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Kew Historical Society Inc
Postcard - Fishing, Yarra River, Henry Beater Christian, 1920s
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.A photograph by Henry Beater Christian (1886-1962) of Pakington Street, Kew. Henry Beater Christian, was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia 'real photo' postcard of Orlando Henry Beater Christian, fishing in the Yarra River. There appear to be cattle in paddocks on the other side of the river. Fairfield (sic) is on the horizon."Henry Beater's photograph of his father Orlando Henry Beater Christian whilst fishing in the River Yarra, Kew"yarra river -- kew (vic.), orlando beater christian, christian-washfold collection -
Kew Historical Society Inc
Photograph - Gates, Kew Lunatic Asylum, Henry Beater Christian, 1920s
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia photograph of the entrance gates to the Kew Asylum. Located in Princess Street, these gates were relocated to Victoria Park in the 1930s/40s. There is a shelter to the left of the gates. A horse-drawn covered carriage is exiting through the gates. An electric light is hung from a metal bar in the centre of the gates. The two-storey gate house on the right of the gates is outside the view of the photograph.kew lunatic asylum, kew lunatic asylum -- gates, henry beater christian, christian-washfold collection -
Kew Historical Society Inc
Photograph - North Arm Bridge, Lakes Entrance, Henry Beater Christian, 1920s
Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956). Ada was to marry into the Washfold family. An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Photograph of Lake Arm Bridge at Lakes Entrance.Sent to Mavis and the boys [detailed text]landscape photography, lakes entrance (vic.), christian-washfold collection -
Kew Historical Society Inc
Postcard - Walhalla, 1920-25
Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956).An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Small sepia Kodak postcard of the Township of Walhalla, probably taken by the Kew photographer, Henry Christian. henry christian (1886-1962), landscape photography, walhalla -- victoria, christian-washfold collection -
Kew Historical Society Inc
Functional object - Sunglasses and leather case
Part of a large donation of items once owned by members of the Christian and Washfold families of Kew. Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956). Ada married George Herrick Washfold, and had four childrenPair of clip-on sunglasses in a leather case, closed by a press stud.sunglasses, christian-washfold collection -
Kew Historical Society Inc
Equipment - Optical glasses and leather case
Part of a large donation of items once owned by members of the Christian and Washfold families in Kew. Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956). Ada married George Herrick Washfold, and had four children.Metal rimmed optical glasses in a rigid metal and leather case.optical glasses, christian-washfold collection -
Kew Historical Society Inc
Equipment - Portable Gold Scales in Japanned Tin Case
Part of a large donation of items once owned by members of the Christian-Washfold families of Kew. Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater (1886-1962) was the oldest.Gold scales encased in a rectangular hinged Japanned tin case. Old label on inside of case unreadable. String requires repair and audit of components.gold scales, christian-washfold collection -
Kew Historical Society Inc
Newspaper - Articles, Willsmere Swimming Club, 1930
Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Three newspaper articles relating to the Willsmere Swimming Club of which ‘Olly’ Christian was the only life-member. Also of his death in 1930. orlando henry beater christian, willsmere swimming club, christian-washfold collection -
Kew Historical Society Inc
Newspaper - Articles, Willsmere Swimming Club, 1930
Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Two newspaper articles about the Willsmere Swimming Club and ‘Olly’ Christian. orlando henry beater christian, willsmere swimming club, christian-washfold collection -
Kew Historical Society Inc
Newspaper - Articles, Willsmere Swimming Club
Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956). Ada married George Herrick Washfold, and had four children: Lilian Mavis, Orlando George Barnard, William Edwin and Henry Clifford (the husband of the donor).Three newspaper articles about the Willsmere Swimming Club and ‘Olly’ Christian.orlando henry beater christian, willsmere swimming club, christian-washfold collection -
Kew Historical Society Inc
Album - Photograph Album No.1, Henry Beater Christian, 1924-26
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the oldest.An album of photographs, compiled by Henry Beater Christian (1886-1962) of Pakington Street, Kew, depicting individuals, natural and settled environments and the interactions between these worlds. Henry Christian, was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Digital copy of a 47-page photograph album containing 255 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The album contains a groups of photographic positives taken by Henry B Christian (a resident of Pakington Street), of places in Kew and throughout regional Victoria during the 1920s. The mainly sepia photographs, while small, are of a high resolution. Photographs are typically lightly glued onto pages. Locations are frequently identified by white or black ink, which in a number of cases is illegible due to wear.henry beater christian (1886-1962), landscape photography, photograph albums, kew (vic.) — yarra river, kew (vic.) — zig-zag bridge, kew (vic.) — macauley’s boathouse, studley park (vic.) — yarra river, wonderland — grampians (vic.), black spur (vic.), marysville (vic.), maroondah dam (vic.) — construction, warburton (vic.), cockatoo (vic.), bruthen (vic.), swan reach road (vic.), glen hills (vic.), lightning creek (vic.), omeo (vic.), glen wills (vic.), mt wills (vic.), sunnyside (vic), granite flat (vic.), toolangi (vic.), yea (vic, )., flowerdale (vic.), mt white law (vic.), baw baw (vic.), christian-washfold collection -
