Colour photograph of the land at Chewton where a goldfields agitation meeting took place.agitation hill chewton, goldfields agitation, chewton

This book tells the story of Vermont through pictures and diagrams from the beginnings of Vermont in the 1830's through to 2010. non-fictionThis book is about the history of Vermont in the Nunawading Shire from 1830s including black and white photographs, recollections and maps.shambrook. tim, vermont, mcclare. john

Barry Heard tells of life in Swifts Creek area in mid 1900'ssettlement, social history

non-fictionThe first church, built of weatherboard, was erected in 1870. It was originally part of the Brighton Parish. St. Michael's Parish was established in 1956, having previously been part of the parish of Dandenong. In 1956 it became part of the Diocese of Sale. The current Church was opened on 29 April 1984 and was blessed by the Bishop of Sale Eric D'Arcy. The Architect was Smith and Tracey and the builder was C.D. Mason Constructions.st michael's parish berwick, berwick (vic.), st francis xavier college, father john gallagher

36 p.; 30 cmnon-fiction"Goronga is a farming property at Pakenham Upper, in the foothills of the Dandenong Ranges 55 kilometres from Melbourne. The property of 24 hectares (60 acres) was established as a farm by selectors in the 1870s and in 1889 was purchased by Melbourne residents William and Matilda Raleigh, who created a hill station garden around the new house they built adjoining the earlier farmhouse...." -- page 3. pakenham upper (vic.), goronga

B&W Photographgranite hill school, beaufort - history

The date of the scene depicted in this painting has not been identified. The painting has no artist signature or date. The view depicted is from an area close to the present day Madden Drive in Bacchus Marsh. The angle of the view suggests the artists viewpoint may have been from a spot close to the intersection of Madden Drive and Muir Street looking east over the town. Several buildings constructed in the 1860s and 1870s can be seen in the painting. These include Saint Andrews Presbyterian Church (now Uniting Church), built 1865, Stone Villa in Bennett Street, the Bacchus Marsh Court House, the former National Bank and the Border Inn, all on Main Street, and in the distance Saint Bernard’s Catholic Church. Buildings such as Simon’s Garage erected in 1913, on the corner of Main Street and Grant Street are not shown. In the foreground running horizontally Grant Street can be seen. The view of Grant Street shows very few buildings. One house in the centre of the picture is Murdoch's Cottage. A brick house constructed in 1868 on the corner of Grant Street and Waddell Street. To the right of the picture along Grant Street no buildings are shown. The store built by John Jory in 1890 at 60-62 Grant Street which survives as a building in 2025 is not shown. Some allowance for artistic interpretation must be allowed but based on what the scene depicts it suggests a scene of Bacchus Marsh in the late 1870s or 1880s. Print reproduction of an oil painting. Framed. Undated. Unsigned. BMDHS Location: AR/B12/Beside (on floor)views bacchus marsh vic., paintings bacchus marsh vic., landscapes bacchus marsh vic.

John D'Alton water reserve Colour photograph of wooden sign with reservoir in background and wattle on left.stawell

Black and white photo of Display House, Cnr Canterbury & Deans Wood Road, Forest Hill.display home, canterbury road, deans wood road, forest hill

History unknown. Sent by anonymous donor to the Historical Society in September 2011.Silver-plate teaspoon with ornate handle with photograph of Flagstaff Lookout, in plastic case with transparent top"Linton Victoria" on ornate handle.flagstaff lookout tower, linton [township], souvenirs

Reproduced by permission of Mr John Arnold from his book: "The Riversdale Golf Club - a history, 1892-1977." Copyright to book: Riversdale Golf Club. Surrey Hills Golf Club operated from 1892-1908 then moved and became Riversdale Golf Club. The game was played across paddocks from Trafalgar Street, Mont Albert to Whitehorse Road and down Victoria Crescent to where Box Hill TAFE is now located in Elgar Road. There were problems with cows eating the tee flags! The clubhouse still exists as 30 Trafalgar Street.Apart from its association in documenting the Surrey Hills Golf Club which has long disappeared, this image documents the landscape in the pre-urban era.Black and white photo of a scene at Surrey Hills Golf Club. There is a water hazard in the foreground with a lady on her knees trying to retrieve a ball from the water's edge. Three lads, one on a horse, are watching, as are 3 males to the right."In water" in the bottom right of the photo. Caption: "Captain Fred Andrew watches his partner's misfortunes during a game at Surrey Hills in 1895."sports grounds, surrey hills golf club, riversdale golf club

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 130A Park Hill Road, Kew by Margaret Picken.130A PARK HILL ROAD., KEW / PICKEN ©2002 / WOODARDSartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 130a parkhill road -- kew (vic.)

