Meat rations applied to red meat only. Initially it allowed 21/4 pounds per adult, per week. By the end of the war this had reduced to 2 pounds.Commonwealth of Australia Meat Ration Card: beige card with blue flecks and black print. At the top "Commonwealth of Australia Meat Ration Card 1947 Issue Rig. D.1". Issued to name in blue ink is "M. Jones. Address 135 Myrtle St Bendigo. V A 103689 C.7507/46". Underneath is the small numbered ration meat tickets numbered 97 to 104 with meat across the face and 1947 at the bottom. On the back is "Vt. If this RATION CARD is found it must be returned at once to The Deputy Director of Rationing Cavendish House, 1598 Flinders Lane, Melbourne. All enquiries and comments regarding rationing should be addressed to the Deputy Director of Rationing". A line of "M M M" is across the bottom.government, federal, meat ration card, ww11. g. alice jones

Meat rations applied to red meat only. Initially it allowed 21/4 pounds per adult, per week. By the end of the war this had reduced to 2 pounds.WWII Meat Ration Card: beige card with blue flecks and red print. "V If this card is found it must be returned at once to the Deputy Director of Rationing Melbourne. Commonwealth of Australia. A. 892472 1948 Meat Ration Card. Rig. D.1. Issued to Name". Hand written in blue ink is "G.A. Jones" (Hones) with signature and Address."135 Myrtle Street Bendigo". To the right of the card is small numbered tickets with "MEAT and 1948" across. Tickets are numbered 62,63,64,54,55,56.government, federal, meat ration card, ww11 g. a. jones

Meat rations applied to red meat only. Initially it allowed 21/4 pounds per adult, per week. By the end of the war this had reduced to 2 pounds.WW11 Meat Ration Card: Beige card with black print. *Commonwealth of Australia Meat Ration Card 1947 Issue Rig. D.1. Issued to Name.* In black ink hand written is *Anderson D.J. Address is. Brazier St, Eaglehawk. V A 90673. C7507/46. Underneath are small tickets individually numbered between 92 and 104 with the word MEAT across the face and 1947 at the bottom of each. On the back is *Vi. If this ration card is found it must be returned at once to The Deputy Director of Rationing Cavendish House, 159 Flinders Lane, Melbourne. All enquiries and comments regarding rationing should be addressed to the Deputy Director Rationing. Repeated capital M M is at the bottom. Box 625government, federal, meat ration card, ww11 meat ration card

A group of 4 photographs taken in 1994 and an early photograph of the same building for comparison.Happy Hollow farm was located on the Plenty River about 4 km upstream for the Greensborough township. It was originally built in the late 1840's and was rented by the Whatmough family at one time. It is now lost as it was taken over by Parks Victoria, left derelict and burnt down by vandals in the early 2000's.A group of photocopied photographs on A4 size paper. There is a black and wihte copy as well as a colour copy of 4 photographs with transcriptions on the rear of the sheet. The other sheet shows the building in the mid 1800's.Details on the reverse of 2 sheets about the photographs on the obverse.happy hollow farm, bell family, plenty river, whatmough

This exchange note was issued by the Bank of Australasia to Mr N A Coleman for one hundred pounds paid n 14th October 1847 at the Sydney branch. The interest rate was three per cent. This exchange note displays the insignia of the Bank of Australasia, which was incorporated by Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The bank exchange note has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 percent of all Offices. The object is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community.Bank exchange note for the Bank of Australasia, Sydney, manufactured by Perkins, Bacon and Perch, printed in brown. Insignia depicts a heraldic shield with a lion and unicorn on either side and another insignia with "B of A". Exchange note paid on 14th October 1847. Issued for one hundred pounds and paid to Mr N A Coleman.. Inscriptions include the document number, the date, the amount paid, the receiving person, signatures and a stamp with the interest rate.Handwritten number "15101" "One hundred pounds" "14th October [18] 47" "Mr N A Coleman" Black stamp "ISSUED AT 3 PR CENT PREMIUM" Signatures of [Manager] and [Accountant].flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, banknote, currency, exchange note, commerce, banking, finances, bank of australasia, n a coleman, 1847, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, sydney, new south wales, legal tender

