Showing 8104 items
matching wool
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Robin Boyd Foundation
Furniture - Sofa, Grant Featherston, RS161 Featherston Contour Settee, 1951
This pair of RS161 Grant Featherston Contour Settees (1951) were previously in the Boyd home in Camberwell. Robin Boyd designed the Ivanhoe home and Grant and Mary Featherston (1967).Two two-seater settees, with four timber cigar shaped legs with round flat metal brass feet. Olive green/copper loose weave fabric. Wool/silk blend fabric. Twenty five self-covered buttons. Curvaceous contour shape.walsh st furnishings, settee, featherston, robin boyd -
Tatura Irrigation & Wartime Camps Museum
Booklet, Das Seltsame Dorf "The Unusual Village", 1940's
Book written by nine year old Marianne Kirsch about everyday life in the Internment campHandmade book with buff coloured front and back covers and lined pages inside. Held together with multi - coloured wool threaded through punched holes. Each page is handwritten in German and illustrated on each page. (Translation included). Child's sketch of the camp on the cover.Das Seltsame Dorf ("The Unusual village")life in the internment camp -
Uniting Church Archives - Synod of Victoria
Uniform - Blazer, David Jack
Navy blue wool blazer with gold braid at wrists and on the three pockets. Breast pocket has the embroidered emblem of the Methodist Girls Comradeship and there is an enamel MGC badge pinned to the left pale. The sleeves are lined with striped cotton fabric. The blazer is secured with three buttons.Labels inside: "ALL WOOK FABRIC BY Onkaparinga", "David Lack Pty Ltd MELBOURNE", "Blazer & Uniform specialists David Jack PTY LTD MELBOURNE SYDNEY NAME ... No ...", "WOOD"methodist girls' comradeship, uniform, methodist church of australasia -
Woodend RSL
Neck Gaiter (Tour De Cou), Circa 1990
French army accoutrements, as part of uniform allocation.Army green (dark) wrap-around neck warmer, wool and elastin blend (?), rib stitch, two tags stitched into interior end, one which reads 'Antimite Definitiv' (Anti-Moth)' the other reads 'T.M.P AMIENS'. Overlock stitched at both ends.Two tags stitched into interior end, one which reads 'Antimite Definitiv' (Anti-Moth)' the other reads 'T.M.P AMIENS'.neck warmer, tour de cou, snood, uniform, the french armed forces -
South Gippsland Shire Council
Hanging, Wall, Pandas
Tapestry wall hanging made in China featuring two fluffy Pandas on a blue and white looped background. Steel hanging rod with three looped sections of wool over the rod. Blue fringe at bottom edge. Red, black and white plaited hanging cord -
National Wool Museum
Clothing - Jumper, Jenifer McMahon
Stanley Couzens of the Wathourong Community was commissioned by Geelong Wool Combing Ltd to create a painting of the You Yangs and Corio Bay which was then reproduced on a jumper. The jumper itself was designed by Jenifer McMahon using Merino wool from her property McMahon Farm Pty Ltd.Mens knitted jumper depicting an image of the You Yangs and Corio Bay designed by artist Stanley Couzens of the Wathaurong Community. Image of the You Yangs and Corio Bay is on the front of the jumper in colours including brown, green, cream, black, with white and gold stitching. The central motif extends to the back of the jumper. A cardboard tag attached to the label explains the provenance of the design and manufacture of the jumper.merino sheep knitting, mcmahon, jeni - mcmahon's farm, corio bay, victoria, merino sheep, knitting, stanley couzens, wathaurong, you yangs, jumper, design -
Bendigo Military Museum
Headwear - CAP, NAVAL, post 1990
Cap, navy blue & brown colour, HMAS Jervis Bay machine embroidered in yellow thread over pale blue embroidered navy ship, Dili Express embroidered in yellow thread below ship.Makers label inside brim: 65% Wool 35% Acrylic Suede One Size Fits All Hand Wash Only Made in Chinauniforms - military - navy, costume - male - headwear, passchendaele barracks trust, hmas -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 483
This book was produced by Patons and Baldwins and contains knitting patterns for young girls garments.No. 483 / Patons / KNITTING / BOOK / No. 483 / PATONS / FUZZY WUZZY / ANGORA / For Girls / from / 4 to 12 years / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Lincoln Trio Knits Leaflet no. 56
