From back cover: German badges and insignia used during the period of the Third Reich 1933-45 were both numerous and multifarious. This book is about the cloth badges and insignia used by these German uniformed formations. Peter Ball collection, refer Cat No 4704.Hard cardboard cover, glossy coated finish. Dark brown & black print on front, spine & back. White colour background with coloured badges & insignia displayed on front & back. Paper dust cover covered with plastic, print & colours as above. 208 pages, cut, plain, white. Illustrated in black / white & colour photos, badges & insignia. Handwritten in blue ink front fly leaf: “Peter C Ball” In pencil top R corner: “$27, 118.549 Kew 4 10” Top L: “1507” book, insignia, german 1939 - 45

From front cover: The Diary and Log Book of Test Pilot H Leonard Thorne 1940-45..1) Hard cardboard cover, blue coloured paper, gold print on spine. .2) Dust cover is blue, brown, white, black print on front, spine, back. Colour photo of an aircraft & pilot on front, back cover has colour photo of a Log Book. Pages - 254, cut, plain, white. Illustrated black & white photos & documents. Inscription front fly leaf handwritten in blue ink: “To a good friend & brother, Kevin Hogan Gill & Barry” To the Bendigo District RSL & Passchendaele Barracks Memorial Military Museum. Thank you for keeping the memory of our war heroes alive”book, test pilot, dunkirk

Refer also Cat No 3537P.Honour Roll - Victoria Golf Club Honour Roll Tribute. Soft cardboard cover, gold print on front, white print on spine & back. Front cover has colour photo of an Honour Roll which includes a plaque in memory of a Victoria Cross recipient. 129 pages, cut, plain, glossy white. Illustrated with sepia & black & white photos.book, honor, victoria, golf club

They Came Unseen - The men and women of 2 Special Unit. From back cover: Secret operations behind enemy lines in the Pacific War during World War Two were vital in winning he war against the Japanese. Author: Lieutenant Colonel Neil C Smith, AM” Hard cardboard cover, gloss paper. Yellow print on front spine & back. Green background, illustrated front cover, black / white photo of soldier with parachute. Back cover has colour photo of 2 Special Unit Association ANZAC Day March. 264 cut, plain, white pages. Illustrated black / white photos & maps. Handwritten on title page in black ink: “Neil Smith”book, z special, came unseen

Biography, cardboard cover with black print on yellow background. Front cover has 2 black & white portrait photos, a male in uniform & a female in civilian clothing. Also a small photo of poppies with the words 'At Peace in Flanders'. Back cover has black print comments & a colour photograph of a wreath. 220 pages, cut, illustrated with black & white photos.Title page in handwritten blue ballpoint ink: To Shirley and David with best wishes Brenda S.C 2014books - biography, military history - army

Witness to War - a retelling of the war experience through the private diaries kept by people from all walks of life and from many countries. Hard cover, black colour buckram, gold print on spine. Dust cover gold and black print on front, back and spine, background sepia colour photograph of military scene. Black and white photograph of military personnel and people. End papers - illustrated with diary pages. 720 pages cut plain. Illustrated black and white photographs and maps.On first front title page - hard written black ink "Len Burke" "Donated by Len Burke family" Owners stamp black ink "Len Burke"/ 11/290 St Aidens Road, Bendigo, Vic. 3550 documents-diaries, military history

Blue buckram hard cover with title on spine in gold letters. Blue end papers. Illustrated blue dust cover with title in blue letters. Title on spine in white letters. 320 cut edge pages. Contains black & white illustrations, comprehensive encyclopedia covering aircraft of World War I. Contains technical details of each aircraft features.books, military, history, aircraft

The photo shows the opening ceremony of Henham Township by Lord Stradbroke (the man on the right of the structure). A strip of land 2 kilometres long and half a kilometre wide had been approved as suitable for subdivision into 591 quarter acre blocks valued at 30-35 pounds each. Unfortunately it turned out to be a "fizzer". For further information see Victoria's Wonderland pp 93-95, 103.`Photo shows five men, middle foreground all standing, with others seated and standing in the background. The man stranding closest to the camera is holding a piece of paper in his hand. A rock pile and low stone fence can be seen middle foreground. A pulley is attached to a tripod of tree posts and is holding up a large cut stone. Mountains are visible in the background.events, ceremonies

