Dinner size plate with photograph of St Paul's Cathedral, London. Plate has gold.... Picture in rich taupe brown. "Avon shape" plate.MADE IN ENGLAND Crown Ducal Made in Englandcrown ducal, plate

Wilfred Clarence Busse 1898-1960, born in Chiltern, was a barrister and author. His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse attended school at Wesley College and studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia" was written in 1928 and published in 1930. "The Golden Plague: A Romance of the Early Fifties", written in 1930, won the T. E. Role gold medal for the best historical novel published that year and went on to become a best seller. His passion for the region led him to write “The History of Chiltern”, which was published in a serial form in the Chiltern Federal Standard from 1922-1923. He was a member of the Chiltern Athenaeum upon his death in 1960.This book is of considerable importance to Chiltern Athenaeum as it was written by Wilfred Clarence Busse, a barrister and author born in Chiltern. Busse drew inspiration to write novels from his life growing up in Chiltern which is apparent in "The Blue Beyond; A Romance of the Early Days in South Eastern Australia".A small sized book in blue hardback binding, with the title and the author`s name in dark blue fonts at the top of the front cover. There are 288 pages. Front cover: The Blue Beyond/Wilfred C. Busse/ Title page: The Blue Beyond/A Romance of the Early Days in South-Eastern Australia/by Wilfred C. Busse/ Hutchinson & Co (Publishers), LTD. /34-36 Paternoster Row, EC4 / wilfred clarence busse, chiltern, barrister, author, wesley college, university of melbourne, supreme court of victoria, leo finn bernard cussen, historical novels, bush life, the golden plague, the blue beyond, the history of chiltern, chiltern athenaeum, gold rush, murray river, chambers, 1928, 1930, chiltern federal standard, t. e. role gold medal

The first show was held inSept 1883 at Alexander Park on the Murray River. Two years later it was moved to the Showgrounds south of the town. Two shows have been missed, one due to WW2 and the other due to drought and a poor season. The Centenary Show was held over two days with a street parade on the Sunday.A5 size booklet Yellow card cover. Newspaper quality pages. Lists committee members,Life members, Stewards,prizes, classes and events

This prayer card is given to all new staff at Marcellin College on their third induction day. On this day, they learn about being part of the Marist community 'In the Champagnat Way'.St Marcellin Champagnet was the founder of the Marists. He realised that not all children were having an education. The student's who were having an education did so under cruel teaching conditions. He trained teachers to teach student's in a loving and caring way. This is a prayer to bless all teachers to teach in this same way.Post card size made of cardboard and is duplex. Colour photo on one side of St Marcellin Champagnat. The reverse side has a prayer for teachers.Beatitudes for Teachersbeatitudes, prayer, teachers, blessed

For the wedding of Dorothy Williams in 1958'Schiaparelli' stockings in red box with pink tissue paper around inside the box. Style 'Magnifique', Colour 'Blossom'. Size 10 1/2Schiaparelli 'Magnifique', 'Blossom'. 10 1/2costume accessories, footwear accessories

In 2006, the RAIA 25 Year Award was presented to Robin Boyd House II by Grounds Romberg and Boyd. The jury said: “This house, designed by the late Robin Boyd for his family, is an exemplary expression of modernity from an optimistic period of artistic endeavour.” “This award acknowledges the breathtaking skill and daring with which Boyd has exploited the opportunity to design his own home to reject domestic convention and contribute a house of programmatic and technical innovation and mastery.”Jury citation, section and plan drawings, two photographs in a black timber Ikea frame around two insets size, off white mount.

RAAF Great Coat Black size 16 RAAF original Owner David Russell Young Service Number 121195)(Donated by Ian Young)uniform, ww2, raaf

Four Quarto sized typewritten pages of a list of uncollected distribution of shares in the South Nell Gwynne Gold mine. Dated 31 March 1955.gold, mining, uncollected distribution list, bendigo, gold mines, south nell gwynne

Four foolscap sized typewritten pages headed Golden Carshalton N.L. containing Names, Number of Shares held, Distribution Numbers and Addresses of the shareholders.gold, mining, share distritution, bendigo, gold mines, golden carshalton, carshalton line of reef

The stones are a momento from Anzac Cove, the site of the Australian Infantry Force's landing in 1915.Landing at ANZAC Cove , 25 April 1915 Description As part of the attempt to seize the Gallipoli Peninsula in order to suppress the Turkish defences guarding the Dardanelles, military landings were made at Cape Helles at the southern tip of the peninsula (the main landing) and on the west coast near Ari Burnu. At this secondary objective two Divisions of the Australian and New Zealand Army Corps (ANZAC) landed in the darkness and faced rugged and difficult country. Units mixed up on their arrival rushed inland and became separated from the main force, which came under growing fire from the Turkish defenders. While Turkish reinforcements arrived, the ANZAC position became increasingly precarious as the assaulting force failed to secure their initial objectives. Falling back on improvised and shallow entrenchments the ANZACs held on for a crucial first night. By that first evening 16,000 men had been landed; of those over 2,000 Australians had been killed or wounded. www.awm.gov.au ANZAC Cove landingTwo smooth stones. Both would fit into the palm of a medium sized hand. One is dark, almost black, the other lighter, with a pinkish tinge.Catalogued as 108A and 108 Banzac cove, gallipoli