Kew Historical Society Inc
Album - Photograph Album No.2, Henry Beater Christian, 1928-30
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An album of photographs, compiled by Henry Beater Christian (1886-1962) of Pakington Street, Kew, depicting individuals, natural and settled environments and the interactions between these worlds. Henry Christian, was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Digital copy of a photograph 24-page album loaned by Diane Washfold with permission given to photograph and hold a copy in our collection. The album contains series of photographic positives taken by Henry Christian (a resident of Pakington Street), of places in Kew and throughout regional Victoria during the late 1920s. The mainly sepia photographs, while small, are of a very high resolution. Photographs are typically lightly glued onto pages. Individual pages may be identified by white ink, which in a number of cases is illegible due to wear. Identifiable locations include: Walhalla, Thomson River, Aberfeldy, Matlock, Jericho, Jordan River, Jamieson, Harrietville, Mt Feathertop, the Alpine Road, Cape Patton, Melbourne, and Kew.henry christian (1886-1962), landscape photography, photograph albums, walhalla (vic.) -- history —— photographs, thomson river (vic.) — history —— photographs, aberfeldy (vic.) -- history —— photographs, matlock (vic.) -- history —— photographs, jericho (vic.) -- history —— photographs, jordan river (vic.) -- history —— photographs, jamieson (vic.) -- history —— photographs, harrietville (vic.) -- history —— photographs, mt feathertop (vic.) -- history —— photographs, alpine road (vic.) -- history —— photographs, kew (vic.) — history—— macauley’s boathouse — photographs, kew (vic.) —— history - kew lunatic asylum — photographs, kew canoe club history — — photographs, cape patton — history— photographs, coronation — george vi — melbourne (vic.), christian-washfold collection -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/77 Harp Road, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/77 Harp Road, Kew by Margaret Picken.2/77 HARP RD., KEW E / MARGARET PICKEN 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 2/77 harp road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 82 Kilby Road, Kew East, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 82 Kilby Road, Kew East by Margaret Picken.82 KILBY RD., KEW E. / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 82 kilby road - kew east (vic) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 175 Kilby Road, Kew East, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 175 Kilby Road, Kew East by Margaret Picken.175 KILBY RD., KEW E. / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 175 kilby road - kew east (vic) -
Kew Historical Society Inc
Photograph - Zig-zag Bridge on the Yarra River at Kew, Henry Beater Christian, 1920-28
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.Small black and white photograph of the Yarra River at Studley Park. In the middle ground, a man is paddling a canoe upstream. On the horizon, the tower and buildings of Raheen in Studley Park Road can be seen.henry christian (1886-1962), landscape photography, kew canoe club history — — photographs, yarra river -- studley park -- kew (vic.), christian-washfold collection -
Kew Historical Society Inc
Photograph - Walkway, Zig-zag Bridge on the Yarra River at Kew, Henry Beater Christian, 1920-28
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.Small black and white photograph of the walkway of the Zig-zag Bridge over the Yarra River at Studley Park.henry christian (1886-1962), landscape photography, yarra river -- studley park -- kew (vic.), zig-zag bridge -- yarra river -- kew (vic.), christian-washfold collection -
Kew Historical Society Inc
Photograph - Zig-zag Bridge on the Yarra River at Kew, Henry Beater Christian, 1920-28
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.Small black and white photograph of the Zig-zag Bridge over the Yarra River at Studley Park.henry christian (1886-1962), landscape photography, yarra river -- studley park -- kew (vic.), zig-zag bridge -- yarra river -- kew (vic.), christian-washfold collection -
Kew Historical Society Inc
Photograph - Clarence Kindergarten and Sub-Primary, 180 Cotham Road, 1930-1935
180 Cotham Road, formerly 178 and later 210 Cotham Road, described as a brick residence of six rooms, was constructed in c.1890, for Alexander Hall, a dentist. From 1903, Miss Florrie Wymond operated a girls school at the property, and a timber schoolroom building was constructed at the rear of the property. During the 1930s, the school was known as the Clarence Primary School, and operated by Misses F L and M Wymond. While the listing of the property as a primary school had ceased by 1947, the Wymond family owned the property until the mid 1960s. (Source: Lovell Chen 2007, Review of B-graded buildings in Kew, Camberwell and Hawthorn).One of three photographs taken between 1930 and 1935 of students of 'Clarence' Kindergarten and Sub-Primary, located at 180 Cotham Road. The photos were accompanied by detailed notes identifying the names of students (where remembered).schools -- kew (vic.), clarence school, clarence house, 180 cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph - Clarence Kindergarten and Sub-Primary, 180 Cotham Road, 1930-1935