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This booklet was produced by Lincoln Mills and contains a pattern for a womens cardigan and jumper.Lincoln Trio / knits - 5 ply - 8 ply - 12 ply / No. 56 / 1'6 / LINCOLN KNITTING WOOLS - THE BEST BUY IN ANY PLYhandicrafts - history knitting, lincoln mills (australia) limited, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 375
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.No. / 375 / Patons KNITTING BOOK / No. / 375 / "MAYFAIR" - See page 2 / P&B / WOOLS / INTRODUCING / PATONS LUCELLE / FINE PLY / 1'4d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
Churchill Island Heritage Farm
Photograph - Black and white photograph of a cart loaded with hay, c.1940
Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of a horse pulling a load of hay on a cart through an opened gate. A man drives the horse from the top of the hay, and other men can be seen in the background.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1940. LOAD OF HAY. Think this is behind the wool room? Behind main house.'churchill island, punt -
National Wool Museum
Book - Patons Knitting Book No. 273, Patons and Baldwins, c.1950s
Twenty page book with black and white printed text and graphics. The front cover features an image of a man wearing a vest and tie, with his arm around a puppy on a basket. front: [printed] Patons / KNITTING BOOK NO. 273 / “GRAMPIANS” – See page 10 / P & B / WOOLS / 8d. [handwritten] I D [?] Chambersfashion, women, knitting, crochet, home life, patterns -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 20th Century
A Collection of postcards showing different views around Phillip Island. 10 of a collection of 11 postcards donated by M. Trott. Photo 1. S.S. Genista coming into Newhaven pier with another boat and people at the pier. Photo 2. The Granite Quarry at Cape Woolamai. Photo 3. View of the Newhaven pier with San Remo in the distance Photo 4. Milking Time, Newhaven. Photo 5. Wool Team on road to Cowes. Photo 6. View of the Cowes Jetty and Cowes in the background taken from a Steamer. Photo 7. View of Back Beach near The Nobbies. Photo 8. Cowes Jetty and Jetty Shed with Govt Steamer "Lady Loch" in the distance. Photo 9. Cape Woolamai coastline. Photo 10. Fisherman's Hut, Cowes with Jetty and boats in the background. 1. "S. S. Genista" calling at Newhaven. Phillip Island. 2. Phillip Island Granite Quarry, Cape Woollami 3. Phillip Island. Newhaven, San Remo in distance. 4. Phillip Island - Milking Time, Newhaven. 5. Phillip Island - Wool Team on road to Cowes. 6. Phillip Island - Cowes from Steamer. 7. Phillip Island - Back Beach. 8. Phillip Island - Cowes Jetty. Govt Steamer "Lady Loch" in distance. 9. Phillip Island - Cape Woollami. Home of Mutton Bird. 10. Phillip Island - Fisherman's Hut, Cowes.cowes jetty, newhaven jetty, granite quarry cape woolamai, phillip island coastline, fisherman's hut cowes, ss genista, lady loch steamer, m trott -
National Wool Museum
Book, Who's who directory Part 2
"Who's who directory pt1"- Australian Wool Corporation. (Lists of organizations)wool marketing, australian wool corporation -
National Wool Museum
Book, Handbook for woolgrowers, 1954
"Handbook for woolgrowers"-J A Baker, ed. Austalian Wool Bureau, 1954.sheep - diseases -
National Wool Museum
Book, Handbook for woolgrowers, 1950
"Handbook for woolgrowers"-J A Baker, ed. Austalian Wool Board, 1950sheep - diseases -
National Wool Museum
Book, Who's who directory Part 1
"Who's who directory pt1"- Australian Wool Corporation. (Lists of contacts)wool marketing, australian wool corporation -
National Wool Museum
Book, The WIRA Collected Practical Problems
"The WIRA Collected Practical Problems" - Wool Industries Research Association, 1959.RS & S Milltextile production textile finishing weaving textile mills, returned soldiers and sailors mill wool industries research association, textile production, textile finishing, weaving, textile mills -
National Wool Museum
Photograph
One of three photographs of delagates to the 1955 Wool Textile Conference in Australia.DEPT OF THE INTERIOR - NEWS AND INFORMATION BUREAUwool - research, gordon institute of technology, lang, dr w. roy -
National Wool Museum
Spinner
Hand held wool spinner - distaff spinner made by Ted Fairhurst.handicrafts, spinning - hand, fairhurst, mr ted -
National Wool Museum
Spindle
Used for spinning, twisting fibers such as wool, flax, hemp, cotton into yarn.Wooden spindle with metal tip. Ridges along spout. -
Whitehorse Historical Society Inc.
