The 2/8th Armoured Regiment was raised in June 1941 under the command of Lieutenant Colonel W G Hopkins with officers and men selected from the wider AIF in Victoria. The regiment trained in newly arrived M3 General Grant tanks at Puckapunyal before moving north to Singleton, then the Wee Waa plains. The regiment sailed for New Guinea in April 1943 and carried out mobile defence to airfields at Port Moresby, Milne Bay, Dobadura and Popondetta. The regiment returned to Australia in February 1944 and disbanded as an armoured regiment and retrained as Nos 41, 42 and 43 Landing Craft Companies. They returned to the South West pacific serving at Bougainville, Balikpapan, Lae and Wewak.Historically significant image of officers of armoured regiment drawn from Victoria in early years of WWII, but suffers from poor quality reproduction.Framed photocopied photograph, possibly taken from a newspaper, of 26 Officers of 2/8th Armoured Regiment AIF. Names are listed above and below the image.Above photo:"List of names: Lieutenants: - Bazeley,MM, Merrett, Gait, White, Menzies, Leslie, Miller, Jackson" and below photo:- "Captain Ahou, Lieutenants Charley, Tait, Captains McCallum, Newnam, Trickey, MaCourt MM, Moreton, Callaway, Wilson, Patterson Lieutenants Watson, Taylor, Maxwell [A Squadron], Major Archer [B Squadron], Lieutenant Colonel Miller MC [Commanding Officer], Major Broadbent [C Squadron] Major Ryan [Headquarter squadron], A, B, CO, C , HQ"2/8th armoured regiment

Badges belonged to Victor Henry Evans No 418655 RAAF. Refer Cat No 1760.4.1) RSL membership badge from 1919-26. Enamelled white shield shape with blue circle and red banner, topped with crown. Centre has two figures of soldiers, blue circle has text "Returned Sailors, Soldiers Imperial League", red banner has text "Australia." .2) RSL membership badge from 1941-66. Same design as .1) but crown has blue enamel clip over with the figure "89" denoting financial membership 1989. .1) "A11526" .2) "V87093"badges, membership rsl

Yields information about one of the two visits to Melbourne for the Australia Day Parade of one of the Museum's trams.Black and White photograph of BTM No.27 operating in Flinders St. near intersection with Exhibition St. Melbourne during Australia Day 1981, 26/1/1981 - see March 1981 issue of Fares Please!. Carolyn Dean driver. Photo John Phillips. Tram has destination of "Mt Pleasant" and an auxiliary board "East Melbourne". In the background is the Gas and Fuel buildings and the Forum Theatre. See Reg Item 3085 for another photo of the tram in Flinders St. trams, tramways, btps, flinders st, australia day, tram 27

Newspaper clipping from The Courier, Ballarat, Sunday, December 26, 2004, titled "City's trams back on track today", written by Andrew Jefferson. Notes the resumption of services, quotes Stephen Butler, cost of new transformer and the 30th Anniversary of BTM Operations. Uses the same photo as appeared in the article of 17/11/2004 of Dave Macartney leaning against No. 38 - see Reg. Item 2959. Has date line fixed to top edge of cutting on rear.btm, lightning strike, closure, power supply, 30th anniversary

3 Digital photographs of shops with residences above them that are about to be demolished Photographer Claire Barton 30/07/2010hawthorn road, caulfield south, shops, houses, residential development

In 1899 Councilor J.M.Feery was elected to council ,he served until 1917.He was President in 1906-07 and 1915-16.Original Historic Photo.Sepia photo,oval in shape,of Councilor J.M.Feery,set in gery mount. It is situated at left of second row, and forms part of a composite collection of photos showing all councilors for 1906.Presented by The President to the Ballarat Shire Council. 1906.ballarat shire council, feery j m, 1899 1917

In 1899 Councilor J.M.Feery was elected to council and served until 1917.He was Shire President in 1906-07 and 1915-16.Original Historic Photo.Sepia photo set in pinkish/tan mount, of Councilor J.M.Feery J.P.It is situated second from left top row of collection of photos of all councilors for 1911-12 and is oval in shape.Councilor J.M. Feery J.P.ballarat shire council, feery j m, 1899 1917

R.M. Beattie qualified as a B24-Liberator pilot on9/05/1944 until he was KIA 2/07/1945.Plastic covered ring binder,A4 plastic sheet covered photocopied paper.Flight Log Book- Liberator Flights, Flt. Lt. Roy McBeattie 404228 DFM

