Showing 3669 items
matching documents - photographs
-
Tatura Irrigation & Wartime Camps Museum
Document - Folder, Tatura Historic Events 1950's
Collection of photographs of events in Tatura. 1950's Royal Tour, Buildings, Floods, Turaton and Templer Choir.Plastic burgandy binder, black spine, white label, blue writingTatura Historic Events 1950's Photos. James Lallytatura historic events, tatura, tatura museum, documents, history, local -
Tatura Irrigation & Wartime Camps Museum
Document - Folder - Family History, Dowell Family History
Dowell family history. Contains certificates, photographs (copies), family tree and letters.Blue folder containing 3 sections: 3rd section contains 23 plastic sleeves containing photocopies of family history.Dowell Family Historydowell family, dowell family history, family trees -
Tatura Irrigation & Wartime Camps Museum
Document, William McCartney's Houses & Stable
Material loaned for copying. Report prepared in 2001 on the remaining log house and stables on the property selected at Byrneside on the north west corner of Brewer Road and the Tatura Byrneside Road. Report contains copy of photographs and records. -
Tatura Irrigation & Wartime Camps Museum
Folder, Gustav Pohlig Collection, c.1995
Collected and donated by Gus Pohlig. A collection of photographs, newspaper clippings, drawings, information on POW mail including copies of envelopes sent to and from internees in the Victorian camps during WW2.Black 2 ring folder containing plastic sleeves which have photographs, newspaper clippings and drawingsGustav Pohlig Collectiondocuments, biography -
Tatura Irrigation & Wartime Camps Museum
Folio, Australian Army Archives from Brighton, Vic
Material collected from Australian Archives by Lurline and Arthur Knee. Reports of Special Visitors to the Camps.|Plan of alteration to Camp 2 dated September 1943|Conduct report and release form for Walter Koenig.|Approval for marriage of internees Hans Fischer with LotteCalm.|Report on escape of von Amelunxen from Camp 10, 11.12.1942.|List of various reference number of Aust. Archive file of interest.|List of photograph negative numbers relating to the Tatura Camps.|Report on need for camp school.Blue plastic foolscap sized folder containing printed and handwritten material in plastic sleeves.Australian Army Archives Material from Brighton, Vic.documents, reports -
Tatura Irrigation & Wartime Camps Museum
Folio, Murchison POW Camp 13
Material collected by Gus Pohlig at the 1995 reunion of German POW's held in Murchison, Australia Camp 13. Gus was a member of the Afrika Korps captured.Red A4 folder with printed material and photographs in plastic sleeves.Murchison POW Camp 13.documents, reports, gus pohlig, afrika korps -
Tatura Irrigation & Wartime Camps Museum
Folio, Behind Barbed Wire in Australia, 1948
Blue folio containing photographed printed material in plastic sleeves.documents, biography -
Tatura Irrigation & Wartime Camps Museum
Folio, HSK "Kormoran"
Material donated by various.Black two ring folder with photographs and paper articles in plastic sleeves.documents, reports -
Tatura Irrigation & Wartime Camps Museum
Photograph, Hans Muhlhaus
... identity document two photos photograph people Seated with rug ...Seated with rug woven by him in Camp 1, taught to weave by the Laumen Bros.muhlhaus, hans 1993, arandora star, dunera, camp 1, identity document, two photos, photograph, people -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 3 Italians
... photos and Documents -20 photos. photograph people Camp 3 ...Camp 3 Italians from Palestine.|D'Elia family photos and Documents -20 photos.photograph, people -
Tatura Irrigation & Wartime Camps Museum
Document, Twenty newspaper and other extracts
Twenty newspaper and other extracts. Photograph 1 & 2. Newspaper articles on interview Archie Wilson with Tom Nevett. Various newspaper articles on John West, rate book information. Photograph 14. Log hut on J. D. Love's property. Photograph 15. Log and other early fencing. -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Boy with a thorn - 'Lo Spinario', c. 1900
Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Historic Homesteads of Australia, 1969
Book review of Australian Council of National Trusts, 'Historic Homesteads of Australia' (Historic Buildings of Australia Vol. 1), Cassell, Melbourne, 1969. A collection of photographs and essays by different authors on Australian homesteads. Boyd describes development and key features of Australian homestead design.Original manuscript of an article published as 'Hinterland heritage' in "The Age", 11.10.1969.Typewritten, quarto, 3 pagesaustralian homesteads, colonial heritage, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, (captions for photographs), c1970