Black and white photograph of a garage sale in Forest Hill. Sale sign, mattress and lounge suite in foregroundgarage sales

Twelve coloured photographs of the old Strathdon orchard, house, and surrounds in Springvale Road, Forest Hill in 2008.strathdon orchard, orchards

J Evans - Various accounts (general day book) 1907 - 1913; Two page draft ''Memorandum of Partnership' loose at rear cover between Joseph Carlyve (?? Spelling) and Hendrey Jobe (John Evans, witness) for the rising of crushing stuff at Flagstaff Hill.bendigo, industry, gold, flagstaff hill

Photo of Lansell's Big 180 Victoria Hill - early 1870's. In the background is New Chum Hill. In the right foreground is Ballerstedt's second Open cut. On the left edge of the opencut is a building with a chimney beside it and poppet legs and a chimney further behind the building. Behind the opencut are more chimneys, poppet legs and buildings. Two photocopies donated by A Richardson in Folder 124 (3556.1).Lansell's big 180 Victoria Hill early 1870sphoto, lansell's big 180 mine, new chum victoria, nth old chum, old chum, ballerstedt's 2nd opencut, a richardson

The artefact is a brass cow bell recovered from the 1878 shipwreck of the LOCH ARD near Port Campbell. It was raised by Flagstaff Hill divers in 1973 and is in storage at the Maritime Village. The LOCH ARD was constructed on the Clyde in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” From this array of objects on the ocean floor emerged the humble brass cow bell. Cow bells were common to colonial agriculture and transport, used wherever animals were turned out to graze overnight and had to be rounded up again next morning. Bells were fastened around the necks of household milking cows, domestic goats, bullock teams, horse teams, and camel teams, to help find them in the pre-dawn light. Station shepherds and cattle drovers also used them to warn of any disturbances to their flocks and herds overnight. The bells were a necessary item in a largely unfenced continent. So important, that Anthony Mongon began making his pot-bells at Yackandandah from 1861, August Menneke produced the “Wagga Pot” from 1867, and Samuel Jones started manufacturing his distinctively shaped “Condamine Bell” in 1868. However, these deeply resonant Australian bells were made from iron — Mongon and Jones were blacksmiths who simply beat old pitsaw blades into shape. Few genuinely brass cow bells were made here, the vast majority being imported from Britain where the industry of brass founding was already well established. (Some bells were also imported from the United States, but these too were nearly all of iron). This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being one of a collection of artefact recovered by the Flagstaff Hill Divers from the wreck of the Loch Ard in the early 1970s. Items that come from several wrecks along Victoria's coast have also been recovered for Flagstaff Hill Maritime Village’s museum collection under Government permit, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Brass cow bell, flat-top pyramid shape, rectangular head, shoulders flare out to a rectangular mouth. The hanging yoke is missing. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch ard, cowbell, great ocean road, loch line, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, cow bell, brass cow bell, shipwreck artefact, flagstaff hill divers, horse bell, bell smith, vintage bell, farmer, shepherd, drover, stock bell, brass bell

PHOTOGRAPH OF CLUNES FROM HILL NEAR SCHOOL ABOUT 1900 TO 1905. SHOWING OLD POST OFFICE & TOWN HALL IN BACKGROUND. ( ON REVERSE SIDE OF 1224)FROM HILL NEAR SCHOOL ABOUT 1900 TO 1905.local history, photography, photographs, town hall + post office

Document, Program, Music Advancement Society of Bendigo presents ''The Dorian Singers ''. Conductor: Leonard Fullard, assisted by Henk Monfroy, Guitarist. Concert at Town Hall, Bendigo, Saturday 29th June 1963 at 8:15pm. Program 1/-. Reporter Print, Box Hill.Reporter Print, Box Hill.document, music, music advancement society of bendigo-the dorian singers

Pink card with black typing. It is a ticket for the Victorian Theatre at Sovereign Hill, Ballarat East.VICTORIA THEATRE SOVEREIGN HILL BALLARAT F 07 Balcony 20 DEC 1982victoria theatre, ticket, sovereign hill, ballarat

Black and white photograph of entrance waterway Lakes Entrance Victoria. Also another view from Flagstaffwaterways, piers, engineering

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Students would have attended Ballarat College of Advanced Education..1 A timber framed black and white photograph taken at Sovereign Hill of a group of twelve people dressed in period costume with a name plate at the bottom. .3 Sepia colour portrait mounted on card - photographers information Typed name plate with names .3 Red Hill Photographic Rooms, Sovereign Hill. Number of photograph - 8105-45viosh, viosh australia, graduate diploma in occupational hazard management, andrew barnard, robert brown, alan channon, brian emerson, frederick garner, murray giles, roy hegney, ronald mansfield, anthony payne, george robotham, robert sutton, ballarat college of advanced education