Kazenwadel and Decker family groups, Templer Society members and internees in Camp 3 during WW2.Black and white photograph of 6 adults and one youngster held by her father (probably) and in the front seated 4 youngsters and a mother. The group are in front of a Army hut with a path and huts in the background. Each person is identified and include the Kazenwadel and Decker families.on the left hand side the number 205kazenwadel family, decker family, templer society, internees

A family group of the three families. Templer Society. Back row (left to right): Fritz Bulach, Annelise Bulach, Eleonore Ehnis, Hermann Beilharz, Friedhelm Bulach, Irene Beilharz, Friedrich Froschle. Front row: Gunda Froschle, Ernstine Beilharz, Rudiger Froschle, Heinz Bulach and Anne Bulach.Black and white photograph of the Froschle, Beilharz and Bulach family. 3 men in suits and hats, 3 teenage girls and young boy standing, 3 wives seated and one young boy and youngest seated on mothers lap in front of washing line and hut.the number 213 on stand left hand front internee children, camp 3, froschle family, bulach family, templer society, fritz bulach, annelise bulach, eleonore ehnis, hermann beilharz, fridhelm bulach, irene beilharz, friedrich froschle, gunda froschle, ernstine beilharz, rudiger froschle, heinz bulach, anne bulach

Made by Roland Frank and drwan and coloured by Gudrun Frank-Heider-Gollong at Camp 3, compound BIn box of 3 ply - On left Snowwhite and one of the 7 dwarfs shaking hands. No. 2 has a lantern, 3 a shovel, 4 gunny bag, 5 axe and carrying front end of a cross cut saw with 6 and 7 carrying firewoodfrieze, gollong h, frank r, snow white, 7 dwarfs, vollmer h, camp 3, tatura, ww2 camp 3, handcrafts, woodcarving

Internees from camp 3 playing soccer.Black and white photograph of 3 men, one in white clothing the others in dark clothing. Post and rail fence on right hand side of picture. Trees in background.camp 3 soccer, camp 3 sport

14 ft hollow plywood surfboard (ski) with paddle (wooden, double ended). Two foot holds, one on either side of board. Initials LBH (owner Basil Hunter) hand painted on pointy end of board.Built by C.R. Downie, Hampton, Victoria. A Downie Product 7 Higinbotham Street, Brighton. Victoria LBH printed on pointy end of board. surf ski, basil hunter

Wooden with cast iron gearing components and round butter worker is hand operated. The rotary butter worker has a round tray carved from wood. Protruding upwards from the centre of the tray is a column with arched top. The column has a small square outlet on one side near the base that provides for excess buttermilk to be drained away. Around the circumference of the butter worker protruding outwards from the sides is a thick cast-iron track. The wooden paddle has a unique curved shape that has a wave appearance. It has a slight arch which forces the butter to remain in the tray and to direct any excess buttermilk to the centre. Through the wooden paddle is an iron rod connected to a crank handle. By turning the handle the rod rotates a gear system that leads the table to rotate on the metal track.Side: CHERRY'S PATENT NO. 1 GISBORNE VICTORIA 4407 Etched into upper arm of wooden frame.cherry's patent, bubb family, evans family

This mikiphone has an approximate manufacture date of circa 1926. It is stamped in the interior with the maker’s mark of Palliard Cie (St Croix), who partnered with the patent owners, Nicolas and Etienne Vadasz for the large scale production of the mikiphones. A Mikiphone – or Pocket Phonograph is one of the earliest versions of a portable music player. The Mikiphone was small enough to fit into a pocket for portability, and once unpacked had the ability to play 10” records. Power was supplied to the unit by a small hand crank, and sound was amplified by a small resonator. It is estimated that 100,000 to 180,000 of the units were made between 1924 and 1927. Luxury editions were also available with either a gold or silver casing. Le Corbusier is quoted as saying he could ‘see in the Mikiphone the essence of Esprit Nouveau’. The pocket gramophone is significant for historical and social reasons. It is primarily an enabler of leisure activities due to its portability and size. The design of the object is also significant as it showcases design advancements in the early part of the 20th century. The Swiss made "Mikiphone", the smallest talking machine ever placed on the market folded up to the size of a large pocket watch or small cheese case. Production stopped in 1927. A total of 180,000 were made. A few were made in a luxury version with gold or silver case for a "Pretentious clientele".Inside on dial: Mikiphone / Pocket Phonograph / Swiss made / System Vadasz. Outside: Pocket Phonograph / Mikiphone / System Vadosz / Patented in all countries.pocket phonograph, mikiphone, gramophone, pocket, music player, swiss made, switzerland