... pages (captions for photographs) Document Manuscript Robin Boyd ...Captions for photographs in "Living in Australia"Original manuscript for the captions for "Living in Australia", Pergamon Press, 1970Typewritten (c copy), quarto, 16 pagesmccaughey court, lyons house, mcclune house, menzies college, shelmerdine house, john batman motor inn, black dolphin, marks house, lawrence house, boyd house, walsh st, baker house, troedal house, purves house, fletcher house, handfield house, kaye house, domain park flats, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The Australians: book review for the A.B.C, Sep-66
Positive book review of Robert B. Goodman, The Australians, 1966. Photographs by American photographer Robert B. Goodman and text by George Johnston. Book review for the ABCTypewritten (c copy), quarto, 4 pagesgeorge johnston, robert b. goodman, robin boyd, manuscript -
Robin Boyd Foundation
Book, Robin Boyd, Living in Australia, 2013
“Living in Australia”, published in 1970, was a collaborative project by architect Robin Boyd and photographer Mark Strizic. It was the first book which documented the architecture and personal design ideas of Robin Boyd. Strizic contributed not just the majority of the black and white photographs but also the book’s stylish graphic designHardcover with three-quarter cover sleeveRBF Acquisition. Possible Proof Copy.robin boyd, architecture, domestic - australia, marc strizic, architecture - australia, walsh st library -
Robin Boyd Foundation
Book, Robin Boyd, Living in Australia, 1970
“Living in Australia”, published in 1970, was a collaborative project by architect Robin Boyd and photographer Mark Strizic. It was the first book which documented the architecture and personal design ideas of Robin Boyd. Strizic contributed not just the majority of the black and white photographs but also the book’s stylish graphic designHardcover with Dust JacketRBF Acquisition. Abebooks invoices and bookseller documents within. Discoloured spine.robin boyd, architecture, domestic - australia, marc strizic, architecture - australia, walsh st library -
Robin Boyd Foundation
Book, Robin Boyd, Living in Australia, 1970
“Living in Australia”, published in 1970, was a collaborative project by architect Robin Boyd and photographer Mark Strizic. It was the first book which documented the architecture and personal design ideas of Robin Boyd. Strizic contributed not just the majority of the black and white photographs but also the book’s stylish graphic designHardcover with Dust JacketRBF Acquisition.robin boyd, architecture, domestic - australia, marc strizic, architecture - australia, walsh st library -
Robin Boyd Foundation
Document - Speech, Mr J J P Oud, 9-Jul-51
Speech delivered by Mr J J P Oud to the members of the International Association of Art Critics during their visit to Shell Netherland Building at the Hague on 9 July 1951. Mr Oud designed the Shell Netherland Building. Robin Boyd travelled to Europe in 1951 on a Haddon Scholarship. He may have visited the Netherlands and been at this address.This is a 4 page typed speech stapled into a folder, with a photograph of the Shell Netherland Building stuck on the cover under the title and Shell logo. Inside the cover, there are two further publications by Oud included. (1) Building and Teamwork, Jan 1952 (2) Architecture or Industrial design, Nov 1952, a 3 page typed document.art criticism, walsh st library -
Ruyton Girls' School
Photograph, Ruyton Girls' School, 1952
Depicted are eight young women all dressed in white tennis uniforms comprising a knee-length skirt, knitted V-neck jumper with two presumably black stripes, a collared white shirt, white socks and white sneakers. The group is posing for the photograph on a tennis court on the grounds of Ruyton Girls' School. Six of the women are standing up, and two of the women are kneeling in the front row and to the right side. All of the women are holding tennis rackets. The earliest documented mention of tennis being played by students at Ruyton Girls' School is at least 1905. The February 1910 edition of The Ruytonian notes "the Ruyton Tennis Club have had a very successful year ... again won the Kia-Ora club pennant; this is the third year in succession, and fifth time altogether." Ruyton are recorded as having played intra-school tennis with Aldworth Girls' Grammar School, Lauriston Girls' School, and Strathearne Presbyterian Girls' School. The third woman from the left in the back row has been identified as Helen Gordon (maiden name Cole).The record has strong historic significance as it depicts a former notable student, Helen Gordon (maiden name Cole). Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. Helen passed away in July 2023 at age 88. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photograph printed on matte photographic paper.Reverse: HELEN GORDON / 1952. / Elaine (?) c Alpin / Elaine Macdonald . / Sally Backhouse /ruyton girls' school, kew, victoria, tennis, sport, women's sport, students, school, 1950s, uniform -