The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen

This spoon, made by William Page & Co., is electroplated nickel-silver and was recovered during the late 1960s to early 1970s from an unnamed shipwreck along the coast of Victoria. The shipwrecks in the area range from around the 1840s to the early 1930s. The spoon is part of the John Chance Collection. This spoon is likely to have been recovered be from the wreck of the Loch Ard (1873-1878) as other cutlery in the Flagstaff Hill’s Shipwreck Collection made by William Page was also recovered from the Loch Ard. The ship’s Manifest included a large quantity of cutlery. Also, other objects in the John Chance Collection were also recovered from wreck of the Loch Ard. In the mid-1800s electroplated cutlery became a popular substitute for the traditional but more costly sterling silver pieces. The ‘new’ cutlery was made from a more common base metal, such as nickel or a nickel alloy, then electroplated (coated) with a very thin layer of silver. The eating utensils looked like the expensive, pure silver version but eventually, through use and wear, the base metal would show. Some producers warranted their electroplated silver to be ‘white throughout’. WILLIAM PAGE & CO., BIRMINGHAM, ENGLAND - Although the electroplated cutlery of William Page & Co. was made in Birmingham, it does not include the embossed Birmingham Assay’s mark of an ‘anchor’ because the metal used for the spoons is not silver. William Page used various Maker’s Marks on his cutlery. The pattern of five embossed marks on this spoon is a typical example, with the embossed sunken crown containing ‘W P’ being the first in the column of symbols. - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamond William Page established his business in 1834, according to the text around a printed Trademark. The firm William Page & Co. began electroplating in 1855, and from 1880 it operated from Cranemore Street, Cattle’s Grove and also at 55 Albion St, Birmingham. The firm registered a new Trademark [‘W P’ within a diamond boarder within a sunken diamond] in 1897; previously the Mark were the initials WP within a crown, but the British legislation prohibited the use of a ‘crown’ mark on electroplated ware in 1895. In 1936 the firm became William Page & Co. Ltd and became a supplier of spoons to the British Government in 1938, marking its products with the ‘broad arrow’ symbol. The firm also traded with the brand names Armour, Asrista, Bolivian Silver, Roman Silver, Roumanian Silver, Silverite and Trevor Plate. Although this spoon is not linked to a particular shipwreck, it is very likely to have come from the wreck of the Loch Ard; the ship’s Manifest includes a large quantity of cutlery. Regardless, it is recognised as being historically significant as an example of cutlery carried onboard a ship as either personal belongings or cargo and brought into Colonial Victoria in the 19th to early 20th century; through this we have added opportunity to interpret Victoria’s social and historical themes of those times. The spoon also has significance for its connection with many similar William Page pieces of cutlery in our collection that were recovered from the wreck of the sailing ship Loch Ard (1873-1878). William Page & Co. of Birmingham is one of the renowned 19th century manufacturers and electroplaters and was supplier of spoons to the British Government in 1938. The spoon has added significance, as it was recovered by John Chance, a diver of wrecks, including the Loch Ard, in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, electroplate nickel-silver, silver discoloured to brown. Fiddle design. Five embossed Hallmarks. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. Bowl has a cut in the side, and is nicked and dented. Embossed Maker Marks - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamondflagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, loch ard, cutlery, flatware, silverware, tableware, eating utensils, dining, spoon, electroplated cutlery, william page & co, william page & co. ltd., birmingham plate, silversmith, antique, vintage, fiddle design, fiddle pattern, teaspoon

