James Ring was the Head Teacher at Melton State School 430 in the 1930sBereavement card from the Ring familylocal identities, education

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head is reinforced by fibreglass bands, decorated with red plastic strips. Inscription across the base of the head, on obverse: RED. Manufacturer's trademark decal features at central prong on obverse. At the top of the handle, on both sides, is the word: PATENT. Inscription on outside of right prong: FRAME MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, String, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, Adhesive tapetennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with white plastic strips. Inscription across the base of the head, on obverse: WHITE. Manufacturer's trademark decal features at central prong on obverse. At the top of the handle, on both sides, is the word: PATENT. Inscription on inside of right prong: MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, Adhesive tapetennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. The underside of the head, continuing around and down the inside of the outside prongs, is reinforced by fibreglass strips. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on outside of right prong lists all the worldwide patents for the racquet design. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED/MADE IN ENGLAND. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, Adhesive tape, Stringtennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with white plastic strips. Inscription across the base of the head, on obverse: WHITE. Manufacturer's trademark decal 'HAZELLS' features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Inscription on inside of right prong: MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, String, Adhesive tapetennis

The Rufous-bellied Kookaburra is a large member of the Kingfisher family. It commonly resides in the dense rainforests of lowland New Guinea, Saibai Island, Indonesia, Biak, Maluku/Moluccas Islands, Papua New Guinea, Melanesia and Queensland in Australia. This is unlike other species of Kookaburra which commonly prefer to reside in locations of open country. Another aspect which makes this bird unique to other Kookaburra is its tendency to live in pairs and not in family groups which is typical of other Kookaburras. In the case of the Rufous-bellied Kookaburra, both parents incubate and care for the eggs/chicks. This Kookaburra feeds on small mammals, birds, reptiles and insects. The Rufous-bellied Kookaburra was originally named the Gaudichaud's Kookaburra after the French botanist Charles Gaudichaud-Beaupré. This species of Kookaburra is among the most colorful varieties of the Kookaburra alongside the Spangled Kookaburra. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rufous-bellied Kookaburra is a large Kingfisher with a black coloured cap on the head, white collar around the neck, blue feathers on the wings and rump and a rufous belly. The female Kookaburra has a brown/rufous coloured tail, as is the case for this particular specimen which identifies it as female. This bird has a large white bill and pale coloured legs. The head is a large square shape and the body is stocky.Label: National Museum Victoria / 159a /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, kookaburra, rufous-bellied kookaburra

The Masked Lapwing is a grown-dwelling bird with distinctive large yellow wattles that hang from the sides of its face. The bird has white feathers with black and brown markings. This particular Masked Lapwing has black decorating its hind neck on the sides of the breast which reveal this specimen to be a southern subspecies. The Masked Lapwing appears throughout Australia and is also common in Indonesia, New Guinea, New Caledonia and New Zealand. The Masked Lapwing is known to be fearlessly defendant of its nest and will dive at people who intrude. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Masked Lapwing is standing on a wooden platform. Its wings are slightly elevated and head is turned towards right wing in a slight decline. The stomach feathers are mostly white and the wings are brown. Black feathers decorate the top of the head, the hind neck and the sides of the breast. The bird has tall legs and long yellow wattles covering its face. The small eyes are made from glass.2... Plover See Catalogue, page, 32.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, masked lapwing, plover

This glass milk bottle was manufactured and used mid to late 1900's (1834 Victorian dairy industry was founded) up to the time that a cheaper container was invented(plastic bottles and polyethylene plastic lined cardboard cartons) and produced. In 1909 the supply of pure bottled milk was required for babies to overcome infant mortality due to unhygienic milk sources (unclean containers and unpasteurized milk). Due to the volume of milk being processed and hand milking could not keep up with demand, dairy farms introduced milking machines in the late 1930's. The great increases in dairy herds from the average of 18 cows per heard in 1950's to 142 cows per herd in 1996 required milk tankers to pick up the regions milk supply. This bottle was so constructed to be easily moved within the milk processing plants from the delivery vats/holding tanks to the final corking/sealing of the bottles for eventual distribution. From 1958 the milk bottle slowly became phased out of production. At this point in time Melbourne was drawing 160,000 bottles per week from the two major glass bottle works companies, e.g. Melbourne Glass Bottle Works Co. Victoria was the major state supplier of cows milk in the history of Australian milk production from the early 1800's. The Kiewa Valley and its region was a major contributor to meet that demand. Each bottle was "branded" during manufacturing to show the contents (pasteurized milk) and where it originated from (region and supplier). This method of recycling the bottles back to specific dairy farms was a good control method but an uneconomical "on cost" which was replaced by the "throw away" less costly plastic and cardboard containers. Kiewa Valley dairy herds had marked bottles bearing "90/9", "6/18", "6/33", "6/35" and "6/36" This heavy gauged glass milk bottle has a rim and a distinctive head at the top. This head has been manufactured to facilitate the movement of the bottled along the milk production line. The method of pouring milk into the bottle has been part of the "production line". This bottle has a one pint capacity and is made from "clear" glass. There are other milk bottles that have a "green" tint in them.Around the bottom side of the bottle and blown into the glass "ONE PINT" and on the opposite side "MILK". Below these markings is "This BOTTLE BELONGS TO MILK BOTTLES RECOVERY LTD" below this "AND CANNOT BE USED WITHOUT WRITTEN PERMISSION. On the base of the bottle is molded a big "M". An identification mark of "90" over "9" is beneath the "M". glass bottles, commercial milk containers, domestic milk bottles, pasteurized milk bottles, milk, dairy, farms, kiewa valley

