Showing 2239 items matching " usa"
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Melbourne Tram Museum
Photograph - Black and White V class 215 at Preston Workshops 1925
Tram originally built for The North Melbourne Electric Tramways and Lighting Co. (NMETL) in 1906 as a straight sill open cross bench tram. Photograph is of the tram body on an un-motored truck or wheel set and has been posed for an official MMTB photograph in 1925, soon after the workshops were completed. It shows the destination of "M River" for Maribyrnong River.Shows the only type of fully open cross bench tram operated by the MMTB. This style was popular as a summer tram in North America. Originally built by Brill (USA) in 1906 and assembled by Duncan and Fraser for the NMETL as Tram No. 14. Taken over by the MMTB in 1922 and given the number 215.Black and White photograph of V class 215 at Preston Workshops 1925.In ink on rear "V class"trams, tramways, v class, preston workshops, tram 215, nmetl, brill, mmtb, uniforms -
Flagstaff Hill Maritime Museum and Village
Audio - Gramophone Cylinder, Sandy McNab, 1908
Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder was made by Edison 1908 and contains Record number 53 by Sandy McNab. c. 1908On label “Edison Record No. 53, Sandy McNab" and "Form no. 1130, April 1908. Patented December 6 1904, No. 2109, and December 6 1904 No. 2110. “This record is sold by the National Phonograph Company of Australia Ltd, at Sydney Australia.” Trade Mark Thomas A. Edison warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison -
Bacchus Marsh & District Historical Society
Book, Where Roves the Mind, Whilst the Billy Boils
A collection of poems by Kg (Ken) Lyle. Self-published by the author through Balboa Press a division of Hay House, [Bloomington, Indiana, USA}, 2017. BMDHS Location: AR/R5/S5A printed book published in paperback edition. 83 pages. 220 mm x 220 mm. BMDHS Location: AR/R5/S5non-fictionA collection of poems by Kg (Ken) Lyle. Self-published by the author through Balboa Press a division of Hay House, [Bloomington, Indiana, USA}, 2017. BMDHS Location: AR/R5/S5poetry, bacchus marsh writers -
Bacchus Marsh & District Historical Society
Book, Mushrooms and Toadstools: Mysts of the Mind
An book of poetry and some prose by Bacchus Marsh author Kg (Ken) Lyle. Self-published by the author through Balboa Press a division of Hay House, [Bloomington, Indiana, USA], 2017. BMDHS Location: AR/R5/S5A printed book published in paperback edition. 101 pages. 220 mm x 220 mm. BMDHS Location: AR/R5/S5 An book of poetry and some prose by Bacchus Marsh author Kg (Ken) Lyle. Self-published by the author through Balboa Press a division of Hay House, [Bloomington, Indiana, USA], 2017. BMDHS Location: AR/R5/S5bacchus marsh writers, poetry -
Melbourne Tram Museum
Pamphlet, Market Street Railway Company, San Francisco, “Trolley Festival – The past is present on market street”, 1980s
Pamphlet titled: "Trolley Festival – The past is present on market street" Produced by the Market Street Railway Company, San Francisco, features photo of a Melbourne tram owned by them. “Historic Cars of the Trolley Festival”, Melbourne Marathoners (1928-30), former MMTB trams #496 and #648. Tram #648 has since been sold to Sacramento Western Railway museum Trolley Festival ran from 1983 to 1987 due to cable tram track replacement.trams, tramways, usa streetcars, usa trams, usa tramways, w2 class, w5 class, tram 496, tram 648 -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, Guests at Trooping the Colour 3
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Townsville, Queensland 18/08/1968. A portion of the guests at Trooping the 6 RAR Colour. (right to left) Mrs Townsend, Lt Col C.Townsend, Mrs Jackson, Brig OD Jackson, Lady Pollard, Lt Gen Sir Reginald Pollard KBE CB DSO, The Colonel Commandant The Royal Australian Regiment, Mrs Crook, His Excellency Mr William H. Crook the Ambassador of the Uunited States of America.photograph, 6 rar/nz, townsville, lt col c townsend, lt gen sir reginald pollard, mr william h crook - ambassador of the usa, gibbons collection catalogue, trooping of the colour, mrs townsend, mrs jackson, brig o d jackson, lady pollard, kbe, knight commander of the most excellent order of the british empire, dso, army distinguished service order, the royal australian regiment, colonel commandant, mrs crook, denis gibbons -
Clunes Museum
Accessory - KEROSENE DRIVING LAMP, DIETZ, 1890-1907
CAME FROM THE CAMPBELL FARM, FRAMLINGHAM, VICTORIA, AUSTRALIAMETAL DRIVING LAMP, PARAFFIN WICK, CLEAR FRONT LIGHT & RED REAR LIGHTDIETZ UNION local history, dietz usa, driving lamp -
Bendigo Military Museum
Award - MEDAL SET IN BOX USA, Post 1960
Awarded to H.D. KASABACK.1) Medal box .2) Medal insert .3) Medal, Commendation for Military Merit with Vietnam leaf .4) Medal, miniature, Commendation for Military Merit with Vietnam leaf .5) Ribbon, Commendation for Military Merit with Vietnam leafmedals presentation, military usa vietnam, ron mills collection -