Ruyton Girls' School
Magazine, Ruyton Reporter, 1995
The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on paper with staple binding. 16 pages.Front Page: the reporter / Ruyton / autumn 1995 / PRINT POST / PP 341999 00026 / APPROVED / 12 Selbourne Road Kew / Telephone: 9819 2422 / Facsimile: 9818 4790 / R / RECTE ET FIDE LITER / Launch of the Henty Rowing Club: The Senior IV / Contents / VCE 1994 / Allegro Al Fresco / Medieval Fair / Interview with / the Premier / Photograph courtesy of "Images" Photography / Bow: Emma Anderson, Victoria Wile, Kate Kotzmann, Stroke: Katrina Walker, Cox: Kate McQuillen / STOP PRESS: Head Coach, Gina Douglas has now won 4 National Titles in Perth /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2008
Mawul Rom Project: Openness, obligation and reconciliation Morgan Brigg (Universtiy of Queensland) and Anke Tonnaer (University of Aarhus, Denmark) Aboriginal Australian initiatives to restore balanced relationships with White Australians have recently become part of reconciliation efforts. This paper provides a contextualised report on one such initiative, the Mawul Rom crosscultural mediation project. Viewing Mawul Rom as a diplomatic venture in the lineage of adjustment and earlier Rom rituals raises questions about receptiveness, individual responsibility and the role of Indigenous ceremony in reconciliation efforts. Yolngu ceremonial leaders successfully draw participants into relationship and personally commit them to the tasks of cross-cultural advocacy and reconciliation. But Mawul Rom must also negotiate a paradox because emphasis on the cultural difference of ceremony risks increasing the very social distance that the ritual attempts to confront. Managing this tension will be a key challenge if Mawul Rom is to become an effective diplomatic mechanism for cross-cultural conflict resolution and reconciliation. Living in two camps: the strategies Goldfields Aboriginal people use to manage in the customary economy and the mainstream economy at the same time Howard Sercombe (Strathclyde University, Glasgow) The economic sustainability of Aboriginal households has been a matter of public concern across a range of contexts. This research, conducted in the Eastern Goldfields of Western Australia, shows how economically successful Aboriginal persons manage ?dual economic engagement?, or involvement in the customary economy and the mainstream economy at the same time. The two economies sometimes reinforce each other but are more often in conflict, and management of conflicting obligations requires high degrees of skill and innovation. As well as creating financially sustainable households, the participants contributed significantly to the health of their extended families and communities. The research also shows that many Aboriginal people, no matter what their material and personal resources, are conscious of how fragile and unpredictable their economic lives can be, and that involvement in the customary economy is a kind of mutual insurance to guarantee survival if times get tough. Indigenous population data for evaluation and performance measurement: A cautionary note Gaminiratne Wijesekere (Dept. of Families, Housing, Community Services and Indigenous Affairs, Canberra) I outline the status of population census counts for Indigenous peoples, identifying information on Indigenous births and deaths, and internal migration estimates. I comment on the ?experimental? Indigenous population projections and question the rationale for having two sets of projections. Program managers and evaluators need to be mindful of limitations of the data when using these projections for monitoring, evaluating and measuring Indigenous programs. Reaching out to a younger generation using a 3D computer game for storytelling: Vincent Serico?s legacy Theodor G Wyeld (Flinders University, Adeliade) and Brett Leavy (CyberDreaming Australia) Sadly, Vincent Serico (1949?2008), artist, activist and humanist, recently passed away. Born in southern Queensland in Wakka Wakka/Kabi Kabi Country (Carnarvon Gorge region) in 1949, Vincent