This glass milk bottle was manufactured and used mid to late 1900's (1834 Victorian dairy industry was founded) up to the time that a cheaper container was invented(plastic bottles and polyethylene plastic lined cardboard cartons) and produced. In 1909 the supply of pure bottled milk was required for babies to overcome infant mortality due to unhygienic milk sources (unclean containers and unpasteurized milk). Due to the volume of milk being processed and hand milking could not keep up with demand, dairy farms introduced milking machines in the late 1930's. The great increases in dairy herds from the average of 18 cows per heard in 1950's to 142 cows per herd in 1996 required milk tankers to pick up the regions milk supply. This bottle was so constructed to be easily moved within the milk processing plants from the delivery vats/holding tanks to the final corking/sealing of the bottles for eventual distribution. From 1958 the milk bottle slowly became phased out of production. At this point in time Melbourne was drawing 160,000 bottles per week from the two major glass bottle works companies, e.g. Melbourne Glass Bottle Works Co. Victoria was the major state supplier of cows milk in the history of Australian milk production from the early 1800's. The Kiewa Valley and its region was a major contributor to meet that demand. Each bottle was "branded" during manufacturing to show the contents (pasteurized milk) and where it originated from (region and supplier). This method of recycling the bottles back to specific dairy farms was a good control method but an uneconomical "on cost" which was replaced by the "throw away" less costly plastic and cardboard containers. Kiewa Valley dairy herds had marked bottles bearing "90/9", "6/18", "6/33", "6/35" and "6/36" This particular one has "7/14".This heavy gauged glass milk bottle has a rim and a distinctive head at the top. This head has been manufactured to facilitate the movement of the bottled along the milk production line. The method of pouring milk into the bottle has been part of the "production line". This bottle has a one Imperial pint capacity and is made from "clear" glass. There are other milk bottles that have a "green" tint in them. Around the bottom side of the bottle and blown into the glass "ONE IMPERIAL PINT". Below these markings and stenciled is "KIEWA" (in freehand style and underlined) underneath is "PASTEURISED FULL CREAM MILK" underneath this ,in freehand stiyle is "USE" next to this in block style "KIEWA BUTTER, CREAM, AND ICE CREAM MIX" to the left of this ,and barely readable is stenciled "THIS BOTTLE ALWAYS REMAINS/ THE PROPERTY OF/ NORTH EASTERN DAIRY Co. Ltd". On the base of the bottle is molded a big "2". with a smaller "m". An identification mark of "7" over "14" is within a circled boundary. Below this is moulded "RM - 15". glass bottles, commercial milk containers, domestic milk bottles, pasteurized milk bottles

Photocopy of chapter 13 ' You cannot clap with one hand' from book 'March to big Gold Mountain' David Horsfall, 1985 (copyright) 5 pages. Photo on first page of Vern Lock, with the head of Sun Loong. Chapter details involvement of Chinese in the Easter Fair from its earliest inception. Mr. Vern Lock carried the head of the dragon for 40 years.bendigo, chinese, easter fair

Sepia image mounted on board: image shows Bendigo Creek, sandstone walls on creek. Creek is not yet paved with bluestone pitchers. On RH side Hustlers Royal Reserve Mine, chimney and poppet head visible. Poppet head has lattice girder legs. Post Office clock behind showing 25 to 4. Image is pre-1910, when mine structure was removed.bendigo, mining, hustlers royal reserve/bendigo creek, bendigo, sandhurst, bendigo creek, mining, huslters royal reserve, post office, poppet head, chimney

A Wilson Famous Player Series, Don Budge Super Stroke tennis racquet. Shaft features a decal head and neck illustration of Budge. base of head features Wilson logo in banner device behind 'W' trademark. Leather handle grip features four-leaf clover perforations. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Plastic, Painttennis

A Wilson Famous Player Series, Mary Hardwick Stylist tennis racquet. Base of head features Wilson logo. Shaft features decal head and neck illustration of Hardwick. Butt cover features blue 'W' trademark. Throat features stylised racquet on shield device. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Paint, Ribbon, Clothtennis

A Wilson Famous Player Series, Mary Hardwick Victory tennis racquet. Base of head features Wilson logo. Shaft features decal head and neck illustration of Hardwick. Butt cover features blue 'W' trademark. Throat features stylised diamond and chevron devices. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Paint, Ribbon, Clothtennis

