No 1 camp compound TaturaBlack and White photograph of No 1 Camp compound. Two huts behind a wire fence. Trees in the background. In the foreground is a round garden.camp 1, tatura, danson, camp garden

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.1 round brass button with a metal shank crown and map of Australia and wording around the circumference. A split pin is through the shank.Australian Military Forces and a crown and map of Australia. P. J. King Pty Ltd Melbourneaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1, brass buttons

This swagger stick belonged to Private Ernest LUCAS who served with the Royal Defence Corps between 17/6/1907 and 18/5/1919 including the 6th Battalion Middlesex Regiment In the British Army before World War I, swagger sticks were carried by all other ranks when off duty as part of their walking out uniform. The stick took the form of a short cane of polished wood, with an ornamented metal head of regimental pattern. The usual custom was for the private soldier or NCO to carry the stick tucked under his arm. Until 1939 swagger sticks were still carried by peacetime regular soldiers when "walking out" of barracks but the practice ceased with the outbreak of World War II. The 6th Battalion Middlesex Regiment can trace its history back to 7 August 1760 as part of the Middlesex Militia. In 1778 it was titled the 1st East Middlesex Militia. By royal order the regiment was later designated the Royal East Middlesex Militia on 24 April 1804. By 1855 it was using the formal title of "1st or Royal East Middlesex Regiment of Militia". In 1900 the number of regular Middlesex Regiment battalions was doubled with the formation of a new the 3rd and 4th battalions; and the two militia battalions were renumbered as 5th and 6th battalions of the regiment. The unit's standing orders of 1863 record the regimental insignia as being somewhat unusual, in that it did not include standard royal crown, but featured a five-pointed Saxon Crown atop a shield with the arms of the East Saxon Kingdom i.e. three stylised Seaxes hilted and pommeledpLong narrow round cane made from polished reddish/brown wood with brass metal tip and embossed silver topSilver metal top embossed with a crown above a shield inscribed 6th Battalion Middlesex Regtswagger stick, 6th battalion middlesex regiment, private ernest lucas

Fourth Class Merit badges tests were designed for MOK Pages aged 8 and 9 years old. Testing requirements for Devotional was attending 20 out of 26 consecutive Sundays at Church or Sunday School; Repeating the Lord's Prayer; repeating two verses from set hymns and the National Anthem and answering questions on The Catechism of the Methodist Church. [Methodist Church of Australasia Methodist Order of Knights Commanders' Handbook, 1957, pg 32)Four round embroidered 4th Class Devotional Methodist Order of Knights merit badge. The badges are gold with blue embroidery of a church.methodist order of knights

Testing included bicycle riding, developing team spirit, being modest in victory, knotting, personal hygiene. [Methodist Church of Australasia Methodist Order of Knights Commanders' Handbook, 1957, pg 32)Four round embroidered 4th Class Physical Methodist Order of Knights merit badge. The badges are gold with blue embroidery of an athelete.methodist order of knights

B006.1 associated with St George's PFA, St Kilda. Membership of the PFA was symbolised by the wearing of the badge. Badges were received by new members only at a special Badge Presentation Service. The letters "PFA" stand out clearly on the badge with the letter "F" the largest because Christian Fellowship is central - with God and and one another. Around the letters is a ring of blue. A ring is an emblem of love and blue traditionally stands for truth of loyalty. Behind the letters are a white St Andrew's cross. Around the edge of the badge are serrations which point outwards and symbolise the reaching out of the Fellowship to the world. The aim of the PFA was "to unite youth in the fellowship of service of the Kingdom of God." Its objectives were "to present to youth the Gospel of Jesus as good news for them, the community and mankind, and as a call to vigorous and faithful activity for Christ's Kingdom in collaboration with all who seek that Kingdom. to help them understanding of the life and teaching of Jesus Christ through study of the Bible and other sources of inspiration. To assist youth to grow to full and true maturity by helping to meet their spiritual needs in physical, mental and social realms. To unite the youth of the Presbyterian Church into a Fellowship of worship, study, recreation and service directed toward the achievement of these objectives." Source: "PFA Handbook", 1960.Seven Presbyterian Fellowship Association round blue and white enameled lapel badges. B006.1 PFA lapel sterling silver badge.PFApresbyterian fellowship association

ROUND EVENING BAG MADE OF PLEATED BROWN RIBBON SEWN ONTO A BONE FRAME WITH CLASP AND CHAIN HANDLE OF BONE LINKSlocal history, costume accessories, female

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton tea) from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

Medallion was presented to the foundation members of the Slovenian Association Melbourne commemorating the commencement of the building of the new Slovenian centre - presented to the then Committee members onlyIt was a great honour to be presented with the gold Foundation Member medallionGold Foundation Member round metal medallion was presented to the then Committee members of Slovenian Association Melbourne at the time of building of the Slovenian CentreSlovensko društvo Melbourne and a blue symbolfoundation member, committee members, slovenian association melbourne, new slovenian centre

Silver coffee pot, presented to Mr R W Pettitt.An electroplated silver, Britannia metal coffee pot in the shape of a rounded, bowl surmounted by a concave section with handle, pourer and hinged lid.J D & S/EPBM/100/MADE IN/ENGLANDpettitt, mr r. w., coffee pot, silver tableware, rituals, domestic life, gifts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Pale pink bed jacket, long sleeved, hand knitted. Vertical pattern on sleeves and most of body. Round collar with tie.knitting handicrafts, neale, mrs vera, knitting, handicrafts, bed jacket, clothing, children

See Ref. 4362Round material school badge. Cream/Maroon edge on maroon rising sun and Blackburn East printed under the sun in black.Blackburn Eastnumismatics, badges, school, equipment, costume accessories, clothes accessories

Grandmother of donor, Martha Edwards' own work, circa 1910A round lightly scalloped edged mat with crocheted edge featuring hollyhocks in yellow, pink, blue and trellis style fence in brownhandcrafts, embroidery

White porcelain bedpan a slipper bedpan for use in a bed. Used in hospitals and homes. Round back with handle tapering down to the frontCetem Ware Englanddomestic items, ablutions, ceramics, porcelain

Round brown cane muff case with brown leather strap around circumference with metal end. Two brown leather handles.costume accessories, female

Round metal cheese press on wooden base. Metal frame with screw tap on top and wooden blocks inside to alter tension.domestic items, food preparation

From the Till collectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Round bowl with four feet,two handles and a lid. Antique design with embossed leaves and scroll handles. Bowl is silver plated.From Mother to C.V. 11/9/20domestic items, containers

Small round white coloured badge with red printing: 110 Fair, March 29th 69; Burwood Heights State School.110 Fair, March 29th 69, Burwood Heights State Schoolnumismatics, badges

Infant's Cream silk jacket. Round neck and 3/4 length sleeves. Lace edging around all edges.Tie at neck.costume, children's

Part of the Bette Jones Milk Jug Cover Collection.A cream crotchet round milk jug cover with green glass beads and a centre crocheted cup and saucer in cream with a green edge.handcrafts, crocheting or crochet work, domestic items, food storage & preservation

Round doyley. Ecru linen centre, 7 cm diameter;. Crochet edging of ecru rayon thread, 4 cm widehandcrafts, crocheting or crochet work, manchester, table linen

Found around 1977 at the Highbury Road, Ballyshanassy Reserve in Burwood East.Three round based wooden dolls with spring based heads which allow them to nod. Painted faces & details on bodies.toys, general