Showing 7425 items
matching paint
-
Heidelberg Golf Club
Painting - Framed Painting, Phyll Davidson, Toward the high country by Phyll Davidson, 1970s
Oil painting of a bush scene, painted by Phyll Davidson. Adapted from an oil painting by Lloyd Rees.Oil painting with timber frame and glass On label on reverse: "Toward the high country. Adapted from an oil painting by [Lloyd] Rees. Artist Phyll Davidson". Framer's label " Framed by Keith Hoad"phyll davidson, lloyd rees, oil paintings -
Flagstaff Hill Maritime Museum and Village
Pattern
Pattern-hanging bracket slightly pyramid shaped object with wide base. Has square attachment both painted white. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Engine
Engine-Tangye's Patent size B engine 4 inch cyldiametre 8 inch stroke. 'Birmingham' painted green.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Shackle
One Half of a Kenter Chain Joining Shackle, painted blue. The other Half, Chock and Tapered Locking Pin are missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Frankston RSL Sub Branch
Tool - Bulls-eye Trench Lantern
This is a black painted tin lamp with a tin handle used in the trenches n WW1. Private issue, not government. It is candle-powered. -
Bendigo Military Museum
Equipment - ANTI AIRCRAFT GUN, MOBILE, C.1939 - 45
This item is in the gardens of the Bendigo District RSL Sub Branch Havilah Road..1WW2 era Truck painted green, open cabin with tray back, mounted on the back is a 40 mm Bofor gun.“4” - “913” - “3100682”brsl, smirsl, bdrslinc, bofor, mounted -
Marysville & District Historical Society
Book - Paperback book, Secrets of the Forest-Discovering history in Melbourne's Ash Range, 1992
A history of Melbourne's Ash forestsPaperback. Front cover has a painting on it. The painting is "Ferntree Gully in the Dandenong Ranges, 1857", painted by Eugene von Guerard.Tom Griffiths with assistance from the Historic Places Branch,/ Department of Conservation and Environment, Victoria,/ and the Monash Public History Group Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779historic site, victoria, ash range, history, griffiths, tom -
Marysville & District Historical Society
Book - Paperback book, Secrets of the Forest-Discovering history in Melbourne's Ash Range, 1992
A history of Melbourne's Ash forestsPaperback. Front cover has a painting on it. Painting is "Ferntree Gully in the Dandenong Ranges, 1857", painted by Eugene von Guerard.Tom Griffiths with assistance from the Historic Places Branch,/ Department of Conservation and Environment, Victoria,/ and the Monash Public History Group Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779historic site, victoria, ash range, history, griffiths, tom -
Marysville & District Historical Society
Book, Secrets of the Forest-Discovering history in Melbourne's Ash Range, 1992
A history of Melbourne's Ash forestsPaperback. Front cover has a painting on it. Painting is "Ferntree Gully in the Dandenong Ranges, 1857", painted by Eugene von Guerard.Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779historic site, victoria, ash range, history, griffiths, tom -
Bendigo Military Museum
Accessory - TIN, FOOT POWDER, Murphy Leinert Pty Ltd, C.1960’s
Tin, rectangular green painted tin with black lettering on the side. White plastic cap with 6 holes on top of tin.On front: “Foot Powder 2 oz Net Weight Murphy, Leinert Pty Ltd Sydney, Australia” On back: “Formula Salicylic Acid 3% Starch 10% Talc 87%”powder, foot, accessory -
Federation University Historical Collection
Instrument, Timber Tripod
Used at the Ballarat School of MinesTimber tripod with 4.2 cm diameter male thread on top, with wooden legs. Top and hinges painted bright green.tripod, ballarat school of mines, surveying -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, 1917-18
There are no details as to who the Officer is in the Australian Flying Corp.Photograph, sepia tone, portrait of an Australian Soldier in uniform, an Officer with Wings AFC. Photograph is in a gold painted wooden frame.photographs, afc -
Bendigo Military Museum
Honour Board - JUNORTON HONOUR BOARD WW1, Post WW1
Donated to Bendigo Military Museum by the Citizens of Junortoun. Crown piece has For God & Country painted on it. Frame heavy timber.memorials-honour boards, military history-service records, junortoun -
Bendigo Military Museum
Accessory - SHOE POLISH, Kiwi, 1962-75
Round tin of Kiwi brand black shoe polish. Black painted tin with trademark on lid in red, gold and white.On lid: "By appointment to HRH the Duke of Edinburgh shoe polish manufacturers"containers-commercial, personal effects-grooming, black, polish -