Tool - Bale Hook
Used by farmers and truckies to lift and stow heavy bags and wool bales.Large steel hook with wooden handlerural industry, agriculture -
National Wool Museum
Book, Fibre and Fabric
"Fibre and Fabric: the wool, cotton, textile and allied industries in Melbourne's West" - Gary Vines, 1993. This book is a short history of the wool, cotton, textile and allied industries of the area west of Melbourne. It looks at how, why and when these industries developed and their effect upon the cultural and geographic landscape.textile industry - history woollen mills - history, textile industry - history, woollen mills - history -
National Wool Museum
Book, Fibre and Fabric
"Fibre and Fabric: the wool, cotton, textile and allied industries in Melbourne's West" - Gary Vines, 1993. This book is a short history of the wool, cotton, textile and allied industries of the area west of Melbourne. It looks at how, why and when these industries developed and their effect upon the cultural and geographic landscape.FIBRE AND FABRIC / Gary Vines / Melbourne's Living Museum of the West Incorportatedtextile industry - history woollen mills - history, textile industry - history, woollen mills - history -
National Wool Museum
Letter
This letter is from the wool brokers and stock agents Strachan, Murray & Shannon of Geelong to P.E. Hann of Kiata East. It concerns the sale of two bales of cross bred wool owned by Mr Hann. It is dated 3 March, 1925 and is signed by D.A. Milne, one of the directors of Strachan's.Letter, from Strachan, Murray and Shannon to PE. Hann, 1925.[multiple inscriptions]strachan, murray and shannon ltd, milne, mr d. a. - strachan, murray and shannon ltd hann, mr p. e. -
National Wool Museum
Quilt, Diversions
Quilt called "Diversions" and made by Barbara Macey in Melbourne in 1985. Barbara Macey is a founding member of the Running Stitch group and its sole remaining member. This quilt was part of a touring exhibition called "Wool Quilts Old and New" presented by Running Stitch, 31 Jan. 1986 to Feb. 1987. It was catalogue entry no. 6. The artist's statement reads: "Being of Scottish descent, I was most interested to discover the Scottish Herringbone quilt, made of pieces of wool tweed, sewn herringbone fashion, to strips of fabric later seamed together to make a quilt. Having a variety of wool fabrics to work with inspired this interpretation of a traditional idea." This quilt was later part of an identically titled exhibition held at the National Wool Museum in 1989."Diversions" by Barbara Macey, 1985.quilting, handicrafts, running stitch group, running stitch collection, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), macey, mrs barbara -
National Wool Museum
Functional object - Magnifying Lens, c.1930s
This item was inherited from the donor's father, René Dupuche. John Dupuche, writes: This magnifying glass was used to remove the burrs and thorns that wool-buyers tended to get in their fingers when examining bales of wool. The open end was placed on the finger since the thorn was sometimes buried under the skin. The buyer looked through the magnifying glass and with tweezers or a pin removed the thorn which had rendered the finger inoperative. The wool-buyers needed the sensitivity of their fingers to appraise the suitability of the wool, as buyers had for centuries past, measuring the length of the staple, feeling and counting the crimps in the fibre, its finesse, softness, elasticity and strength, assessing the colour, watching for extraneous matter such as dust or seeds which would not be welcome by manufacturers half-way across the world. Their skills took years to acquire. Knowledgeable buyers were invaluable to their employers, since they were able to evaluate to the last percentage the yield of a bale. My father, René Dupuche, was the ‘principal buyer’ from 1927-1966 in Victoria, South Australia and Tasmania for the international wool company ‘Masurel Fils’ which was one of the largest wool businesses in Europe. It was based in the north of France, in Tourcoing, one of the major wool centres of the world. He was sent to Australia as a young man at the age of 23 and took part in the ‘golden era’ of wool in Australia, and the eventual replacement of hands-on appraisal by ‘core-testing’. Masurel Fils was one of the dozens of French and Belgian firms operating in Australia. These men from Flanders enjoyed a cosmopolitan society augmented by diplomats, European bankers and shipping-line executives for various countries and a handful of scientists and academics.Small black metal magnifying lens with three fold design and two hinges. One panel contains a circular glass lens, the centre panel has a circular hole, and the third panel has a square hole with three lines on each side.wool buyer, magnifying glass, magnifying lens, burrs, rené dupuche, john dupuche, migrants, masurel fils, french, belgian, flanders, working life, sheep industry, wool industry, agriculture -
