Showing 9447 items
matching 4th/19th
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Trafalgar Holden Museum
Equipment - Half Buckle, C1900
as used on horse tackle and saddlery late 19th and early 20th century and imported by Holden and frost c1900Sold by Holden and Frost for military and agricultural use c1900Nickle plated steel half buckle as used in saddlery for horsesNilequine, military, civilian, agriculture, c1900, half buckle -
Trafalgar Holden Museum
Equipment - Buckle, C1900
Imported and sold by Holden and Frost during the late 19th century and early 20th century for use on saddlery Retailed by Holden and Frost for military agriculture and civilian use c1910Nickel plated Bridle roller buckleequine, military, agriculture, civilian ca1910 -
Bendigo Military Museum
Award - MEDAL SETS, Post WW11
Gladys Elva Mole No VFX17199 enlisted in the Australian Army Nursing Service on 9.5.1940 age 26 years 5 months. Embarked for the Middle East on 13.9.1940 as part of 4th AGH. During the Middle East time Gladys served with 2/4th AGH in the Siege of Tobruk. Embarked for Ceylon 12.3.1942, 2/4th continued duties there until finally disembarking in Australia 3 MD 4.8.1942, detached for duty QLD 26.9.1943. Embarked for Morotai 21.5.1945, embark for Singapore from Labuan 7.9.1945, embark from Singapore 2.11.1945, disembark 3 MD 20.11.1945. Appointment terminated 27.2.1946 at 106 AGH Bonegilla. Gladys was classed S/Nurse on enlistment, Sister GP1 on 1.12.1941, Lieutenant 23.3.1943 and Captain 16.8.1943. She served in 6 different hospitals. Active Service outside Aust 875 days, Active service in Australia 1091 days, total 1960 days out of a total service of 2043 Days. .2) &.3) Ribbons make a full set as in .1) & .4) Refer 1899, 1900.2..1) Medals, court mounted, set of (6) re G.E.Mole. 1. 1939-45 Star. 2. The Africa Star. 3. The Pacific Star. 4. Defence Medal. 5. War Medal 1939-45. 6. Australian Service Medal. .2) Service Ribbons, set of (3) re G.E Mole 1. 1939-45 Star. 2. Africa Star. 3. Pacific Star. .3) Service Ribbons, set of (3) re G.E.Mole. 1. Defence Medal. 2. War Medal 1939-45 3. Australian Service Medal. .4) Medals, court mounted, set of (6) miniatures re G.E.Mole. The set is as per .1). .1) "VFX17199"medals, ribbons, military -
Bendigo Military Museum
Souvenir - ALBUM, Flowers and views of the Holy Land, 1939-45
The album was bought home from the Middle East by Eric Leslie Bugge. He enlisted No VX6316 on 13.11.1939 age 34 years. At discharge from the 2nd AIF on 2.1.46 he was a Pte in 2/4th Base Workshops. Refer also 180. Rectangular Album. Covers made of wood with desert and camel scene in black on front, leather bound spine. Contains postcard views and pressed flowers re Eric Bugge.On back cover, painted in black - "Jerusalem." Inside cover - "VAL ROWLEY 10 GLADSTONE PDE, GLENROY. W9photography-photographs, books-albums, natural history specimens-botany -
Chiltern Athenaeum Trust
Glass jar and wood stand with a collection of sand from the WW1 Battlefield at Beersheba. Titled "The Sands of Beersheba", Collected in 2008
Linked to the location known as the last great cavalry charge, being Beersheba (Ottoman Empire) 1917, which the 4th Light horse Regiment (AIF) undertook on 31/10/1917. The sand has been obtained from the Battlefield that the Charge occurred on. Collected from the site of the Last Great Charge - The Charge of the 4th Light Horse Brigade at Beersheba on the 31/10/1917. Glass Jar and wooden stand titled "Sands of Beersheba". Jar contains sand from Beersheba WW1 Battlefield as a memento and was collected in April 2008. "Sands of Beersheba" label accompanying the stand and glass jar containing the sand. Label reads as follows: Sands of Beersheba Collected from WW1 Battlefield April 2008 4/19 Prince of Wales Light Horse. ww1, beersheba, battlefield memento, sand, battle of beersheba, charge of the 4th light horse brigade, sand collected as a memento from beersheba, ww1 -
National Wool Museum
Sculpture - Cocoon Sculpture, Kathy Holowko, 2018