Small glass bottle used for cream or milksed for creamPlain glass bottle, originally with cardboard seal, 1/4 pint"Contents 1/4 pint" L8 (moulded)cream, glass bottle

General use of milk bottles is usually associated with the 20th century , with occasional late 19th century. Initially, milk was delivered in cans stacked upright in a wagon At each stop, someone, usually the wife of the house, would bring a pitcher or a pail to the wagon, and the milk man would ladle out the desired amount of milk. Needless to say, this practice was hazardous and unhealthy. The New York State Tuberculosis Association condemned the practice of selling “loose milk,” still being conducted in New York City in 1922, as a major cause for the spread of tuberculosis (Glass Container1922:8). It is probable that the delivery of milk in glass containers became universal shortly thereafter. General use of milk bottles is usually associated with the 20th century , with occasional late 19th century. Initially, milk was delivered in cans stacked upright in a wagon. At each stop, someone, usually the wife of the house, would bring a pitcher or a pail to the wagon, and the milk man would ladle out the desired amount of milk. Needless to say, this practice was hazardous and unhealthy. The New York State Tuberculosis Association condemned the practice of selling “loose milk,” still being conducted in New York City in 1922, as a major cause for the spread of tuberculosis (Glass Container1922:8). It is probable that the delivery of milk in glass containers became universal shortly thereafter. Melbourne Glass Bottle Works Spotswood 1880 - 1990. made bottles for various companies. Milk cartons first came to Australia in 1958, when the Model Dairy in Melbourne began packaging milk in 150 ml and 500 ml cartons. At the time, 160,000 new glass bottles were needed in Melbourne alone every week to keep up the delivery of 1.3 million bottles of milk a day. In 1970, the blow-moulded disposable plastic milk bottle was introduced. In 1987, only about 2% of milk was still being sold in glass bottles. Glass milk bottles are now rare. A clear glass milk or cream bottle 'Imperial' 1/4 Pintaround base : IMPERIAL 1/4 PINTmelbourne, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, manufactured glass, milk bottles, dairy farmers, dairies

Conversion of Australian currency from pounds/shilling/pence to dollars/cents. on 14 February 1966.Circular paper computer used by hand to convert pounds/shilling/pence to dollars/cents, or the reverse calculation. Printed in 1965/64 for the conversion of Australian currency which was affected on 14 February 1966. Printed in red and black on four circular plains. Printed by Earles Printing Pty Ltd for Ultra Publicity Pty Ltd, 104 Wellington parade, East Melbournebendigo, decimal converter

Yields information about Ballarat's trams in the early 1960's and the Carlton St area.Digital image from the Wal Jack Ballarat Album of trams 38 and 21 crossing at Carlton St loop 4-9-1963, with Lake Wendouree in the background. See image i2 for rear of photograph.On rear in ink "2724A-H622H-V613A SEC Ballarat 4-9-63, 38 and 21"trams, tramways, carlton st, wendouree parade, lake wendouree, tram 38, tram 21

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Lieutenant Colonel J.M. Allard was Commanding Officer of 8th/13th Victorian Mounted Rifles 1959 - 1962. He had served with 2/4th Armoured Regiment in World War Two. In the post WWII Citizen Military Force, he was a squadron Commander in 4/19 Prince of Wales's Light Horse before being promoted to command 8/13 Victorian Mounted Rifles. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Pewter tankard with 4/19 Prince of Wales's Light Horse badge and engraving on side. Tankard has a glass base.Presented to / Lt Col J M Allard / by the officers of / 4/19 Prince of Wales's Light Horseallard, vmr