Bendigo Military Museum
Uniform - BATTLE DRESS, ARMY, 1953 - 1970
1. Battle Dress Jacket. Wool Khaki. It has Sgts Stripes, on each shoulder are cloth badges. 3 Div and Northern Victorian Rgt. The jacket has two breast pockets and a purpose made cloth belt. 2. Trousers Battle dress. Wool, khaki. Fly held shut with five buttons. Brown buttons hold belt loops. 3. Shirt, polyester. light Khaki. Long sleeve. Two breast pockets held shut with brown buttons. 4. Tie, light brown. 5. Hat, Khaki fur felt. It has a silver hat badge of 38 Battn - Motto HONOREM CUSTODITE.Inside shirt collar has letters. R.W. written in ink. Written in texta, inside leather band is: - Atkinson 2794820.38 bn, post ww2, cmf, passchendaele barracks trust -
Bendigo Military Museum
Uniform - MESS DRESS, ARMY, 1. 1950. 2. 1951. 3, 4, 5 unknown
Medal bar. War Medal 1939 - 45 Australian Service Medal Korea Medal 1939 - 45 Star Pacific Star Korea UN Medal.1. This is a black woollen jacket. It has 4 front pockets. It has Sgt's stripes on arm (Gold). It has RA Inf buttons. On the collars are another pattern RA Inf button - Kings Crown. Shiled design surrounded with oak leaves. Crossed rifles in centre of shield. It has six ribbons - see below. 2. Trousers - black wool. red stripe on legs. Fly is held shut with buttons, black. Two side pockets - One rear pocket. 3. Shirt - off white - civilian. 4. Belt - black wool, brass buckle. 5. Tie - black, purple liner.Jacket - Inside has written - 3/2729 J.D. Powell. Trousers - Jorgenson R/5.ww2, postwar ww2, uniform, passchendaele barracks trust -
National Wool Museum
Booklet - Member's Ticket, 1962-1972
The National Wool Museum accepted a donation from Brian Licence in 2022 of several mementoes relating to his career in the wool industry. Brian studied Wool Classing and worked for a decade in this profession before moving to Melbourne which required him to change careers. These Member’s Tickets served as proof of Brian’s membership to the Woolclassers’ Association of Australia from 1962 to 1972. The Woolclassers' Association of Australia was a trade union representing Woolclassers in Australia. It amalgamated with the Australian Workers Union in 2009. The Association had 1200 members in 1997. 11 individual-coloured booklets, 10 original and 1 duplicate. The duplicate is from the year 1965/1966 when Brian Licence transferred from being a probationary member of the Woolclassers’ Association of Australia to a full member and hence received a new ticket which reflected this change. Internally, there is no difference in any of the booklets over the 10 years. Externally, there is only a slight change, with the Woolclassers’ Association of Australia's logo being included from 1965/1966 onwards. The booklets are a single piece of card folded at the middle to make 4 pages. The first page gives the name of the association, the year of issue, and in later years the Association's logo. Internally, the booklet provides the location of the Association, the name, address, and signature of who the booklet certifies, and details about the member’s rank, an Overseer, Expert, Full, or Probationary Member. The date and signature of the Secretary of the Association conclude the internal pages. On the rear page, the Head Offices of the Woolclassers’ Association of Australia branches in NSW, Victoria & Tasmania, South Australia, Western Australia, and Queensland are provided. Booklet one is on yellow card with black text and is for the years 1962/1963 Booklet two is on aqua card with black text and is for the years 1963/1964 Booklet three is on blue card with black text and is for the years 1964/1965 Booklet four is on orange card with black text and is for the years 1965/1966 Booklet five is on orange card with black text and is for the years 1966/1967 Booklet six is on red card with black text and is for the years 1967/1968 Booklet seven is on white card with green text and is for the years 1968/1969 Booklet eight is on turquoise card with black text and is for the years 1969/1970 Booklet nine is on cream card with black text and is for the years 1970/1971 Booklet ten is on a lavender card with blue text and is for the years 1971/1972 Booklet eleven is on peach card with black text and is for the years 1972/1973 Multiple. See multimediawool classing, brian licence, woolclassers’ association of australia