Vessel stranded 26 April 1981Colour photograph of the fishing vessel Dagaraad aground on the ninety mile beach beside the entrance bar. Camera crew interviewing a lady on beach with vessel in background, two children also in photo. Lakes Entrance Victoriaships and shipping, fishing industry, coast, machinery

Vessel stranded 26 April 1981Colour photograph of the fishing vessel Dagaraad aground on the ninety mile beach beside the entrance barships and shipping, fishing industry, coast, machinery

Vessel stranded 26 April 1981Colour photograph of the fishing vessel Dagaraad aground on the ninety mile beach beside the entrance barships and shipping, fishing industry, coast, machinery

Pages 26 and 46 mention the QVWC. 48 pages. Green cover. White text. Black and white images throughout. In top right corner of cover writing in ink "GS JP Return to MM" philanthropists, book, charitable organisations

A Trove search records a fatal mining accident that occurred in Eaglehawk on 27th January 1895 concerning 23 year old William Schofield who was the support of a widowed mother and it can be assumed this is the son of the Mrs. Schofield mentioned in the letter. 28 Jan 1895 - FATAL MINING ACCIDENT. - Trove (nla.gov.au) The Age Newspaper p.6The item is a condolence letter behind glass in a timber frame. The letter is addressed to Mrs. Schofield from members of the Young Men's Bible Class at the Eaglehawk Wesleyan Sabbath School. The letter is handwritten in a copperplate style and surrounded by a black and white floral watercolour painting by the artist C.G. Darvatt. The frame consists of a gold painted inner timber frame with a decorative outer wooden frame.

Handwritten letter from Mary Kentish re missed entries in anniversary booklet. Elsie James 1895 and Ethel james 1900, but mother Stella James 1898 and Carloine James 1891 are not in the book. Also Uncle Percy or Percival James born 1888. A photocopoy of the original letter is also included.bendigo, education, golden square primary school

Cohn Brothers Victoria Brewery share transfer from James Black Lawrence of Melbourne to Joseph Worth dated 26th June 1895. Blue oval Gavin G Brown & Co 100 queen St Melbourne Stock & Share brokers hand stamp. One penny duty stamp.bendigo, industry, cohn bros brewery, james black lawrence of melbourne. joseph worth. calvin g brown & co melbourne.

Local solicitor's cash records Frederick Douglas Jones solicitor's Cash Book No 7 ledger, green hard card covered book with brown leather spine and corners. Ledger covers the period 2 March 1895 to 10 March 1900. Ledger is over 132 pages fully utilised. Frederick Douglas Jones Collectionhandwritten entriesf d jones, solicitor, cash ledger.

Envelopes part of a series issued by City of Nunawading to commemorate Australia Day.Three envelopes commemorating Australia Day.1849.1 - Illustration of log chained to cart with farmer. Two stamps (27c) 0f 'H M Brig Supply' 1849.2 - Illustration of fireworks display. 1849.3 - Illustration of Schwerkolt Cottage with a 24c stamp.1849.1 - Australia Family Festival 26 January 1983 Civic Centre Nunawading. 1849.2 - Australia Day Family Festival, Wednesday,26 January1994 1849.3 - Australia Day Family Festival, 26th January 1982 Civic Centre Nunawading.philately, covers, postal stationery

Coloured photograph"Written on back of photograph" Replica antimony mine poppet head -Ringwood Lake Park -1987 Similar photographs -Reg 944, Re 118a located in NWD 02-07-08.

Colour photograph of Ballarat No. 40 southbound in Lydiard St. North, between Mair and Sturt St. photographed from a northbound bogie tram. Tram 40 has destination of Sebastopol. Photo on Agfa Paper and taken on Friday 14 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/07" in blue ink and date stamp "Friday 14 August 1971" also in faded green ink.lydiard st nth., tram 40

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Grave of Mary England (died 1951) in Plot# P1 Greensborough Cemetery. Photograph taken by Noel Withers 30/07/2009.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried thereDigital copy of colour photograph of grave/headstone.mary england, greensborough cemetery

Grave of Charlotte Turner (died 25/08/1944) and George Turner (05/07/1951) in Plot# R5 Greensborough Cemetery. Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.charlotte turner, george turner, greensborough cemetery

The 42 year old Greensborough swimming pool is to be demolished at the end of the 2006-07 season to make way for the new aquatic centrePhotocopy of newspaper articleswimming pools greensborough

Mining Scene Flat Reef at 800ft level Underground in Magdala-Cum-Moonlight Gold Mine 1895Underground miner inspecting overhead Quartz reef. stawell mining