Handmade cocoon sculpture made from wool. The sculpture appeared in Kathy Holowko's exhibition "Spidergoat and the Insect Electro" on show at the National Wool Museum from 4th May to 29th July 2018. the sculpture is representative of the other pieces that appeared in the exhibition.The cocoon is constructed with armature wire and pure wool from the National Wool Museum. The wool was looped over the armature wire and hand sewn at each intersecting wire ring.kathy holowko, 2018 -
Rutherglen Historical Society
Photograph - Digital image, 2017
School photograph containing several children of the Dodds family. Third row, fifth from left - Patricia Dodds. Front row, 4th from left - William Henry Dodds. Front row, 3rd from left - David Henry Dodds.Black and white digital image of a group of school children.On back of print copy in file: "Copy of digital image scanned at Museum from photo brought in by Carole Jones (nee Dodds)dodds family, patricia dodds, william henry dodds, david henry dodds, school photos -
Melbourne Legacy
Photograph, 75th Anniversary of Legacy, 1998
Legacy President T. G. Butcher meeting the Governor of Victoria, Sir James Gobbo, at the Shrine of Remembrance arriving in a Government car. For the 75th Anniversary ceremony in 1998. A post-it note says "75th Anni Com Serv Sun 4th Oct"A record of a ceremony at the Shrine for the 75th Anniversary in 1998.Colour photo x 4 of a ceremony at the Shrine for the 75th Anniversary.Printing on the back " -
Melbourne Legacy
Photograph, 75th Anniversary of Legacy, 1998
Three priests that attended the 75th Anniversary event for Legacy at the Shrine of Remembrance on 4th October 1998. The lectern was covered in the yellow Legacy flag. Part of a group of 20 photos stored together with a post-it note says "Photos by Sally Anne Brownbill".A record of a ceremony at the Shrine for the 75th Anniversary in 1998.Colour photo x 5 of priests at a Legacy ceremony at the Shrine for the 75th Anniversary.Printing on the back "PETE.H 022" which is the film number, then image numbers 1,10a, 12a, 13a, 14a.75th anniversary, shrine -
Kew Historical Society Inc
Clothing - Christening robe
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 3 pairs of stereoscopic contact prints from glass plate negatives, 1960-1970
Sheet of 3 pairs of stereoscopic contact prints from glass plate negatives. Top: Man with bicycle in Cape Nelson Road. Photo taken looking towards Bentinck Street. Middle: Group of people under trees beside tennis court. Bottom: Group of people sitting on log Jackass Fern Gully. Dates estimated by the style of the dress to be from the late 19th, to the early 20th century. -
The Cyril Kett Optometry Museum
Book, A practical treatise on the diseases of the eye, 1854 (exact)
This is the 1854 fourth edition of a book on diseases of the eye by William MacKenzie (1791-1868) first published in 1830. William MacKenzie was surgeon oculist in Scotland to Her Majesty (Queen Victoria), lecturer in the University of Glasgow and a surgeon in the Glasgow Eye Infirmary. This fourth edition appeared just after Helmholtz's invention of the ophthalmoscope, but Mackenzie did not at this stage have much understanding of the internal diseases of the eye. Nor did he properly understand refractive errors which were soon to be elucidated by the work of Donders. MacKenzie did however recognise the hardness of the eye as being an essential sign of glaucoma.This book is significant historically as it shows contemporary understanding of eye disease in the early nineteenth century. It is not rare as copies still turn up at book markets and also are held in other Australian institutions.This book, bound in full calf leather (probably later 19th Century) with 1107 pages including an index and is followed by a publisher's catalogue. It is the 1854 fourth edition of William MacKenzie's 'A practical treatise on the diseases of the eye' first published in 1830. It has a long (32 pages) introductory section on the anatomy of the eye by Thomas Wharton Jones, FRS. There are 27 chapters on eye disease. Chapter 24 is on refractive errors and presbyopia.eye, ocular anatomy, ocular disease -
Bendigo Historical Society Inc.