Bendigo Military Museum
Award - MEDAL U.S.A
United States of America Navy Cross Medal.medals naval, military usa, ron mills collection -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, US Ambassador
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph The Ambassador of the United States of America, His Excellency Mr William H. Crook accompanied by his wife, arrive to attend the Trooping of the Regimental Colour on the occasion of the Presentation of the United States Presidential Distinguished Unit Citation to D Coy , 6 RAR/NZ, on the 18/08/1968 in Townsville, Queenslandphotograph, townsville, mr william h crook - ambassador of the usa, 6 rar/nz, battle of long tan, presidential citation, gibbons collection catalogue, united states presidential distinguished unit, mrs crook, trooping of the colour, d coy, denis gibbons -
National Vietnam Veterans Museum (NVVM)
Certificate - Certificate from United States Air Force, 8th December 1967
Signed by William W Momyer.Lt General USAF Commander.Lt. John Methven. Date- 8th December 1967. Type-A/C F - 100 D. F.A.C. Report - Smoliage. Pilot - Captain Garry B Tompkins. Target - VC Position and bunkers. Certificate (original ) From United States Air Force. Stating 1st. Lt. John Methven 37604 has flown in combat with US. Forces over Vietnam. The certificate is in a light timber frame.Certificate (original ) From United States Air Force. Stating 1st. Lt. John Methven 37604 has flown in combat with US. Forces over Vietnam. The certificate is in a light timber frame.Signed by William W Momyer.Lt General USAF Commander.Lt. John Methven. Date- 8th December 1967. Type-A/C F - 100 D. F.A.C. Report - Smoliage. Pilot - Captain Garry B Tompkins. Target - VC Position and bunkers.certificate - usa, lt gen william w momyer, usaf commander, lt john methven, john methven, capt garry b tompkins, united states air force, 37604, royal australian infantry corps, 7th battalion, the royal australian regiment -
Bendigo Military Museum
Equipment - CASE, BIPOD CARRIER, Unknown
Army green, two pocket narrow case for a rifle bipod. The main pocket is for the bipod, the top pocket has a zip closure and is used for rifle accessories. There is a metal slide web belt attachment on the back of the case, there is also an additional webbing attachment with a push clip closure. The top closure flap is secured with two push clip closure.CASE CARRYING BIPOD XM3 DSA 100-38-C-1457 1005-899-2430 US Inside top flap closure: 3 Outside top flap: USpasschendaele barracks trust, carrier, bipod usa -
Hymettus Cottage & Garden Ballarat
Work on paper - Booklet, Eureka Stockade Souvenir
A souvenir of the film Eureka Stockade starring Chips Rafferty, Peter Finch and others, distributed by British Empire Films Pty Ltd in 1949.fictionA souvenir of the film Eureka Stockade starring Chips Rafferty, Peter Finch and others, distributed by British Empire Films Pty Ltd in 1949.eureka stockade, ballarat, novel -
Hymettus Cottage & Garden Ballarat
Functional object - Bookmark, Temora Bookmark
De Boos was a bookseller and tobacconist at Temora and the family had settled in the town earlier and De Boos St perpetuates the family name today. This foil heart shaped bookmark is unusual for Australia but they were popular in the USA c.1930s.tobacconist, temora, bookmark -
Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections -
Ringwood RSL Sub-Branch
Edged Weapon Bayonet USA
Black plastic chequered handle US M6 MILPAR COL -
Great Stupa of Universal Compassion
Certificate (item) - A certificate from the Commonwealth of Massachusetts congratulating the Linh Son Temple in recognition of receiving the Jade Buddha, 05/06/2010
The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.This is a congratulatory certificate in recognition of the Linh Son Temple receiving the Jade Buddha of Universal Peace during its USA/Canada tour from 2010 – May 2011.jade buddha, memorabilia -
Bendigo Military Museum
Book - TECHNICAL MANUAL, USA, WW2, War Department Washington 1942, 1. "BROWNING AUTOMATIC RIFLES". 2. "REISING SUBMACHINE GUN", 1968, 1969
Soft cover books. Cover - cardboard, yellow colour. Black colour print on front. Illustrated - black ink outline sketches, 1. Soldier with weapon. 2. Weapon. 1. 80 pages. 2. 24 pages - cut, plain, off white paper. Facsimile type print. Illustrated - black and white photographs and technical diagrams. 1. Front cover - white adhesive label.White adhesive label - blue ink print. "Technical Book Co/ 295 Swanston St." Price Illegible.publications, books, technical manuals, weapons, reference -
Ringwood RSL Sub-Branch
Memorabilia - Trench Art - Ammunition, Ammunition, WW2
A number of US M1 Carbine inert bullets mounted on a wooden base for display.