4 x Receipts Connelly & Tatchell: The fronts have a green one penny stamp a. receipt Kiegan/M. Gabbedy (?) 6 July 1889 19 pounds , b. Edmond Kennedy re Anderson Invest 4 July 1889 c. Renwick & Co re Delbridge & Osborne July 11 1889 d. James Armstrong 30 July 1889. 17 pounds 10 shillingsbusiness, legal, connelly & tatchell

.1) & .2) PERCY MCIVOR MM No 749 enlisted in the AIF in B Coy 38th Batt on 20.2.1915 age 21 years 5 months. Embarked for England 20.6.1916, embark for France 22.11.1916, awarded the Military Medal 26.2.1917 in the Armentieres Raid, WIA 21.5.1917 GSW left forearm, returned to Australia and was discharged medically unfit on 16.11.1917. .3) ARTHUR THOMAS HALL No 744 enlisted in the AIF in B Coy 38th Batt 0n 22.2.1915 age 32 years 5 months. Embark for England 20.6.1916, embark for France 22.11.1916, hospital 24.12.1916 with Diarrehoea, discharged from the AIF on 27.7.1919. .4) WILLIAM PETER MOWAT No 748 enlisted in the AIF in B Coy 38th Batt on 8.2.1915 age 20 years. Embark for England 20.6.1916, embark for France 22.11.1916, WIA 8.12.1916 GSW’s legs and fractured right tibia, discharged medically unfit 2.7.1917. All 3 were from the small town of Tragowel near Kerang Vic..1) Black & white photo of WW1 private in uniform, full body shot. .2) Black & white photo WW1 in uniform. .3) Sepia tone photo WW1 in uniform. .4) Sepia tone photo WW1 full body shot in uniform..3) “Arthur Hall” on the back. .4) “Will Mowat”photo, ww1, soldiers

4 page insert of program guide, activities and information and advertisementsNewsprint insert, 4 pages3d paint city, 1994, alistair knox park, classic fireplaces & bbqs, doncal heating & cooling, edendale community farm, eltham art award, eltham arts council, eltham festival, eltham hotel, eltham leisure centre, eltham library, friends of the eltham copper butterfly, integrity diamond valley, integrity paint company, leslie avril, mgs eltham, montsalvat, pauline toner reserve, rugby oval, society syncopaters

Andrew John BALSILLIE MBE, JP. Jack as he was known enlisted in the Australian Army near the end of WWII No 31224 age 16 years. He then served in Malaya 1959 - 1961then Vietnam with the rank of Captain with 1st Aust Task Force HQ Light Aid Detachment (LAD) 7.5.1969 - 7.11.1969, HQ Aust Force Vietnam Army component 8.11.1969 - 7.5.1970. He retired with the rank of Major in 1985 after 40 years plus. He was awarded an MBE in 1969 for his services to the Australian War Memorial. Elected to Committee Bendigo RSL 1988 - 1993 with Snr Vice President 1989 - 1993, re-elected 1999 - 2000. Re-elected again in 2002 as Snr Vice President. He was elected to Bendigo City Council 1990 - 1993 serving as Mayor in 1993. .1) Bush hat, floppy, khaki canvas, belonged to Major J BALSILLIE. .2) - .4) Gauze wound dressing in brown cotton pack, 2 rolls per pack. .5) Neck cloth, green cotton..1) Inside hat: Maj J Balsillie. .2) - .4) Labelled: First Field Dressings.headwear, medical dressings

Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Genoese 4225weaving, carpet

John Brownless No 6317 enlisted in the 10th Battery 4th Field Artillery Brigade on 12.8.1915 aged 25 years. Embarked 18.11.1915 for Eygpt. He was awarded the "Military Medal" for actions in the field. He was discharged from the AIF on 16.3.1919 medically unfit not due to misconduct. He served 1170 days overseas. His records are not available online for full details.Refer Cat No’s 38.2P, 39, 598.Medals, court mounted, set of (4) re J Brownless. 1. Military Medal. 2. 1914-15 Star. 3. War medal 1914-18 4. Victory medal 1914 - 19. "6317 PTE J BROWNLESS 4 F.A.B AIF"numismatics, medals-military, metalcraft

Uniform issue badges..1) & .2) "AUSTRALIA" badges, copper. .3) & .4) Rising Sun badges, copper. No means of fastening..3) & .4) “AUSTRALIAN MILITARY FORCES"numismatics - insignia, australia, military history

The tins were used by the Colonial Sugar Refining Co. to store and sell treacle which is a by-product of cane sugar and molasses. The tin is labelled with the imperial pound measurement so it preceded metric weights and measures.A green, red and gold tin used to sell and store treacle. Two stick of sugar cane decorate the front and the back of the round tin. The tin lid on the top of the tin needs to be levered open. The tin's capacity is 2 pounds. The word 'treacle' is written in bold red capital letters.THE COLONIAL SUGAR REFINING CO. LTD / TREACLE / 2 LB NET / MADE FROM CANE SUGAR ONLYcolonial sugar refining co., treacle, sugar cane, food, canning, sugar mills, george evans collection, commercial packaging

This Sandhurst gold mine was registered in 1864 although its head office was in Melbourne. The first manager was Edwin Chaplin. It had an initial nominal capital of 11,200 pounds raised through 224 shares of 50 pounds each. It was liquidated and delisted on the stock exchange in 1951.Two typewritten letters, one dated 8th May 1925 and the other 22nd June 1925. Both letters are addressed to Mr. M. Kelly, Beehive chambers, Bendigo. The first one advising that enclosed is a statutory declaration in connection with the scrip certificates for 200 shares that have been lost. The second one advising of two cheques for 25 pounds enclosed as payment of dividends. Both letters are signed by the manager of the Hercules Gold Mining Company Mr. Stanfield.hercules gold mining company, shares

Newspaper covering The Invasion of Poland by GermanyThe Invasion of Poland by GermanyLocal Newspaper with Articles of The Sun dated 4/9/1939Newspaper Articles from The Sun dated 4/9/1939 commencement of worlld war 2 - invasion of poland

4 photographs of the proposed site for the Eltham Leisure Centre 1978, taken by Peter Graham, a Shire of Eltham Councillor. 4 colour photographs.peter graham, eltham, eltham leisure centre

The photo shows Geelong tram No. 3 at the railway station with the destination of Newtown. Photo by Ken McCarthy 4-2-1948Yields information about the Geelong railway station terminus and tram 3.Black and white photograph with stamped details on rear.Typed on rear "No. 3 car SEC Geelong 4 Feb 1948, copyright K McCarthy, Photo No. 76". Ken Magor stamp as well" tramways, trams, geelong, tram 3, railway, railway station

Light cardboard folder in mainly mustard colour with woman on cover. Opens to hold pockets for negatives and printed photosKodak 20,000 pound world competition. You may win 3300 pound with one simple snapshot.phpotograph folder, kodak

McColl Rankin & Stanistreet, North Virginia Gold Mining Co NL, State Accident Insurance Office, Mines Policy. a/ Mines Policy No. M. 41883. Estimated amount of wages 265 pounds, Premium, 10 pounds 9 pence. Mining at Fry Street Sailor's Gully, Eaglehawk. Dated 1/11/1939. b/ Mines Policy No. M. 42487. Estimated amount of wages 468 pounds, Premium, 18 pounds 4 shillings. Gold Mining at Eaglehawk. Dated 21/2/1940. c/ Mines Policy No. M. 51808. Estimated amount of wages 300 pounds, Premium, 15 pounds 2 shillings 6 pence. Gold Mining at Fry Street, Eaglehawk. Dated 18/3/1947. Inscriptions/Markings: McColl Rankin & Stanistreet Stamporganization, business, gold mine, mccoll rankin & stanistreet, north virginia gold mining co nl, state accident insurance office, mines policy mining at fry street sailor's gully, eaglehawk