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National Vietnam Veterans Museum (NVVM)
Book, Allen, George W, None So Blind: A Personal Account of the Intelligence Failure in Vietnam, 2001
None So Blind is a unique work by a unique author. Beginning in the early 1950s and continuing far longer that any of his contemporaries, George Allen had the guts to spear truth to power - telling successive senior authorities in Vietnam and Washington, D.C. that their conduct of the war was la losing one.None So Blind is a unique work by a unique author. Beginning in the early 1950s and continuing far longer that any of his contemporaries, George Allen had the guts to spear truth to power - telling successive senior authorities in Vietnam and Washington, D.C. that their conduct of the war was la losing one.vietnamese conflict, 1961-1975 - secret service - united states, indochine war, 1947-1954-secret service - united states -
National Vietnam Veterans Museum (NVVM)
Book, Mission Vietnam: Royal Australian Air Force operations (Copy 1), 1974
For the first time the full story of an Australian armed force in South Vietnam is marshalled into a single volume.For the first time the full story of an Australian armed force in South Vietnam is marshalled into a single volume.vietnamese conflict, 1961-1975 - aerial operations, australian, australia. royal australian air force -
National Vietnam Veterans Museum (NVVM)
Book, Liska, George, War and Order: Reflections on Vietnam and History, 1968
A proponent of the war, Professor Liska here offers an original conceptual perspective for assessing our involvement, based on an imperial obligation for the United States to uphold world order, as distinct from the quest for colonies. His central thesis is simple: like it or not, the power and wealth of the United States force her to have world-wide interest and responsibilities.A proponent of the war, Professor Liska here offers an original conceptual perspective for assessing our involvement, based on an imperial obligation for the United States to uphold world order, as distinct from the quest for colonies. His central thesis is simple: like it or not, the power and wealth of the United States force her to have world-wide interest and responsibilities.vietnamese conflict, 1961-1975 -- united states, united states -- foreign relations -- 20th century -
National Vietnam Veterans Museum (NVVM)
Book, Odgers, George, Diggers: the Australian Army, Navy and Air Force
The history of Australian Army, Navy and Air Force in eleven wars.The history of Australian Army, Navy and Air Force in eleven wars.australia -- armed forces -- history, australia -- history, military -
National Vietnam Veterans Museum (NVVM)
Book, Odgers, George, Pictorial History of the Royal Australian Air Force
Pictorial History of the Royal Australian Air Force not only tells the fascinating story of the RAAF and its predecessor, The Australian Flying Corps, but turns the spotlight on the RAAF as it is today.Pictorial History of the Royal Australian Air Force not only tells the fascinating story of the RAAF and its predecessor, The Australian Flying Corps, but turns the spotlight on the RAAF as it is today.australia. royal australian air force - history, raaf -
Benalla Art Gallery
Painting, George W. LAMBERT, The garden at St Luke's Hospital, 1922-23
Born: St Petersburg, Russia 1873; Arrived Australia 1887; Died: 1930InterwarLedger Gift, 1980Garden setting with seated figures and a standing figure depicting a nurse. Bronze brushed gesso frame.Recto: Signed “G.W. LAMBERT.” in black paint l.r.c of composition; Not dated; Not titledgarden, figures, shrubs, chairs, australian art -
Benalla Art Gallery
Ceramic, WORCESTER ROYAL PORCELAIN, Reticulated vase and cover, c. 1900
Established: Worcester, Worcestershire, England in 1751 by Dr John Wall and William DavisVictorianLedger Bequest, 1993Vase of pierced porcelain with two handles and decorated with gilding.Verso: ROYAL WORCESTER ENGLAND maker's mark in gold centre of base; "871" in gold under maker's mark; "G owen" inscribed below maker's mark; " 61" in black underglaze below inscription; "1K" stamped into base on right of inscription.vase, ceramic, handles, intricate modelling, gilded, worcester -
Benalla Art Gallery