This spoon, made by Henry Barnascone of Sheffield, was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The spoon is one-o-a-kind in our Flagstaff Hill Maritime Village Collection of shipwreck artefacts. It is possibly from a passenger’s luggage on one of the shipwrecks. The shipwrecks in the area range from around the 1840s to the early 1930s. It is part of the John Chance Collection. HENRY BARNASCONE & SONS, Sheffield, UK- Henry Barnascone (1827-1894) was born in Switzerland. He and his brother Lewis settled in Sheffield in 1851. Henry operated as Henry Barnascone from 1868 to 1883, trading in Angel Street as a cutler, manufacturer and general merchant, moving to York Street in 1874. His work included electroplating metalware. Products ranged from cutlery and serving trays to straight razors, measuring tapes and pocket knives. In 1884 his firm became H. Barnascone & Son and from 1901 to 1934 be firm was renamed H. Barnascone & Sons, with his son (or nephew) Charles Henry ‘Harry’ Barnascone brought in to join the business. The firm employed eight men and four women in 1881. Around 1892 the firm moved to Empire Works in Eyre Street. Charles (Harry) inherited the business when Henry died in 1894. In 1909 the company became ‘Ltd.’, with Charles continuing until his death in 1917. The firms trademarks were EMPIRE (with ‘trefoil’ or ‘clover’ symbol), THE HUNGRY WOLF BRAND and PROLIFIC. The firm was liquidated in 1934 and acquired by Harrison Fisher & Co. Ltd., which specialised in plated goods and silverware, and retained Barnascone’s trademarks. In the early 1990s Harrison Fisher, which employed about 200, was arguably the only surviving example of the type of firm that had flourished in nineteenth century Sheffield – one which marketed a full range of cutlery. It remained family-owned. In 2007 Harrison Fisher & Co. Ltd. was renamed Taylor’s Eye Witness Ltd, which, in 2016, ‘swapped’ the nineteenth century historic factory for a new industrial unit in Sheffield. Although the spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of hardware either as part of the ship’s flatware service or imported for use in Colonial Victoria in the 19th to early 20th century. The spoon is significant for being Flagstaff Hill’s only shipwreck artefact amongst many hundreds of objects, including cutlery, to be branded with ‘Empire Silver’ and the only piece in our collection by Sheffield manufacturer Henry Barnascone. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Spoon; teaspoon, electroplate nickel-silver, silver discoloured to brown. Fiddle design. Five embossed Hallmarks. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. Bowl has a cut in the side, and is nicked and dented. Embossed “EMPIRE“ (trefoil or clover logo) “SILVER” flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, henry barnascone, sheffield, cutlery, eating utensils, electroplate, silver plate, silverware, flatware, empire works, prolific, hungry wolf brand, antique flatware, old english flatware pattern, spoon, teaspoon

Bendigo Advertiser ''The way we were'' from 2000. Honoured: memorial gates and entrance steps to the Bendigo High School commemorating ex-students who gave their lives in World War I and World War II were officially opened on March 22, 1957. A blue and gold ribbon was cut and a commemorative plaque unveiled. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Court Plaister Package: Waterproof Court Plaister package with instructions. Blue and gold ornate packaging with red cord and small amount of black Plaister. On the front label S. Maw & Son's, Waterproof Court Plaister. Which does not wash off. Tricolored. Price 6d. MM Trademark. Used for covering superficial cuts and wounds. Box 625S. Maw & Son 11, Aldersgate Street, London E.C. Sold Wholesale by Patent Medicine Vendors and Wholesale druggists and Retail by the principal Chemists in Town and Country.ephemera, mementoes, court plaister

Whitish card with cut out window and an embossed border around the window. The window has fine net material which has ribbon embroidery on it. There are pale blue flowers, a green bow and two pink buds at the top joined by a piece of blue cord in a circle. Card & insert held together by a pink cord. Card is from May Somerset.person, greeting cards, malone collection, malone collection, greeting cards, may somerset

This ellipse shaped pessary, worn anteriorly, prevented dragging on the posterior wall of the bladder, thus preventing incontinence of urine often experienced by the wearing of a larger pessary.Vulcanite pessary. Pessary consists of a loosely tear shaped flange and a stem. Upper part of pessary is enclosed, with a keyhole opening for the stem. Upper part of body tapers to a stem. Lower part of body has been cut away, leaving a heart shaped opening. The stem is attached to the body through the keyhole opening. There are multiple perforations along the stem. intrauterine device, pessary

Clothing. Women's white sleeveless linen nightgown. Below knee length cut from two straight pieces of fabric gathered into casing across the top. Two rectangular pieces of fabric attached to the casing to form shoulders. Arm holes edged with 1.5 cm broderie lace. Square neckline edged with .5 cm lace scalloped edge.costume, female, women's white sleeveless linen nightgown

Wooden table - 2 panels comprise top which has 4 holes punctured through boards. Majority of top has green lino which is peeling off. Dark stain - legs with one indented cut and legs graduate down from 6 to 4.5 cm width. Pine top - local timber base (blackwood). Repurposed and sturdy.

Unknown. Possibly lid of water tank?Handmade remodelled lid, enamelled, cream colour, circular. Shape possibly cut with tin snips. Underside has 2 braces in cross shape riveted to lid. Braces bent down at edges of lid (possibly to fit on base?). Upper side, has lids, 1 toward top and 1 at bottom. Central metal piece with handle riveted to lid."MOBIL OIL AUSTRALIA"/ "USE ONLY/ Rheem/ RHEEM SPANNER"

Ticket or Pass printed in green ink on light card for travel on Ballarat Tram 36 while in Melbourne during Tourist Development week 1971. Titled "Hawthorn Tramways Trust", and issued by Sovereign Hill Ballarat. See image for layout etc. Not numbered. Filed with item 923 on the back of a church newsletter, with cuts for the corners of the piece of paper to fit into.trams, tramways, sovereign hill, tourism, tickets, melbourne, hawthorn

