Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara GARDINER nee HEGARTY and Bob GARDINER on their wedding day with both sets of parents. L-R Bert & Mrs GARDINER, Bob GARDINER, Barbara GARDINER, Alice HEGARTY and Bill HEGARTY.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty, alice hegarty nee mott, william (bill) hegarty, bert gardiner

Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara GARDINER nee HEGARTY and Bob GARDINER on their wedding day sitting at the wedding table with the wedding party toasting them. L-R Joan GARDINER, Harry SUMMERS (athletics friend), Margaret CONN, Bob GARDINER, Barbara GARDINER, Murray LANG (best man & athletics friend), Marlene HEGARTY (Barbara's sister) and Roger WESTWOOD (Bob's cousin).weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty, joan gardiner, margaret conn, roger westwood, harry summers, murray lang

Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara GARDINER nee HEGARTY and Bob GARDINER cutting their wedding cake.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty

Last City of Port Melbourne Council. Back row from left - Liana THOMPSON (Mayor), Perce WHITE, Kerry McKENDRICK, Robert BLACKMORE, Chris RAEBURN, Lyn ALLISON. Front row from left - Phil LANG, Jim MITCHELL, Brenda BEDFORD.Coloured photograph of the last City of Port Melbourne Council before amalgamation. Photograph taken in Mayor's Room at the Port Melbourne Town Hall.amalgamation, councillors, local government - city of port melbourne, port melbourne town hall, liana thompson, perce white, robert blackmore, chris raeburn, lyn allison, phil lang, jim mitchell, brenda bedford, kerry mckendrick

Portrait of Nicholas & Kate Scallan with Daughter c 1865 -1870. The Scallan brothers Patrick, David, Phillip and Nicholas were pioneer reefs minors and storekeepers. "The Golden Years of Stawell" by Robert Murray and Kate White mentions the Scallan Clan see page 71 Photograph of a male and female with a young child. The male standing with hand on shoulder of seated female. The child standing by her knee. An enlarged copy of the same photo also exists. stawell

Row 1: Neil Furlong, Michael Azzopardi, Juanita McCleary, David Watson, Paul James, Robert Lothian. Row 2: Peter Cooke, Adam Hooley, Andrew Black, Greg Kirk, John Strauss, David Jones, Darren Griffiths, Greg Nicholls.Colour photograph of ambulance officer traineesambulance officers training centre

Councillor J Cruikshank. Owned “Terka” station near Kirkstall. The property had for some years sheltered and fed a number of kangaroos and he expressed the wish that they would be given a home there. The homestead is a bluestone building with a shingle roof, built by Robert Ireland of Port FairyBlack and white portrait of a male with a beard and moustachebelfast, president, portrait, government, shire, council, municipal, local-government, terka, kirkstall, cr j cruikshank

Port Colts Football Team, 30 people in photo as follows : Back Row (left to right) Ron 'Bull' JENKINS / Alan SIMMONS / Dan MANSON / Laurie AGHAN / Bert WAGENER / Jim TANNOCK / Les MURPHY / Frank RICHARDSON / Daryl HUTTELY / Kevin O'HARA / Alex JAMES Middle Row (left to right) Bill GREEN / Brian McBROOM / Dave HOWIE / Bill McKENNA / Ray HARRY / Robert TWOMEY / Oscar FLANNERY / Ray WAGENER Front Row (left to right) Jim ADAMS / John MAY / Ted PAULIN / Brian BUCKLEY / Ken ADAMS / Peter DONNELLY / Frank CORBY / Ron ADAMS Mascots Greg JAMES (baby) / Robert McDONALD / Peter McDONALD Lasercopy of photo of Port Colts Football Team from the 1960s, at Lagoon Reservesport - australian rules football, societies clubs unions and other organisations, port melbourne colts football club, ron 'bull' jenkins, alan simmons, dan manson, laurie aghan, bert wagener, jim tannock, les murphy, frank richardson, daryl huttely, kevin o'hara, alexander arthur james, bill green, brian mcbroom, dave howie, bill mckenna, ray harry, robert twomey, oscar flannery, ray wagener, jim adams, john may, ted paulin, brian buckley, ken adams, peter donnelly, frank corby, rob adams, greg james, robert mcdonnald, peter mcdonald, lagoon reserve

Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton'