Flagstaff Hill Maritime Museum and Village
Domestic object - Clothes Iron, last quarter of the 19th century
Blacksmiths started forging simple flat irons in the late Middle Ages. Plain metal irons were heated by a fire or on a stove. Some were made of stone. Earthenware and terracotta were also used, from the Middle East to France and the Netherlands. Flat irons were also called sad irons or smoothing irons. Metal handles had to be gripped in a pad or thick rag. Some irons had cool wooden handles and in 1870 a detachable handle was patented in the US. This stayed cool while the metal bases were heated and the idea was widely imitated. Cool handles stayed even cooler in "asbestos sad irons". The sad in sad iron (or sadiron) is an old word for solid, and in some contexts this name suggests something bigger and heavier than a flat iron. Goose or tailor's goose was another iron name, and this came from the goose-neck curve in some handles. In Scotland people spoke of gusing (goosing) irons. At least two irons were needed on the go together for an effective system, one would be in use, and the other re-heating. Large households with servants had a special ironing-stove for this purpose. Some were fitted with slots for several irons, and a water-jug on top.An early domestic object that gives an insight into how the ironing of clothes was done before the electric type irons we use and take for granted today.Clothes Iron, wedge shaped, cast iron painted black with cylindrical handle small funnel through centre of handle.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, iron, flat iron, laundry equipment, sad iron, domestic object -
Flagstaff Hill Maritime Museum and Village
Domestic object - Clothes Iron, last quarter of the 19th century
Blacksmiths started forging simple flat irons in the late Middle Ages. Plain metal irons were heated by a fire or on a stove. Some were made of stone. Earthenware and terracotta were also used, from the Middle East to France and the Netherlands. Flat irons were also called sad irons or smoothing irons. Metal handles had to be gripped in a pad or thick rag. Some irons had cool wooden handles and in 1870 a detachable handle was patented in the US. This stayed cool while the metal bases were heated and the idea was widely imitated. Cool handles stayed even cooler in "asbestos sad irons". The sad in sad iron (or sadiron) is an old word for solid, and in some contexts this name suggests something bigger and heavier than a flat iron. Goose or tailor's goose was another iron name, and this came from the goose-neck curve in some handles. In Scotland people spoke of gusing (goosing) irons. At least two irons were needed on the go together for an effective system, one would be in use, and the other re-heating. Large households with servants had a special ironing-stove for this purpose. Some were fitted with slots for several irons, and a water-jug on top.An early domestic object that gives an insight into how the ironing of clothes was done before the electric type irons we use and take for granted today.Clothes Iron, wedge shaped, cast iron painted black with cylindrical handle small funnel through centre of handle.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, iron, flat iron, laundry equipment, sad iron, domestic object -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure. Yellow feathers covering shank of hook. Cylindrical yellow plastic 'head', red and black painted 'eyes'. -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, 1970s
Fishing lure. Black horsehair covering shank of hook. Fish shaped lead 'head', painted white with red markings.fishing, travel, lure, recreation, sport -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - CEMA Arts Centre Portland, Victoria, 1990s
Coloured photo. Exterior view of CEMA arts centre, from corner of Bentinck and Glenelg Sts. Woodwork painted brownBack: '2' - black texta -
Glenelg Shire Council Cultural Collection
Souvenir - View ware Ashtray - Curator's Cottage, Botanic Gardens, n.d
View ware ashtray, square, clear glass, black and white image of the curator's cottage in the gardens. painted blue on basesouvenir, portland, botanic gardens -
Glenelg Shire Council Cultural Collection
Photograph - Polaroid Photograph - Toilet Block Painted By The Yang People Of Portland, Victoria, 1980s
Coloured polaroid photo. Side section of toilet block in 10456, showing 'PAINTED BY THE YANG PEOPLE OF PORTLAND' - above the mural -
Glenelg Shire Council Cultural Collection