Piece of trolley wire taken from North bound wire between poles 1 & 9 - curved, worn on underside, with longer or sharper groove on inside than normal, probably due to metal flow. Has been cut from wire. See Reg. Item 514 for original wire size and notes. Images added 3-12-2016ballarat, overhead, fittings, trolley wire

Has a strong association with the 1981 Melbourne Pageant, the involvement of the BTPS and the way members were organised.BTPS Roster and instructions for the 26/1/1981 Australia Day Cavalcade which used No. 27 in Wellington Parade and Spencer St. Printed on a wax stencilled cut duplicated foolscap sheet of paper. Gives details of the staffing, notes, sales instructions, rosters and arrangements for the day, including instructions regarding tram driving. Images added 31/8/2012trams, tramways, btps, melbourne, australia day

Drawing of a koala bear, wearing a cap, playing a side drum. The verse reads; We are known as the 'Lions Cubs' - to some, and 'Boys of the Bull-dog breed,'' by gum! (These are credentials enough and to spare), But the symbol of symbols by which we swear, Which we maketh the foe cut and run to his lair, Is that of our mitey australian Bear. Signed Alec. Barrdrawing, pencil, mitey australian bear

Yields information about the change to the timetable and how it was provided to the public. Demonstrates the commencement of the closure process of the Ballarat tramways when service frequency was reduced.Poster sheet detailing changes to service frequencies for Ballarat trams, commencing Mon. 16 March 1970. Printed side in glossy paper. Gives times for example when the 20 min. service operated. Titled "Alteration to Timetables, 16 March 1970" Also on file are two photocopies cut to size, added 5/2/1997, made 1996.trams, tramways, secv, ballarat, timetables, tram services

One of three similarly presented scrapbooks that came from the Public Relations Department. They were created by PR as an historical chronological record of the publication of the advertisements. They are significant as the only complete sets of council advertisements for the periods outlined in the description. Large cloth bound hard cover scrapbook, red colour with gold lettering "Guard Book No.903" on the cover. The pages inside the scrapbook have black and white cut out newspaper clippings adhered to the cream colour paper pages. Title of publications and dates have been hand written adjacent to the clipping. July 1996 - December 2006

The Holy Name Society was prominent in Ballarat until the reforms of Vatican II. It promoted reverence for the Name of Jesus Christ, and abhorrence of blasphemy, profanity, and immorality. By the 1950s membership of the society in Australia numbered in excess of 100,000. The Holy Name Society was a male society although where it still survives it now welcomes both Catholic men and women.Blue silk banner trimmed in gilt braid the lower edge handkerchief cut with gold fringing. gilt cord with gilt tassle ends to either side. The society logo of the Chiros appliqued in the centre with the words of the Roman Emperor Constantine "In this sign we shall conquer", embroidered on a scroll beneath. The branch identity / name embroidered above and below the emblem and scrollwork.

Intended for the instruction and entertainment of young people in which the first principles of natural and experimental philosophy are fully explained. New edition complete in one volume.Brown cloth-bound hardcover book with embossed patterning on front and back covers. Ink staining to lower front cover, worn corners and top & bottom spine. Cover separating from body back & front. Missing flyleaf, loose front pages. Loose binding. Foxing throughout. 200 wood cut illustrations. 536 pp. Poor condition.Inside front cover, '132 Kilmore Mechanics Institute', handwritten cursive. Undecipherable name inscribed top of title page, 'Kilmore 17 Sept.1855'.kilmore mechanics institute library.

Booklet (3 copies) - "A tribute to the service and sacrifice of the men and/ women from Bendigo who served World War 1/ containing a listing of all the names on the Honour Roll/ and details of those who paid the supreme sacrifice."Booklet - facsimile copy. Soft cover - front clear plastic A4 sheet protecting title page which has black colour print, illustrated with black and white photograph of a section of the "Roll of Honour". Back cover - cardboard with black plastic spine. 27 pages - cut, plain A4 white paper. Illustrated with black and white photograph.publications, booklets, honour roll, ww1, bendigo

A Century of Service. The Events, People and Places that shaped the RSL in Bendigo 1915 - 2015. For further details re this book refer Cat No 8093.Soft cardboard cover. Red, dark blue & white print on blue background. Front cover blue wash photo of The Memorial Hall with faint image of a soldier above. Back cover 2 badges in colour, deep blue toned photo of The Memorial Hall. 237 pages, cut, plain, white. Illustrated in black & white photos, certificates diagrams.book, rsl bendigo, century of service