180 Cotham Road, formerly 178 and later 210 Cotham Road, described as a brick residence of six rooms, was constructed in c.1890, for Alexander Hall, a dentist. From 1903, Miss Florrie Wymond operated a girls school at the property, and a timber schoolroom building was constructed at the rear of the property. During the 1930s, the school was known as the Clarence Primary School, and operated by Misses F L and M Wymond. While the listing of the property as a primary school had ceased by 1947, the Wymond family owned the property until the mid 1960s. (Source: Lovell Chen 2007, Review of B-graded buildings in Kew, Camberwell and Hawthorn).One of three photographs taken between 1930 and 1935 of students of 'Clarence' Kindergarten and Sub-Primary, located at 180 Cotham Road. The photos were accompanied by detailed notes identifying the names of students (where remembered).schools -- kew (vic.), clarence school, clarence house, 180 cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph - Clarence Kindergarten and Sub-Primary, 180 Cotham Road, 1930-1935
180 Cotham Road, formerly 178 and later 210 Cotham Road, described as a brick residence of six rooms, was constructed in c.1890, for Alexander Hall, a dentist. From 1903, Miss Florrie Wymond operated a girls school at the property, and a timber schoolroom building was constructed at the rear of the property. During the 1930s, the school was known as the Clarence Primary School, and operated by Misses F L and M Wymond. While the listing of the property as a primary school had ceased by 1947, the Wymond family owned the property until the mid 1960s. (Source: Lovell Chen 2007, Review of B-graded buildings in Kew, Camberwell and Hawthorn).One of three photographs taken between 1930 and 1935 of students of 'Clarence' Kindergarten and Sub-Primary, located at 180 Cotham Road. The photos were accompanied by detailed notes identifying the names of students (where remembered).schools -- kew (vic.), clarence school, clarence house, 180 cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph - The Boulevard at Kew, 1937
The Yarra Scenic Boulevard stretching from Hawthorn to the Chandler Highway was completed as a major project between 1933 and 1936 during a period of significant unemployment. Key dates in the construction this section the road include: 1933 when Kew Council supported the construction of the road from Studley Park to the Kew Asylum; and 1936 when the road from the Johnston Street Bridge to the Chandler Highway was opened. The inscription on the reverse of the photo 'Boulevard Fairfield' is misleading as there is no section of the Boulevard in Fairfield. A more likely interpretation is that it is a photograph of the Kew section of the Yarra Boulevard with the factories of Fairfield in the distance.Rare early photograph of the Yarra Boulevard, taken one year after the opening of the road. The photograph is an important historical record of the results of 'Susso' labor in the creation of major works in Melbourne by the Victorian Government. Original, black and white positive print of the Boulevard at Kew in 1937. Key aspects to note about the photograph is that the road is bituminised; that the gutters are concreted; that the kerb is constructed of concrete blocks; and that there is an unmade footpath on what appears to be the right hand side of the road. The landscape is sparsely treed, and those trees that remain are presumably remnant vegetation. At the right, the land is fenced. The land at the left falls away sharply to the river below. On the horizon, at left, there is an industrial complex including a tall chimney that is burning fuel creating smoke. "Boulevard Fairfield" great depression, susso projects, roads -- kew (vic.), yarra boulevard, yarra valley -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 36 Argyle Road, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 36 Argyle Road, Kew by Margaret Picken.36 ARGYLE RD, KEW / MARARET PICKEN (c) 1993 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 36 argyle road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 23 Argyle Road, Kew, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 23 Argyle Road, Kew by Margaret Picken.23 ARGYLE RD, KEW / MARARET PICKEN ~95 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 23 argyle road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 93 Barkers Road, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 93 Barkers Road, Kew by Margaret Picken.93 BARKERS RD., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 93 barkers road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 9,13,14 / 103 Barkers Road, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of Units 9, 13 and 14, 103 Barkers Road, Kew by Margaret Picken.9,13,14 / 103 BARKERS RD., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 103 barkers road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3/385 Barkers Road, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 3/385 Barkers Road, Kew by Margaret Picken.3/385 BARKERS RD., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/385 barkers road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 28 Belford Road, Kew East, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 28 Belford Road, Kew by Margaret Picken.28 BELFORD RD., KEW / MARGARET PICKEN '98/ WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 28 belford road - kew east (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1269 Burke Road, Kew, 2003
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1269 Burke Road, Kew by Margaret Picken.1269 BURKE RD., KEW / PICKEN (c) 2003 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1269 burke road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 136 Cotham Road, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 136 Cotham Road, Kew by Margaret Picken.136 COTHAM RD., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 136 cotham road -- kew (vic.)