Rectangular wooden frame with glass ribbed insert used to hand wash clothes (pre electric washing machines). Early wash boards were made of wood, then replaced by metal (19th century)O. In the 20th century galvanised steel was most common. Some modern boards were made of glass as this one is.Nonelaundry, washboard

Item belonging to Lieutenant Albert John CRUISE born 13/4/1883 at Nathalia in Victoria. Educated at Geelong College. Enlisted in NSW on 29/8/1914 as Private No 86 1st Battalion. Promoted to L/cpl on 25/7/1915 then Lieutenant on 9/11/1915. He was nominated and appointed a Member of the Order of the British Empire - Military Division for conspicuous services rendered as follows:- 'During the period 16-19 September to 11th November 1918 this officer has shown conspicuous devotion to duty and great gallantry in the performance of that duty. He has organised salvage parties and was instrumental during the advance in September in making German Dumps of HE material available for use in forward positions thus saving time and transport. His work throughout has been characterised by marked individuality and courage in the forward area and has been productive of far reaching results. He served at Gallipoli and the Western Front. Due to pneumonia and enteric he returned to Australia in early 1916 to recuperate and married before returning in August 1916. In September 1919 he returned to Australia on board HMAT Takadaussie (refer item 363) and discharged on 7/11/1919. He later served full time with the CMF from 15/5/1940 - 17/10/1943. He died in 1952 Insufficient detail to positively identify Lieutenant Peters - possibly Captain Gordon Peters DSO born 5/7/1894 Adelaide South Australia. The 12th Infantry were recruited from Tasmania, South Australian and Western Australia. 9 Jun 1915: Enlisted AIF WW1, Lieutenant, 12th Infantry Battalion 21 Sep 1915: Involvement Lieutenant, 12th Infantry Battalion 21 Sep 1915: Embarked Lieutenant, 12th Infantry Battalion, HMAT Star of England, Adelaide 16 May 1917: Promoted AIF WW1, Captain, 12th Infantry Battalion 27 Jul 1919: Discharged AIF WW1, Captain, 12th Infantry Battalion 15 Sep 1919: Honoured Commander of the Order of the British Empire 30 Oct 1919: Honoured Mention in Dispatches, unknownBrown canvas double sided pouch bag that opens out to reveal two clear plastic sleeves one of which has a brown cloth overlay. Attached on top is small metal ring near tear repaired by hand stitching.Handwritten under rear flap 86 L/C A J Cruise 1st Bn M.G. Handwritten inside front pouch Lt. Peters 12th Inflt. a j cruise mbe, ww1

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with a drawing of a uniformed sailor boy with his hand raised over his eyes, as if to shield from the sun. White background. Handwritten message on back.Front: "Joe" (handwritten) "Looking for Bill"album, photo album, newspaper clippings, postcard, wwi, sailor, bill, joe

These notes are generally referred to as Japanese Invasion Money (JIM). This note is one of a series issued by the Japanese forces of occupation in the Pacific theatre during the second world war. Following the fall of Singapore into the hands of Imperial Japan on 15 February 1942 the Japanese introduced new currencies to replace those previously in use in the occupied territories of Singapore, Malaya, North Borneo, Sarawak and Brunei between 1942 and 1945. The new currency in Malaya and Singapore were issued with the same value as the Malayan dollar and first entered circulation in 1942. This example of Japanese Invasion Money was intended for use in Malaya as indicted by the letter M in the block letters MN. The currency was also referred to informally as "banana money" because of the motifs of banana trees on 10 dollar banknotesGreen on cream lithographed banknote of ten dollar denomination. The face features a tropical scene with palms and a hand of bananas. A pair of block stamped serial letters (MN), in black, appear at the bottom of the note. The reverse is printed with a pattern featuring the value and a beach scene with palms centrally located.The Japanese Government promises to pay the Bearer on demand ten dollarsww2, currency, japanese, japanese invasion money, banana money