was a member of the Stolen Generations. He was separated from his family by White administration at four years of age. He grew up on the Cherbourg Aboriginal Reserve in the 1950s, when the policies of segregation and assimilation were at their peak. Only returning to his Country in his early forties, Vincent started painting his stories and the stories that had been passed on to him about the region. These paintings manifest Vincent?s sanctity for tradition, storytelling, language, spirit and beliefs. A team of researchers was honoured and fortunate to have worked closely with Vincent to develop a 3D simulation of his Country using a 3D computer game toolkit. Embedded in this simulation of his Country, in the locations that their stories speak to, are some of Vincent?s important contemporary art works. They are accompanied by a narration of Vincent?s oral history about the places, people and events depicted. Vincent was deeply concerned about members of the younger generation around him ?losing their way? in modern times. In a similar vein, Brett Leavy (Kooma) sees the 3D game engine as an opportunity to engage the younger generation in its own cultural heritage in an activity that capitalises on a common pastime. Vincent was an enthusiastic advocate of this approach. Working in consultation with Vincent and the research team, CyberDreaming developed a simulation of Vincent?s Country for young Aboriginal and non-Aboriginal persons from the Carnarvon Gorge region to explore Vincent?s life stories of the region. The use of Vincent?s contemporary paintings as storyboards provides a traditional medium for the local people to interactively re-engage with traditional values. Called Serico?s World, it represents a legacy to his life?s works, joys and regrets. Here we discuss the background to this project and Vincent?s contribution. A singular beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land RG Gunn (La Trobe University) and RL Whear (Jawoyn Association) Samples from a beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land were analysed for radiocarbon and dated to be about 150 years old. An underlying beeswax figure was found to be approximately 1100 years old. The Dreaming Being Namarrkon is well known throughout Arnhem Land, although his sphere of activity is concentrated around the northern half of the Arnhem Land plateau. Namarrkon is well represented in rock-paintings in this area and continues to be well represented in contemporary canvas-paintings by artists from the broader plateau region. We conclude that representations of Namarrkon in both painted and beeswax forms appear to be parallel manifestations of the late Holocene regionalisation of Arnhem Land. ?Missing the point? or ?what to believe ? the theory or the data?: Rationales for the production of Kimberley points Kim Akerman (Moonah) In a recent article, Rodney Harrison presented an interesting view on the role glass Kimberley points played in the lives of the Aborigines who made and used them. Harrison employed ethnographic and historical data to argue that glass Kimberley points were not part of the normal suite of post-contact artefacts used primarily for hunting and fighting or Indigenous exchange purposes, but primarily were created to service a non-Indigenous market for aesthetically pleasing artefacts. Harrison asserted that this market determined the form that these points took. A critical analysis of the data does not substantiate either of these claims. Here I do not deal with Harrison?s theoretical material or arguments; I focus on the ethnographic and historical material that he has either omitted or failed to appreciate in developing his thesis and which, in turn, renders it invalid. The intensity of raw material utilisation as an indication of occupational history in surface stone artefact assemblages from the Strathbogie Ranges, central Victoria Justin Ian Shiner (La Trobe University, Bundoora) Stone artefact assemblages are a major source of information on past human?landscape relationships throughout much of Australia. These relationships are not well understood in the Strathbogie Ranges of central Victoria, where few detailed analyses of stone artefact assemblages have been undertaken. The purpose of this paper is to redress this situation through the analysis of two surface stone artefact assemblages recorded in early 2000 during a wider investigation of the region?s potential for postgraduate archaeological fieldwork. Analysis of raw material utilisation is used to assess the characteristics of the occupational histories of two locations with similar landscape settings. The analysis indicates variability in the intensity of raw material use between the assemblages, which suggests subtle differences in the occupational history of each location. The results of this work provide a direction for future stone artefact studies within this poorly understood region.document reproductions, maps, b&w photographs, colour photographskimberley, mawul rom project, 3d computer game, storytelling, vincent serico, beeswax, namarrkon, artefact assemblages, strathbogie ranges, groote eylandt, budd billy ii -
Victorian Aboriginal Corporation for Languages
Periodical, Australian National University Department of Pacific and Southeast Asian History, Aboriginal history, 1979
... b&w photographs, letters, document reproductions... Street Brunswick melbourne b&w photographs, letters, document ...b&w photographs, letters, document reproductions -
Victorian Aboriginal Corporation for Languages
Periodical, Australian National University Department of Pacific and Southeast Asian History, Aboriginal history, 1989
... b&w photographs, maps, charts, document reproductions... Street Brunswick melbourne b&w photographs, maps, charts ...b&w photographs, maps, charts, document reproductions -
Victorian Aboriginal Corporation for Languages
Periodical, Royal Historical Society of Victoria, Victorian historical journal : Victorian place names issue, 2005
... maps, b&w photographs, word lists, document reproductions... Street Brunswick melbourne maps, b&w photographs, word lists ...maps, b&w photographs, word lists, document reproductions -
Victorian Aboriginal Corporation for Languages
Periodical, Royal Historical Society of Victoria, Victorian historical journal : centenary issue, 2009
... b&w photographs, b&w illustrations, document reproductions... Street Brunswick melbourne b&w photographs, b&w illustrations ...b&w photographs, b&w illustrations, document reproductions -
Victorian Aboriginal Corporation for Languages
Periodical, Royal Historical Society of Victoria, Victorian historical journal : origins of the rotary hoist, 2008
... b&w photographs, b&w illustrations, document reproductions... Street Brunswick melbourne b&w photographs, b&w illustrations ...b&w photographs, b&w illustrations, document reproductions, tables -
Victorian Aboriginal Corporation for Languages
Book, Helen Gardner et al, Southern Anthropology : a History of Fison and Howitt's Kamilaroi and Kurnai, 2015
... b&w illustrations, b&w photographs, tables, document... illustrations, b&w photographs, tables, document reproductions From far ...From far-flung sites in Australia and the Pacific Islands, Lorimer Fison and A. W. Howitt produced the landmark study, 'Kamilaroi and Kurnai' (1880). Their book revealed the complexity of Aboriginal and Pacific Island societies and changed the course of anthropology in the early years of the discipline. Using archival sources and an innovative approach, Southern Anthropology explores the research, writing and reception of 'Kamilaroi and Kurnai'. Historical chapters track Fison and Howitt's collection and analysis of anthropological material in the context of raging debates about the evolution of humans. This narrative is interspersed with an introduction to the kinship and social organisation of Aboriginal and Pacific Island people that highlight the enduring value of Fison and Howitt's methods and the resurgence of their questions in contemporary anthropology. Southern Anthropology is designed to be read across disciplinary boundaries. b&w illustrations, b&w photographs, tables, document reproductionshistories, anthropology, howitt, fisson, kamilaroi, kurnai, evolution, archives, australia -
Victorian Aboriginal Corporation for Languages
Book, Through their eyes : an historical record of Aboriginal people of Victoria as documented by the officials of the Port Phillip Protectorate, 1839-1841, 1994
maps, b&w illustrations, b&w photographswathaurung, woiworong, woi wurrung, bunorong, boon wurrung, taungurong, taungurung, derrimut, william thomas, port phillip protectorate -
Victorian Aboriginal Corporation for Languages
Book, Donna Leslie, Aboriginal art : creativity and assimilation, 2008
... colour photographs, b&w photographs, colour illustrations... photographs, colour illustrations, document reproductions Chapters ...Chapters entitled History of Aboriginal Art, Imagining Albert Namatjira, Indigenous Renaissance, Creative Revolution, The Art of Les Griggs and The Art of Lin Onus.colour photographs, b&w photographs, colour illustrations, document reproductionsyorta yorta, cummeragunja, albert namatjira, les griggs, lin onus, indigenous art