Drawing - Drawing - artist's impression, Robert W. Hill, (untitled - Portland Harbour), n.d
Port of Portland Authority archives.Front: Robert W.Hill (signature) Back: (no inscriptions)port of portland -
Glenelg Shire Council Cultural Collection
Functional object - Mannequin Head, 1920-1930
Male plaster mannequin head with tin neck. Painted flesh colour, blue eyes, red lips, 'blonde' hairBack: '382' stamped on back of head -
Glenelg Shire Council Cultural Collection
Functional object - Mannequin Head, 1920-1930
Male plaster mannequin head, with tin neck. Painted flesh colour, blue eyes, red lips, 'blonde' hairBack: '382' stamped on back of head -
Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fitting. 'Waisted' cylinder, circular knob attached to centre of each end. Painted orange. -
Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fittings. Cylinder attached to two rectangular shaped legs, with rounded sides. Painted green. -
Kiewa Valley Historical Society
Tongs Blacksmith, circa mid to late 1900's
These long handled "Blacksmith" tongs were used in the late 1800's to mid 1900's by a blacksmith(or others) within the Kiewa Valley. During these times blacksmiths would regularly visit "remote" rural properties and work on any "hard to manufacture" items. A few properties had either stockmen,farm hands, or owners able to do "minor" blacksmith work. The ability to undertake blacksmith functions was sometimes "by necessity" handled by a local "jack of all trades" person. During this period however demand for rural based blacksmiths was very high. The rural store, however was usually very small and many "off" the shelf rural appliances and apparatus available in the larger rural towns were not available to the semi remote rural areas.This long handled shaped nipper tongs is very significant to the Kiewa Valley because it represents one of the essential mores relating to isolated rural regions as was the Kiewa Valley at this period in time (1800's to mid 1900's). This "ingrained " more was the ability to achieve anything that was required to maintain a living standard or survival in a remote grazing, mining and farming region. The remoteness was due to the small population, poor transport routes and flood prone roads winding through the lower lying flat plains of the Kiewa Valley. Any blacksmith work whilst grazing Cattle on the Bogong High Plains or any part of the Kiewa Valley, had to be done in situ. The part of the "culture" of this regions was that of "self help" either from within the family or from a friendly neighbour.Long handled blacksmith's tongs. The handles are rusted and painted orange. The nippers have one central fixing and are flat edged.tools, blacksmith, horses, trades -
Warrnambool and District Historical Society Inc.
Name Plate, Mrs Wilson Piano, C mid 20th Century
We have limited information on Mrs Wilson, piano teacher except that a Mrs A Wilson operated from Merri Street in 1904. Plaques such as these were hung outside premises to denote where people could access services and were often used by professional people and services. A link to one of Warrnambool's early music teachers.Small brass plate screwed to brown painted wooden board. Rectangular. Metal is stamped with name and details and filled in black.Mrs Wilson Dip Mus Piano. Rennie and Dodds 92 Little Collins St stamped on R H bottom corner . gauranteed filling stamped on lower left edge.warrnambool, mrs wilson piano teacher, mrs wilson pianoforte teacher, warrnambool pianoforte teachers 1904 -
Victoria Police Museum
Photograph (racing car)
Studebaker former Mobile Traffic Section patrol Car with No. 2 painted on driver's door racing at Sandown. Circa 1964wireless patrol; motor transport branch; motor transport section; sandown race track -
Orbost & District Historical Society
weights, C 1920
Many Orbost babies were weighed on scales using these weights. Used in early 1930's.The early 20th century saw an emphasis in Australia on the reforming of mothering practices. There was a desire to improve infant mortality rates and produce healthy, well-adjusted citizens.Government organisations, in particular hospitals and baby clinics. encouraged mothers to measure their babies and regulate their feeding patterns. By the 1930s most mothers had been influenced to a greater or less extent by these new approaches to infant care. These weights are representative of that period.Two steel circular 10lb weights used with 106.1 scales used to weigh babies at Orbost Hospital. Gold painted. 10 lbs in relief on top of each weight.weights instruments-weighing orbost-hospital nursing