Made and used by internees in Camp 31 Blue padded heart with initials "HB" on one side. 1 red heart. Both attached to small roll of blue felt by a narrow red leather lace. Small safety pin on the back of felt roll. Hand stitchedbrooch, felt, leather, camp 3, tatura, ww2 camp 3, costume, accessory, jewellery

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]CL050.1 and CL050.2 fob watches with white enamel faces and on a black cotton cord. CL050.1 has Roman numerals and CL050.2 has Arabic numbers and a second hand inset. "My Deaconess Badge" "Non ministrari sed ministrare"presbyterian deaconess, deaconess hilda elizabeth foster

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Dark stained wood backed oval hand mirror.presbyterian deaconess, deaconess hilda elizabeth foster

The iconic bush surrounds of Lake Daylesford are now home to a new permanent artwork titled Cottage, by artist Jason Waterhouse. The artwork has been months in the making, thousands of S-shaped pieces have been hand crafted from three kilometres of wrought iron, then joined together to form a scaled-down miners cottage. ‘Cottage’ is a highly decorative wrought iron sculpture inspired by the gates at the Convent in Daylesford, “ said Waterhouse. “This work references the rich opulence of the Victorian gold rush and pre-war spa resort era in its patterning. In its form ‘cottage’ pays homage to the miners, workers and farmers on whose backs the riches of Daylesford were built.” Cottage is the first in a series of significant public artworks to be commissioned by Hepburn Shire Council. Cottage will enhance one of Victoria’s premier tourist destinations, Lake Daylesford. Large scale wrought iron public sculpture referencing the worker's cottage of the Goldrush period in Daylesford. 203cm (height) x 382cm (width) x 353cm (depth) verandah 159.5cm (height) wrought iron 32mm x 2.5mmpublic art, sculpture, jason waterhouse, stockroom, daylesford, hepburn shire, daylesford lake, cottage, site-specific art, art, wrought iron, hepburn, hepburn shire public art collection

This was bought by Robin and Patricia Boyd. There was once another green squat one. The Boyd family think it may have Mexican origins and purchased from either Georges (Collins St, Melbourne) or Gillam Quigley (Toorak Rd, South Yarra).Yellow glass bottle. Hand blown with bubbles. Narrow neck, bulbous centre, narrows into base. Slanted opening. walsh st furnishings, robin boyd, ohm2022, ohm2022_12

The Boyd family recalls how Robin Boyd loved gadgets for their beautiful industrial design and their functionality.An ice-crusher with a metal handle with plastic black knob on right. Top contains vessel for ice with 5 blades. Metal lid has spokes to hold ice in vessel. Left Hand side has a dial with C, M, F push in buttons. Plastic tray in middle to hold crushed ice, black, removable. White painted metal body. Screw at front. Four rubber stops (one missing)Ice O-Mat TRADEMARK. Made under License to Rival MFG. Manufactured by C.C. Engineering INDS. INDS Sydney Australiagadget, walsh st appliances, robin boyd, ohm2022, ohm2022_11

The mysterious spots were caused by mosquito bites, due to the stagnant water from the flood. They had run out of medicines, bandages, everything, with no money to buy more. The Dogtor discovered a gold nugget in his bag from the mines and told nurse Sister Spaniel to take it to the bank to change it for money. Life then returned to normal at Hilltop Hospital. Then one day, a big loud silver helicopter appeared in the sky with a notice: WOOMERA RANGE. V.I.P. TOP SECRET. SPACE SURVEY. ROCKET DIVISION.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesPage 1: handwritten 'CUT' on left hand side.the flying dogtor, robin boyd, crawford productions, manuscript

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1909, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on papyrus coloured paper. 12 pages.Front Cover: The / Ruytonian. / 1st JULY, 1909. / Melbourne: / NORMAN BROS., PRINTERS, 52-58 ELIZABETH ST. /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1910, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on papyrus coloured paper. 13 pages.Front Cover: The / Ruytonian. / FEBRUARY, 1910. / Melbourne: / NORMAN BROS., PRINTERS, 52-58 ELIZABETH ST. /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1910, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on papyrus coloured paper. 19 pages.Front Cover: The / Ruytonian. / MIDWINTER, 1910. / Melbourne: / NORMAN BROS., PRINTERS, 52-58 ELIZABETH ST. /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher