Photograph - black and white. A bust portrait of a young female, wearing all white, hair tired back in a long bun, side head view.A.S.King, Pall Mall, Bendigo.person, individual, female portrait, female portrait.

1 lined Case:1 handle; 1 May ophthalmoscope; 4 Dental mirrors; 1 tongue depressor; 3 different sized headsCase marked: "Klinostik / Super Diagnostic / BRITISH MADE" Handle; "KLINOSTIK REGSD"klinistik, opthalmic instrument, diagnostic set

Wooden shield with black horses head on cream circle on red square. "First Australian Logistic Support Group Vietnam". Reverse covered with signaturesPresented to WO2 B.N. Greenberger from HQ 1 ALSG Sgts Mess May 71plaque, first australian logistic support group

William Bousted was organist and choir master of the St. Andtrew's Presbyterian Church Ballarat 1887 - 1938.B & W matte head and shoulders studio portrait of Mr William Bousted, organist and choir master of St. Andrew's Presbyterian Church Ballarat.william boustead, st. andrew's presbyterian church ballarat, organ, organist., choir master

Rev. W. A. Quick (1820-1915) was a significant figure in Victorian Methodism. President of the Queen's College Council 1888-1908. Chairman of the Tasmanian District 1861-71. President of the Australian Conference, 1866.Carte de Visite. Sepia toned head and shoulders studio portrait of the Rev. William Abraham Quick. The Rev Quick is looking to his left.Printed on the front: "J.W.LINDT MELBOURNE" Handwritten in ink on the back "Rev. W.A.Quick"methodist, wesleyan, president queen's college council, chairman tasmanian district, william abraham quick, president wesleyan conference victoria

Rev. James Jones (1889 - 1971) was born in Edinburgh, ordained in Merbein and served in New Hebrides in 1926.Semi gloss, black and white, head and shoulders photograph of Rev. James Jones who is wearing his clerical robe. This is an enlargement and the image is not crisp.rev james jones presbyterian minister, st andrew's presbyterian church oakleigh

This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A head and shoulders photograph of William McGregor, who is wearing an army uniform. The badges and colours indicatiing rank are seen on the collars, epaulette and top sleeve.world war 2, armed forces, portraits, uniforms, clothing and dress, badges, mcgregor, william, cossum, jeff, george evans collection

Poppet Head and Engine House of Sloane & Scotchmans United Mine taken from Big Hill Facing North West. c 1915 to 1920mining, panorama, gold

Round china serviette/napkin ring with duck head & wing on top & feet. Ring is beige, wings green and ducks bill and feet are orange.domestic items, table setting

30cm Miniature Doll dressed in long blue dress with long white apron. Red cape and white veil on head. White cuffs on sleevesName Tagminiature doll, nursing uniform, nursing history

Furniture commissioned by Dr C E Backwell of Geelong from the Myer Emporium.Design drawing of bed and dresser. Drawing features furniture design of dresser with six drawers and mirror, and bed head with attached shelving for girls bedroom.Inscribed lower right 'Treatment / for girls / bedroom / TAS OAK / Dr C E BACKWELL GEELONG'coloured pencil, paper

Details of guests during the year 2006. Many were guest speakers at luncheons and Comradeship meetings.Records a wide diversity of speakers and guests who attended the weekly Comradeship luncheon at Legacy House in Melbourne.Navy blue leather visitors book, gold metal corners, gold lettering, white lined pages headed Date, Name and Address, Remarks.speakers, legatee event, programme committee, register

Four foolscap sized typewritten pages headed Golden Carshalton N.L. containing Names, Number of Shares held, Distribution Numbers and Addresses of the shareholders.gold, mining, share distritution, bendigo, gold mines, golden carshalton, carshalton line of reef

The wreck site of the Earl of Charlemont is historically and archaeologically significant for the remains of its cargo and passengers' belongings from an international immigrant ship of the gold rush period, representing the cultural material being bought out to Australia in a typical immigrant ship. It is socially significant for the descendants of the many immigrants who made it ashore safely, and who have erected a memorial cairn to their forbears on Point Flinders.4 brass implements: fire poker, fire shovel handle, shaft and head of unknown implement, piece if fire tongs. 1 copper dumpship wrecks, earl of charlemont, fire implements

Very small plastic doll in red and white checked frock & head scarf, frock with lace collar, jointed limbs and opening closing eyes.toys, dolls, plastic

A small banner, green material with gold lettering and logos. Sandhurst Drummers, Annie Sumner, Anzac Parade Melbourne, 1992. A drum and a poppet head.clubs, music, symphonic youth band

A Donnay 'Allwood' tennis racquet and vinyl racquet head cover with zip. Materials: Wood, Plastic, Adhesive tape, Leather, Nylon, Fibreglass, Vinyltennis

Print of a cartoon depicting a tennis player protecting his head from impact by a tennis ball. Materials: Paper, Ink, Metal, Glass, Cardboardtennis

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ button featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised.Wattle Day / For Children’s Charitieswattle day, patriotic buttons, badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ badge featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised."Wattle Day: For Children’s Charities"wattle day, patriotic buttons, first world war (1914-18), badges

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington.Framed black and white head and shoulder portrait of Councillor Long. Profile to left with walrus moustache and mutton chops. Cut olive retangle mount. Verso; Long. On under board which has photograph attached; Talma & Co. / 119 Swanston St., / Melbournestrathfieldsaye shire council, councillor long

Picked up at the Pier, donatedMini matchbox promoting Pier Hotel, blue and yellow; 'Pier Hotel" on front, 'Piranna Lounge' on back. contains 7 blue-headed matchesbusiness and traders - hotels, pier hotel, piranha lounge