A Davis Hi Point, fibreglass composite tennis racquet, with an open throat and large head. Racquet features plain leather handle grip. Model name features across base of head. Davis logo features along shaft. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Adhesive tape, Rubber, Fibreglass, Painttennis

An Head 'Arthur Ashe Competition Edge' tennis racquet, with: graphite frame with open throat; grooved outer crown; plastic butt cap; and, leather handle grip over hard plastic shaft encasement. Manufacturer's name features across base of head. Model name features along left side of throat. Materials: Graphite, Plastic, Nylon, Leather, Adhesive tape, Inktennis

A Le Coq Sportif, Yannick Noah Crescendo tennis racquet (.1) and racquet head cover (.2). Company logo features across the base of the head, with rooster trademark across the throat and butt cap. Logo and trademark also feature on the cover. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Fibre, Adhesive tape, Plastic, Vinyl, Metal, String, Inktennis

A badminton racquet with wooden head and handle, and metal shaft, reinforced with conical plastic tubes. Shoulders and shaft feature string whipping, and handle features rubber grip. Model logo and emblem feature on throat on obverse, whilst head photo image of Budge features on throat on reverse. Materials: Wood, Lacquer, Nylon, Ink, Adhesive tape, Metal, Paint, Rubber, Plastic, Glue, Stringtennis

A badminton racquet with wooden head and handle, and metal shaft, reinforced with conical plastic tubes. Shoulders and shaft feature string whipping, and handle features rubber grip. Model logo and emblem feature on throat on obverse, whilst head photo image of Budge features on throat on reverse. Materials: Wood, Lacquer, Nylon, Ink, Adhesive tape, Metal, Paint, Rubber, Plastic, Glue, Stringtennis

A badminton racquet with wooden head and handle, and metal shaft, reinforced with conical plastic tubes. Shoulders and shaft feature string whipping, and handle features rubber grip. Model logo and emblem feature on throat on obverse, whilst head photo image of Budge features on throat on reverse. Materials: Wood, Lacquer, Nylon, Ink, Adhesive tape, Metal, Paint, Rubber, Plastic, Glue, Stringtennis

A Wilson Famous Player Series, Bobby Riggs Finalist tennis racquet. Base of head features Wilson logo. Throat features the 'W' trademark with an interwoven banner device. Shaft features decal head and neck illustration of Riggs. Leather handle grip features quatrefoil perforations. Materials: Wood, Nylon, Paint, Leather, Adhesive tape, Plastic, String, Glue, Metal, Lacquertennis

A Regent, Don Budge Contender, Tournament Model tennis racquet. Regent logo features across the crown, and base of the head. Model name features on the throat and shaft. Decal head image of Budge features on lower shaft. Leather handle grip features quatrefoil perforations. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Paint, Leather, Ribbon, Ink, Adhesive tape, Plastictennis

A Bancroft real tennis racquet, with traditional gut stringing, lobbed head, solid convex throat, double screwed shaft (dowels), and long, fine grooved handle. Bancroft logo, and wreathed black 'B' trademark feature across the throat. The inside of the base of the head is reinforced with hide. The throat is reinforced with white painted fibreglass. Materials: Wood, Glue, Lacquer, Ink, Hide, Fibreglass, Guttennis

Racquet and racquet press. 'Masterpiece' moel racquet made by T.T.R. Co. Oval head, bare wood grooved handle. Leather cuff around butt. String whipping around shoulders. Multicoloured strings. Tape added around top of racquet head. Accompanied by a press by Slazengers London, wood frame with metal screws and wingnuts in each corner. Materials: Wood, Gut, Leather, Metaltennis

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt. Brighton Historical Society records indicate this bonnet was worn at the death of Archibald's widow, Isabella Black, in 1912. Other records held place Isabella Black's death in 1915. Navy silk velvet mourning bonnet with black silk train, circa 1915. The bonnet’s shape is created by a horseshoe shaped rib that sits across the crown of the head and shapes in to cover and conceal the back of the head. Across the crown, the bonnet features a navy silk velvet bow. The veil is constructed from a very fine black corded silk and hangs to approximately just below the wearer’s bottom. mourning bonnet, barone, seaview, brighton, isabella black

This photograph shows Harry Perry (School Council President); Bruce Osborns (Orbost High Head Teacher); Alex McDonald (head of Dept of Education); Bert May; Bruce Evans (M.L.C.) and Peter Nixon (minister For The Interior). It was taken at the Golden Jubilee celebrations for Orbost High School in 1962.Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This item is representative of its historyA black / white photograph of seven men wearing suits sitting on a stage with one man addressing an audience.on back - names + Orbost H.s. Golden Jubilee"education-orbost orbost-high-school-golden-jubilee

Dixons Creel Bridge Broken head of pile View looking upstream ? eastRecord of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.'66' written in pencil1962, bridge construction, dixons creek bridge, dixon's creek road, infrastructure, road construction, shire of eltham

G.J. Dawbarn was the Head of Engineering at the Ballarat School of Mines from 1888-1905.Image of Ballarat School of Mines staffmember G.J. Dawbarn.g.j. dawbarn, ballarat school of mines, staffmember