Isobel Antoinette McDonagh (her first name also spelled Isabel, Isabell, Isabella) was born in Jamaica in 1847, a daughter of Robert & Antoinette McDonagh. In 1851, in Ireland, Isobel and her sister Jane were orphaned after both their parents died within a few months of each other. In 1855 Isobel and her sister came to Australia with their uncle John McDonagh and his wife Martha (née Mathews). Following the death in childbirth of her sister Jane in 1878, Isobel married her brother-in-law Frederick William Mitchell in 1881. She was the mother of Frederick William Mitchell, Robert Harold Mitchell, Albert Earnest Mitchell, Ida Olive Mitchell and Lillian (or Lily) Isabell Mitchell.Painted/modified black and white photograph which has been printed on glass, depicts a young lady with hair drawn back from face and worn in a bun or chignon at the back, wearing a dark coloured dress with a high neck and some trimming on bodice and sleeves. A narrow frill of white lace(?) is visible above the collar. Afterwards Mrs. Frederick Mitchell Several pages from a book have been pasted onto the back of the glass on which the photograph is printed. There is some writing in pencil (arithmetic calculation?) across these pages.isobel antoinette mcdonagh, isobel antoinette mitchell

This Form was part of the largest intake to date as Ringwood Technical School entered its fourth year at the Heathmont Road campus. The 269 Form 1 students in 12 groups, 1A to 1M, took the school’s population to nearly 700. Extensions to the 3 year old building commenced during the year to help accommodate the expected rising numbers of students.Black and White Photograph - Ringwood Technical School 1963 Form 1D Boys Photograph from Ringwood Technical School photo album labelled “Ringwood Technical School 1963-’64 Class Photos” (VC 21255)Names: Top row: ? , Brian Glassborough, Mark Bremner, ?, Colin Doak, ?, Clive Houston, Richard Dobrowolski. 2nd row: Robert Lavin, ?, Christopher Robinson, Lindsay Washusen, ?, Vincent Powell, David Cleator. Kim Robinson. 1st row: Raymond Sparkes.rts, ringwood tech

Colour PhotographWritten on Names Sheet: Back Row L-R: Patrick Motteran, Jeff James, -, Paul Deed, Ian Morrison, Andrew Buch MIddle Row L-R: Darreb Bennett, Geoff McLean, Peter Alsop, Robert Dowell, Paul Doyle rts, ringwood tech

Colour photographs of the Burke and Wills Fountain in Sturt Street Balllarat.Plaque "Robert O'hara Burke, Leader. Died 30th June, 1861. William John Wills, Second. Died 30th June, 1861. Ludwig Becker, Naturalist. Died 29th April, 1861. Charles Grey, Assistant. Sied 17th April, 1861."burke and wills, burke and wills memorial, sturt street, ballarat, explorers, john king, robert o'hara burke

320 p. : Bound in calico which is printed with product advertisementsjames grant, fiction, t. craig [bookbinder], short stories

The Allotments drawn in Holmes Street appear to be hand drawn and showing one of the first subdivisions in Ballarat. This was begun in the 1860s. Some names are marked on the blocks - Taylor (9), Holmes (6), Robert Watson (3), Watson (16), Walter (18),Wetherly (11), Vacant (7)Blue paper with black ink showing the land blocks either side of Holmes Street Each block is numbered - 20 in all Names on some blocksNorth indicated with arrow Sizes of blocks - depth and width holmes street, subdivision, allotment 12, holmes, taylor, robert watson, watson, wetherly, vacant

William Robert Manning enlisted in the 24th Batt AIF on 12.3.15. Hospitalised at sea with Pneumonia followed by Debility and Diarrhoea he was returned and discharged on 9.2.16. He re enlisted on 22.3.16 No 1760 in the 38th Batt AIF. He was WIA on 22.7.17. He was KIA on 7/9.6.17.Medal set, court mounted, set of 3 re WR Manning. 1. 1914-15 Star, brass colour, replica not engraved. 2. War Medal 1914-1919, silver colour. 3. Victory Medal, gold colour."69, Cpl WR Manning, 24 BN AIF"numismatics- medals - military, metalcraft

Great Pulteney Street is a grand thoroughfare that connects Bathwick on the east of the River Avon with the City of Bath, England via the Robert Adam designed Pulteney Bridge. Famous former residents of the street have included the novelist Jane Austen and the anti-slavery campaigner William Wilberforce.A black and white postcard showing Great Pulteney Street in Bath. The street is lined with triple storey building. A fountain and small shelter is located in the foreground.This card was purchased by an Australian soldier, probably Henry Smerdon Holmes, during World War One. chatham-holmes family collection, bath, gret pulteney street, fountain