Document - SOUTH BELLE VUE MINE - FIRE AT THE SOUTH BELLE VUE & TRUE BLUE MINES
Handwritten copy of a report in the Bendigo Advertiser 19th, 20th and 21st August 1894 of an explosion and fire at the South Belle Vue Mine Enginehouse. Water pressure was a problem with their fire fighting efforts. While this was happening a messenger came tosay the Enginehouse at the True Blue Mine was also on fire. Both fires were believed to be deliberately lit. A resident saw a man carrying a lighted torch through the bush.document, gold, south belle vue mine, south belle vue mine, true blue mine, fire at the south belle vue & true blue mines, angus kennedy, mr r woods, golden squarte fire brigade, capt houston, national ins. coy, mr cottie -
Bendigo Historical Society Inc.
Document - CARLISLE UNITED MINE
Hand written notes about contract let to Roberts & Son for a new air compressor, dividends, Changing House and Half-Yearly meeting. Also notes referring to Federation, see Advertiser Monday June 19th? 1899, New Boiler at Nth Johnsons 27/7/1899, report page 4 and referring to Bendigonian Dec 28th 1899, report on dividends from Victoria Quartz Mine.place, mining site, carlisle united mine, carlisle united, roberts & son, air compressor, changing house, federation, advertiser monday june 19th? 1899, boiler, nth johnsons, victoria quartz mine, bendigonian dec 28th 1899 -
Deaf Children Australia
Book, Reports V.S.D.C. 1947 to 1954
Deaf Children Australia have a complete set of Annual reports from 1863 to the present date. Annual reports document the activities of the organisation, including educational issues, finance, staffing and students. Annual Reports are created each year.This represents part of the complete official history of Deaf Children Australia from 1863 to the present date, covering the subject of deaf education and related issues.Red Leather bound volume with gold stamping containing Annual Reports of the Victorian School for Deaf Children ( previously Victorian Deaf and Dumb Institution) (V.S.D.C) First report: 85th Annual report presented at the Annual Meeting held on 19th August 1947. Last report: 92nd Annual report presented at Annual Meeting held on 23rd August 1954. Includes Annual Reports, abstract of Acccounts, and photographsFront Cover: "VICTORIAN SCHOOL FOR DEAF CHILDREN" in gold stamping. Spine "REPORTS V.S.D.C." "1947 to 1954" in gold stamping. Decorative stamping around edges of back and front covers.deaf children australia, deaf education, deaf and dumb institution, annual report -
Whitehorse Historical Society Inc.
Textile - Tape Lace in large illustrated envelope
White tape lace on a card which is enclosed in a large illustrated envelope. The mid 19th century 'Renaissance Lace' is wound around cardboard which is in the large envelope. The lace depicts five petaled daisies with an eyelet on each side. The envelope is illustrated with drawings of snowdrops. It opens on the front with small snowdrops drawn around the square opening. On the right hand top corner there is a drawing of mountains with a village in the valley.'Snow-Bleach Embroidery' Man. in Switzerland. Guaranteed to retain its Snow-Whiteness. 'All Cotton' No. 83177 20yds E600handcrafts, lacemaking, documents, envelopes -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - MORTAGEES AUCTION - SMALL FARMLET SITES
Folded yellow card for an auction sale at the Lockwood Recreational Hall on 19th November 1977 of 8 Small Hectare Farmlet Sites. Contains a sketch of the 8 lots and location of named roads. Another sketch shows location of nearby towns and the distance to them. Also a small amount of information about Lockwood. Auctioneers and sole selling agents in conjunction - Curnows and L. J. Hooker (Vic.) Limited.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - mortagees auction - small farmlet sites, lockwood recreational hall, curnows, l j hooker, ian dyett, fred dyett