its own supply of kerosene. These lamps were in the central business area of Timor, Koroit and Liebig Streets. The Warrnambool Gas Company Ltd. was registered as an incorporated company in 1873. It was a private, locally owned business. It was located at 209-215 Merri Street, Warrnambool, on the land, which is just west of the later-built railway station. The first managers of the Gas Company lived in a substantial stone house on site, but later the managers lived in a residence in Henna Street between Merri and Timor Streets. The original home, which still stands, became a residence for the Railway Station Master from about 1890. In August 1874 the construction of the gasworks was complete and at the end of that month gas was supplied to all of the existing lamps in Warrnambool for the first time. The Warrnambool Gas Company wound up in 1880-1881 and was purchased by the Warrnambool Borough Council with money raised by a loan – the Borough’s first ‘loan transaction’. The Council established a piped network to supply gas to other street connections. The gasworks were privatised and upgraded in 1952. In 1972 the town supply was converted to liquid petroleum gas and by the early 1980s the gasworks were closed down. In 1986 Warrnambool was supplied with natural gas from a site near Port Campbell. The Warrnambool gasworks supplied all street and shop lighting and most domestic lighting until 1923 when electricity was available for lighting. Bromfield Street in Warrnambool was named after the director of the gasworks, James Astley Bromfield (1823-1903). He arrived in Warrnambool from Worcestershire, England, in 1852 and was very active in the local council and community. Cockman Street was named after the first secretary of the gasworks in 1874, Walter Cockman (c.1821-1892). He was a Mayor and businessman. The second Manager, Luther Rodgers, worked for the gas company for about twenty years and both Rodger Place and Rodgers Road in Warrnambool have been named after him. LAMP LIGHTS IN MELBOURNE In the 1820s Melbourne's innkeepers were legally required to have a lamp light outside their premises from sunset to sunrise. This was the first instance of street lamps being used in Melbourne. In 1847 the first oil lamp was used in the city. In 1849 a gas lamp was installed on the Swanston Street Bridge and much of the city had oil lamps installed by then. In August 1857 the installation of street gas lamps began in Melbourne. They were welcomed for the much brighter illumination they gave. By 1860 there were 414 lamp pillars. The phrase was quoted often - "A light was as good as a policeman". The first gas burners used for street lighting were called 'fishtail' gas burners. These were replaced in the early 1900s by gas mantles. The City of Melbourne Gas Coke Company was formed in 1850 but due to the Gold Rush the manufacture and distribution of the gas supply was delayed until January 1856. By the 1890s the gas supplying the lights was supplied by three companies in Melbourne. In 1879 a football match was played at the MCG under electric lighting and gradually electric arc lights were installed inside and outside buildings in the city. Lamp lights such as the one in Flagstaff Hill’s collection were no longer needed. (References: John Lindsay re Lamp Light history 2019-01-29, Former Warrnambool Gas Company Limited, Victorian Heritage Database Report, Heritage Number 149746 https://vhd.heritagecouncil.vic.gov.au/places/149746/download-report ) The lamp light is representative of the lamps used in Melbourne from the mid-nineteenth century to light the streets at night and make Melbourne a safer city. The lamp is also representative of the gas street lighting in Warrnambool from the mid-1870s-1920s.Lamp light or gas light. Street light, one of the last gas street lights removed from Melbourne. (Reconditioned by Friends of Flagstaff Hill, 2013)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lamp light, gas light, gas lamp, street lamp, street light, gas street light, melbourne street lighting, warrnambool street lighting, melbourne gas street light, warrnambool gas company, warrnambool gasworks, james bromfield, walter cockman, luther rodgers, city of melbourne gas coke company

Winners of the Monash University Undergraduate Prize for Creative Writing are announced at the Emerging Writers' Festival and receive a paid opportunity to publish something in the EWF publication 'The Emerging Reader'. Monash University is a major EWF partner.A blue and white flyer with black text advertising the 2013 Monash University Undergraduate Prize for Creative Writing, which is run in conjunction with the Emerging Writers' Festival.10th emerging writers' festival, sam twyford-moore, 2013, program, the wheeler centre, emerging writers', literary, anniversary, festival, monash university, undergraduate prize for creative writing

1962 plans, interior drawings and specifications for G. Scambler's brick house at 16 Wolsley Crescent, Blackburn, and the 2013 Barry Plant Real Estate flyer. non-fiction1962 plans, interior drawings and specifications for G. Scambler's brick house at 16 Wolsley Crescent, Blackburn, and the 2013 Barry Plant Real Estate flyer. The architect was Drayton and Colman.scambler gk, drayton & colman architects, wolsley crescent