Wal Jack had an extensive range of correspondents throughout Australia and the world who often provided him with detailed drawings and notes on various tramway systems. This set of notes on the Dunedin tramway system, provides details of the tram system during 1946 and the rolling stock. Based on the handwriting, prepared by Wal Jack himself. Yields information about Wal Jack's extensive recording and research work.Drawing - black, red and blue ink or colour pencil on quarto size paper and one sheet of notes on the Dunedin NZ tramway system 1946.tramways, wal jack, drawings, maps, tramcars, dunedin nz

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated photograph of the artist Alma Figuerola from her photograph album. The photograph is one of a number taken from the same photograph in different sizes.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated photograph of the artist Alma Figuerola from her photograph album. The photograph is one of a number taken from the same photograph in different sizes.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Soft cover book slightly larger than A5 size with photos of grains on the front & a darkish red back with a blurb in white 174 pages

Soft cover book slightly larger than A5 size, white and blue cover with small panel of food items and testing 177 pages

Soft Cover book slightly larger than A5 size, orange cover with photo of bottles on the front and lettuce crop on the back 179 pages

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Straw hat by brand ‘Akubra’ in the style ‘Olympian’, size 59. Sides of crown woven with decorative pattern and hatband printed with native Australian flora. Labels: Akubra / 59 / Olympian / MADE IN AUSTRALIA1992 barcelona olympics, uniform, australian wool corporation, hat

Publicity photograph of the cast from 'Cop Shop': [Back row] Paula Duncan, John Orcsik, Lynda Stoner, Gregory Ross, Terry Donovan, ?, Joanna Lockwood, Peter Adams. [Front row] Terry Norris, Louise Philip, Gil Tucker. Signed on the back 'To Neil, All my best, Gregory Ross. 3AW Yvonne Lawrence card is unsigned, however Bruce Mansfield and Philip Brady have autographed their with the first name only.1 black and white publicity photo of the cast from the TV show 'Cop Shop', 2 postcard sized publicity cards from 3AWnon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, gregory ross, bruce mansfield, philip brady

This signal cartridge has been cut down probably to make trench art 38mm nickel flare cartridge case that has been cut down in size. The percussion cap on the bottom of the cartridge indicates that it has been fired.Stamped - MA-88F009-001 / M195 ACN88FOO3-002 / LOW88LO-3O-005nickel, cartridge cash, flare

R.S.M Trophy 1986R.S.M Trophy 1986 small to medium sized trophy with gold plate with inscriptions. Thunderbolt logo badge. Gold sicke object on top of trophy.R.S.M Trophy 19865/6 rvr, r.s.m trophy 1986, waverly trophies

The unit has since been disbandedthe Plaque of the 1st Battalion Royal Victorian Regiment. The size of the unit symbol is in a blue plaque shaped back ground, and its fixed on dark wood

Black dinner suit. Comprising tails coat, and white vest with three pearl buttons. Accompanied by bow tie. Size SM. Trousers missing. bow ties, wedding accessories, wedding clothing, waistcoats, clothing accessories

2nd INF Brigade Competition - Lewis Gun - Won by 5th BattSmall - Mid size trophy with upside down hockey stick/nike logo handles that are intact. Base of trophy has VSR Trust written. 2nd INF Brigade Competition Lewis Gun Won by 5th Batt5/6 rvr, 5/6 rvr pipes and drums, 2nd inf brigade competition, lewis gun, 5th batt

Written by Marc Fiddian, published by Galaxy Print & Design in 2002. Looks at the history of trams in Australia and New Zealand, the cities or towns that they were used in and their demise except for Melbourne. Records their revival in Sydney. Includes some notes on preservation and museums. Has a photo of cable cars in Chapel St Prahran with the Prahran Town Hall featuring on the front cover.Yields information about Australian Tramway cities.Book - "Australasia's Tramways" - A5 size, perfect bound 84 pages + card covers with an index, written by Marc Fiddian. Includes many photographs.trams, tramways, australia, new zealand, marc fiddian, chapel st

Certificate designed by R.V.Waldheim, Artistische Anstalt, Wien awarded in Vienna on 18.08.1873.Cardboard certificate designed by R.V.Waldheim, Artistische Anstalt, Wien awarded in Vienna on 18.08.1873. (Framed copy 92.538.) Also 2 reduced size photocopies.certificate, r.v.waldheim, vienna, austria

Timothy Gorman of Linton, was appointed dog inspector for the west riding of the Shire of Grenville on September 30th 1907.Foolscap size, handwritten agreement with red wax seal dated September 30th, 1907. Agreement made between Timothy Gorman and the Shire of Grenville.shire of grenville, timothy gorman, employment contracts, dog inspector

Bakelite record by Parlophone Co Ltd London 41413. "John Go And Put Your Trousers On" by Billy Williams A2031. Size - 10 inch flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village