A very early view of the first blue-stone homestead and out-buildings at "Lake Boloke" station, established by Robert Patterson, believed taken in the early 1850's. The row of River red-gums indicates the shoreline of Lake Bolac which seems to be at least partially dry.lake bolac, lake boloke station, patterson

Deep Lead School 1956 Mr Ian Johnson - Head Teacher Back Row: Robert Cray, Edwin Perry, Bruce Richards, Bill Shuttleworth. Centre Row: Tom Cray, Shirley Cornwell, Dawn Shuttleworth, Ian Cameron. Front Row: Ian Cooper B/W Photo 9 Students in 3 rows, 4 Standing, 4 sitting on bench seat, 1 sitting on ground, holding a sign, Adult Male to leftSign Reads: Deep Lead 1956deep lead school, education

War, famine and oppression were the themes behind this work. This work was the winning submission for the 2007 Lucato Peace Prize, an award that focuses students’ attention on world peace. When this work was produced Robert Kelty was a first year Bachelor of Visual Arts student at the University of Ballarat.artist, artwork, ceramics, lucato peace prize

View is looking south west from inside the front gate. Main Road is running across the picture just past the trees and the open area is where the current day Fitzsimons Lane runs. Porter street is adjacent to the property on the right of image. Robert was a POW in ChangiShows the area of Fitzsimons Lane prior to developmentBlack and white photograph - digital fileeltham, main road, fitzsimons lane, porter street, castledine, beatrice arrowsmith (nee quigley), king (dog), robert arrowsmith, joan castledine collection

xvi, 202 pages : illustrations (some colour), portraits (some colour), colour maps; includes Appendices lists of leadership and Life Governors 1895 to 2016 non-fictionIllustrated history of Burwood Boys Home, Child and Family Care, and bestchance, Child, Family Care. From original beginnings in 1895 when founder Robert Campbell Edwards established a home for the waifs of Melbourne, to the present organisation caring for families and children, providing child care, early intervention programs, special primary education ( Cheshire School) and adult training. In 2007, Ken Masterton's book "A Tea Merchant's Vision and Beyond - a history of the Burwood Boys' Home" (which is reproduced in full in this edition) begins with the vision of tea merchant Robert Campbell Edwards and "gives a valuable summary of the organisation's achievements".burwood boys' home, child care, burwood children's home, bestchance, family day care

William Haycox was a wholesale and retail butcher who was a cash buyer of hides, sheepskins and tallow. The Haycox Butcher shop was near the Club Hotel. Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex. This item is an example of book keeping in the early 20th century. It is from a business in Orbost and is a useful research tool.A white paper account with black print, blue ;lines and an illustration of cattle in the top left hand corner. It has a yellow duty stamp and is from William Haycox, butche,r to R.P. Cameron.on back -"Penalty McColl..."

William Haycox was a wholesale and retail butcher who was a cash buyer of hides, sheepskins and tallow. The Haycox Butcher shop was near the Club Hotel. Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex.This item is an example of the book-keeping of an early Orbost business and is a useful research tool.A white paper account with black ink and blue lines from Haycox & Mc Henry, wholesale and retail butchers to R. Cameron. There is a duty stamp.haycox-butcher-orbost cameron-robert-pullar

This account was sent to R.P. Cameron for building repairs. Many local businesses were diverse in what they offered in attempts to keep their businesses viable. Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex.This item is an example of early 20th century book-keeping in Orbost and is a useful research tool.A white paper account with black lines and black print. Details are handwritten. It is from Williams Bros, Builders, Undertakers and Sawmillers, to R. Cameron.account-book-keeping williams-bros-builders-undertakers-sawmillers cameron-r.p.

1. to 4. Letter from R.H. Baron to his mother dated 8/12/18. 5. Letter to R.H. Baron's mother dated 3/12/18. Part of the 'Robert H. Baron', No. 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. to 8. Collection of black and white postcards featuring views of Shaftesbury, UK.1. to 7. Handwritten in black ink on backs: 'Letters to R.H. Baron's mother and siblings.'robert h. baron, cooper collection, shaftesbury uk