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ABBOT BAGGY / B'WORTH / CARRIAGE MUSEUM Reverse: B7 / Beechworth Nostalgia / BW - 07 B (crossed out) / 008ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Congues and Mowlam families Images of two families who lived in Cruikshank Street from the 1930s to 1950s. .07 - John (Johnnie) Congues in full army uniform. John was awarded the Military Medal in 1916.families, congues family, mowlam family, john (johnnie) congues

Wall Hanging; 3 parts looped red fabric. Featuring a sun. Was located @ Stockyard Galley - Curatorial Officer Shirlee McPherson to collect 10/07 & relocated to storage @ Korumburra Old Council Cahmbers

A 10 page document detailing the history behind the importance of the local paper's monthly charity report and the significance of it with the local Chinese settlers. Lecture notes by Carol Holsworth for lectureto BHS on 07/02/2003.

Black and white photo of Ballarat BTM 18, Wendouree Parade. Photographed 21/1/2023 on a Mamiya RB67 large format film camera.Yields information about BTM tram 18.Black and white photo - Digital image of BTM Tram 18btm, trams, tramcars, tram 18

Reports to Directors of Snowball Gully Gold Mining Co re Mining Details and Winding Up (sale); 1. 10 pages of details of mining progress (shaft sinking, drives etc) in the period 1905 - 1907 submitted by D Gummell, Manager; 2. Two pages listing the tools and implements on the mine when closed with attached letter to Directors (31/10/1907) submitted by D Gummell, Manager. Note: comment by Ralph Birrell on this second document (19/3/2013) - he observes that the sale of ''68 drills'' on the submitted list indicates that at this mine in 1905/07 they were still using drills and hammers.document, gold, snowball gully gold mining company, snowball gully gold mining company. d. gummell. ralph birrell.

Icon, likely painted by a seamen, possibly depicting an archangel, was given to the mission in 1985 by Polish seamen.IsographyMission to Seafarers Victoria CollectionThick panel of recycled wood with acrylic painted image of an archangel on one side and painted black on verso with blue painted inscriptionupper left : (indecipherable) Golden HERH; upper centre: WITH COMPLIMENTS / FROM POLISH SEAMEN; lwr right corner date: 1985 . 09. 21 [sic]icon painting, isography, polish, seafarer gifts, hobbies, orthodox, byzantine, archangel, saint, seamen, seafarers

This object relates to Sydney Oswald CLARK. He was born on 21/01/1923 in Ararat, VIC. Sydney Oswald served in the AMF (VX15042 V240218) enlisting on, 26/11/1941 in Ararat, VIC before being discharged from duties with the 31/51 AUST INF BN as a Army Non-Commissioned Private (PTE) on 02/07/1946. Sydney Oswald CLARK was not a prisoner of war. His next of kin is Percival Oswald CLARK (Father).A 2753/ DALE J V/RAAF/CofEsecond world war (ww2), 1939 - 1945, personal items, ballarat rsl, ballarat

Black and white photograph of Ballarat SEC No. 21 decorated for the 1968 Myers Christmas Tram. Photographed at the depot by Bob Prentice, 16/11/1968. Tram has been decorated as a "show boat" with a paddle wheel, waves and the side windows covered to resemble port holes. Destination box has been covered with the words "To Myers". Tram has a roof advertisement "Myers for Everything under the tree". Theme: Santa's Showboat. Photographed with Lake Wendouree and the toilet block in the background. See Date advised by Alan Bradley, 15/3/03On rear in blue ink "No. 21 at Ballarat Depot / Saturday 16th November 1968 / Photo - Bob Prentice for T.M.S.V. archives" and in red felt tip pen in centre of photo "Page 1"trams, tramways, myers, decorated trams, depot, christmas trams, tram 21

Brief history of Daniel Robertson Brickworks, Nunawading from its inception in 1853 to the present day under Managing Director, Peter Robertson, fifth generation family member. Cutting from Whitehorse Gazette 21/5/1997daniel robertson australia pty ltd

Document. Red ticket for performance of ''MAMMON'', Friday September 21, 1900 at Royal Princess Theatre, Bendigo. ''Mr & Mrs Leighton'' printed on bottom cut edge. Newspaper clipping glued on back with a review of a concert at the Masonic Hall. Program included Mr A. Hamilton.performing arts, elocution, theatre ticket