Drawing, George W. LAMBERT, Portrait of W.L.McHugh, 1925
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930InterwarGift of J. Brackenreg, Artarmon Galleries, 1979Drawing of head with short hair, neck and shoulders. Black timber frame.Recto: Signed, titled and dated "G.W.Lambert / J.W.L. McHugh – April 28th / 1925" in grey pencil across lower centre of composition.drawing, portrait, face, man -
Benalla Art Gallery
Painting, George W. LAMBERT, Mountain landscape with Maurice, 1913
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of C.J.R. Ansett, 1980Mountain and valley landscape with figure and animals. Painted timber frame.Recto: Signed and dated "G. W. LAMBERT. 1913" in black paint on l.l.c of composition; Not titledpainting, figure, boy, dog, animal, mountains, landscape, lizard, snow -
Benalla Art Gallery
Painting, George W. LAMBERT, Shearer's Sunday, 1899, 1899
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930NationalismGift of Mrs E.E. Ledger, 1982Rural landscape with four horses and riders jumping a fence. Image is in black and white colour. Dark stained, gold and grey brushed timber frame.Recto: Signed "GEO.W.LAMBERT" in black watercolour in l.r.c of composition; Not dated; Not titledpainting, rural, horses, animals, figures, fence, jump, tree -
Benalla Art Gallery
Watercolour, George LACY, Hold up, Not dated
Born: London, Middlesex, England c.1817; Arrived: Sydney, New South Wales, Australia 1842; Died: Bathurst, New South Wales, Australia 1878ColonialLedger Bequest, 1993Watercolour with ink, depcicting two men being robbed at gunpoint in the bush. Immitation timber frame with black painted edge, gold brushed internal window edge, and off white window mountRecto: Signed "G.L." in grey watercolour in l.r.c of composition; Narrative as part of work, '"How much have you” – “only 2 ounces” – “2 ounces?!! You lazy rascal, after 6 months at the diggings if you don’t find more than that I’ll knock you into the middle of next week”' written in grey watercolour across the lower edge of the composition; Not dated; Not titledwatercolour, figures, animals, trees, gun, horse, theif -
Benalla Art Gallery
Painting, George W. LAMBERT, The actress, c. 1913
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of Mr Wayne N. Kratzmann, 2005Oil painting on canvas depicting figure in a red dress, looking at her face in a mirror held by cherubs. Gold brushed, carved timber frame with decorative corners and edges.Recto: Not signed, not dated, not titledpainting, woman, figure, angels, cherubs, clouds, glove, mirror, face, flowers -
Bendigo Art Gallery
Painting, George Goodwin Kilburne, Forgiven, Circa 1888
Signed, l.l., red oil, "G G Kilburne". Not dated. -
Bendigo Art Gallery
Print - Work on paper, George BAXTER, Her Majesty, Queen Victoria, Circa 1848
l.r; BAXTER'S/PATENT/OIL/PRINTING/11 NORTHAMPTON SQUAREqueen victoria, royalty, british royal family, leader, monarchy, gown crown, portrait, work on paper, print -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982crayon on paper -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982crayon on paper -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper -
Horsham Regional Art Gallery
Drawing, George LAMBERT, Mother and child, n.d
Gift of Mack Jost, 1983graphite on paper -
Horsham Regional Art Gallery
Drawing, George LAMBERT, The old man, n.d
Gift of Mack Jost, 1983graphite on paper -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982pastel on paper -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982pastel on paper -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper -
Horsham Regional Art Gallery
Painting, George JOHNSON, Supported red triangle, 1986
Gift of Mack Jost, 1994acrylic on canvas -
Horsham Regional Art Gallery
Photograph, Samuel George CAHILL, Cranage's Swimming Pool, n.d
Gift of George and Clifford Cahill, 1982silver gelatin photograph -
Horsham Regional Art Gallery
Photograph, Samuel George CAHILL, Firebrace Street looking south from Harper's Lane, n.d
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1980horsham -
Horsham Regional Art Gallery
Photograph, Samuel George CAHILL, Firebrace Street looking north from Roberts Avenue, n.d
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1980horsham